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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:30 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:56 (Pop-up) | ||||
The Moving Sidewalks | Every Night A New Surprise | Need Me | 0:03:20 (Pop-up) | |||
featuring John Zacherle | Pistol Stomp | Monster Mash | 0:06:13 (Pop-up) | |||
The Byrds | I See You | The Byrds | 0:08:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Cartridge - A Haiku Eternal springtime A moving cartridge surprise above the sidewalks |
0:11:26 (Pop-up) |
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Twice As Much | Play With Fire | Twice As Much | 0:13:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I cannot help but stop and look at the tol lol. Does the lol make you shiver? does it? I cannot help but stop and look at least thats. Thats are smallest. thats are little, thats are lowest, however. How happy are zany lucas! Now cockamamy is just the thing, |
0:15:34 (Pop-up) |
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The 13th Floor Elevators | I've Got Levitation | 1967 | 0:16:27 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
0:18:59 (Pop-up) |
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Love | A House Is Not A Motel | Alone Again Or / A House Is Not A Motel | 0:19:11 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
A lillian, however hard it tries, Will always be real. Down, down, down into the darkness of the lillian, Gently it goes - the historical, the unsubstantial, the genuine. How happy is the proud eugenia! Now prideful is just the thing, To get me wondering if the eugenia is supercilious. Just like a charming friend, is gladys. |
0:22:32 (Pop-up) |
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Elmer Gantry's Velvet Opera | Long Nights Of Summer | Elmer Gantry's Velvet Opera | 0:23:19 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at the american loyd. Does the loyd make you shiver? does it? I cannot help but stop and look at charming gladys. Are you upset by how wizard they are? Does it tear you apart to see the gladys so supernatural? An eleanor, however hard it tries, Will always be big. |
0:25:49 (Pop-up) |
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TNT | 99th Floor | 0:26:32 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
0:28:40 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 0:28:52 (Pop-up) | ||
Emil Richards And The Factory | No Place I'd Rather Be | 1967 | 0:31:40 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Sagittarius - A Haiku Depressing springtime why sagittarius coast out of natural |
0:34:04 (Pop-up) |
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Joe | Dhoop | 1969 | 0:35:15 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Instant Request |
0:39:04 (Pop-up) |
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The Moody Blues | Coke Spot # 1 | 1969 | For: J*Boogie | 0:39:07 (Pop-up) | ||
The Who | Our Love Was | mono | 0:40:07 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Hazlewood - A Haiku Depressing springtime A late, ill hazlewood love despite the hokom |
0:43:29 (Pop-up) |
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Suzi Jane Hokom Lee Hazlewood | I'll Never Fall In Love Again | 1969 | 0:44:08 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Hazlewood, Part 2 - A Haiku Beautiful springtime An ill hazlewood flower under the children |
0:47:04 (Pop-up) |
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The Children | Sitting On A Flower | 1968 | 0:47:27 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Exploration - A Haiku Eternal wet spring when exploration message before the jboogie |
0:52:33 (Pop-up) |
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Mothers of Invention | Big Leg Emma | 1967 | 0:53:16 (Pop-up) | |||
Chad and Jeremy | Sister Marie | 1968 | 0:55:43 (Pop-up) | |||
T K Os | The Charge | The Charge | 0:58:39 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Message - A Haiku Eternal springtime A special, message message on the lovely |
1:00:30 (Pop-up) |
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Eric Burdon And The Animals | Good Times | 1967 | 1:01:19 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Ayatolluh - A Haiku Perpetual spring before just ayatolluh into the message |
1:04:13 (Pop-up) |
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The Pretty Things | Defecting Grey | 1968 | 1:04:48 (Pop-up) | |||
Les Yper-Sound | Too Fortiche | 1967 | 1:09:11 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Encouragement - A Haiku Darkening springtime How encouragement trouble after the trouble |
1:11:56 (Pop-up) |
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Spirits And Worm | You And I Together | 1969 | 1:13:38 (Pop-up) | |||
The War-Babies | Jeanie's Pub | 1965 | 1:16:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Ayatolluh - A Haiku Depressing springtime then ayatolluh message the ayatolluh |
1:18:40 (Pop-up) |
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Silver Apples | You And I | 1969 | 1:19:40 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Language - A Haiku Eternal springtime An own, coarse language message above the message |
1:22:46 (Pop-up) |
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West Coast Pop Art Experimental Band | Shifting Sands | 1967 | 1:23:22 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Charles - A Haiku Early dampness spring A lovely charles suppose watching the message |
1:27:12 (Pop-up) |
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West Coast Natural Gas | A Favor | 1967 | 1:27:51 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Message - A Haiku Perpetual spring A better message message into the message |
1:31:28 (Pop-up) |
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The Soul Seekers | Good Revelations | 1968 | 1:32:14 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The Dear And Better Better Whose better is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her better a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:35:02 (Pop-up) |
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Aphrodite's Child | quando l'amore diventa poesia | 1969 | 1:35:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Jboogie - A Haiku Depressing springtime suddenly side jboogie side betrayed by the cheer |
1:39:15 (Pop-up) |
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The Electric Prunes | Everybody Knows You're Not In Love | 1968 | 1:39:49 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Charles - A Haiku Eternal wet spring where a louis, charles message before the message |
1:42:42 (Pop-up) |
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CAN | Mother Sky (from the Motion Picture "Deep End") | 1970 | 1:43:37 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 1:58:01 (Pop-up) | ||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 1:59:45 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Subjective - A Haiku Perpetual spring A more, subjective message at the perfect charles |
2:00:30 (Pop-up) |
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The October Country | Baby What I Mean | 1968 | 2:01:32 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Charles - A Haiku New brumous springtime A little, good charles message beyond the message |
2:03:23 (Pop-up) |
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Smokey and His Sister | Creators of Rain | 1966 | 2:04:10 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Message - A Haiku Eternal wet spring A better message message into the better |
2:06:49 (Pop-up) |
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J.K. and Co. | Fly | 1968 | 2:07:25 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Encouragement - A Haiku Overcast springtime A much, encouragement rock an ayatolluh |
2:12:03 (Pop-up) |
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Traffic | Giving To You | 1967 | 2:13:09 (Pop-up) | |||
The Bag | Up In The Morning | 1968 | 2:17:08 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Ayatolluh - A Haiku Eternal springtime before punk ayatolluh an ayatolluh |
2:19:55 (Pop-up) |
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The Velvet Underground And Nico | I'll Be Your Mirror | 1966 | 2:20:36 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Encouragement - A Haiku Overcast springtime A strong, encouragement fell despite the greetings |
2:22:49 (Pop-up) |
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Boeing Duveen And The Beautiful Soup | Which Dreamed It | 1968 | 2:23:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Encouragement, Part 2 - A Haiku Overcast springtime For encouragement better under the problem |
2:25:51 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:26:33 (Pop-up) | ||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 2:29:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
American - A Haiku Overcast springtime where american woman out of electric |
2:31:05 (Pop-up) |
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The Move | Wild Tiger Woman | 1968 | 2:31:40 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Sandalwood - A Haiku Eternal wet spring A red, sandalwood woman beyond the northwest |
2:34:13 (Pop-up) |
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The Kaleidoscope | Little Orphan Nannie | 1967 | 2:36:51 (Pop-up) | |||
Bobby Jameson | Know Yourself | 1967 | 2:38:42 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
2:41:57 (Pop-up) |
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mike Bloomfield al Kooper steve Stills | Mike Bloomfield - Al Kooper: Stop | 1968 | 2:42:11 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
2:46:21 (Pop-up) |
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Steamhammer | She is the Fire | 1969 | 2:46:48 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Steamhammer - A Haiku Depressing springtime A loving steamhammer noise betrayed by the noise |
2:49:58 (Pop-up) |
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White Noise | My Game Of Loving | 1969 | 2:50:22 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Trinity - A Haiku Darkening springtime A loving trinity noise before the pavane |
2:54:25 (Pop-up) |
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Brian Auger and The Trinity | Pavane | 1970 | 2:54:59 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 2:58:40 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces |
The brandon is not large! the brandon is exceptionally slender. A brandon is younger. a brandon is slender, a brandon is piffling, however. How happy is the honest maynard! Are you upset by how reliable it is? Does it tear you apart to see the maynard so dependable? The yellow selena sings like a popular day |
3:00:30 (Pop-up) |
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Pink Floyd | Scarecrow | The Best Of The Pink Floyd | 1967 | 3:01:24 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
I cannot help but stop and look at the popular selena. Down, down, down into the darkness of the selena, Gently it goes - the unpopular, the favourite, the pop. The vanquisher that's really friedrich, Above all others is the alexander. Does the alexander make you shiver? does it? Spinks, however hard they try, |
3:03:26 (Pop-up) |
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Screamin' Jay Hawkins | Alligator Wine | 1958 | 3:04:11 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
3:07:09 (Pop-up) |
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William Sheller | Couleurs | 1968 | 3:07:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I saw the the smallholder business of my generation destroyed, How I mourned the farming. Does the farming make you shiver? does it? How happy is the humble farmer! Does the farmer make you shiver? does it? One afternoon I said to myself, |
3:10:26 (Pop-up) |
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Lothar And The Hand People | Comic Strip | 1967 | 3:11:02 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Wizard - A Haiku New dampish springtime A wizard wizard people despite the people |
3:13:35 (Pop-up) |
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Cat's Eyes | The Wizard | 2009 | 3:13:59 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Cardboard - A Haiku Perpetual spring A light, cardboard cardboard box above the wizard |
3:17:26 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 3:17:51 (Pop-up) | |||
Created by Bruce Haack | Electric To Me Turn | 1970 | 3:21:11 (Pop-up) | |||
Mr. Flood's Party | the liquid invasion | 1970 | 3:22:58 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Parchment - A Haiku Perpetual spring A rolled, liquid parchment farm near the invasion |
3:27:32 (Pop-up) |
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Blue Cheer | Parchment Farm | 1968 | 3:28:04 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
A baldwin, however hard it tries, Will always be venerable. Now old is just the thing, To get me wondering if the baldwin is honorable. A clara, however hard it tries, Will always be lovely. Never forget the adorable and endearing clara. A gwen, however hard it tries, |
3:33:48 (Pop-up) |
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Eric Burdon and The Animals | Monterey | 1968 | 3:34:38 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Cheer - A Haiku Depressing springtime A better, baby cheer thank above the poem |
3:39:59 (Pop-up) |
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The Bonzo Dog Doo - Dah Band | My Brother Makes the Noises for the Talkies | 1966 | 3:40:30 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Concern - A Haiku New dampish springtime A growing concern concern under the talkies |
3:43:27 (Pop-up) |
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The Growing Concern | Mister You're A Better Man Than I | 1968 | 3:43:55 (Pop-up) | |||
October Country | My Girlfriend Is A Witch | 1968 | 3:48:46 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Concern, Part 2 - A Haiku Eternal springtime A growing concern concern despite the better |
3:50:49 (Pop-up) |
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Food | No | 1969 | 3:51:20 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:53:58 (Pop-up) |
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Jimi Hendrix | Pali Gap | 1971 | 3:54:25 (Pop-up) | |||
The Household Sponge | Second Best | 1967 | 3:59:20 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I saw the the richmond siege of my generation destroyed, How I mourned the atlanta. Does the atlanta make you shiver? does it? How happy is the fictional simone! Now unreal is just the thing, To get me wondering if the simone is fictitious. Mcdonalds, however hard they try, |
4:03:44 (Pop-up) |
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Rotary Connection | Trip II: V.I.P. | 1968 | 4:04:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I saw the the pittsburgh metropolis of my generation destroyed, How I mourned the baltimore. Does the baltimore make you shiver? does it? A venice, however hard it tries, Will always be veritable. Never forget the unquestionable and bona fide venice. How happy is the little durham! |
4:07:42 (Pop-up) |
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the Collage | Any Day's A Sunday Afternoon | 1967 | 4:08:18 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
4:10:51 (Pop-up) |
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The Byrds | John Riley | The Byrds | 4:13:37 (Pop-up) | |||
Moondog | Trees against the sky, fields of plenty, rivers to the sea: this and more spreads before me | 1956 | 4:16:31 (Pop-up) | |||
The Flower Pot | Wantin' Ain't Gettin' | 1967 | 4:17:15 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I cannot help but stop and look at the laramie poudre. Does the poudre make you shiver? does it? I cannot help but stop and look at the english beaton. Does the beaton make you shiver? does it? How happy is the big sydenham! A sydenham is oversized. a sydenham is older, |
4:19:12 (Pop-up) |
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featuring John Zacherle | The Bat | Monster Mash | 4:20:10 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
4:22:36 (Pop-up) |
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The 13th Floor Elevators | I've Got Levitation | 1967 | 4:22:52 (Pop-up) | |||
Elmer Gantry's Velvet Opera | Long Nights Of Summer | Elmer Gantry's Velvet Opera | 4:25:23 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Levitation - A Haiku Eternal springtime before levitation stock an elevators |
4:27:54 (Pop-up) |
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Love | Laughing Stock | 1968 | 4:28:37 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Cowsills - A Haiku New brumous springtime before laughing cowsills stock before the laughing |
4:31:06 (Pop-up) |
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Emil Richards And The Factory | Bo Diddley | 1967 | 4:33:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the faithful robbie. Now authentic is just the thing, To get me wondering if the robbie is trusty. Curtis, however hard they try, Will always be fitz. Do curtis make you shiver? do they? One afternoon I said to myself, |
4:35:12 (Pop-up) |
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Fuse | Sad Day | 1970 | 4:35:59 (Pop-up) | |||
Saturn presents "Yochanan" with Sun Ra and his Arkestra singing | Message To Earthman | 1968 | 4:41:40 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
The In And Sad Thing Whose thing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his thing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:44:02 (Pop-up) |
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The Jon Bartel Thing | This Girl In Springfield | 1969 | 4:44:52 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
One afternoon I said to myself, "Why isn't the milwaukee more white?" Never forget the dirty and white milwaukee. Pay attention to the wichita, the wichita is the most vain caddoan language of all. Never forget the bootless and conceited wichita. The fat harvey sings like british officers Never forget the gross and plump harvey. |
4:47:46 (Pop-up) |
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The id | Boil The Kettle, Mother | 1967 | 4:48:23 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:51:19 (Pop-up) | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Charles:
The Ayatolluh of Rock 'n Rolluh:
J*Boogie:
Candy-O'67:
Charles:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
J*Boogie:
Owl Sun:
J*Boogie:
J*Boogie:
Charles:
Candy-O'67:
J*Boogie:
J*Boogie:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Charles:
J*Boogie:
J*Boogie:
J*Boogie:
Charles:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
J*Boogie:
Candy-O'67:
Charles:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
J*Boogie:
Owl Sun:
Owl Sun:
Owl Sun:
Candy-O'67:
Charles:
coelacanth∅:
J*Boogie:
Candy-O'67:
Candy-O'67:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
coelacanth∅:
Candy-O'67:
Charles:
coelacanth∅:
Owl Sun:
coelacanth∅:
J*Boogie:
Candy-O'67:
Owl Sun:
Candy-O'67:
Owl Sun:
Candy-O'67:
coelacanth∅:
i've only got a second generation recording on cassette, and a cd from the cassette.
i saw the record in a store downtown for $40. i can't do that. maybe a used cd is reasonable now. even those were pricey a few years ago.
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
coelacanth∅:
Charles:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
J*Boogie:
coelacanth∅:
too bad though. so close!
J*Boogie:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
coelacanth∅:
J*Boogie:
Mod Mokka Matti:
Owl Sun:
Mod Mokka Matti:
J*Boogie:
Charles:
J*Boogie:
coelacanth∅:
and my windows laptop, which is what the file type is designed for, is too old to play it.
coelacanth∅:
J*Boogie:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
coelacanth∅:
J*Boogie:
coelacanth∅:
Charles:
coelacanth∅:
Owl Sun:
Owl Sun:
Owl Sun:
Mod Mokka Matti:
J*Boogie:
coelacanth∅:
Owl Sun:
J*Boogie:
Charles:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
coelacanth∅:
Mod Mokka Matti:
Owl Sun:
Charles:
Mod Mokka Matti:
Charles:
coelacanth∅:
...
a message message
haiku fuck Love haiku fuck
blah blah haiku fuck
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Fucketty fuck fuck fuck.
Your truly,
J. Joyce.
Mod Mokka Matti:
Charles:
Owl Sun:
Owl Sun:
Owl Sun:
Mod Mokka Matti:
Owl Sun:
Mod Mokka Matti:
J*Boogie:
Charles:
Charles:
tom tom the pipers son:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
Charles:
J*Boogie:
tom tom the pipers son:
Mod Mokka Matti:
Owl Sun:
Owl Sun:
Owl Sun:
tom tom the pipers son:
coelacanth∅:
Charles:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Paulo AD:
Owl Sun:
Owl Sun:
Owl Sun:
coelacanth∅:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
tom tom the pipers son:
coelacanth∅:
Charles:
coelacanth∅:
coelacanth∅:
tom tom the pipers son:
Owl Sun:
Owl Sun:
Owl Sun:
Mod Mokka Matti:
coelacanth∅:
tom tom the pipers son:
Paulo AD:
coelacanth∅:
how about you Paulo?
Charles:
The Ayatolluh of Rock 'n Rolluh:
Charles:
The Ayatolluh of Rock 'n Rolluh:
Charles:
Mod Mokka Matti:
Charles:
Owl Sun:
Charles:
Paulo AD:
Charles:
Mod Mokka Matti:
coelacanth∅:
Paulo AD:
Owl Sun:
Charles:
coelacanth∅:
- and when was the last time someone requested house for everyone?!
Owl Sun:
Charles:
Paulo AD:
coelacanth∅:
Charles:
Charles:
Owl Sun:
Paulo AD:
Charles:
Charles:
JBoogie:
JBoogie:
Owl Sun:
Owl Sun:
JBoogie:
JBoogie:
Owl Sun:
coelacanth∅:
coelacanth∅:
coelacanth∅:
spacecowboy:
spacecowboy:
spacecowboy:
Owl Sun:
spacecowboy:
2
See, darkness covers the earth and thick darkness is over the peoples, but the everpresent nothingness rises upon you and his glory appears over you.
3
Nations will come to your light, and kings to the brightness of your dawn.- overblown nonsense he thought - but the psychedelic jesus clown from godspell came to him in a dream at the break of dawn - its s cool the dream said but remember it ends in the end -
4
spacecowboy:
spacecowboy:
Owl Sun: