Music of all kinds that hits me in the pit of my stomach, all arranged to find your sweet spot, too. Plus radio shows from the 1940s & 1950s: dramas, mysteries, sci-fi, detectives, and more.
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June 15, 2003: Show 168: Fill-in for Mike Lupica (listen to entire show / each individual set / each individual song)
The start and end times of each song and set are exact.
Show time: 12 AM - 3 AM
Listen to this show:
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| Artist | Track | Album | Label | Comments | Special | ||
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Set 1: the old radio show portion of the evening. (Listen to this set: Real) |
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| Escape | The Country Of The Blind | originally broadcast November 26, 1947 | "...surrounding you - closing in on you - is a band of blind men who want your eyes." It's a love story. Of course. And we get to hear the hauntingly voiced Peggy Weber, as Medina Sarote. | ||||
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Mic break between Sets 1 & 2. Background music for it: (Listen to this set: Real) |
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| Les Chakachas | Love is like a Violin (track 4) | Arriba! | RCA International | Phat, sentimental sound. Feels like it's the slow song at the record hop. | |||
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Set 2: newer looks at some classic pieces and people. (Listen to this set: Real) |
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| Henry Kaiser | Dark Star/The Other (Side B) (Listen: Real) | Those Who Know History Are Doomed To Repeat It | SST | More active and a little more rock than the original. Definitely some late 1980's downtown New York aspects to this interpretation, but that's what you get when you also have musicians like Joey Baron and Kermit Driscoll backing you up. | |||
| Junior Brown | Guit-Steel Blues (track 11) (Listen: Real) | Guit With It | Curb | Very Hendrix influenced. Like a country-tinged Hendrix. Great, full sound, and Junior is famous for his deep voice for a reason. | |||
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Mic break between Sets 2 & 3. Background music for it: (Listen to this set: Real) |
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| Les Chakachas | Love is like a Violin (track 4) | Arriba! | RCA International | Phat, sentimental sound. Feels like it's the slow song at the record hop. | |||
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Set 3: building up to punk, and fast. (Listen to this set: Real) |
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| Plastic Crimewave Sound | Grade Ceased (Side A) (Listen: Real) | Grade Ceased (a 7") | Plastic Crimewave Sound | Slow, sludgey, psych, and even a little punky. | |||
| Error | Transplants (CD #2, track 17) (Listen: Real) | Punk-O-Rama 8 | Epitaph | Punk-hop. | |||
| Rocket From The Tombs | 30 Seconds Over Tokyo (track 8, ended at -0:27) (Listen: Real) | The Day The Earth Met The Rocket From The Tombs | Smog Veil | David Thomas, pre-Pere Ubu, Cleveland 1975. Raw, twisted, wild, swirly, acid-rocky, and speeded up in the middle - the best part, of course! At times, even magical. | *** | ||
| Transplants | Quick Death (CD #2, track 5) (Listen: Real) | Punk-O-Rama 8 | Epitaph | Quirky, clubby, almost hip-hop funk also. | |||
| Distillers | I Am A Revanant (CD #1, track 1) (Listen: Real) | Punk-O-Rama 8 | Epitaph | ||||
| Guitar Wolf | Lightning's Melody (track 13, begun at -3:13) (Listen: Real) | UFO Romantics | Narnack | Raw, fairly high speed rock, gloriously raucous and sustained. | |||
| NOFX | American Errorist (I Hate Hate Haters) (track 10) (Listen: Real) | The War On Errorism | Fat Wreckords | Neat hi speed guitar phasing. | |||
| Raised Fist | Get This Right! (CD #2, track 13: ended at about -0:23) (Listen: Real) | Punk-O-Rama 8 | Epitaph | Heavy, choppy, and fast. | |||
| Adrenalin O.D. | WWIV/Rah-Jah (track 13, begun at -1:46) (Listen: Real) | Phat N' Old | Glue | The fastest for the end. Recorded live on Pat Duncan's show. | |||
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Mic break between Sets 3 & 4. Background music for it: (Listen to this set: Real) |
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| Les Chakachas | Love is like a Violin (track 4) | Arriba! | RCA International | Phat, sentimental sound. Feels like it's the slow song at the record hop. | |||
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Set 4: the antidote to Set 3. (Listen to this set: Real) |
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| Loren MazzaCane Connors | The Art Of The Blues (tracks 7-11 only) (Listen: Real) | The Little Match Girl | Road Cone | At times haunting, delicate, softly reverbed and ambient, quiet, like a slow imaginary floating western. | *** | ||
| Surface Of Eceyon | Freeing The Winds (track 6, faded out by -1:04) (Listen: Real) | Draggyn | Strange Attractors | Starts quiet and moody, then builds in a gently propulsive way to something glorious and transcendent. | *** | ||
| Overhang Party | Barcelona (CD #2, track 2) (Listen: Real) | Other Side Of | Paaphysique | Quiet and melodic, it builds but stays gentle. Beautiful. | *** | ||
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Mic break between Sets 4 & 5. Background music for it: (Listen to this set: Real) |
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| Les Chakachas | Love is like a Violin (track 4) | Arriba! | RCA International | Phat, sentimental sound. Feels like it's the slow song at the record hop. | |||
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Set 5: some great Eastern European brass band sounds. (Listen to this set: Real) |
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| Boban Markovic Orkestar | Hava Naguila (track 2) (Listen: Real) | Live In Belgrade | Piranha | It's fast, it's slow, it's exuberant, it's great. | |||
| Frank London (and others) | Lieberman Funky Freilach (track 8) (Listen: Real) | Brotherhood Of Brass | Piranha | Boban Markovic is also on this CD. | |||
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Mic break between Sets 5 & 6. Background music for it: (Listen to this set: Real) |
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| Les Chakachas | Love is like a Violin (track 4) | Arriba! | RCA International | Phat, sentimental sound. Feels like it's the slow song at the record hop. | |||
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Set 6 (Listen to this set: Real) |
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| Eileen Farrell | Blues In The Night (Side A, track 1) | I've Got A Right To Sing The Blues | Columbia | *** | |||
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