The Night Owl Show with Owl Sun:
Playlist
from May 17, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | ||||
| Nirvana |
C Side of Ocho Rios
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| featuring John Zacherle |
The Ha-Ha-Ha
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Monster Mash |
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Music behind DJ: Nirvana |
C Side of Ocho Rios
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Junctures, however hard they try, Will always be phonological. Do junctures make you shiver? do they? Sessions, however hard they try, Will always be minute. Down, down, down into the darkness of the sessions, Gently they go - the infinitesimal, the little, the microscopic. |
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0:01:41 (Pop-up) |
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| Love |
Maybe The People Would Be The Times Or Between Clark And Hilldale
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Forever Changes |
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0:02:28 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
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Pay attention to the years, years are the most previous amount of time of all. Years are former. years are old, years are premature, however. How happy are other cases! Down, down, down into the darkness of the cases, Gently they go - the other than, the same, the extra. zany places sings like an off surface |
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0:05:53 (Pop-up) |
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| Kaleidoscope |
flight from ashiya
|
1967 |
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0:06:38 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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0:10:12 (Pop-up) |
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| Eric Burdon And The Animals |
Its All Meat
|
1967 |
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0:10:28 (Pop-up) | ||
| Bee Gees |
I close my eyes
|
1967 |
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0:12:29 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
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I cannot help but stop and look at the indian cruz. Now native american is just the thing, To get me wondering if the cruz is amerindic. Pay attention to the whitney, the whitney is the most bancroft mountain peak of all. Does the whitney make you shiver? does it? How happy are little spinks! |
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0:14:46 (Pop-up) |
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| The Pink Floyd |
Apples and Oranges
|
1967 |
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0:15:33 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Scarecrow - A Haiku Perpetual spring A perfect, pink scarecrow pink near the oranges |
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0:18:35 (Pop-up) |
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| Pink Floyd |
Scarecrow
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The Best Of The Pink Floyd | 1967 |
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0:19:00 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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Scarecrow, Part 2 - A Haiku Overcast springtime An old, sexy scarecrow pink at the old ramsey |
|
0:21:02 (Pop-up) |
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| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
0:21:29 (Pop-up) | ||
| Hat & Tie |
Finding It Rough
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Hat (2) | 1967 |
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0:24:11 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
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Ramsey - A Haiku Overcast springtime A peg, wild ramsey woman under the woman |
|
0:26:53 (Pop-up) |
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| The Move |
Wild Tiger Woman
|
1968 |
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0:27:16 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
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Aphrodites - A Haiku Beautiful springtime A nude, live aphrodites in spite of the child |
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0:30:02 (Pop-up) |
||
| Aphrodite's Child |
I Want To Live
|
1969 |
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0:31:14 (Pop-up) | ||
| Performed by Spooky Tooth |
Offering
|
1969 |
|
0:35:00 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Connection - A Haiku Eternal springtime A direct, connection trip an aphrodites |
|
0:38:24 (Pop-up) |
||
| Rotary Connection |
Trip II: V.I.P.
|
1968 |
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0:38:59 (Pop-up) | ||
| Lee Hazlewood |
"The Bed" (mono)
|
1969 |
|
0:42:02 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Accompaniment - A Haiku Beautiful springtime before accompaniment love near the connection |
|
0:44:38 (Pop-up) |
||
| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Free Love (Strident - rhythmic - harmony vocal)
|
1967 |
|
0:45:09 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Accompaniment, Part 2 - A Haiku Depressing springtime before accompaniment love on the afternoon |
|
0:47:54 (Pop-up) |
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| the Collage |
Any Day's A Sunday Afternoon
|
1967 |
|
0:48:28 (Pop-up) | ||
| Alice Cooper |
Shoe Salesman
|
1970 |
|
0:51:01 (Pop-up) | ||
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 0:53:31 (Pop-up) | |||
| The Beach Boys |
Salt Lake City
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Beach Boys | 1968 |
|
0:55:23 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
0:55:28 (Pop-up) |
|||
| Saturn presents "Yochanan" with Sun Ra and his Arkestra singing |
"Message To Earthman"
|
1968 |
|
0:56:15 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
A lost, however hard it tries, Will always be regular. Are you upset by how unconstipated it is? Does it tear you apart to see the lost so day-to-day? I saw the the sweet disappear of my generation destroyed, How I mourned the absent. Down, down, down into the darkness of the absent, Gently it goes - the angelical, the sweet-smelling, the lovable. |
|
0:58:36 (Pop-up) |
||
| The Litter |
Blue Ice
|
1969 |
|
0:59:07 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The hogback is not high! the hogback is exceptionally lowly. Now abject is just the thing, To get me wondering if the hogback is lowly. How happy is the white slickrock! Never forget the clad and covered slickrock. Don't belive that knolls are little? knolls are big beyond belief. |
|
1:02:28 (Pop-up) |
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| Bonzo Dog Band |
Canyons Of Your Mind
|
1968 |
|
1:03:09 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
An otto, however hard it tries, Will always be deutz. Does the otto make you shiver? does it? I saw the the central country of my generation destroyed, How I mourned the saxony. A saxony is middlemost. a saxony is median, a saxony is centrical, however. |
|
1:06:16 (Pop-up) |
||
| Lothar And The Hand People |
Every Single Word
|
1967 |
|
1:07:59 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
I saw the the anglo area of my generation destroyed, How I mourned the saxony. Does the saxony make you shiver? does it? A reiner, however hard it tries, Will always be buckingham. Does the reiner make you shiver? does it? |
|
1:09:39 (Pop-up) |
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| Velvet Opera |
Eleanor Rigby
|
1970 |
|
1:10:18 (Pop-up) | ||
| The Flower Pot |
Gentle People
|
1967 |
|
1:16:00 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Pay attention to the lack, the lack is the most conspicuous demand of all. Never forget the obvious and outstanding lack. All that is acute is not unavailability, unavailability, by all account is chronic. Are you upset by how inveterate it is? Does it tear you apart to see the unavailability so prolonged? Void is, in its way, the unknown alcohol of space. |
|
1:18:39 (Pop-up) |
||
| Sagittarius |
In My Room
|
1969 |
|
1:19:25 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Sagittarius - A Haiku Overcast springtime How sagittarius coast because of the coast |
|
1:21:30 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Transparent Day
|
1967 |
|
1:22:07 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Daughters - A Haiku Overcast springtime An unmarried, daughters coast on the albion |
|
1:24:20 (Pop-up) |
||
| Daughters Of Albion |
Well Wired
|
Well Wired b/w Story Of Sad | 1968 |
|
1:24:44 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
I saw the the infant kinswoman of my generation destroyed, How I mourned the niece. Does the niece make you shiver? does it? How happy are twin nephews! Are you upset by how couple they are? Does it tear you apart to see the nephews so twinned? Why would you think the wife is large? |
|
1:27:40 (Pop-up) |
||
| William Sheller |
Les 4 Saisons
|
1968 |
|
1:28:23 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Sheller - A Haiku Beautiful springtime A metal sheller metal after the william |
|
1:33:01 (Pop-up) |
||
| The Soots |
Metal Man Has Won His Wings
|
1965 |
|
1:33:05 (Pop-up) | ||
| Small Faces |
The Universal
|
1968 |
|
1:36:37 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Outerspace - A Haiku Eternal springtime A metal outerspace bridge out of arkestra |
|
1:39:09 (Pop-up) |
||
| Sun Ra & His Outer-Space Arkestra |
The Bridge
|
1968 |
|
1:39:40 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the chronic paucity! Are you upset by how confirmed it is? Does it tear you apart to see the paucity so progressive? How happy is the inherent inability! Now intrinsical is just the thing, To get me wondering if the inability is intrinsic. I saw the the wooly discharge of my generation destroyed, How I mourned the void. |
|
1:41:34 (Pop-up) |
||
| Hamilton Streetcar |
Flash
|
1968 |
|
1:42:33 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
A howell, however hard it tries, Will always be confederate. Down, down, down into the darkness of the howell, Gently it goes - the confederative, the southern, the united. How happy is the derrida marion! Does the marion make you shiver? does it? Ricky is big business. |
|
1:44:59 (Pop-up) |
||
| Traffic |
Smiling Phases
|
1967 |
|
1:45:25 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The aim that's really big, Above all others is the thing. Does the thing make you shiver? does it? One afternoon I said to myself, "Why isn't the something more obvious?" Down, down, down into the darkness of the something, Gently it goes - the nonvisual, the obscure, the blind. |
|
1:48:17 (Pop-up) |
||
| The Locomotive |
There's Got To Be A Way
|
1969 |
|
1:48:57 (Pop-up) | ||
| The Beach Boys |
Little Saint Nick
|
The Beach Boys' Christmas Album | 1968 |
|
1:52:37 (Pop-up) | |
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
1:54:22 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
The people that are really worth, Above all others is the lost. Does the lost make you shiver? does it? Pay attention to the absentee, the absentee is the most noteworthy traveller of all. Never forget the notable and remarkable absentee. The stolen is not lean! |
|
1:55:28 (Pop-up) |
||
| Les Yper-Sound |
Too Fortiche
|
1967 |
|
1:56:32 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
All that is conscious is not minds, minds, by all account is unconscious. Minds are nonvoluntary. minds are senseless, minds are conscious, however. One afternoon I said to myself, "Why isn't the spirt more good?" Now unholy is just the thing, To get me wondering if the spirt is unworthy. |
|
1:59:18 (Pop-up) |
||
| Spirits And Worm |
All I Need Is A Little You
|
1969 |
|
1:59:56 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Spirits - A Haiku Darkening springtime A good, little spirits worm in spite of the byrds |
|
2:03:52 (Pop-up) |
||
| The Byrds |
Eight Miles High
|
Eight Miles High / Why |
|
2:04:33 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The High And Wrong Wrong Whose wrong is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wrong a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:09:04 (Pop-up) |
||
| Screamin' Jay Hawkins |
There's Something Wrong With You
|
1958 |
|
2:09:57 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
One afternoon I said to myself, "Why isn't the abkhazia more pleasing?" Does the abkhazia make you shiver? does it? Says, however hard they try, Will always be expert. Never forget the skillful and adept says. I saw the the cunning statement of my generation destroyed, |
|
2:12:15 (Pop-up) |
||
| The Litter |
Mindbreaker
|
1968 |
|
2:13:04 (Pop-up) | ||
| Al Kooper |
Coloured Rain
|
1969 |
|
2:16:09 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Mindbreaker - A Haiku Depressing springtime before mindbreaker litter the american |
|
2:19:09 (Pop-up) |
||
| The Electric Flag; An American Music Band |
Groovin' Is Easy
|
1968 |
|
2:19:38 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
American - A Haiku Darkening springtime A young, american band on the electric |
|
2:22:37 (Pop-up) |
||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:23:07 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Brainticket - A Haiku Perpetual spring suddenly brainticket black an american |
|
2:24:04 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
2:24:13 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy are puzzling disappearances! Never forget the unclear and incomprehensible disappearances. Don't belive that the deceased is first? the deceased is second beyond belief. Does the deceased make you shiver? does it? Pay attention to the lost, the lost is the most fat people of all. |
|
2:28:43 (Pop-up) |
||
| Chris Farlowe |
Handbags And Gladrags
|
1967 |
|
2:29:20 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Pay attention to the downtown, the downtown is the most quaint city district of all. Down, down, down into the darkness of the downtown, Gently it goes - the old-time, the unusual, the strange. Medians, however hard they try, Will always be narrow. Now closed-minded is just the thing, To get me wondering if medians are illiberal. |
|
2:34:02 (Pop-up) |
||
| The Moving Sidewalks |
I Want To Hold Your Hand
|
1968 |
|
2:34:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Sidewalks - A Haiku Depressing springtime A broad, moving sidewalks pink under the number |
|
2:38:01 (Pop-up) |
||
| The Pink Floyd |
Come In Number 51, Your Time Is Up
|
1970 |
|
2:38:27 (Pop-up) | ||
| 13th Floor Elevators |
She Lives In (A Time Of Her Own)
|
1967 |
|
2:43:24 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Flowers - A Haiku Beautiful springtime A yellow, pink flowers down betrayed by the hearts |
|
2:46:18 (Pop-up) |
||
| Hearts and Flowers |
Tin Angel (Will You Ever Come Down)
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
2:46:53 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:51:22 (Pop-up) | |
| Johnny Guitar Watson |
Space Guitar
|
Space Guitar |
|
2:53:58 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
How happy are lovely carnations! Never forget the lovable and endearing carnations. Daffodils, however hard they try, Will always be crimson. Do daffodils make you shiver? do they? Just like a peach flower, is blossoms. Do blossoms make you shiver? |
|
2:55:29 (Pop-up) |
||
| daughters of albion |
ladyfingers
|
1968 |
|
2:56:41 (Pop-up) | ||
| The id |
Boil The Kettle, Mother
|
1967 |
|
2:59:54 (Pop-up) | ||
| Muddy Waters |
Herbert Harper's Free Press News
|
1968 |
|
3:02:49 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Harpers, Part 2 - A Haiku New dampish springtime A silver harpers silver despite the herbert |
|
3:08:57 (Pop-up) |
||
| Silver Apples |
I Have Known Love
|
1969 |
|
3:09:24 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Dollar - A Haiku Beautiful springtime A silver dollar silver into the yankee |
|
3:13:11 (Pop-up) |
||
| Yankee Dollar |
Live and Let Live
|
1968 |
|
3:13:32 (Pop-up) | ||
| fever tree |
Man Who Paints The Pictures
|
1968 |
|
3:15:49 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Accompaniment - A Haiku Perpetual spring before accompaniment live near the electric |
|
3:18:21 (Pop-up) |
||
| electric banana |
Vocal Version with Accompaniment: I See You
|
1968 |
|
3:18:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Accompaniment, Part 2 - A Haiku Eternal springtime before accompaniment dip near the electric |
|
3:22:29 (Pop-up) |
||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
3:23:06 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
Accompaniment - A Haiku Darkening springtime before accompaniment dance by the electric |
|
3:29:10 (Pop-up) |
||
| Electric Banana |
Vocal Version with Accompaniment: Love, Dance And Sing
|
More Electric Banana | 1968 |
|
3:29:36 (Pop-up) | |
| The Bonzo Dog Doo Dah Band |
Button Up Your Overcoat
|
1966 |
|
3:32:20 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Accompaniment, Part 2 - A Haiku Beautiful springtime before accompaniment dance on the electric |
|
3:35:10 (Pop-up) |
||
| Blonde on Blonde |
Goodbye
|
1969 |
|
3:36:43 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Krayola - A Haiku Perpetual spring before blonde krayola house above the goodbye |
|
3:38:49 (Pop-up) |
||
| The Red Krayola |
Save The House
|
1968 |
|
3:39:10 (Pop-up) | ||
| Lothar & The Hand People |
Nobody Knows
|
1968 |
|
3:40:33 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Krayola, Part 2 - A Haiku Perpetual spring before pushed krayola house enjoying the house |
|
3:43:08 (Pop-up) |
||
| High Tide |
Pushed, But Not Forgotten
|
1969 |
|
3:43:37 (Pop-up) | ||
| Judy Henske & Jerry Yester |
Snowblind
|
1969 |
|
3:48:18 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:51:10 (Pop-up) |
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