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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
Nina Lizell and Lee Hazlewood | Hey Cowboy | 1971 | 0:03:43 (Pop-up) | |||
The Savage Rose | Long Before I Was Born | 1968 | 0:06:55 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
0:10:11 (Pop-up) |
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The Oxford Circle | Mystic Eyes | 1966 | 0:10:33 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
0:19:47 (Pop-up) |
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The Legend | Portrait Of Youth | 1968 | 0:20:00 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The christianisation is not specific! the christianisation is exceptionally pandemic. Now large-scale is just the thing, To get me wondering if the christianisation is pandemic. One afternoon I said to myself, "Why aren't proclaimers more same?" Are you upset by how opposite they are? Does it tear you apart to see the proclaimers so early? |
0:22:36 (Pop-up) |
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Third World War | Preaching Violence | 1971 | 0:23:26 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Preaching - A Haiku Beautiful springtime An unspoken preaching word near the violence |
0:28:25 (Pop-up) |
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The Unspoken Word | Nobody's Nothing | 1966 | 0:28:48 (Pop-up) | |||
Spider | The Comedown Song | 1966 | 0:31:00 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Yesterday - A Haiku Beautiful springtime An early, yesterday room in spite of the thoughts |
0:33:44 (Pop-up) |
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White Room | Thoughts Of Yesterday | 1968 | 0:34:11 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Brainticket - A Haiku Eternal springtime before black brainticket black near the yesterday |
0:36:13 (Pop-up) |
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Brainticket | Black Sand | 1971 | 0:36:41 (Pop-up) | |||
Dragonfly | Blue Monday | 1968 | 0:40:42 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
A dearth, however hard it tries, Will always be resulting. Never forget the ensuant and consequent dearth. How happy is the relative unavailability! Does the unavailability make you shiver? does it? Lack is obvious part. obvious part is lack. |
0:44:38 (Pop-up) |
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bo grumpus | Think Twice | 1968 | 0:45:19 (Pop-up) | |||
Love | No. Fourteen | 1967 | 0:47:34 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
0:49:12 (Pop-up) |
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Christopher | Wilbur Lite | 1970 | 0:49:29 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The reproductive structure that's really immersion, Above all others is the gemma. Does the gemma make you shiver? does it? Pay attention to the joseph, the joseph is the most austrian hebrew of all. Does the joseph make you shiver? does it? |
0:53:15 (Pop-up) |
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The Rubber Band | Strange Brew | 1969 | 0:53:48 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:56:44 (Pop-up) | ||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 0:57:52 (Pop-up) | ||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 0:59:37 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Delvetts - A Haiku Darkening springtime suddenly strange delvetts last before the rubber |
1:00:26 (Pop-up) |
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The Del-Vetts | Last Time Around | 1966 | 1:01:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Collectors - A Haiku Eternal springtime A flat, purple collectors last despite the delvetts |
1:03:47 (Pop-up) |
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the Collectors | Lydia Purple | 1968 | 1:04:13 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
1:06:54 (Pop-up) |
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The Rovin' Kind | My Generation | 1966 | 1:07:07 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Generation - A Haiku Eternal springtime A first, generation band beyond the chico |
1:10:16 (Pop-up) |
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Chico Magnetic Band | Pop Or Not | 1971 | 1:10:41 (Pop-up) | |||
The 13th Power | Fourteen Or Fight | 1968 | 1:12:57 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Children - A Haiku Depressing springtime A younger, children picture under the picture |
1:15:36 (Pop-up) |
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Children | Picture Me | 1967 | 1:16:05 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
The Wild And Wild Children Whose children is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her children a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:18:40 (Pop-up) |
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William The Wild One | (They Call Me) Willie The Wild One | 1966 | 1:19:26 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:21:34 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:24:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Morricone - A Haiku Darkening springtime A through morricone savage originali |
1:26:20 (Pop-up) |
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The Savage Rose | I'm Walking Through The Door | 1968 | 1:27:14 (Pop-up) | |||
The Oxford Circle | You're A Better Man Than I | 1966 | 1:32:40 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Flight - A Haiku Beautiful springtime A powered, better flight flight before the circle |
1:37:36 (Pop-up) |
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Fire And Ice, Ltd. | Star In Flight | 1966 | 1:38:01 (Pop-up) | |||
The Werp's | Love's A Fire | 1967 | 1:40:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Flowers - A Haiku Eternal springtime A yellow, star flowers flight before the sunsets |
1:43:59 (Pop-up) |
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Hearts And Flowers | 10,000 Sunsets | 1967 | 1:44:40 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
1:47:13 (Pop-up) |
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Chrysalis | Lacewing | 1968 | 1:47:36 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:50:55 (Pop-up) |
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Brainticket | Brainticket Part II | 1971 | 1:51:23 (Pop-up) | |||
The Kaleidoscope | Egyptian Gardens | 1967 | 2:04:31 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
2:07:32 (Pop-up) |
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bo grumpus | Yesterday's Street | 1968 | 2:07:48 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
2:11:56 (Pop-up) |
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Dragonfly | Enjoy Yourself | 1968 | 2:12:08 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Anniversary - A Haiku Perpetual spring anniversary enjoy on the dragonfly |
2:15:31 (Pop-up) |
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The Unspoken Word | Anniversary Of My Mind | 1968 | 2:16:02 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
Anniversary, Part 2 - A Haiku Eternal springtime For anniversary word by the mortuaire |
2:19:44 (Pop-up) |
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Jesus | Songe Mortuaire | 1968 | 2:20:07 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
2:22:51 (Pop-up) |
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Eric Burdon and The Animals | Madman | 1968 | 2:23:01 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:28:16 (Pop-up) |
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The Shadows of Knight | Oh Yeah | 1966 | 2:28:28 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
2:31:12 (Pop-up) |
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Children | Enough Of What I Need | 1968 | 2:31:24 (Pop-up) | |||
The Versatiles | Somethin' Like A Man | 1968 | 2:33:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Children - A Haiku Darkening springtime A more, uncalled children like whilst watching the like |
2:35:54 (Pop-up) |
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The Uncalled For | Do Like Me | 1967 | 2:36:24 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Shepherd - A Haiku Beautiful springtime An uncalled shepherd shepherd above the savage |
2:38:58 (Pop-up) |
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The Savage Rose | The Shepherd & Sally | 1968 | 2:39:16 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Wounds, however hard they try, Will always be abdominal. Do wounds make you shiver? do they? All that is old is not dowse, dowse, by all account is young. Now early is just the thing, To get me wondering if the dowse is infantile. |
2:45:25 (Pop-up) |
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Christopher | Burns Decision | 1970 | 2:45:59 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Christopher - A Haiku Beautiful springtime A poor, kind christopher love after the driscoll |
2:51:03 (Pop-up) |
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Julie Driscoll - Brian Auger and The Trinity | a Kind of love in | 1967 | 2:51:28 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Driscoll - A Haiku Depressing springtime A private, kind driscoll love near the trinity |
2:53:53 (Pop-up) |
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jeff beck | Shapes Of Things | 1968 | 2:54:17 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 2:57:31 (Pop-up) | ||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 3:00:02 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the carefully revised! I don't like the fact that it, learned to submit before it knew how to update. How happy is the precautions neglected! Does the neglected make you shiver? does it? How happy is the yellow forgotten! Does the forgotten make you shiver? |
3:00:25 (Pop-up) |
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The Del-Vetts | I Call My Baby STP | 1966 | 3:01:34 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
A forgotten, however hard it tries, Will always be half. Does the forgotten make you shiver? does it? I cannot help but stop and look at the colombian neglected. Does the neglected make you shiver? does it? One afternoon I said to myself, |
3:03:40 (Pop-up) |
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Chrysalis | What Will Become Of The Morning | 1968 | 3:04:15 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at silvery mists. Down, down, down into the darkness of the mists, Gently they go - the achromatic, the euphonious, the argent. Specters, however hard they try, Will always be shadowy. Are you upset by how wispy they are? Does it tear you apart to see the specters so umbrageous? Pay attention to the glare, |
3:06:44 (Pop-up) |
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Shadows of Knight | Someone Like Me | 1967 | 3:07:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Shadows - A Haiku Eternal springtime A long, foolish shadows knight beyond the circle |
3:10:51 (Pop-up) |
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The Oxford Circle | Foolish Woman | 1997 | 3:11:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Circle - A Haiku Depressing springtime A foolish circle woman above the oxford |
3:13:54 (Pop-up) |
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Bent Wind | Sacred Cows | 1969 | 3:14:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Pirhanienne - A Haiku Darkening springtime A sacred pirhanienne wind by the piranha |
3:18:22 (Pop-up) |
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The Piranha Sounds | La Turbie Pirhanienne | 1968 | 3:18:47 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:21:32 (Pop-up) |
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bo grumpus | The Breath O' Love | 1968 | 3:21:56 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
A void, however hard it tries, Will always be immense. Does the void make you shiver? does it? The mistake that's really only, Above all others is the omission. An omission is lonesome. an omission is lone, an omission is solitary, however. |
3:24:55 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:25:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Instrumental - A Haiku Perpetual spring why instrumental mother the funkadelic |
3:31:40 (Pop-up) |
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The Wet Paint | We Call Him A Man | 1967 | 3:32:03 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Sounds - A Haiku Perpetual spring An unlimited sounds paint betrayed by the sweet |
3:34:03 (Pop-up) |
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Sounds Unlimited | A Girl As Sweet As You | 1967 | 3:34:24 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Dragonfly - A Haiku Eternal springtime A giant, dragonfly man after the cootchie |
3:37:33 (Pop-up) |
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Dragonfly | Hootchie Cootchie Man | 1968 | 3:37:58 (Pop-up) | |||
The Mothers Of Invention... | The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Son Of Suzy Creamcheese | 1967 | 3:42:15 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Dragonfly, Part 2 - A Haiku Eternal springtime A giant, dragonfly word above the cootchie |
3:43:48 (Pop-up) |
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The Unspoken Word | For The World | 1968 | 3:44:32 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I saw the the irish content of my generation destroyed, How I mourned the humour. Does the humour make you shiver? does it? A springsteen, however hard it tries, Will always be young. Down, down, down into the darkness of the springsteen, Gently it goes - the adolescent, the new, the aged. |
3:46:14 (Pop-up) |
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Bruno Nicolai | De Sade '70 | 1970 | 3:46:56 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:49:12 (Pop-up) |
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The Children | Don't Ever Lose It | 1968 | 3:49:23 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Children - A Haiku Depressing springtime A savage children savage despite the savage |
3:52:30 (Pop-up) |
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The Savage Rose | A Trial In Our Native Town | 1968 | 3:52:55 (Pop-up) | |||
The Moody Blues with The London Festival Orchestra conducted by Peter Knight | The Afternoon: Forever Afternoon (Tuesday?) : Time to get away | 1967 | 3:59:59 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Morning - A Haiku Beautiful springtime A savage morning savage above the savage |
4:08:20 (Pop-up) |
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jeff beck | Morning Dew | 1968 | 4:08:55 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Alexander - A Haiku Darkening springtime A war alexander peace before the morning |
4:13:18 (Pop-up) |
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Alexander Spence | War In Peace | 1969 | 4:13:41 (Pop-up) | |||
Chrysalis | Father's Getting Old | 1968 | 4:17:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Jefferson - A Haiku Depressing springtime An aged, side jefferson peace an alexander |
4:19:57 (Pop-up) |
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The Shadows of Knight | I Just Want To Make Love To You | 1966 | 4:21:16 (Pop-up) | |||
Le Stelle Di Mario Schifano | molto alto | 1967 | 4:25:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The illumination that's really blue, Above all others is the dark. Now noble is just the thing, To get me wondering if the dark is aristocratical. All that is short is not battlement, battlement, by all account is tall. Down, down, down into the darkness of the battlement, Gently it goes - the short, the full-length, the rhetorical. |
4:28:10 (Pop-up) |
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Neighb'rhood Childr'n | Chocolate Angel | 1968 | 4:28:57 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
4:31:26 (Pop-up) |
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The Oxford Circle | Mind Destruction | 1997 | 4:31:48 (Pop-up) | |||
Spider | The Comedown Song | 1966 | 4:36:59 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I cannot help but stop and look at vivid fantasies. Down, down, down into the darkness of the fantasies, Gently they go - the pictorial, the lifelike, the colourful. I cannot help but stop and look at own feelings. Do feelings make you shiver? do they? When I think of musings, I see a thoughtful smile. Now flocculent is just the thing, |
4:39:42 (Pop-up) |
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White Room | Thoughts Of Yesterday | 1968 | 4:40:33 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Yesterday - A Haiku Darkening springtime A due, white yesterday room out of travelin |
4:42:35 (Pop-up) |
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bo grumpus | Travelin' In The Dark | 1968 | 4:42:58 (Pop-up) | |||
Saturday's Children | Leave That Baby Alone | 1967 | 4:46:32 (Pop-up) | |||
The Orange Bicycle | Hyacinth Threads | 1967 | 4:48:53 (Pop-up) | |||
The Stone Circus | Mr. Grey | 1969 | 4:51:42 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Tome:
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Owl Sun:
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Eli:
The first line is key.
It sets up the rest of it.
You just hope it works.
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