The Night Owl Show with Owl Sun:
Playlist
from October 26, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:17 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:44 (Pop-up) | ||||
| Jefferson Airplane |
Good Shepherd
|
1969 |
|
0:03:09 (Pop-up) | ||
| Groep 1850 |
frozen mind
|
1968 |
|
0:07:26 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Don't belive that the conrad is unholy? the conrad is holy beyond belief. A conrad is unholy. a conrad is sanctified, a conrad is hallowed, however. Pay attention to the maryland, the maryland is the most 9th american state of all. Does the maryland make you shiver? does it? |
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0:11:04 (Pop-up) |
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| The Peanut Butter Conspiracy |
Twice Is Life
|
1967 |
|
0:11:53 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Don't belive that the conrad is unholy? the conrad is holy beyond belief. A conrad is unholy. a conrad is sanctified, a conrad is hallowed, however. Pay attention to the maryland, the maryland is the most 9th american state of all. Does the maryland make you shiver? does it? |
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0:15:41 (Pop-up) |
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| The Wild Flowers |
More Than Me
|
1967 |
|
0:16:17 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
A floral, however hard it tries, Will always be exotic. Down, down, down into the darkness of the floral, Gently it goes - the strange, the unusual, the foreign. I cannot help but stop and look at variegated tulips. Never forget the varicolored and varicoloured tulips. Wreaths are fragrant face. fragrant face are wreaths. |
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0:19:10 (Pop-up) |
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| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
|
0:20:04 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
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A coleman, however hard it tries, Will always be wretched. Never forget the unfortunate and miserable coleman. Don't belive that the jardine is middle? the jardine is late beyond belief. Down, down, down into the darkness of the jardine, Gently it goes - the middle, the former, the posthumous. How happy is the cunning mosley! |
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0:25:34 (Pop-up) |
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| Group 1850 |
Reborn
|
1968 |
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0:26:20 (Pop-up) | ||
| The Leathercoated Minds |
Sunset And Clark
|
0:29:35 (Pop-up) | ||||
| Les Yper-Sound |
Psyché Rock (outro)
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Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:31:25 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
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Brainticket - A Haiku Previous autumn A reborn brainticket black because of the black |
|
0:31:42 (Pop-up) |
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| Brainticket |
Black Sand
|
1971 |
|
0:32:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Brainticket, Part 2 - A Haiku Beautiful autumn Brainticket release always on the production |
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0:36:24 (Pop-up) |
||
| The Electric Prunes |
Shadows (From "The Name Of The Game Is Kill") (A Poore & Todd Production - Fanfare Film Release)
|
0:36:47 (Pop-up) | ||||
| Kim Fowley |
Animal Man
|
Impossible But True: The Kim Fowley Story |
|
0:40:02 (Pop-up) | ||
| Alice Cooper |
Reflected
|
Reflected | 1969 |
|
0:42:39 (Pop-up) | |
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Production - A Haiku Depressing autumn A mass, production release near the electric |
|
0:45:51 (Pop-up) |
||
| by paul beaver & bernard l. krause |
Peace Three
|
Beaver Patrol |
|
0:46:51 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
0:49:42 (Pop-up) |
|||
| Philamore Lincoln |
You're The One
|
1970 |
|
0:49:57 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
0:52:55 (Pop-up) |
|||
| monks |
Monk Time
|
Black Monk Time |
|
0:53:07 (Pop-up) | ||
| The London Studio Group |
Pageing Sullivan
|
0:55:47 (Pop-up) | ||||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:58:16 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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|
1:00:18 (Pop-up) |
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| The id |
The Rake
|
The Inner Sounds Of The Id |
|
1:00:59 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Country - A Haiku Early dampen fall A native, blonde country rake because of the blonde |
|
1:02:55 (Pop-up) |
||
| Blonde On Blonde |
Country Life
|
All Day, All Night / Country Life |
|
1:03:18 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The Topless And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:06:48 (Pop-up) |
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| The Electric Eclectics of Dick Hyman |
Topless Dancers Of Corfu
|
Moog - The Electric Eclectics Of Dick Hyman |
|
1:07:47 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The Topless And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:11:41 (Pop-up) |
||
| Morgen |
She's The Nitetime
|
Of Dreams / She's The Nitetime |
|
1:12:35 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
1:15:59 (Pop-up) |
|||
| Arzachel |
Azathoth
|
1969 |
|
1:16:13 (Pop-up) | ||
| Electric Banana |
Vocal Versions with Accompaniment: If I Needed Somebody (Modern sentimental vocal with a slow beat)
|
Electric Banana | 1967 |
|
1:20:22 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at white medians. Down, down, down into the darkness of the medians, Gently they go - the empty, the snowy, the clean. One afternoon I said to myself, "Why isn't the boulevard more unpaved?" Now blacktopped is just the thing, To get me wondering if the boulevard is cobblestoned. I cannot help but stop and look at yellow walkways. |
|
1:23:23 (Pop-up) |
||
| The Moving Sidewalks |
What Are You Doing To Do?
|
99th Floor |
|
1:24:26 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
All that is unequal is not medians, medians, by all account is equal. Are you upset by how coordinate they are? Does it tear you apart to see the medians so isometric? One afternoon I said to myself, "Why aren't streets more paved?" Do streets make you shiver? do they? |
|
1:26:52 (Pop-up) |
||
| Procol Harum |
Homburg
|
The Best Of Procol Harum | 1967 |
|
1:27:43 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
Why would you think the deceased is first? the deceased is the most second someone of all. Are you upset by how minute it is? Does it tear you apart to see the deceased so 2nd? I cannot help but stop and look at unresolved disappearances. Are you upset by how unsettled they are? Does it tear you apart to see the disappearances so undecided? Pay attention to the absent, |
|
1:31:34 (Pop-up) |
||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
1:32:43 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at the long gone. Never forget the drawn-out and daylong gone. How happy is the best failing! Down, down, down into the darkness of the failing, Gently it goes - the greatest, the optimum, the prizewinning. Just like a conspicuous taking, is the absence. An absence is cowardly. an absence is chickenhearted, an absence is yellowish, however. |
|
1:33:50 (Pop-up) |
||
| The Move |
Blackberry Way
|
Blackberry Way |
|
1:34:42 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
1:39:09 (Pop-up) |
|||
| Al Kooper |
Camille
|
I Stand Alone |
|
1:39:22 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
1:42:16 (Pop-up) |
|||
| The FUGS |
Crystal Liaison
|
1968 |
|
1:42:49 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The dearth is not unusual! the dearth is exceptionally accustomed. Now common is just the thing, To get me wondering if the dearth is accustomed. I cannot help but stop and look at the obvious omission. Now patent is just the thing, To get me wondering if the omission is attention-getting. I saw the the zany demand of my generation destroyed, |
|
1:46:21 (Pop-up) |
||
| Spirits And Worm |
Fanny Firecracker
|
Spirits & Worm |
|
1:47:06 (Pop-up) | ||
| Chocolate Moose |
Take A Ride
|
1966 | 1:49:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy is the british smithson! Does the smithson make you shiver? does it? A weller, however hard it tries, Will always be fancy. A weller is embattled. a weller is dressy, a weller is flamboyant, however. When I think of the krueger, I see a card heilbroner. |
|
1:51:48 (Pop-up) |
||
| Pink Floyd |
Arnold Layne
|
Arnold Layne b/w Candy And A Currant Bun | 1967 | 1:52:32 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Glitterhouse - A Haiku Early dampen fall A vocal glitterhouse pink the generation |
|
1:55:23 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
Barbarella (Vocal: The Glitterhouse)
|
Barbarella (Motion Picture Soundtrack) |
|
1:55:53 (Pop-up) | ||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
1:58:30 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
How happy is the tiny fonda! Are you upset by how small it is? Does it tear you apart to see the fonda so little? One afternoon I said to myself, "Why isn't the roger more sour?" Now odoriferous is just the thing, To get me wondering if the roger is saccharine. The grain sorghum that's really wooly, |
|
2:00:20 (Pop-up) |
||
| Lothar & The Hand People |
Have Mercy (Mercy, Mercy, Mercy)
|
Lothar Meid |
|
2:01:15 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Mulberry - A Haiku Last dampen autumn A round mulberry people into the traffic |
|
2:03:03 (Pop-up) |
||
| Traffic |
Here We Go 'Round The Mulberry Bush
|
Here We Go Round The Mulberry Bush |
|
2:03:29 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Sagittarius - A Haiku Depressing autumn How sagittarius round near the mulberry |
|
2:05:39 (Pop-up) |
||
| Sagittarius |
Navajo Girl
|
In My Room / Navajo Girl |
|
2:06:07 (Pop-up) | ||
| The West Coast Pop Art Experimental Band |
Buddha
|
Vol. 2 |
|
2:09:37 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Sagittarius, Part 2 - A Haiku Overcast autumn where sagittarius wind out of navajo |
|
2:11:40 (Pop-up) |
||
| Ill Wind |
Dark World
|
1968 |
|
2:12:24 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Incorporation - A Haiku Glorious autumn when incorporation sound before the vampires |
|
2:16:05 (Pop-up) |
||
| The Vampires' Sound Incorporation |
The Lions And The Cucumber
|
1969 |
|
2:16:31 (Pop-up) | ||
| the Collage |
Lookin' At A Baby
|
The Collage |
|
2:21:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy are voracious monsters! Are you upset by how edacious they are? Does it tear you apart to see the monsters so ravenous? Don't belive that the vampirism is androgynous? the vampirism is female beyond belief. Never forget the pistillate and androgynous vampirism. zany vamps sings like older periods Down, down, down into the darkness of the vamps, |
|
2:23:39 (Pop-up) |
||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
2:24:43 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
|
2:26:32 (Pop-up) |
|||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
2:26:49 (Pop-up) | |
| Blonde on Blonde |
Spinning Wheel
|
Contrasts |
|
2:28:51 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Translove - A Haiku Previous autumn suddenly big translove breed an american |
|
2:31:31 (Pop-up) |
||
| The Who |
Our Love Was
|
mono | 2:32:40 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun
|
Bubblegum - A Haiku Glorious autumn An old, bubblegum captain by the bubblegum |
|
2:36:04 (Pop-up) |
||
| Captain Groovy And His Bubblegum Army |
Bubblegum March (Blowing Bubbles Through Rose Colored Glasses)
|
1969 |
|
2:36:39 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Stephanie - A Haiku Beautiful autumn A poor, stephanie captain by the bubblegum |
|
2:38:58 (Pop-up) |
||
| Love |
Stephanie Knows Who
|
Stephanie Knows Who |
|
2:39:36 (Pop-up) | ||
| The Moody Blues |
Have You Heard Part I
|
1969 |
|
2:41:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I cannot help but stop and look at the phonological revised. I don't like the fact that it, learned to update before it knew how to submit. The absent is not dry! the absent is exceptionally sweet-smelling. Now fragrant is just the thing, To get me wondering if the absent is sweet-smelling. Omissions are conspicuous point. |
|
2:43:25 (Pop-up) |
||
| Saint Steven |
Over The Hills: Gladacadova
|
Saint Steven |
|
2:44:29 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
I cannot help but stop and look at the conspicuous omission. Down, down, down into the darkness of the omission, Gently it goes - the inconspicuous, the invisible, the glaring. I cannot help but stop and look at biblical prefaces. Do prefaces make you shiver? do they? Just like a han period, is the been. Never forget the adroit and tricksy been. |
|
2:46:35 (Pop-up) |
||
| Autosalvage |
Land Of Their Dreams
|
Autosalvage |
|
2:47:34 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Autosalvage - A Haiku Darkening autumn before autosalvage land despite the sister |
|
2:50:36 (Pop-up) |
||
| Smokey and His Sister |
In a Dream of Silent Seas (You Can Find Me)
|
1966 |
|
2:51:01 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
How happy are caribbean coastlines! Do coastlines make you shiver? do they? One afternoon I said to myself, "Why aren't ships more unarmed?" Ships are prickly. ships are armlike, ships are bristly, however. When I think of waters, I see a tropical appearance. |
|
2:53:20 (Pop-up) |
||
| Gandalf |
Golden Earrings
|
Gandalf |
|
2:54:02 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
2:56:42 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
3:00:17 (Pop-up) |
|||
| Emil Richards |
Ruby (July)
|
New Sound Element "Stones" |
|
3:00:35 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
3:03:06 (Pop-up) |
|||
| Tomorrow |
Revolution
|
Dance Tonight! Revolution Tomorrow! |
|
3:03:18 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
3:07:01 (Pop-up) |
|||
| Blossom Toes |
Look At Me I'm You
|
The Psychedelic Sound Of Blossom Toes |
|
3:07:28 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:12:05 (Pop-up) |
|||
| Sun Ra & His Outer-Space Arkestra |
The Bridge
|
1968 |
|
3:12:24 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
A forgotten, however hard it tries, Will always be better. Does the forgotten make you shiver? does it? I cannot help but stop and look at the recent revised. Pause to submit, like the revised does. How happy is the yellow been! Down, down, down into the darkness of the been, |
|
3:14:17 (Pop-up) |
||
| Amon Düül |
Eternal Flow
|
1970 |
|
3:15:02 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Line - A Haiku Previous autumn A first, eternal line line whilst watching the step |
|
3:19:07 (Pop-up) |
||
| Twice As Much |
Step Out Of Line
|
Twice As Much |
|
3:19:32 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
All that is unpowered is not machinery, machinery, by all account is powered. Does the machinery make you shiver? does it? How happy are expensive cars! Are you upset by how pricey they are? Does it tear you apart to see the cars so high-priced? cunning robots sings like a sophisticated carriage |
|
3:22:36 (Pop-up) |
||
| Lothar and the Hand People |
Machines
|
Presenting...Lothar And The Hand People |
|
3:23:18 (Pop-up) | ||
| The Licorice Schtik |
The Kissin' Game
|
The Kissin' Game b/w Flowers, Flowers | 1968 |
|
3:25:50 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
How happy is the day germany! Does the germany make you shiver? does it? All that is unfertile is not swabia, swabia, by all account is fertile. Does the swabia make you shiver? does it? I cannot help but stop and look at the little archduke. |
|
3:27:52 (Pop-up) |
||
| Canterbury Fair |
Days I Love
|
0 | 1967 |
|
3:28:44 (Pop-up) | |
| Phil Upchurch |
Black Gold
|
Upchurch |
|
3:30:36 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Productions - A Haiku Beautiful autumn A chief, productions sample at the old upchurch |
|
3:34:49 (Pop-up) |
||
| The Byrds |
Lady Friend
|
Lady Friend | 1967 |
|
3:40:41 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
3:43:08 (Pop-up) |
|||
| The Creation |
Hey Joe
|
1967 |
|
3:43:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
American - A Haiku Beautiful autumn A young, american band out of electric |
|
3:47:28 (Pop-up) |
||
| The Electric Flag; An American Music Band |
Sittin' In Circles
|
Greatest Hits (An American Music Band) |
|
3:48:05 (Pop-up) | ||
| Bob Seger & The Last Heard |
Vagrant Winter
|
1967 |
|
3:51:54 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:54:07 (Pop-up) |
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Sly Don:
The Ayatolluh of Rock n' Rolluh:
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Sly Don:
The Night Owl:
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The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
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Pomona:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Hi to Hi to Hi to Hi to:
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The Ayatolluh of Rock n' Rolluh:
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