In Real Life with Kimzilla and Emily:
Playlist
from January 10, 2018
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In Real Life is a weekly show hosted by Emily and Kimzilla on WFMU. In each episode, Kim and Emily follow their own curiosity to interview people on about a variety of themes, getting the real scoop and learning about the real people behind each topic. Previous WFMU aired episodes include topics such as circus performers, taxicab drivers, bartender therapy, alien abductions, nudism and so much more.
Also available as an MP3 podcast.
More info at our Podcast Central page.
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Pop-up player!| Artist | Approx. start time |
|---|---|
| The Tammy's | 0:00:00 (Pop-up) |
| Kim and Emily speak | 0:03:36 (Pop-up) |
| Interview with Conrad Palmisano | 0:06:42 (Pop-up) |
| Willy Nelson | 0:56:38 (Pop-up) |
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Listener comments!
common:
Richard S:
TehBadDr:
ultradamno:
Richard S:
kimzilla:
Tom Miller:
kimzilla:
Emily:
I agree, there really should be—especially after hearing all Conrad’s stories! They do so much incredible work...
Richard S:
Emily:
dale:
Emily:
Richard S:
www.taurusworldstuntawards.com
Emily:
Emily:
kimzilla:
Kate:
Emily:
Don’t die.
kimzilla:
dez:
dale:
melinda:
Chucks Paranormal:
dale:
kimzilla:
dale:
Old Dave:
Emily:
@melinda I think he was a stunt double, I THINK for Steve Martin?
Chucks Paranormal:
ultradamno:
dale:
Emily:
Emily:
dez:
dez:
Kate:
melinda:
Old Dave:
Emily:
Listener Robert:
However, the Superman serials of 1949-50 had GREAT stunt fighting. Punches swung with the players crosswise to the camera, where you could really tell, missed each other's chins by just an inch, very impressive on DVDs slowed down as much as possible.
Emily:
Emily:
Tommy in Neversink:
Emily:
kimzilla:
Richard S:
Chucks Paranormal:
Sam:
Emily:
ultradamno:
Sam:
Richard S:
Speaking of which, Casting Directors could use an Oscar of their own, too.
Old Dave:
people.com...
Jeff Moore:
Quote:
for film scenes that utilize a revolver (where the bullets are visible from the front) and do not require the gun to actually be fired, dummy cartridges provide the realistic appearance of actual rounds. Instead of purchasing commercial dummy cartridges, the film's prop crew created their own by pulling the bullets from live rounds, dumping the powder charge then reinserting the bullets. However, they unknowingly or unintentionally left the live primer in place at the rear of the cartridge. At some point during filming, the revolver was apparently discharged with one of these improperly-deactivated cartridges in the chamber, setting off the primer with enough force to drive the bullet partway into the barrel, where it became stuck (a condition known as a squib load). The prop crew either failed to notice this or failed to recognize the significance of this issue.
In the fatal scene, which called for the revolver to be fired at Lee from a distance of 3.6–4.5 meters (12–15 feet), the dummy cartridges were exchanged with blank rounds, which feature a live powder charge and primer, but no bullet, thus allowing the gun to be fired without the risk of an actual projectile. But since the bullet from the dummy round was already trapped in the barrel, this caused the .44 Magnum bullet to be fired out of the barrel with virtually the same force as if the gun had been loaded with a live round, and it struck Lee in the abdomen, mortally wounding him
en.wikipedia.org...
Chucks Paranormal:
ultradamno:
Chucks Paranormal:
Richard S:
ultradamno:
JakeGould:
Oh, and as far as Vic Morrow’s death in “The Twilight Zone” film, everything points to the director of that scene—John Landis—just pushing and bullying the crew against their own advice. The jury for the trial said he was not guilty, but then who is to blame? A helicopter pilot flying too low on whose orders? And a pyrotechnic tech setting off an explosion close to that helicopter for what reason?
Listener Robert:
By contrast, stage stunts are usually pretty weak, unless the stunt is the major part of the show, as in a wild west or magic show. In the play "Dr. Dietrich's Process", at one point a couple of players roll over a couch to fight on the floor front-stage, with other players on the other side of the couch, and the fighting looks awful, but after a couple seconds you catch on that that was the idea -- their CHARACTERS were faking a fight the other characters they were out of view of couldn't see.
ultradamno:
Old Dave:
Keep up the good work. Please.
Empathy is what most of us lack in this world...
ultradamno:
kimzilla:
Emily:
dez:
Richard S:
listener 126464:
Kate:
Tom Miller: