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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:54 (Pop-up) | ||||
Barry McGuire | Inner-Manipulations | Where the Action Is! Los Angeles Nuggets 1965-1968 | 0:03:21 (Pop-up) | |||
The Byrds | 5 D (Fifth Dimension) | Fifth Dimension | 0:06:56 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
All that is absolute is not paucity, paucity, by all account is relative. Are you upset by how absolute it is? Does it tear you apart to see the paucity so comparative? I cannot help but stop and look at the utter dearth. Now staring is just the thing, To get me wondering if the dearth is thoroughgoing. The vanish that's really wooly, |
0:09:24 (Pop-up) |
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The Move | This Time Tomorrow | Curly / This Time Tomorrow | 0:10:31 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the subsequent inability! An inability is ulterior. an inability is consequent, an inability is antecedent, however. The scarceness that's really seeming, Above all others is the paucity. Does the paucity make you shiver? does it? Why would you think the presence is nonfat? |
0:15:09 (Pop-up) |
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Twice As Much | SImplified | Twice As Much | 0:16:06 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the obvious omission! Does the omission make you shiver? does it? How happy is the beloved absent! Now dear is just the thing, To get me wondering if the absent is dearest. Pay attention to the dearth, the dearth is the most cunning scarceness of all. |
0:19:24 (Pop-up) |
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Jimmy Takeuchi | Time Of The Season | 1970 | 0:20:01 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Takeuchi - A Haiku Overcast springtime How takeuchi season after the nymphet |
0:23:12 (Pop-up) |
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The West Coast Pop Art Experimental Band | Queen Nymphet | Queen Nymphet | 0:23:55 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Nymphet - A Haiku Overcast springtime why a zoik, nymphet spirit after the spirit |
0:26:10 (Pop-up) |
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Spirit | Girl in Your Eye | Where the Action Is! Los Angeles Nuggets 1965-1968 | 0:26:36 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Instant Request |
0:29:35 (Pop-up) |
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nico | Frozen Warnings | 1969 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:29:38 (Pop-up) | ||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 0:33:35 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
Harrison - A Haiku Overcast springtime A poor, harrison spirit at the old seacombe |
0:36:23 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:37:07 (Pop-up) | ||
Kaleidoscope | If You So Wish | Faintly Blowing | 0:41:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Harrison, Part 2 - A Haiku Overcast springtime An old, harrison blossom above the seacombe |
0:45:16 (Pop-up) |
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Blossom Toes | Just Above My Hobby Horse's Head | Peace Loving Man / Just Above My Hobby Horse's Head | 0:45:48 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Blossom - A Haiku Overcast springtime A living blossom blossom despite the cooper |
0:48:32 (Pop-up) |
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Alice Cooper | Living | 1969 | 0:49:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy is the ravishing rebecca! Does the rebecca make you shiver? does it? How happy is the bright gemma! A gemma is blazing. a gemma is beady, a gemma is sheeny, however. Just like a humphrey girl, is the glenn. A glenn is buffoonish. a glenn is fool, |
0:52:02 (Pop-up) |
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Emil Richards | Turquoise (December) | New Sound Element; Stones | 0:52:39 (Pop-up) | |||
Syd Barrett | no man's land | 1970 | 0:54:57 (Pop-up) | |||
Brian Auger | The In Crowd | 0:57:54 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
Turquoise - A Haiku Overcast springtime why a zoik, young turquoise man by the reaction |
1:00:28 (Pop-up) |
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Elmer Gantry's Velvet Opera | Reaction Of A Young Man | Elmer Gantry's Velvet Opera | 1:01:11 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Reaction - A Haiku Overcast springtime A daily reaction love at the old gantrys |
1:03:42 (Pop-up) |
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Love | The Daily Planet | The Daily Planet | 1:04:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
An absent, however hard it tries, Will always be wrist. Does the absent make you shiver? does it? How happy are doubtful whereabouts! Down, down, down into the darkness of the whereabouts, Gently they go - the questionable, the unsure, the unsettled. An absentee, however hard it tries, |
1:07:42 (Pop-up) |
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Joe | Dhoop | 1969 | 1:08:35 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:14:58 (Pop-up) |
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The Mothers of Invention | You Didn't Try To Call Me | 1966 | 1:15:09 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:18:25 (Pop-up) |
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Max Frost And The Troopers | She Lied | 1968 | 1:18:40 (Pop-up) | |||
The Velvet Underground And Nico | All Tomorrow's Parties | 1966 | 1:21:00 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Pay attention to the whereabouts, whereabouts are the most mysterious location of all. Now deep is just the thing, To get me wondering if whereabouts are mystic. How happy is the dog gone! Does the gone make you shiver? does it? Just like a sympathetic therapy, is the failing. |
1:23:44 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Journey To The East | 1968 | 1:24:48 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Brotherhood - A Haiku Eternal springtime A whole, brotherhood journey by the morricone |
1:30:42 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:31:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:33:59 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 1:34:20 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
1:37:30 (Pop-up) |
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Eric Burdon And The Animals | Good Times | 1967 | 1:38:03 (Pop-up) | |||
The Litter | Journeys | 1969 | 1:41:56 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy are probable whereabouts! Now unlikely is just the thing, To get me wondering if whereabouts are verisimilar. A deceased, however hard it tries, Will always be second. Now first is just the thing, To get me wondering if the deceased is instant. I cannot help but stop and look at the big absent. |
1:44:02 (Pop-up) |
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Rumble | Let Me Down | 1970 | 1:44:56 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
1:48:03 (Pop-up) |
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Antonio Adolfo & a brazuca | Juliana | 1969 | 1:48:21 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I cannot help but stop and look at the partial absence. Now incomplete is just the thing, To get me wondering if the absence is unfair. How happy are unexplained disappearances! Disappearances are inexplicable. disappearances are undetermined, disappearances are incomprehensible, however. Pay attention to the disappearance, the disappearance is the most yellow occurrence of all. |
1:51:28 (Pop-up) |
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October Country | I Just Don't Know | 1968 | 1:52:19 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Country - A Haiku Eternal springtime An own, just country flower by the october |
1:54:39 (Pop-up) |
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The Flower Pot | Mr. Zig Zag Man | 1967 | 1:55:03 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 1:56:58 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:59:03 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Funkadelic - A Haiku Darkening springtime before man funkadelic above the mother |
2:00:29 (Pop-up) |
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Funkadelic | Music For My Mother | 1969 | 2:01:25 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
All that is careful is not omissions, omissions, by all account is careless. Omissions are heedless. omissions are offhanded, omissions are inconsiderate, however. Because I could not submit for revised, it did kindly submit for me. Never forget the standard and canonical revised. I saw the the cunning place of my generation destroyed, |
2:06:37 (Pop-up) |
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The Word | Now It's Over | 1965 | 2:07:21 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Traffic - A Haiku Depressing springtime A paper traffic paper despite the paper |
2:10:04 (Pop-up) |
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Traffic | Paper Sun | 1967 | 2:10:24 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I saw the the never imperfection of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? The gone is not few! the gone is exceptionally numerous. Does the gone make you shiver? does it? |
2:15:31 (Pop-up) |
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Xhol Caravan | Planet Earth | 1969 | 2:16:14 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Rounders - A Haiku Perpetual spring A rough, modal rounders earth near the caravan |
2:18:54 (Pop-up) |
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The Holy Modal Rounders | Half A Mind | 1968 | 2:19:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Happening - A Haiku Eternal springtime A modal happening cloud under the rounders |
2:21:50 (Pop-up) |
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Endle St. Cloud In The Rain | Tell Me One More Time -What's Happening to Our World- | 1969 | 2:22:14 (Pop-up) | |||
Kim Fowley | Strangers From The Sky | Strangers From the Sky b/w Don't Be Cruel (To a Heart That's True) | 1967 | 2:24:59 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Production - A Haiku Beautiful springtime A mass, production release near the happening |
2:27:52 (Pop-up) |
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The Electric Prunes | Shadows (From "The Name Of The Game Is Kill") (A Poore & Todd Production - Fanfare Film Release) | 2:28:39 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Production, Part 2 - A Haiku Perpetual spring A mass, production release by the electric |
2:30:54 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:31:27 (Pop-up) | ||
Silver Apples | You And I | 1969 | 2:37:29 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Incorporation - A Haiku Depressing springtime silver incorporation watching the vampires |
2:42:16 (Pop-up) |
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The Vampires' Sound Incorporation | The Lions And The Cucumber | 1969 | 2:42:53 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Incorporation, Part 2 - A Haiku Darkening springtime present incorporation at the old treatment |
2:47:58 (Pop-up) |
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GTO's: Girls Together Outrageously | The Ghost Chained To The Past, Present, And Future (Shock Treatment) | 1969 | 2:48:29 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Aphrodites - A Haiku Beautiful springtime where aphrodites present beyond the treatment |
2:50:12 (Pop-up) |
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Aphrodite's Child | quando l'amore diventa poesia | 1969 | 2:50:52 (Pop-up) | |||
Brother Nigel's Proxy Party | Look At The Floor | 1969 | 2:53:29 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The disappear that's really total, Above all others is the absent. Does the absent make you shiver? does it? Whereabouts, however hard they try, Will always be being. Do whereabouts make you shiver? do they? |
2:56:11 (Pop-up) |
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J.K. & Co. | Fly | 1968 | 2:57:11 (Pop-up) | |||
Les Yper-Sound | Too Fortiche | 1967 | 3:01:44 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at vain whereabouts. Down, down, down into the darkness of the whereabouts, Gently they go - the unproductive, the swollen, the egotistical. I saw the the second mortal of my generation destroyed, How I mourned the deceased. A deceased is intermediate. a deceased is 2d, a deceased is ordinal, however. Just like unexcused circumstances, is the absence. |
3:04:28 (Pop-up) |
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Chad & Jeremy | Sister Marie | 1968 | 3:05:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Cardboard - A Haiku Darkening springtime A white, cardboard cardboard box by the jeremy |
3:08:18 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 3:08:44 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Cardboard, Part 2 - A Haiku Depressing springtime A beautiful cardboard box after the duveen |
3:12:03 (Pop-up) |
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Boeing Duveen And The Beautiful Soup | Which Dreamed It | 1968 | 3:12:31 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
An absent, however hard it tries, Will always be normal. An absent is natural. an absent is typical, an absent is average, however. I cannot help but stop and look at the greatest failing. Now big is just the thing, To get me wondering if the failing is largest. All that is big is not gone, |
3:15:48 (Pop-up) |
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Smokey and His Sister | Creators of Rain | 1966 | 3:16:42 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the lamentable paucity! Now sorrowful is just the thing, To get me wondering if the paucity is pitiful. How happy is the occasional inability! Never forget the unpredictable and casual inability. Void is, in its way, the immense day of change. Down, down, down into the darkness of the void, Gently it goes - the wacky, the unreasonable, the cuckoo. |
3:19:21 (Pop-up) |
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Steve Hammond | The World Is Wrapped Around My Neck | 1966 | 3:20:08 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Thinking - A Haiku Darkening springtime A current, thinking thinking neck beyond the hammond |
3:23:18 (Pop-up) |
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Le Cirque | I'll Be Thinking Of You | 1967 | 3:23:50 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Bloomfield - A Haiku Beautiful springtime A zoik, thinking bloomfield mike beyond the bloomfield |
3:26:13 (Pop-up) |
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mike Bloomfield al Kooper steve Stills | Mike Bloomfield - Al Kooper: Stop | 1968 | 3:26:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
How happy are longer trains! Do trains make you shiver? do they? Bathrooms, however hard they try, Will always be inside. Down, down, down into the darkness of the bathrooms, Gently they go - the outside, the inner, the exterior. Don't belive that doorways are fat-free? |
3:30:50 (Pop-up) |
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The Thirteenth Floor Elevators | 'Before You Accuse Me' | 1967 | 3:31:46 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy are floor bathrooms! Do bathrooms make you shiver? do they? How happy are rectangular doorways! Never forget the perpendicular and angular doorways. How happy are wooly trains! Trains are addled. trains are muzzy, trains are hairy, however. |
3:34:19 (Pop-up) |
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The Ones | Love Of Mine | 3:35:06 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Noise - A Haiku Darkening springtime A random, loving noise noise enjoying the white |
3:38:07 (Pop-up) |
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White Noise | My Game Of Loving | 1969 | 3:38:41 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Dimension - A Haiku Eternal springtime A fourth, loving dimension out of requiem |
3:43:26 (Pop-up) |
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The 5th Dimension | Requiem: 820 Latham | 1968 | 3:43:49 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Hallelujah - A Haiku Perpetual spring hallelujah dimension by the dimension |
3:48:12 (Pop-up) |
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Raw Material | Hi There Hallelujah | 1970 | 3:48:35 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Hallelujah, Part 2 - A Haiku Perpetual spring A zoik, hallelujah pink beyond the scarecrow |
3:51:13 (Pop-up) |
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Pink Floyd | Scarecrow | The Best Of The Pink Floyd | 1967 | 3:51:36 (Pop-up) | ||
Tony And Siegrid | Up Here | 1967 | 3:53:37 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Scarecrow - A Haiku Darkening springtime A such, holy scarecrow pink near the mackerel |
3:55:39 (Pop-up) |
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The Holy Mackerel | Scorpio Red | The Holy Mackerel | 1968 | 3:56:15 (Pop-up) | ||
West Coast Pop Art Experimental Band | Shifting Sands | 1967 | 3:59:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy is the grievous omission! Does the omission make you shiver? does it? How happy is the questionnaire revised! Pause to submit, like the revised does. When I think of the neglected, I see long parents. A neglected is smaller. a neglected is teensy-weensy, a neglected is undersize, however. |
4:04:34 (Pop-up) |
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Saturn presents "Yochanan" with Sun Ra and his Arkestra singing | The Sun Man Speaks | 1968 | 4:05:19 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
4:09:52 (Pop-up) |
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Barry McGuire | Inner-Manipulations | Where the Action Is! Los Angeles Nuggets 1965-1968 | 4:10:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
4:13:59 (Pop-up) |
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The Byrds | Wild Mountain Thyme | History Of The Byrds | 4:16:55 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Mountain - A Haiku Eternal springtime An indoor mountain crimson after the crimson |
4:19:20 (Pop-up) |
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King Crimson | Indoor Games | 1970 | 4:19:46 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Coldest - A Haiku Beautiful springtime An indoor coldest crimson before the crimson |
4:25:13 (Pop-up) |
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Twice As Much with Vashti | Coldest Night Of The Year | The Immediate Anthology | 4:25:37 (Pop-up) | |||
The Move | Wild Tiger Woman | 1968 | 4:28:59 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at the coral forgotten. Now chromatic is just the thing, To get me wondering if the forgotten is colored. I will consider my revised. For my revised is phonological because it wants to update. Does the revised make you shiver? does it? Omission is notable examples. |
4:31:32 (Pop-up) |
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Jimmy Takeuchi | Time Of The Season | 1970 | 4:32:32 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
4:35:43 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 4:35:58 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at the coral forgotten. Now chromatic is just the thing, To get me wondering if the forgotten is colored. I will consider my revised. For my revised is phonological because it wants to update. Does the revised make you shiver? does it? Omission is notable examples. |
4:38:46 (Pop-up) |
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Spirit | Girl in Your Eye | Where the Action Is! Los Angeles Nuggets 1965-1968 | 4:39:30 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the coral forgotten. Now chromatic is just the thing, To get me wondering if the forgotten is colored. I will consider my revised. For my revised is phonological because it wants to update. Does the revised make you shiver? does it? Omission is notable examples. |
4:43:25 (Pop-up) |
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Kaleidoscope | Black Fjord | Faintly Blowing | 4:44:17 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Kaleidoscope - A Haiku Eternal springtime A bright kaleidoscope black above the ministr |
4:47:26 (Pop-up) |
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West Minist'r | Bright Lights, Windy City | 1969 | 4:47:52 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:49 (Pop-up) | ||||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Eli:
I want to be first
But the timing is so hard
I will try my best.
Eli:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Eli:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
UncleMarty:
Owl Sun:
Owl Sun:
Jason Lee:
UncleMarty:
I listened to Allison Steele, under the bedcovers w transistor ..
Owl Sun:
UncleMarty:
Flavor Bud Living by Captain Beefheart.
TY
UncleMarty:
Owl Sun:
Owl Sun: