VARIOUS/ Neurot Recordings Volume 1 CD/DVD (Neurot)
San Francisco-based Neurot Recordings, run by Kristin and Steve Von Till
(he of Neurosis fame) has grown into one of the more interesting
independent US labels over the last few years. Dedicated not only to
Neurosis' side projects, but many types of dark experimental sounds, the
label's aesthetic is well branded into the identity of its artists who
form a real community, yet are diverse in sound from folk to metal. This
collection draws on the rich well of the label's catalog, from the volume
dealers like Tarantula Hawk, Isis, Oxbow and Zeni Geva, to the more
atmospheric subtleties of the Lotus Eaters, Grails and Culper Ring. To
best illustrate the pallate of colors and hues that these artists deliver,
the accompanying DVD is a real stunner, and worth the purchase alone, if
not for anything but to bathe in the hallucinogenic Neurosis clip of
shifting images and shadows. But the generous and lengthy excerpt of
Oxbow's recent European tour documentary is totally mindblowing, seeing
these guys unleash their crushing, slobbering mutant-blues on hapless fans
(one of which gets headlocked and de-pantsed by Oxbow singer Eugene, a
gigantic bodybuilder who writes for Grappling Magazine! He says to the
frazzled Swedish fan, "This ain't the Hives!" No indeed.)
DAVID HEMMINGS / Happens (Rev-Ola)
Screen personalities, as we all know, sometimes decide to make records.
And we all know what happens. They get filed under two categories: kitsch
(William Shatner, Robert Mitchum) or just suckola (Bruce Willis, Don
Johnson), but here is a big excpetion. David Hemmings hit the big screen
in flicks like Barbarella and Antonioni's Blow Up, and remained a pretty
steady walk-on for recent blockbusters and TV shows up til his death last
year, and the reissue of his 1967 foray into a studio stands up pretty
damn well. From the first note of his rendition of Gene Clark's "Back
Street Mirror" it becomes evident that this LP is soaked in Sunset
Strip-via-Dylan cowboy vibe, and it's no wonder since the Byrds' McGuinn
and Hillman are all over this. There's a total great jangly desert-folk
rock vibe, Dylan-type rambles ("Talkin' LA") and some spacy raga ventures
no doubt fueled by drugs Dennis Hopper was bringing around (my educated
guess). Byrds producer/svengali Jim Dickson is most certainly the real
mastermind behind this, assembling top notch session cats (and getting the
Monkees' songwriter to help pen tunes), but Hemmings' persona works well
with it all, and again, this stands up quite well.
VARIOUS / Shibuya Jazz Clash: No Wave In Japanese Jazz &
Funk 1975-86 (Ultra Vybe)
All the people digging the whole DFA thing and the resurgence of interest
in danceable noise funk (well-documented on recent 70s/80s reissue comps
like New York Noise, Disco Not Disco, the Mutant Disco comp on Ze and all
the Factory UK stuff) will probably dig this a whole lot too. Most of this
is completely unknown to me, though Bill Laswell's Material collaborating
with the artist Genji Sawai makes perfect sense given Laswell's immersion
in the art/funk/jazz/electronic 80's Japan scene. There's a lot more soul
in this electronic music than the hardcore No Wave heads might tolerate,
but plenty of mutant electro (Akira Ishikawa's "Crow") and even a nice
example of one band that dwelled in the weird, primitive underground camp
known as the Vanity label.
DAJUIN YAO / Cinnabar Red Drizzle (Juxiang Music)
Not exactly new, but this came in recently with the staggeringly great Avant-Garde China 2CD
set we reviewed a few months back. Yao is an innovative composer of music concrete in
mainland China, and appears to be a DJ on Sinologic (www.sinologic.com), which looks like it
brings a nice array of adventurous sounds to 5 cities in China and Taiwan. This disc in
particular finds him utilizing the sound of spoken words in Mandarin (working writer/opera
singer Jerlian Tsao); those not speaking the language need not be concerned since the focus
of the pieces really works on the fetishistic nature of the sounds themselves, taking the
purely sonic properties of the words and immersing them into backdrops that really twist the
mind. New Years firecrackers, urban street sounds, poems read in torrential rain, even the
sound of writing itself make this disc an incredible acoustic journey.
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