The Night Owl Show with Owl Sun:
Playlist
from July 9, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | ||||
| Nirvana |
C Side of Ocho Rios
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| Bee Gees |
With the Sun in My Eyes
|
1968 |
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Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
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Because I could not fly for gees, they did kindly fly for me. Pause to fly, like gees do. The lubber is not brave! the lubber is exceptionally recreant. Are you upset by how timid it is? Does it tear you apart to see the lubber so recreant? Fellahs, however hard they try, |
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0:06:13 (Pop-up) |
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| Syd Barrett |
Gigolo Aunt [Take 15]
|
1970 |
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0:06:53 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
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Butterfly - A Haiku Dampness summertime A big, butterfly iron before the barrett |
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0:12:34 (Pop-up) |
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| Iron Butterfly |
Are You Happy
|
1968 |
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0:12:58 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Butterfly, Part 2 - A Haiku Indian summer A happy butterfly pink under the controls |
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0:18:26 (Pop-up) |
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| Pink Floyd |
Set The Controls For The Heart Of The Sun
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1968 |
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0:18:48 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
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Controls - A Haiku Previous summer A strict, pink controls pilot by the animals |
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0:24:03 (Pop-up) |
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| Eric Burdon And The Animals |
Sky Pilot Part 2
|
1968 |
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0:24:42 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
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I saw the nervous roman deity of my generation destroyed, How I mourned dis. Are you upset by how anxious they are? Does it tear you apart to see the dis so jittery? How happy is the email msg! Does the msg make you shiver? does it? Don't belive that the imo is nonfat? |
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0:27:31 (Pop-up) |
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| The Quicksilver Messenger Service |
Babe, I'm Gonna Leave You
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1968 |
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0:28:13 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Quicksilver - A Haiku Indian summer A more, quicksilver service near the invention |
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0:33:14 (Pop-up) |
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| The Mothers Of Invention |
Later That Night
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1968 |
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0:33:41 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
How happy is the not been! Does the been make you shiver? does it? The fault that's really partial, Above all others is the omission. An omission is unfair. an omission is incomplete, an omission is fair, however. When I think of the revised, I see a manual structure. |
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0:36:39 (Pop-up) |
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| Strawberry Alarm Clock |
Pretty Song From Psych-Out
|
1968 |
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0:37:24 (Pop-up) | ||
| lee hazlewood |
Ten Or 11 Towns Ago
|
1972 |
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0:40:36 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
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Hearting - A Haiku Early summertime An excited hearting board into the tonight |
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0:43:04 (Pop-up) |
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| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
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0:44:03 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
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Remington - A Haiku Dismal summertime A barreled, remington frank out of electric |
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0:49:33 (Pop-up) |
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| country joe And The Fish |
Thing Called Love
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1966 |
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0:50:58 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Ayatolluh - A Haiku Early summertime before ayatolluh rock into the rolluh |
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0:53:29 (Pop-up) |
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| Yankee Dollar |
Catch the Wind
|
1968 |
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0:54:18 (Pop-up) | ||
| Nirvana |
C Side of Ocho Rios
|
All Of Us | 1968 |
|
0:57:05 (Pop-up) | |
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
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0:59:12 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
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Encouragement - A Haiku Dampish summertime A much, encouragement rock the ayatolluh |
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1:00:05 (Pop-up) |
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| SRC |
Exile
|
1968 |
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1:01:03 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The Or And Or Exile Whose exile is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his exile a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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1:05:19 (Pop-up) |
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| Gershon Kingsley |
Have It - Or Grab It - Or Go
|
1970 |
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1:05:58 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
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Kingsley - A Haiku Depressing summer A wooden kingsley wooden watching the gershon |
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1:11:21 (Pop-up) |
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| Small Faces |
Up The Wooden Hills
|
1967 |
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1:11:46 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
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Fitzgerald - A Haiku Early summertime before fitzgerald wooden into the faces |
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1:15:00 (Pop-up) |
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| G.F. Fitz-Gerald |
May Four
|
1970 |
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1:15:34 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
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Pay attention to the absent, the absent is the most calcium disappear of all. Does the absent make you shiver? does it? The paucity is not invisible! the paucity is exceptionally outstanding. A paucity is egregious. a paucity is outstanding, a paucity is perceptible, however. |
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1:18:26 (Pop-up) |
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| The Litter |
(under the screaming double) Eagle
|
1968 |
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1:19:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
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One afternoon I said to myself, "Why isn't the void more full?" Never forget the vacuous and hollow void. The knowledge that's really apparent, Above all others is the inability. Never forget the seeable and seeming inability. The lack is not thin! the lack is exceptionally zoftig. |
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1:21:50 (Pop-up) |
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| Syd Barrett |
Wined and Dined
|
1989 |
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1:22:30 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
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A tailplane, however hard it tries, Will always be small. Now belittled is just the thing, To get me wondering if the tailplane is reverse. I cannot help but stop and look at orange underparts. Now chromatic is just the thing, To get me wondering if underparts are orangish. Wingtips are red hair. |
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1:25:29 (Pop-up) |
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| Randy Burns |
Susan your Mind's got Wings
|
1968 |
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1:26:08 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The Randy And Small Sixpence Whose sixpence is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her sixpence a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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1:29:48 (Pop-up) |
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| Procol Harum |
In The Wee Small Hours Of Sixpence *
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The Best Of Procol Harum | 1968 |
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1:30:32 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
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Sunshine - A Haiku Previous summer An early, small sunshine wee above the sixpence |
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1:33:27 (Pop-up) |
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| The Gun |
Sunshine
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Gun | 1969 |
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1:33:58 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
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Corporal - A Haiku Dismal summertime A german, corporal pink above the sunshine |
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1:37:47 (Pop-up) |
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| Pink Floyd |
Corporal Clegg
|
1968 |
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1:38:21 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The Iron And Corporal Butterfly Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:43:26 (Pop-up) |
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| Iron Butterfly |
My Mirage
|
1968 |
|
1:44:26 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I saw the the father epilepsy of my generation destroyed, How I mourned the absence. Does the absence make you shiver? does it? I cannot help but stop and look at uncertain whereabouts. Down, down, down into the darkness of the whereabouts, Gently they go - the hesitant, the sure, the ambiguous. I cannot help but stop and look at the wooly stolen. |
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1:49:13 (Pop-up) |
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| Stained Glass |
My Buddy Sin
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Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
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1:50:07 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
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1:52:56 (Pop-up) |
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| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
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1:53:18 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
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1:57:46 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
A forgotten, however hard it tries, Will always be coral. Does the forgotten make you shiver? does it? How happy are textual omissions! Do omissions make you shiver? do they? cunning prefaces sings like a laudatory sketch |
|
2:00:06 (Pop-up) |
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| The Storybook |
Psych-out Sanctorum
|
1968 |
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2:00:45 (Pop-up) | ||
| The Deep |
Color Dreams
|
1966 |
|
2:04:06 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Pay attention to the left, the left is the most called mauler of all. Never forget the titled and known as left. A forgotten, however hard it tries, Will always be better. Does the forgotten make you shiver? does it? How happy are wooly omissions! |
|
2:06:57 (Pop-up) |
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| country joe And The Fish |
Section 43
|
1966 |
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2:07:41 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
2:15:20 (Pop-up) |
|||
| SRC |
Paragon Council
|
1968 |
|
2:15:38 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
I cannot help but stop and look at lengthy prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the protracted, the extended, the long. One afternoon I said to myself, "Why isn't the neglected more short?" Down, down, down into the darkness of the neglected, Gently it goes - the longitudinal, the elongate, the perennial. All that is nonfat is not forgotten, |
|
2:19:31 (Pop-up) |
||
| The Soft Machine |
Esther's Nose Job: Pig
|
1969 |
|
2:20:21 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Visitation - A Haiku Previous summer A last, white visitation into the machine |
|
2:22:30 (Pop-up) |
||
| White Noise |
The Visitation
|
1969 |
|
2:22:56 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
2:34:02 (Pop-up) |
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| The Koala |
Poppa Duke Tyler
|
1969 |
|
2:34:15 (Pop-up) | ||
| The Household Sponge |
Scars
|
Scars b/w Second Best | 1967 |
|
2:36:51 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
|
2:39:21 (Pop-up) |
|||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
2:39:53 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
A macmillan, however hard it tries, Will always be harvard. Does the macmillan make you shiver? does it? I cannot help but stop and look at the great karla. Down, down, down into the darkness of the karla, Gently it goes - the zealous, the outstanding, the capital. How happy is the cunning yorke! |
|
2:42:24 (Pop-up) |
||
| Syd Barrett |
Swan Lee (Silas Lang)
|
1989 |
|
2:43:15 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
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Cromagnon - A Haiku Dampness summertime before bronze cromagnon bronze under the barrett |
|
2:47:39 (Pop-up) |
||
| Cromagnon |
First World Of Bronze
|
1969 |
|
2:48:21 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Cromagnon, Part 2 - A Haiku Early summertime suddenly cromagnon bronze at the perfect bronze |
|
2:51:07 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Transparent Day
|
1967 |
|
2:51:32 (Pop-up) | ||
| Pink Floyd |
A Saucerful Of Secrets
|
1968 |
|
2:53:44 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
tales are not glad! tales are exceptionally melancholic. Now miserable is just the thing, To get me wondering if tales are melancholic. I cannot help but stop and look at scientific truths. Do truths make you shiver? do they? fat mysteries sings like ancient sciences |
|
3:00:07 (Pop-up) |
||
| Rainbow Ffolly |
Sun Sing
|
1968 |
|
3:01:08 (Pop-up) | ||
| Iron Butterfly |
Termination
|
1968 |
|
3:05:04 (Pop-up) | ||
| Hapshash And The Coloured Coat |
H-O-P-P-Why?
|
1967 |
|
3:05:10 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Daylight - A Haiku Previous summer A clear, randy daylight sing at the old rainbow |
|
3:07:46 (Pop-up) |
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| Randy Burns |
When Daylight Comes in Everything
|
1968 |
|
3:08:14 (Pop-up) | ||
| The Deep |
When Rain Is Black
|
1966 |
|
3:13:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I cannot help but stop and look at bloody bruises. Bruises are cutthroat. bruises are sanguinary, bruises are butcherly, however. Pay attention to the fire, the fire is the most arms occurrence of all. Does the fire make you shiver? does it? Just like a raw injury, is gashes. |
|
3:15:22 (Pop-up) |
||
| J.C. Heavy |
Is This Really Me
|
2009 |
|
3:16:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Quicksilver - A Haiku Early summertime A crude, quicksilver service on the messenger |
|
3:19:16 (Pop-up) |
||
| The Quicksilver Messenger Service |
Codine
|
1968 |
|
3:19:39 (Pop-up) | ||
| Small Faces |
(Tell Me) Have You Ever Seen Me
|
1967 |
|
3:24:55 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:27:00 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
How happy is the oft neglected! Does the neglected make you shiver? does it? The left is not big! the left is exceptionally ungenerous. Are you upset by how piffling it is? Does it tear you apart to see the left so ungenerous? All that is big is not omission, |
|
3:27:14 (Pop-up) |
||
| The Monkees |
Porpoise Song
|
1968 |
|
3:28:25 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
3:32:27 (Pop-up) |
|||
| SRC |
Interval
|
1968 |
|
3:32:39 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Electric - A Haiku Dampen summertime A solar, electric hoax on the interval |
|
3:38:37 (Pop-up) |
||
| The Electric Prunes |
The Great Banana Hoax
|
1967 |
|
3:38:57 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Electric, Part 2 - A Haiku Rainy summertime A piezo, electric hoax because of the prunes |
|
3:42:09 (Pop-up) |
||
| Aorta |
Strange
|
1969 |
|
3:42:40 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
How happy are unexplainable disappearances! Never forget the unaccountable and incomprehensible disappearances. One afternoon I said to myself, "Why isn't the stolen more same?" Are you upset by how other than it is? Does it tear you apart to see the stolen so some other? I saw the the yellow imperfectness of my generation destroyed, How I mourned the failing. |
|
3:47:06 (Pop-up) |
||
| Lightnin' Hopkins |
Rain Falling
|
1968 |
|
3:48:08 (Pop-up) | ||
| The Leathercoated Minds |
Pot Luck
|
3:53:08 (Pop-up) | ||||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:55:08 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Night Owl:
The Night Owl:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
fleep:
The Ayatolluh of Rock n' Rolluh:
Fuzzy:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Hams:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
fleep:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
fleep:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Hams:
fleep:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Hams:
The Ayatolluh of Rock n' Rolluh:
Hams:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
Sly Don:
fleep:
fleep:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
fleep:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
fleep:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Hams:
Granny Spicy Tuna (they/them):
Hams:
Fuzzy:
The Night Owl: