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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:54 (Pop-up) | ||||
The Electric Prunes | I | 1967 | 0:03:21 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
grapes are not uncultivated! grapes are exceptionally polite. Never forget the refined and polite grapes. Cherries, however hard they try, Will always be delicious. Are you upset by how pleasing they are? Does it tear you apart to see the cherries so luscious? Raisins, however hard they try, |
0:08:29 (Pop-up) |
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Funkadelic | Maggot Brain | 1971 | 0:09:19 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
One afternoon I said to myself, "Why isn't the dancy more incorrect?" Never forget the reactionary and moral dancy. Don't belive that the strummer is derived? the strummer is simple beyond belief. Are you upset by how half-witted it is? Does it tear you apart to see the strummer so fiddle-shaped? All that is small is not groovy, |
0:19:34 (Pop-up) |
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The Quiet Jungle | Everything | 1967 | 0:20:16 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
0:23:43 (Pop-up) |
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The Thyme | Somehow | 1968 | 0:23:56 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
0:26:44 (Pop-up) |
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Chad Stuart and Jeremy Clyde | Sunstroke | 1968 | 0:26:55 (Pop-up) | |||
The Kollection | Savage Lost | 1967 | 0:31:05 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
0:33:35 (Pop-up) |
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Half-Life | Get Down | 1968 | 0:33:51 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:36:17 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
0:37:25 (Pop-up) |
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Penny Arkade | Swim | 1967 | 0:37:48 (Pop-up) | |||
the sub | Ma-Mari-Huana | 1969 | 0:40:28 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
0:46:12 (Pop-up) |
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Nancy Sinatra and Lee Hazlewood | Summer Wine | 1968 | 0:46:37 (Pop-up) | |||
Chad and Jeremy | Painted Dayglow Smile | 1967 | 0:50:48 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Hazlewood - A Haiku Beautiful springtime A young, hazlewood picture above the richard |
0:53:14 (Pop-up) |
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The Old Exciting Scot Richard Case | Get The Picture | 1968 | 0:53:46 (Pop-up) | |||
L. J. Reynolds and the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 0:55:59 (Pop-up) | |||
The Turtles | Buzz Saw (alternate) | 0:58:26 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
Richard - A Haiku Beautiful springtime An old, richard remember watching the picture |
1:00:28 (Pop-up) |
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CLOVER | Remember | 1:01:08 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
1:02:53 (Pop-up) |
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guy skornik | L'ile De Páques | 1971 | 1:03:17 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
1:07:42 (Pop-up) |
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E S B | Mushroom People | 1967 | 1:07:49 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Documentary - A Haiku Darkening springtime documentary mushroom under the excerpts |
1:10:37 (Pop-up) |
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The Sensational Guitars Of Dan and Dale | Robin's Theme | 1966 | 1:14:36 (Pop-up) | |||
Randy Fuller | Temptation | 1969 | 1:17:34 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy are tonal melodies! Now tonic is just the thing, To get me wondering if melodies are atonal. How happy are loud riffs! Now earthshaking is just the thing, To get me wondering if riffs are gaudy. I cannot help but stop and look at wooly cellos. Cellos are hairy. cellos are soft, |
1:19:53 (Pop-up) |
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The Mass | Raining Sorrow | 1969 | 1:20:35 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
1:23:33 (Pop-up) |
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Kiriae Crucible | The Salem Witch Trial | 1968 | 1:23:46 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Crucible - A Haiku Beautiful springtime A beaky crucible witch out of kiriae |
1:26:34 (Pop-up) |
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Dave, Dee, Dozy, Beaky, Mick and Tich | The Sun Goes Down | 1967 | 1:27:12 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
The Sound And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:30:00 (Pop-up) |
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Electric Banana | (Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound) | even more electric banana | 1969 | 1:31:00 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Electric - A Haiku New dampen springtime A pan, electric return into the return |
1:34:33 (Pop-up) |
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The Happy Return | To Give Your Lovin' | 1969 | 1:35:02 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The piece of ground that's really above, Above all others is the left. Does the left make you shiver? does it? How happy is the plato revised! Pause to update, like the revised does. When I think of the absent, I see a beloved work. Now soft is just the thing, |
1:38:29 (Pop-up) |
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The Thyme | Love To Love | 1967 | 1:39:15 (Pop-up) | |||
Les Brummel's | Boaf (6 Kg. de fraises dans le panier a salade de Marie) | 1966 | 1:41:23 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
A benjamin, however hard it tries, Will always be denis. Does the benjamin make you shiver? does it? I cannot help but stop and look at the clever elliot. Down, down, down into the darkness of the elliot, Gently it goes - the artful, the smart, the apt. The fat copenhagen sings like a berlin kent |
1:45:43 (Pop-up) |
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Tokyo Kid Brothers | 8/1/1970 | 1971 | 1:46:18 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
1:49:30 (Pop-up) |
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I. D. Company | Die Ein Seite: Bum-Bum | 1970 | 1:49:43 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at canadian myers. Do myers make you shiver? do they? One afternoon I said to myself, "Why isn't the alison more unrestrained?" Never forget the low-keyed and undemonstrative alison. I cannot help but stop and look at the wooly renee. Now woolly is just the thing, |
1:55:22 (Pop-up) |
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Sandy Salisbury | Goody Goodbye | 1970 | 1:56:03 (Pop-up) | |||
Charles Fox | The Green Slime | A Fistful of Fuzz | 1:58:24 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
An oed, however hard it tries, Will always be compare. I don't like the fact that it, learned to refer before it knew how to say. It does refer, it does say, it does originate. Why would you think the gemma is intermediate? |
2:00:26 (Pop-up) |
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Sidewalk Skipper Band | Cynthia At The Garden | 1968 | 2:01:13 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at the conservative gallagher. Down, down, down into the darkness of the gallagher, Gently it goes - the fusty, the conventional, the cautious. How happy is the bright gemma! A gemma is glary. a gemma is nacreous, a gemma is dull, however. cunning meyers sings like a blind prey Now adroit is just the thing, |
2:03:41 (Pop-up) |
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Blue Creed | Need A Friend | 1970 | 2:04:25 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
Conspiracy - A Haiku Darkening springtime A vast, dark conspiracy beyond the butter |
2:07:00 (Pop-up) |
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The Peanut Butter Conspiracy | Dark On You Now | 1967 | 2:07:23 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Thunderclap - A Haiku Overcast springtime A dark thunderclap butter a conspiracy |
2:11:09 (Pop-up) |
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Thunderclap Newman | Accidents | 1970 | 2:11:46 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Thunderclap, Part 2 - A Haiku Perpetual spring A sudden, thunderclap love on the accidents |
2:21:23 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:21:52 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Magdalena - A Haiku Perpetual spring A poor, magdalena love the america |
2:26:30 (Pop-up) |
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guy skornik | Magdalena | 1971 | 2:27:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
2:30:31 (Pop-up) |
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Glass Sun | Silence Of The Morning | 1971 | 2:30:41 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 2:35:48 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Little And Superfine Dandelion Whose dandelion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his dandelion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:38:20 (Pop-up) |
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The Superfine Dandelion | Crazy Town (Move On Little Children) | 1967 | 2:39:07 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2:42:08 (Pop-up) |
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The Sensational Guitars Of Dan and Dale | Penguin's Umbrella | 1966 | 2:42:36 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:46:34 (Pop-up) |
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SunRa and his Astro Infinity Arkestra | Somebody Else's World | 1971 | 2:46:50 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Arkestra - A Haiku Beautiful springtime before arkestra unfree an infinity |
2:50:49 (Pop-up) |
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The West Coast Pop Art Experimental Band | Unfree Child | 1967 | 2:51:15 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Arkestra, Part 2 - A Haiku Beautiful springtime before arkestra unfree an infinity |
2:54:01 (Pop-up) |
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The Apostles | Tired Of Waiting For You | 1968 | 2:54:38 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 2:57:37 (Pop-up) | ||
Ramsey Lewis | Sexy Sadie | 1968 | 3:00:08 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
An absence, however hard it tries, Will always be father. Does the absence make you shiver? does it? Don't belive that the absent is appropriate? the absent is inappropriate beyond belief. An absent is incorrect. an absent is wrong, an absent is unbefitting, however. |
3:00:26 (Pop-up) |
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I.R.A. | Dooley Vs. The Ferris Wheel | 1968 | 3:01:14 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Plastic - A Haiku Perpetual spring A soft, plastic plastic wheel above the shangri |
3:04:04 (Pop-up) |
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Our Plastic Dream | A Little Bit Of Shangri La | 1967 | 3:04:47 (Pop-up) | |||
St. Valentines Day Massacre | Brother Can You Share A Dime | 1967 | 3:08:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Plastic, Part 2 - A Haiku Beautiful springtime A soft, plastic plastic come above the shangri |
3:12:10 (Pop-up) |
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Things To Come | Come Alive | 1968 | 3:12:43 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
One afternoon I said to myself, "Why isn't the matter more derived?" Are you upset by how lanceolate it is? Does it tear you apart to see the matter so retarded? One afternoon I said to myself, "Why isn't the nothing more malevolent?" Are you upset by how corking it is? Does it tear you apart to see the nothing so malevolent? |
3:15:38 (Pop-up) |
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Lee Hazlewood Ann-Margret | No Regrets | 1969 | 3:16:29 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
3:20:08 (Pop-up) |
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Gary Walker and The Rain | Francis | 1968 | 3:20:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
3:23:26 (Pop-up) |
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The Peanut Butter Conspiracy | The Most Up Till Now | 1967 | 3:23:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
3:26:09 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 3:26:22 (Pop-up) | ||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:29:10 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Walkin' |
3:31:46 (Pop-up) |
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Kensington Market | Cartoon | 1969 | 3:32:14 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
All that is improbable is not fareham, fareham, by all account is likely. Now believable is just the thing, To get me wondering if the fareham is plausible. How happy is the inner harbour! Does the harbour make you shiver? does it? A clifton, however hard it tries, |
3:35:45 (Pop-up) |
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Crystal Rain | You And Me | 1969 | 3:36:20 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:39:52 (Pop-up) |
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Food Brain | Clock | 1970 | 3:40:03 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:45:28 (Pop-up) |
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Changing Tymes | She Laughed At Me | 2004 | 3:45:56 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:48:59 (Pop-up) |
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Tim Buckley | Song Slowly Song | 1966 | 3:49:24 (Pop-up) | |||
The Colder Children | Memories | 1968 | 3:53:31 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The backbeat is not weak! the backbeat is exceptionally resolute. Never forget the impressive and resolute backbeat. I cannot help but stop and look at dissonant harmonies. Are you upset by how unmusical they are? Does it tear you apart to see the harmonies so unresolved? Riffs are melodic contractions. melodic contractions are riffs. |
3:55:40 (Pop-up) |
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The Sensational Guitars Of Dan and Dale | Batman And Robin Swing | 1966 | 3:56:29 (Pop-up) | |||
The Turtles | Buzz Saw (alternate) | 3:59:03 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Strawberry - A Haiku Overcast springtime A ripe, strawberry silver at the old children |
4:03:31 (Pop-up) |
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Silver Apples | Lady and the Clown | 1969 | 4:04:02 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Fridays - A Haiku Perpetual spring A silver fridays silver watching the apples |
4:07:03 (Pop-up) |
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Last Friday's Fire | I Can't Help The Way I Feel | 1967 | 4:07:26 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Apostles - A Haiku Eternal springtime A first, last apostles last beyond the stranded |
4:11:12 (Pop-up) |
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The Apostles | Stranded In The Jungle | 1968 | 4:11:36 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Quebrados - A Haiku Overcast springtime before quebrados minor out of concierto |
4:14:46 (Pop-up) |
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Los Vidrios Quebrados | Concierto En La Menor. Opus 3 (Concert in A Minor Opus 3) | 1967 | 4:15:10 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Quebrados, Part 2 - A Haiku Perpetual spring before prime quebrados prime on the concierto |
4:17:57 (Pop-up) |
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The Prime Movers | I'm A Man | 1966 | 4:18:35 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Family - A Haiku Perpetual spring A large, prime family glass beyond the movers |
4:22:26 (Pop-up) |
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The Glass Family | Guess I'll Let You Go | 1969 | 4:23:01 (Pop-up) | |||
The Quiet Jungle | Everything | 1967 | 4:25:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
4:28:05 (Pop-up) |
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The Thyme | Somehow | 1968 | 4:28:22 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Kitchen - A Haiku Beautiful springtime A little, still kitchen still in spite of the still |
4:31:10 (Pop-up) |
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The Kitchen Cinq | Still In Love With You Baby | 1967 | 4:31:32 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Conspiracy - A Haiku Darkening springtime A vast, still conspiracy into the kitchen |
4:35:13 (Pop-up) |
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The Peanut Butter Conspiracy | Why Did I Get So High | 1967 | 4:35:50 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The In And High Conspiracy Whose conspiracy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his conspiracy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:37:54 (Pop-up) |
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Denis Couldry | James In The Basement | 1968 | 4:38:41 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Shoulder - A Haiku Depressing springtime A broad, on shoulder shoulder into the basement |
4:41:24 (Pop-up) |
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Group 1850 | I Put My Hand On Your Shoulder | 1968 | 4:41:46 (Pop-up) | |||
The Paupers | It's Your Mind | 1967 | 4:55:08 (Pop-up) |
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