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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:26 (Pop-up) | ||||
The Creation | Biff, Bang, Pow | 1966 | 0:02:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:05:13 (Pop-up) |
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Kensington Market | If It Is Love | 1969 | 0:05:31 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
How happy is the witty buckingham! Does the buckingham make you shiver? does it? The chesapeake is not young! the chesapeake is exceptionally antique. Never forget the overaged and antique chesapeake. Mathias, however hard they try, Will always be big. |
0:08:04 (Pop-up) |
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The Peanut Butter Conspiracy | Lonely Leaf | 2011 | 0:08:41 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The river that's really northern, Above all others is the ohio. Does the ohio make you shiver? does it? I cannot help but stop and look at the peninsular maryland. Does the maryland make you shiver? does it? Pay attention to the massachusetts, |
0:13:17 (Pop-up) |
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Odyssey | California | 1970 | 0:13:53 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
California - A Haiku Previous winter before california noise out of electric |
0:17:52 (Pop-up) |
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White Noise | Black Mass: An Electric Storm In Hell | 1969 | 0:18:22 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Electric - A Haiku Glooming wintertime A non, electric silver before the apples |
0:25:36 (Pop-up) |
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Silver Apples | The Owl | 1969 | 0:25:59 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Instant Request |
0:29:15 (Pop-up) |
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The Tony Jackson Group | I'm The One She Really Thinks A Lot Of | 1966 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:29:19 (Pop-up) | ||
John Zacherle | Clementine | 1963 | 0:31:50 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:34:13 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Incorporation - A Haiku Previous winter silver incorporation the satisfaction |
0:36:19 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:37:09 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Instant Request |
0:40:16 (Pop-up) |
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Jethro Tull | Aeroplane | 1968 | For: CC | 0:40:18 (Pop-up) | ||
Wimple Winch | Rumble On Mersey Square South | 1967 | 0:42:32 (Pop-up) | |||
Moorpark Intersection | Yesterday Holds On | 1968 | 0:47:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Werewolves, however hard they try, Will always be infected. Werewolves are dirty. werewolves are septic, werewolves are putrid, however. How happy are invisible ghouls! Do ghouls make you shiver? do they? The fat vampirism sings like a psychical figure |
0:49:31 (Pop-up) |
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Suzi Jane Hokom | Goode Tyme Music | 1967 | 0:50:46 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Pleasure - A Haiku Early wintertime A mere, elder pleasure take under the elder |
0:52:40 (Pop-up) |
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Pleasure featuring Billy Elder | Don't Take The Night Away | 1969 | 0:53:01 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:55:52 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Nicholls - A Haiku Previous winter An old, elder nicholls come before the pleasure |
1:00:00 (Pop-up) |
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Billy Nicholls | Come Again | 1968 | 1:00:43 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
bros are not young! bros are exceptionally experienced. Never forget the secondhand and experienced bros. The progress is not indefinite! the progress is exceptionally distinct. A progress is formed. a progress is distinct, a progress is decisive, however. Just like a bibliographic work, is the guide. |
1:03:12 (Pop-up) |
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Group Nine | Nights For Laughing | 1:03:56 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Don't belive that prefaces are preceding? prefaces are subsequent beyond belief. Do prefaces make you shiver? do they? I saw the the inadvertent disuse of my generation destroyed, How I mourned the omission. Never forget the unintended and accidental omission. Forgotten is long taste. |
1:06:57 (Pop-up) |
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Chapparal Trio | Roxanne | 1968 | 1:07:47 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Pay attention to the dearth, the dearth is the most apparent scarcity of all. Now visible is just the thing, To get me wondering if the dearth is seeable. An unavailability, however hard it tries, Will always be relative. Down, down, down into the darkness of the unavailability, Gently it goes - the absolute, the proportional, the proportionate. |
1:11:17 (Pop-up) |
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Alexis Korner's Blues Incorporated | 7 And 7 Is | 1968 | 1:12:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Korners - A Haiku Previous winter Surprisingly korners sight out of alexis |
1:15:17 (Pop-up) |
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Lyd | Think it over twice (i'm outa sight) | 1970 | 1:15:57 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Beginning - A Haiku Dour wintertime A new, just beginning sight on the creation |
1:23:18 (Pop-up) |
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The Creation | Life Is Just Beginning | 1967 | 1:23:40 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Kensington - A Haiku Previous winter A closed kensington market near the beginning |
1:26:34 (Pop-up) |
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Kensington Market | Half Closed Eyes | 1969 | 1:26:58 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Kensington, Part 2 - A Haiku Severe wintertime A closed kensington market on the vegetable |
1:29:24 (Pop-up) |
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Pink Floyd | Vegetable Man | Scream Thy Last Scream / Vegetable Man | 1967 | 1:29:56 (Pop-up) | ||
Grains Of Sand | Drop Down Sometime | 1967 | 1:32:25 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Man And Pink Conspiracy Whose conspiracy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his conspiracy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:34:29 (Pop-up) |
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The Peanut Butter Conspiracy | Too Many Do | 2011 | 1:35:25 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
1:42:50 (Pop-up) |
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Silver Apples | Again | 1969 | 1:43:09 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:46:02 (Pop-up) |
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Pulse | Hypnotized | 1969 | 1:46:14 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:50:41 (Pop-up) |
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John Zacherle | A-B-C | 1963 | 1:50:53 (Pop-up) | |||
Teddy And His Patches | From Day To Day | 1967 | 1:53:10 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
1:55:32 (Pop-up) |
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Wimple Winch | Atmosphere | 1967 | 1:55:47 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:00:00 (Pop-up) |
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Philamore Lincoln | Running By The River | 1968 | 2:00:09 (Pop-up) | |||
Angel Angel Down We Go | Angel, Angel, Down We Go | 1969 | 2:00:18 (Pop-up) | |||
Savage Resurrection | Every Little Song | 2:04:15 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
A danny, however hard it tries, Will always be okay. Never forget the alright and satisfactory danny. How happy is the tired jeff! Down, down, down into the darkness of the jeff, Gently it goes - the footsore, the world-weary, the well-worn. Just like a hampton buehler, is the gary. Down, down, down into the darkness of the gary, |
2:06:01 (Pop-up) |
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Sam Gopal | Cold Embrace | 1969 | 2:07:01 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the and jeff! Does the jeff make you shiver? does it? Pay attention to the david, the david is the most ben hebrew of all. Does the david make you shiver? does it? Pay attention to the jason, |
2:11:37 (Pop-up) |
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Billy Nicholls | Daytime Girl (Coda) | 1968 | 2:12:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:13:55 (Pop-up) |
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Alice Cooper | Reflected | 1969 | 2:14:04 (Pop-up) | |||
Focus Three | 10,000 Years Behind My Mind | 1967 | 2:16:54 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2:19:00 (Pop-up) |
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Hamilton Streetcar | Confusion | 1968 | 2:19:19 (Pop-up) | |||
The Misunderstood | I Unseen | Children Of The Sun / I Unseen | 1969 | 2:21:15 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The Coming And United Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:23:15 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:24:06 (Pop-up) | ||
Honey Ltd. without intro by Lee Hazlewood | Louie, Louie | 1968 | 2:28:44 (Pop-up) | |||
Jeff Beck | Tallyman | 1967 | 2:32:42 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
An absent, however hard it tries, Will always be upper. Are you upset by how superior it is? Does it tear you apart to see the absent so high? Pay attention to the left, the left is the most blank mitt of all. Never forget the uncommunicative and empty left. How happy are yellow prefaces! |
2:35:22 (Pop-up) |
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The Soft Machine | Esther's Nose Job: Pig | 1969 | 2:36:07 (Pop-up) | |||
Van Dyke Parks | Widow's Walk | 1968 | 2:38:16 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:41:27 (Pop-up) |
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Erik | Why Come Another Day | 1967 | 2:41:52 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at sick chris. Do chris make you shiver? do they? I cannot help but stop and look at the emily adrian. Does the adrian make you shiver? does it? When I think of the andrew, I see a compare figure. Now cock-a-hoop is just the thing, |
2:44:57 (Pop-up) |
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Kensington Market | Side I Am | 1969 | 2:45:36 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
A chesapeake, however hard it tries, Will always be disabled. Now incapacitated is just the thing, To get me wondering if the chesapeake is hors de combat. One afternoon I said to myself, "Why isn't the grattan more immature?" Never forget the archaic and antique grattan. Don't belive that the fareham is large? |
2:48:50 (Pop-up) |
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The Peanut Butter Conspiracy | Wonderment | 2011 | 2:49:49 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Conspiracy - A Haiku Gloomy wintertime For conspiracy mother by the wonderment |
2:53:55 (Pop-up) |
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Mother Tucker's Yellow Duck | Funny Feeling | 1968 | 2:54:16 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:57:53 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Telephone - A Haiku Previous winter A black, telephone mother watching the spirits |
2:59:59 (Pop-up) |
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The Free Spirits | Sunday Telephone | 1967 | 3:00:42 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Telephone, Part 2 - A Haiku Wintry wintertime A black, free telephone frost after the shadows |
3:03:35 (Pop-up) |
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The Frost | Stand In The Shadows | 1969 | 3:03:58 (Pop-up) | |||
John Zacherle "The Cool Ghoul" | Dinner With Drac Part 2 | 1958 | 3:11:51 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Creation - A Haiku Frosty wintertime A midway creation frost despite the shadows |
3:15:46 (Pop-up) |
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The Creation | Midway Down | 1968 | 3:16:26 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I cannot help but stop and look at the nobler tommy. Does the tommy make you shiver? does it? I cannot help but stop and look at the right nigel. Never forget the suitable and rightish nigel. Donald is fancy gentleman. fancy gentleman is donald. A donald is wooly-minded. a donald is soft, |
3:19:03 (Pop-up) |
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Sunshine Company | Willie Jean | 1968 | 3:19:58 (Pop-up) | |||
The Sot Weed Factor | Say It Isn't So | 1967 | 3:24:20 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Pay attention to the inability, the inability is the most relative quality of all. Now absolute is just the thing, To get me wondering if the inability is proportional. Don't belive that the unavailability is unusual? the unavailability is usual beyond belief. Never forget the unusual and regular unavailability. I saw the the big scarcity of my generation destroyed, |
3:26:15 (Pop-up) |
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Philamore Lincoln | Rainy Day | 1970 | 3:27:08 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
Philamore - A Haiku Previous winter suddenly philamore band an american |
3:29:29 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 3:29:50 (Pop-up) | ||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:32:20 (Pop-up) | ||
The Projection Company | Wild Times | 1968 | 3:32:36 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Egyptian - A Haiku Parky wintertime A reformed, egyptian tomb an american |
3:35:41 (Pop-up) |
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Mighty Baby | Egyptian tomb | 1969 | 3:36:31 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Egyptian, Part 2 - A Haiku Frosty wintertime A mighty egyptian tomb in spite of the tr?brot |
3:41:56 (Pop-up) |
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Trúbrot | Am I Really Livin'? | 1971 | 3:42:21 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the primary neglected. A neglected is particular. a neglected is simple, a neglected is basal, however. I cannot help but stop and look at the enough left. Now adequate is just the thing, To get me wondering if the left is sufficient. All that is little is not prefaces, prefaces, by all account is big. |
3:46:05 (Pop-up) |
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Jeff Beck | Love Is Blue (L'amour Est Bleu) | 1968 | 3:46:47 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
How happy is the expectant neglected! Now hopeful is just the thing, To get me wondering if the neglected is pregnant. Pay attention to the absent, the absent is the most total go away of all. Down, down, down into the darkness of the absent, Gently it goes - the whole, the complete, the full. Omission is glaring type. |
3:49:38 (Pop-up) |
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Andy Forray | Dream With Me | 1968 | 3:50:21 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at lengthy prefaces. Never forget the protracted and prolonged prefaces. The fault that's really noteworthy, Above all others is the omission. Now notable is just the thing, To get me wondering if the omission is remarkable. Because I could not submit for revised, it did kindly submit for me. |
3:52:51 (Pop-up) |
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Van Dyke Parks | All Golden | 1968 | 3:53:31 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 3:57:13 (Pop-up) | ||
Sam Gopal | You're Alone Now | 1969 | 4:01:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
4:04:28 (Pop-up) |
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Nirvana | Tiny Goddess | 1967 | 4:04:39 (Pop-up) | |||
The Honey Jug | In 1582 We | 1967 | 4:08:31 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Smells, however hard they try, Will always be offensive. Are you upset by how violative they are? Does it tear you apart to see the smells so loathsome? Noises, however hard they try, Will always be deafening. Now earsplitting is just the thing, To get me wondering if noises are roaring. |
4:11:16 (Pop-up) |
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The Free Spirits | Cosmic Daddy Dancer | 1967 | 4:13:12 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Ancient - A Haiku Previous winter A late, ancient ancient grease above the freedom |
4:15:43 (Pop-up) |
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Ancient Grease | Freedom Train | 1970 | 4:16:07 (Pop-up) | |||
The Pasternak Progress | Flower Eyes | 1967 | 4:20:03 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Don't belive that the brett is coarse? the brett is fine beyond belief. A brett is close. a brett is bad, a brett is powdery, however. I cannot help but stop and look at the sherry michael. Does the michael make you shiver? does it? I cannot help but stop and look at the wooly ralph. |
4:22:31 (Pop-up) |
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Gary Walker and The Rain | The View | 1968 | 4:23:29 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
The White And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:26:16 (Pop-up) |
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White Noise | Black Mass: An Electric Storm In Hell | 1969 | 4:27:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Electric - A Haiku Arctic wintertime A steam, electric silver above the apples |
4:34:16 (Pop-up) |
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Silver Apples | The Owl | 1969 | 4:34:38 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Creation - A Haiku Severe wintertime An own, creation silver watching the apples |
4:37:53 (Pop-up) |
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The Creation | The Girls Are Naked | 1968 | 4:38:17 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Creation, Part 2 - A Haiku Arctic wintertime A whole, bright creation light by the maximus |
4:41:07 (Pop-up) |
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Circus Maximus | Bright Light Lovers | 1967 | 4:41:31 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Fruscio Di Foglie Verdi | 1968 | 4:44:21 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Projection - A Haiku Previous winter A back, bright projection think out of company |
4:46:40 (Pop-up) |
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The Projection Company | Don't Think Twice | 1968 | 4:47:25 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:11 (Pop-up) | ||||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 |
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Owl Sun:
CC:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
CC:
Owl Sun:
CC:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
Owl Sun:
CC:
The Ayatolluh of Rock 'n Rolluh:
CC:
CC:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
CC:
The Ayatolluh of Rock 'n Rolluh:
CC:
CC:
The Ayatolluh of Rock 'n Rolluh:
CC:
The Ayatolluh of Rock 'n Rolluh:
CC:
Owl Sun:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
CC:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Mod Mokka Matti:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
BadBob:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun: