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Turning over the toy box and jamming together the gloriously mismatched musical Lincoln Logs, Legos and Tinker Toys from Tin Pan Alley pluggers, pickled egg tavern weepers, lockstep soul ensembles, skinny-tie power poppers, Eurotrash ravers, moontanned art school rockers, drunken soccer anthems and anything else that seems like a good idea at the time. There are no guilty pleasures.
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April 2, 2021: Show #391: "The second greatest manifestation of modern technology."
Listen to this show:
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WFMU's Give the Drummer Radio and Hinky Dinky Time denounce explicit and implicit racism. We condemn the culture of white supremacy, which enables the brutalization of black people and other communities of color. We support Black Lives Matter and the movement it stands for. |
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Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
---|---|---|---|---|---|---|---|---|---|---|
Uncle Michael | Hinky Dinky Time Open | |||||||||
Andrew Hill | Siete Ocho | Judgement! | Blue Note | 1964 | (From: Blue Note The Definitive 45 RPM Reissue Series) | 0:02:29 (Pop-up) | ||||
Fleetwood Mac | Need Your Love So Bad (Take 1-3) | The Pious Bird Of Good Omen | Blue Horizon | 1969 | 0:11:19 (Pop-up) | |||||
The Love Experience | Are You together For a New Day | single (b/w Waiting For Your Love) | Cherry Red | 1972 | (From: Mighty Superfunk) | 0:22:40 (Pop-up) | ||||
Music behind DJ: Thomas Waller With Thomas Morris And His Hot Babies |
Please Take Me Out of Jail |
shellac 10" (b/w He's Gone Away) |
Victor |
1928 |
(From: The Encyclopedia Of Jazz. Classic Jazz. Volume 079) |
0:25:48 (Pop-up) |
||||
Black Tabs | Better Off As Strangers | Fall Sampler | Custom Made Music | 2011 | 0:30:32 (Pop-up) | |||||
Borful Tang | John and Mary: The Restaurant | Root | Snurp | 2005 | (From: WFMU Presents: Selected Sounds from FreeMusicArchive.org vol. 2) | 0:35:06 (Pop-up) | ||||
The Legendary Jim Ruiz Group | Lucht | Oh Brother Where Art Thou? | Minty Fresh | 1995 | 0:38:49 (Pop-up) | |||||
Alan Arkin | I Like You | single (b-side to Barney's Love Song) | Columbia | 1966 | 0:43:00 (Pop-up) | |||||
Bobby Bland | I Pity The Fool | single (b/w Close To You) | Duke | 1961 | 0:45:10 (Pop-up) | |||||
Luke Wills & His Rhythm Busters | Shut Up and Drink Your Beer | shellac 10" (b/w Bob Wills Two-Step) | RCA Victor | 1947 | (From: Luke Wills & His Rhythm Busters 1947 Chronological Classics ) | 0:47:44 (Pop-up) | ||||
Music behind DJ: Red Norvo & His Swing Septet |
The Night Is Blue |
shellac 10" b/w Chick Webb's Savoy Orchestra-Stomping At The Savoy) |
Parlophone |
1935 |
(From: Red Norvo 1933-1936 Chronological Classics ) |
0:50:27 (Pop-up) |
||||
Small Faces | Come On Children | Small Faces | Decca | 1966 | 0:55:22 (Pop-up) | |||||
John's Children | Smashed! Blocked! | single (b/w Strange Affair) | White Whale | 1966 | 0:59:45 (Pop-up) | |||||
Gwil Owen | Honey Bear | 35!!! Years Bear Family Records | Bear Family | 2010 | 1:02:34 (Pop-up) | |||||
Silverhead | In Your Eyes | Silverhead | Purple | 1972 | 1:05:51 (Pop-up) | |||||
Silver Jews | I Remember Me | Bright Flight | Drag City | 2001 | 1:11:49 (Pop-up) | |||||
Barbara Cooper | Sunday Morning | single (b/w Patterns) | RCA Victor | 1967 | (From: Lost Jukebox Vol.180) | 1:17:13 (Pop-up) | ||||
Charlie Parker | Star Eyes | shellac 10" (b-side to Au Privave) | Mercury | 1951 | (From: The Complete Verve Master Takes) | 1:19:54 (Pop-up) | ||||
Music behind DJ: The Mike Sammes Singers |
Vespa |
prev. unr. |
n/a |
unk. |
(From: Music For Biscuits: Lost Advertising & Rare Film Sounds by Mike Sammes & The Mike Sammes Singers) |
1:23:21 (Pop-up) |
||||
Brother & Sister W B Grate | Power Is in the Heart of Man | single (b/w Power Is In The Heart Of Man) | Port City | 1971 | (From: Fire In My Bones - Raw + Rare + Other-Worldly African-American Gospel (1944-2007)) | 1:29:10 (Pop-up) | ||||
Reynolds Calypso Clippers, Boysie Grant | Sweetie Charlie: Matty Rag: Nobody's Business | shellac 10" (b/w Come We Go Down A Unity: Old Lady O: Linstead Market) | Motta's Recording Studio | unk. | 1:34:38 (Pop-up) | |||||
Sammy Ambrose | This Diamond Ring | single (b/w Bad Night) | Musicor | 1964 | (From: You Heard It Here Ferst!) | 1:37:31 (Pop-up) | ||||
Irene Kral | Goin' To California | Wonderful Life | Mainstream | 1965 | (From: Gilles Peterson Digs America 2 - Searching At The End Of An Era) | 1:39:51 (Pop-up) | ||||
Jean Carn | Don't Let It Go To Your Head | single (b/w I Bet She Won't Love You Like I Do) | Philadelphia International | 1978 | (From: The Very Best of Smooth Jazz Vol. 2) | 1:43:17 (Pop-up) | ||||
The Spindrift | Time Stands Still For Me | single (b/w Alice In Wonderland) | Scepter | 1966 | (From: Lost Jukebox Volume 099) | 1:48:02 (Pop-up) | ||||
Red Nichols & His Five Pennies | The Peanut Vendor | shellac 10" (b/w Sweet Rosita) | Brunswick | 1931 | (From: Jazz in the Charts - (1931)) | 1:50:16 (Pop-up) | ||||
Music behind DJ: Grant Green |
Ease Back |
Carryin' On |
Blue Note |
1970 |
(From: 50 Soul Jazz Classics) |
1:53:00 (Pop-up) |
||||
Leon Ware | What's Your World | Leon Ware | United Artists | 1972 | 1:58:57 (Pop-up) | |||||
Lloyd Clarke | Parapinto Boogie | shellac 10" (b-side to Laurel Aitken-More Whisky) | Blue Beat | 1961 | (From: The Evolution Of Ska) | 2:02:49 (Pop-up) | ||||
Trudy Richards | The Breeze "That's Bringin' My Honey Back To Me" | single (b/w I Can't Love You Anymore) | Derby | 1953 | 2:05:27 (Pop-up) | |||||
Honshu Wolves | Goddess | Cosmic Creature Capture | Voodoo Rhythm | 2021 | 2:07:58 (Pop-up) | |||||
Tuff Sunshine | My Back Catalogue | Bandcamp | 2021 | https://tuffsunshine.com/track/my-back-catalogue | 2:12:32 (Pop-up) | |||||
Tom Jones | Resurrection Shuffle | single (b-side to Puppet Man) | Parrot | 1971 | (From: The Singles+) | 2:18:04 (Pop-up) | ||||
Music behind DJ: The Hollywood Edge |
Rubber, Processed Stretches 5x |
Foley Sound Library |
The Hollywood Edge |
unk. |
2:20:51 (Pop-up) |
|||||
Mr. Science | The Incredible Hulk | Series 01 | 96x | 1979-83 | 2:24:56 (Pop-up) | |||||
Orang-Utan | I Can See Inside Your Head | Orang-Utan | Bell | 1971 | (From: V.A. - The LSD Connection Volume 3) | 2:27:08 (Pop-up) | ||||
Johnny Mercer featuring The Blue Reys with Alvino Rey And His Orchestra | Glow Worm | shellac 10" (b/w Paul Weston and his Orchestra-The New Ashmolean (Marching Society And Students Conservatory Band)) | Capitol | 1951 | (From: The Oxford American: Southern Music Sampler Vol. 2) | 2:30:31 (Pop-up) | ||||
Radiohead | Lucky | Ok Computer | Parlophone | 1997 | 2:33:18 (Pop-up) | |||||
Grateful Dead | Truckin' | 1991-05-10 - Shoreline Amphitheatre | n/a | 1991 | 2:37:29 (Pop-up) | |||||
Milton Brown & His Musical Brownies | You're Tired Of Me | shellac 10" (b-side to My Mary) | Decca | 1935 | (From: The Complete Recordings Of The Father Of Western Swing) | 2:45:42 (Pop-up) | ||||
Gregory Isaacs | Leaving | Slum In Dub | Burning Sounds | 1978 | (From: Trojan Dub Box Set) | 2:48:37 (Pop-up) | ||||
ABBA | When All Is Said and Done | single (b/w Should I Laugh Or Cry) | Atlantic | 1981 | (From: Thank You for the Music [Box]) | 2:51:33 (Pop-up) | ||||
Music behind DJ: Fleetwood Mac |
Albatross |
single (b/w Jigsaw Puzzle Blues) |
Blue Horizon |
1968 |
2:54:42 (Pop-up) |
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Live Audio Streams for Give the Drummer Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Uncle Michael:
Phillippe Bastille:
Doug Schulkind:
Listening Out There:
dan:
Uncle Michael:
Rich in Washington:
Helloooooo, Uncle Michael!
Lewis:
Franco Twinkie:
Phillippe Bastille:
Uncle Michael:
Uncle Michael:
spodiodi:
Uncle Michael:
Phillippe Bastille:
still b/p:
Phillippe Bastille:
dan:
Uncle Michael:
Revolution Rabbit Nov63:
Awright ! Uncle Michael Time ! :D
Uncle Michael:
Phillippe Bastille:
Revolution Rabbit Nov63:
Handsome Johnny:
Uncle Michael:
Doug Schulkind:
dutchtheo:
doctorjazz:
Uncle Michael:
Ike:
chresti:
spodiodi:
hi Ike!
Uncle Michael:
rw:
Uncle Michael:
still b/p:
?:
prudy:
Doug Schulkind:
Revolution Rabbit Nov63:
Uncle Michael:
Uncle Michael:
prudy:
spodiodi:
dan:
still b/p:
I tell ya, I did enjoy making Ike's cat slalom.
Lewis:
Uncle Michael:
Lewis:
rw:
prudy:
Uncle Michael:
prudy:
Revolution Rabbit Nov63:
en.wikipedia.org...
dan:
Peter Green and Danny Kirwan from the original lineup passed away. Jeremy Spencer left the group around the time Peter Green did because he was taken in by recruits of David Berg's Children of God cult.
Mike East:
prudy:
Revolution Rabbit Nov63:
- but hard to feel.'
- Hendrix
Ike:
Uncle Michael:
Ike:
dan:
I think he's pounding dirt.
Franco Twinkie:
Uncle Michael:
spodiodi:
The blues ain't nothin' but a good man feelin' bad, thinkin' 'bout the woman he once was with." -- Joe Seneca as Willie Brown (from Crossroads, c1986)
sorry.
spodiodi:
spodiodi:
Cmurtha:
Revolution Rabbit Nov63:
dan:
Rich in Washington:
Revolution Rabbit Nov63:
Uncle Michael:
Uncle Michael:
spodiodi:
idk, why?
Uncle Michael:
Rich in Washington:
Uncle Michael:
spodiodi:
dan:
Revolution Rabbit Nov63:
Doug Schulkind:
chresti:
Roberto:
Uncle Michael:
Roberto:
prudy:
Uncle Michael:
prudy:
Roberto:
Uncle Michael:
Rich in Washington:
prudy:
Revolution Rabbit Nov63:
Marie:
Marie:
Uncle Michael:
Too much teevee?
Roberto:
Marie:
Uncle Michael:
Pedro in Arlington:
Roberto:
dan:
That's why I ruled those jobs out years ago for me.
Uncle Michael:
prudy:
emilie s:
HyperDose:
Uncle Michael:
Revolution Rabbit Nov63:
prudy:
Uncle Michael:
Roberto:
Uncle Michael:
spodiodi:
Marie:
Uncle Michael:
Marie:
Marie:
Uncle Michael:
prudy:
prudy:
prudy:
dan:
Revolution Rabbit Nov63:
Rich in Washington:
Revolution Rabbit Nov63:
Rich in Washington:
prudy:
StringOFperils:
Lewis:
prudy:
Phillippe Bastille:
Uncle Michael:
still b/p:
Rich in Washington:
"If you feel like you're behind in life, just remember: Matt Gaetz didn't get a high school girlfriend until he was almost 40"
StringOFperils:
StringOFperils:
Uncle Michael:
prudy:
Marie:
dan:
Tull got an ass whooping by the snobs at Rolling Stone. Didn't matter because their records still did well on the charts.
StringOFperils:
StringOFperils:
Uncle Michael:
Lewis:
Phillippe Bastille:
Revolution Rabbit Nov63:
still b/p:
Lewis:
Uncle Michael:
dan:
My dad swears by the first 4 albums as the best era of Tull. Especially, "Benefit". We saw Tull in 2008 at Jones Beach during their 40th anniversary and the bulk of the show were from the early years.
Uncle Michael:
Phillippe Bastille:
StringOFperils:
Lewis:
Phillippe Bastille:
Uncle Michael:
StringOFperils:
Revolution Rabbit Nov63:
prudy:
Lewis:
Uncle Michael:
still b/p:
Uncle Michael:
johnk77:
michael desbarres
was an intense character
on-stage & off
based on my brief tournees
w/chequered past:>
about jethro tull the band
not exactly to my taste
but genuine rock gods
to northern ohio teenage males
1969+
Phillippe Bastille:
Uncle Michael:
johnk77:
great show selecter
johnk77:
per wikipedia
Uncle Michael:
Revolution Rabbit Nov63:
johnk77:
Phillippe Bastille:
Phillippe Bastille:
Uncle Michael:
Phillippe Bastille:
Uncle Michael:
StringOFperils:
johnk77:
for dieselgate
Uncle Michael:
Rich in Washington:
StringOFperils:
still b/p:
Rich in Washington:
Phillippe Bastille:
Revolution Rabbit Nov63:
Doug Schulkind:
Phillippe Bastille:
dan:
You fucking nailed it. Except I'd rather hang out with Mr. Science.
Revolution Rabbit Nov63:
Uncle Michael:
emilie s:
Uncle Michael:
emilie s:
doctorjazz:
Get That Truckin' On!
still b/p:
Uncle Michael:
doctorjazz:
Any takers?
Revolution Rabbit Nov63:
dan:
Uncle Michael:
prudy:
doctorjazz:
Uncle Michael:
doctorjazz:
Uncle Michael:
chresti:
Uncle Michael:
doctorjazz:
prudy:
doctorjazz:
Uncle Michael:
dan:
spodiodi:
chresti:
still b/p:
StringOFperils:
Doug Schulkind:
Artie:
Phillippe Bastille:
listener 126464:
Andres:
HyperDose:
(don't worry Doug, I love you too!)
Uncle Michael:
Revolution Rabbit Nov63: