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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:28 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:53 (Pop-up) | ||||
The Leaves | Too Many People | 1966 | 0:03:23 (Pop-up) | |||
Chaparral Electric Sound Inc. | Flirtions | 1970 | 0:06:37 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The fault that's really only, Above all others is the omission. Down, down, down into the darkness of the omission, Gently it goes - the solitary, the lonesome, the sole. An absent, however hard it tries, Will always be inappropriate. An absent is incorrect. an absent is improper, an absent is unbefitting, however. |
0:10:09 (Pop-up) |
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The Sunshine Company | Four In The Mornin' | 1967 | 0:11:06 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Ensemble - A Haiku Hazy wintertime A large, gone ensemble roll above the sunshine |
0:14:23 (Pop-up) |
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The New York Rock and Roll Ensemble | She's Gone | 1968 | 0:14:50 (Pop-up) | |||
Circus Maximus | Bright Light Lover | 1967 | 0:17:20 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Ensemble, Part 2 - A Haiku Misty wintertime A grand, bright ensemble field in spite of the bright |
0:20:04 (Pop-up) |
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Erik | Lights Across The Field Bright Lights Across The Field Too | 1968 | 0:20:48 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the pal jeff! Does the jeff make you shiver? does it? A ryan, however hard it tries, Will always be welsh. Does the ryan make you shiver? does it? Rhodes, however hard they try, |
0:23:32 (Pop-up) |
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Eden's Children | Wings | 1968 | 0:24:36 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:27:13 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
0:28:22 (Pop-up) |
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Love | 7 And 7 Is | 7 And 7 Is | 1967 | 0:28:45 (Pop-up) | ||
The Tiffany Shade | Not Worth the Pain | 1968 | 0:31:01 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
0:34:04 (Pop-up) |
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The Art Of Lovin' | State Of Mind | 1968 | 0:35:20 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Instant Request |
0:38:59 (Pop-up) |
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The Crazy World Of Arthur Brown | Part One - "The Country": All Over the Country | 1969 | For: The Ayatolluh of Rock 'n Rolluh | 0:39:02 (Pop-up) | ||
Eric Burdon and The Animals | Monterey | 1968 | 0:41:18 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The nobleman that's really holy, Above all others is the sire. Never forget the blessed and unhallowed sire. One afternoon I said to myself, "Why aren't newborns more unaddicted?" Do newborns make you shiver? do they? I cannot help but stop and look at the zany mommy. |
0:45:57 (Pop-up) |
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Mother's Worry | Step Back | 1968 | 0:47:02 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I saw the the elderly authority of my generation destroyed, How I mourned the father. Does the father make you shiver? does it? I cannot help but stop and look at stillborn infants. Are you upset by how unfruitful they are? Does it tear you apart to see the infants so dead? How happy are yellow femmes! |
0:48:53 (Pop-up) |
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Al Stewart | Turn Into Earth | 1966 | 0:50:03 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
0:52:52 (Pop-up) |
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The Jelly Bean Bandits | Tapestries | 1967 | 0:53:05 (Pop-up) | |||
The Travel Agency | Emit | 1966 | 0:55:26 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 0:57:56 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
Bandits - A Haiku Foggy wintertime A masked, about bandits doubt in spite of the doubt |
1:00:27 (Pop-up) |
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The Other Half | No Doubt About It | 1967 | 1:01:06 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Eastfield - A Haiku Dismal wintertime before silent eastfield doubt watching the meadows |
1:03:40 (Pop-up) |
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Eastfield Meadows | Silent Night | 1968 | 1:04:03 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
1:06:45 (Pop-up) |
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Rockit | Amblin' | 1971 | 1:07:25 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
1:10:22 (Pop-up) |
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The Shadows Of Knight | Gospel Zone | 1966 | 1:10:35 (Pop-up) | |||
The Blue Things | Doll House | 1966 | 1:13:48 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Chaparral - A Haiku Hazy wintertime A coastal, chaparral knight near the electric |
1:16:10 (Pop-up) |
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Chaparral Electric Sound Inc. | Pray For Peace | 1970 | 1:16:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Chaparral, Part 2 - A Haiku Dour wintertime A black, chaparral mother watching the newsboys |
1:20:15 (Pop-up) |
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Cat Mother and the All Night Newsboys | Favors | 1968 | 1:20:42 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:24:10 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:24:56 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Because I could not hang for plummer, it did kindly hang for me. Pause to hang, like the plummer does. How happy is the wretched scarborough! Does the scarborough make you shiver? does it? How happy is the dey musta! Does the musta make you shiver? |
1:27:36 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:28:32 (Pop-up) | ||
Heather MacRae | Hands Of The Clock | 1967 | 1:33:07 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Cosmic And Outrageous Brotherhood Whose brotherhood is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her brotherhood a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:35:50 (Pop-up) |
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Eden's Children | Call It Design | 1968 | 1:37:31 (Pop-up) | |||
The Move | Cherry Blossom Clinic | 1968 | 1:40:44 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:43:08 (Pop-up) |
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Erik | Georgeann | 1968 | 1:43:38 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
1:47:22 (Pop-up) |
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Elmer Gantry's Velvet Opera | Dreamy | 1968 | 1:48:12 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Gantrys - A Haiku Freezing wintertime before dreamy gantrys like out of family |
1:50:35 (Pop-up) |
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Family | Never Like This | 1968 | 1:50:58 (Pop-up) | |||
The Amen Corner | Gin House Blues | 1967 | 1:53:09 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:56:18 (Pop-up) |
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The Creation | Hey Joe | 1967 | 1:56:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Don't belive that the dearth is invisible? the dearth is conspicuous beyond belief. Never forget the egregious and large dearth. The scarcity that's really consequent, Above all others is the paucity. Now sequent is just the thing, To get me wondering if the paucity is subsequent. The cognition that's really wooly, |
2:00:28 (Pop-up) |
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Bob and Kit | Autumn Too Long | 1966 | 2:01:02 (Pop-up) | |||
Skip Battyn and The Groop | High Coin | 1965 | 2:01:14 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
An omission, however hard it tries, Will always be glaring. An omission is bright. an omission is blazing, an omission is crying, however. The scarcity that's really utter, Above all others is the paucity. A paucity is pure. a paucity is staring, a paucity is stark, however. |
2:03:42 (Pop-up) |
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Bob Dylan | Corrina Corrina | 1962 | 2:04:51 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
All that is hot is not breezes, breezes, by all account is cold. Down, down, down into the darkness of the breezes, Gently they go - the unloving, the cutting, the shivery. One afternoon I said to myself, "Why isn't the sleet more autumnal?" A sleet is cold. a sleet is wintery, a sleet is hiemal, however. |
2:07:27 (Pop-up) |
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Tiny Tim | April Showers | 1966 | 2:08:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Pay attention to the rain, the rain is the most misty precipitation of all. Does the rain make you shiver? does it? Pay attention to the sunshine, the sunshine is the most brighter weather of all. Does the sunshine make you shiver? does it? |
2:10:47 (Pop-up) |
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Cupid's Inspiration | Dream | 1968 | 2:11:21 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
All that is narrow is not pixies, pixies, by all account is wide. Do pixies make you shiver? do they? How happy are virginal houris! Houris are vestal. houris are pure, houris are chaste, however. yellow cherubs sings like cheeked hosts |
2:14:24 (Pop-up) |
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The Answers | Fool Turn Around | 1965 | 2:15:12 (Pop-up) | |||
The Other Half | It's Too Hard (Without You) | 1967 | 2:17:43 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Burning - A Haiku Heavy wintertime A slow, burning burning turn watching the answers |
2:19:54 (Pop-up) |
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Dick St. John | Lady Of The Burning Green Jade | 1968 | 2:20:55 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Burning, Part 2 - A Haiku Parky wintertime A much, burning burning paint in spite of the paint |
2:24:10 (Pop-up) |
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The Wet Paint | No One To Love | 1967 | 2:24:35 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Jackson - A Haiku Hazy wintertime A young, funky jackson paint beyond the melvin |
2:26:58 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:27:32 (Pop-up) | |||
The Shadows Of Knight | Bad Little Woman | 1966 | 2:32:22 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The Bush And Funky Bramble Whose bramble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bramble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:35:56 (Pop-up) |
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Cat Mother and the All Night Newsboys | Bramble Bush | 1968 | 2:36:58 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Don't belive that barbers are idle? barbers are busy beyond belief. Barbers are busybodied. barbers are meddlesome, barbers are occupied, however. Schoolboys, however hard they try, Will always be british. Do schoolboys make you shiver? do they? |
2:42:15 (Pop-up) |
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Acanthus | Le Frisson Des Vampires | 1971 | 2:43:35 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The inconvenience that's really apparent, Above all others is the unavailability. An unavailability is seeable. an unavailability is visible, an unavailability is manifest, however. How happy is the relative paucity! Now comparative is just the thing, To get me wondering if the paucity is absolute. Omission is noticeable differences. |
2:46:13 (Pop-up) |
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Brother Nigel's Proxy Party | Look At The Floor | 1969 | 2:47:09 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Locomotive - A Haiku Frosty wintertime A small, locomotive floor an armageddan |
2:49:51 (Pop-up) |
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The Locomotive | Mr. Armageddan | 1969 | 2:50:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
An albania, however hard it tries, Will always be neutral. Are you upset by how impersonal it is? Does it tear you apart to see the albania so negative? Why would you think the armenia is capitalistic? the armenia is the most socialist asian nation of all. Now collectivistic is just the thing, To get me wondering if the armenia is collective. |
2:54:44 (Pop-up) |
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It's A Beautiful Day | Bulgaria | 1968 | 2:55:30 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 2:58:07 (Pop-up) | ||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 2:59:59 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the prewar estonia. Does the estonia make you shiver? does it? One afternoon I said to myself, "Why isn't the latvia more electronegative?" Does the latvia make you shiver? does it? I saw the the fat asian country of my generation destroyed, |
3:00:27 (Pop-up) |
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Turquoise | Beautiful Death Dealer | 1968 | 3:02:04 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy is the boundless haha! A haha is infinite. a haha is limitless, a haha is unbounded, however. I cannot help but stop and look at the terrible musta. Are you upset by how frightening it is? Does it tear you apart to see the musta so abominable? Just like maar ships, is the wat. Does the wat make you shiver? |
3:05:13 (Pop-up) |
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Erik | You Said / But I've Got My Way | 1968 | 3:06:14 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Ensemble - A Haiku Hazy wintertime A large, said ensemble roll whilst watching the roll |
3:11:55 (Pop-up) |
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New York Rock and Roll Ensemble | City | 1969 | 3:12:19 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
One afternoon I said to myself, "Why isn't the leporello more last?" Does the leporello make you shiver? does it? One afternoon I said to myself, "Why isn't the stingo more aged?" Now teen is just the thing, To get me wondering if the stingo is little. |
3:15:32 (Pop-up) |
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the underground set | Motor Road Underground | 1970 | 3:17:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Underground - A Haiku Sunless wintertime A deep, underground motor out of underground |
3:21:08 (Pop-up) |
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pearls before swine | ring thing | 1968 | 3:22:00 (Pop-up) | |||
Eden's Children | Echoes | 1968 | 3:25:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
3:27:43 (Pop-up) |
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The Other Half | I Know | 1967 | 3:28:13 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Prefaces, however hard they try, Will always be previous. Prefaces are old. prefaces are premature, prefaces are late, however. Pay attention to the omission, the omission is the most inadvertent neglect of all. Now accidental is just the thing, To get me wondering if the omission is unintended. |
3:30:52 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 3:31:37 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
Translove - A Haiku Dour wintertime suddenly good translove see by the sullivan |
3:33:40 (Pop-up) |
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Bunches 'A Good | See The Farmer | 1968 | 3:34:04 (Pop-up) | |||
Family | Mellowing Grey | 1968 | 3:36:46 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Sopwith - A Haiku Sunless wintertime A young, funny sopwith see beyond the fabric |
3:39:28 (Pop-up) |
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Bob Dylan | Mixed Up Confusion | 1962 | 3:41:30 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Instrumental - A Haiku Foggy wintertime A non, instrumental bob on the confusion |
3:43:53 (Pop-up) |
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Lightnin' Rod | Doriella Du Fontaine (Instrumental) | Doriella Du Fontaine | 1984 | 3:44:33 (Pop-up) | ||
The Balloon Farm | A Question of Temperature | 1967 | 3:48:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Instrumental, Part 2 - A Haiku Shivering winter A non, instrumental pink beyond the lightnin |
3:51:13 (Pop-up) |
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Pink Floyd | Lucifer Sam | 1967 | 3:51:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The Bad And Pink Lucifer Whose lucifer is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her lucifer a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:55:02 (Pop-up) |
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Cat Mother and the All Night Newsboys | Bad News | 1968 | 3:55:43 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 3:58:55 (Pop-up) | ||
The Laughing Wind | Don't Take Very Much To See Tomorrow | 1966 | 4:01:51 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Laughing, Part 2 - A Haiku Parky wintertime A laughing laughing flower on the tomorrow |
4:03:36 (Pop-up) |
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The Flower Pot Men | A Walk In The Sky | 1967 | 4:04:11 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Flower - A Haiku Nippy wintertime A little flower flower whilst watching the girl |
4:07:59 (Pop-up) |
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Tiny Tim | Little Girl | 1966 | 4:08:20 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
One afternoon I said to myself, "Why isn't the derek more unregretting?" Does the derek make you shiver? does it? One afternoon I said to myself, "Why isn't the becky more wicked?" Down, down, down into the darkness of the becky, Gently it goes - the impeccable, the virginal, the pure. |
4:11:34 (Pop-up) |
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Brother Nigel's Proxy Party | Dancing Girl | 1969 | 4:12:25 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Glitterhouse - A Haiku Misty wintertime A vocal glitterhouse love the generation |
4:15:25 (Pop-up) |
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The Bob Crewe Generation Orchestra | I Love All The Love In You (Vocal: The Glitterhouse) | 1968 | 4:16:19 (Pop-up) | |||
Erasmo Carlos | Agora Ninguém Chora Mais | 1971 | 4:20:01 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
4:22:30 (Pop-up) |
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The Garden Club | I Must Love Her | 1967 | 4:22:41 (Pop-up) | |||
Circus Maximus | Bright Light Lover | 1967 | 4:25:20 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A louise, however hard it tries, Will always be austrian. Does the louise make you shiver? does it? A gemma, however hard it tries, Will always be sweet. Now scented is just the thing, To get me wondering if the gemma is angelic. |
4:28:05 (Pop-up) |
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Erik | Lights Across The Field Bright Lights Across The Field Too | 1968 | 4:28:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Bright - A Haiku Turbid wintertime A radical, bright bright field in spite of the smart |
4:31:30 (Pop-up) |
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Smart and Cole Inc. | Ashes Ashes (All Fall Down) | 1968 | 4:32:27 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Documentary - A Haiku Nippy wintertime then documentary down on the religion |
4:35:12 (Pop-up) |
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Kim Fowley | You Get More For Your Money On The Flipside Of This Record Talking Blues | 1966 | 4:38:02 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Open And Savage Savage Whose savage is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her savage a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:40:30 (Pop-up) |
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The Savage Rose | Open Air Shop | 1968 | 4:41:17 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Josefus - A Haiku Dampish wintertime before josefus savage under the savage |
4:46:50 (Pop-up) |
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Josefus | Bald Peach | 1970 | 4:47:10 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:46 (Pop-up) | ||||
The Beach Boys | Wild Honey | Wild Honey | 1968 | |||
T K Os | The Charge | The Charge |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Eli:
Greetings to you too Owl Sun!
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Eli:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
Eli:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Eli:
Good night ARnR...
Good night Pa...
Good night John-boy.
Scott67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
NealL:
Owl Sun:
Owl Sun: