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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:21 (Pop-up) | ||||
Musique De William Sheller | Generissimo | 1969 | 0:02:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:04:32 (Pop-up) |
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H.P. Lovecraft | Let's Get Together | 1967 | 0:04:55 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Accompaniment - A Haiku Beautiful springtime before accompaniment get after the lovecraft |
0:09:22 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: Street Girl | 1968 | 0:09:46 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Accompaniment, Part 2 - A Haiku Depressing springtime before accompaniment floor into the earthquake |
0:13:26 (Pop-up) |
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The 13th Floor Elevators | Earthquake | 1967 | 0:13:46 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy are wooden drums! Do drums make you shiver? do they? Pianos, however hard they try, Will always be acoustic. Do pianos make you shiver? do they? I saw the the cunning drum of my generation destroyed, |
0:18:31 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Robin's Theme | 1966 | 0:19:07 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at artistic pianos. Are you upset by how tasteful they are? Does it tear you apart to see the pianos so esthetical? One afternoon I said to myself, "Why aren't saxes more same?" Saxes are opposite. saxes are same, saxes are extra, however. When I think of melodies, I see a plaintive range. |
0:22:06 (Pop-up) |
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Lothar & The Hand People | The Music Never Stops | 1968 | 0:22:53 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at the poli pele. Does the pele make you shiver? does it? I cannot help but stop and look at the que meu. Does the meu make you shiver? does it? An oma, however hard it tries, Will always be yellow. |
0:25:17 (Pop-up) |
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The Velvet Underground & Nico | Femme Fatale | 1966 | 0:26:06 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Instant Request |
0:28:38 (Pop-up) |
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John Cale Terry Riley | Ides Of March | 1970 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:28:41 (Pop-up) | ||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:39:31 (Pop-up) | ||
The Ones | Love Of Mine | 0:42:06 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout |
A serra, however hard it tries, Will always be saintly. Does the serra make you shiver? does it? I cannot help but stop and look at the martinez garcia. Does the garcia make you shiver? does it? Just like a garcia pompa, is the hernandez. |
0:45:07 (Pop-up) |
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Aphrodite's Child | Rain And Tears | 1968 | 0:46:22 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
0:49:28 (Pop-up) |
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The Byrds | Artificial Energy | The Notorious Byrd Brothers | 0:50:05 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
0:52:21 (Pop-up) |
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Donovan | The Observation | 1967 | 0:52:35 (Pop-up) | |||
Screamin' Jay Hawkins | Thing Called Woman | 1970 | 0:54:56 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:57:24 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the hemphill haley! Does the haley make you shiver? does it? How happy is the old rudy! Now grey is just the thing, To get me wondering if the rudy is stale. The wooly robbie sings like a young dog Down, down, down into the darkness of the robbie, |
0:59:56 (Pop-up) |
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Sagittarius | I Still Can See Your Face | 1969 | 1:00:47 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Ayatolluh - A Haiku Perpetual spring shall ayatolluh better on the suspicion |
1:03:40 (Pop-up) |
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Procol Harum | Lime Street Blues | 1967 | 1:04:11 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the phonological revised! Does the revised make you shiver? does it? All that is large is not left, left, by all account is little. A left is minuscule. a left is immature, a left is narrow-minded, however. Just like subject differences, is the omission. |
1:06:57 (Pop-up) |
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William Sheller | She Opened The Door | 1970 | 1:07:37 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:11:31 (Pop-up) |
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The Ceylibe People | Ceyladd Beyta | 1968 | 1:11:51 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:14:07 (Pop-up) |
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The Tangerine Zoo | Birth | 1968 | 1:14:22 (Pop-up) | |||
The Head Shop | Heaven Here We Come | 1969 | 1:16:55 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
1:19:37 (Pop-up) |
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The Velvet Underground | Here She Comes Now | 1967 | 1:19:56 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Underground - A Haiku Depressing springtime An urban, underground love an america |
1:21:55 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:22:22 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
America - A Haiku Beautiful springtime A white, america love because of the states |
1:27:01 (Pop-up) |
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The News | Blue Shoes | 1:27:28 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:29:23 (Pop-up) |
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Kim Fowley | I'm Not Young Anymore | 1969 | 1:29:33 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Beefheart - A Haiku Darkening springtime A magic beefheart captain before the captain |
1:34:47 (Pop-up) |
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Captain Beefheart and His Magic Band | Frying Pan | 1966 | 1:35:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Beefheart, Part 2 - A Haiku Eternal springtime A magic beefheart captain at the old captain |
1:37:21 (Pop-up) |
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Spice | In Love | 1968 | 1:38:05 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Electric - A Haiku Eternal springtime A photo, electric dance near the banana |
1:41:15 (Pop-up) |
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The Electric Banana | (Vocal Tracks): Eagle's Son (Strong melodic dance music) | 1969 | 1:41:35 (Pop-up) | |||
The Shadow Casters | Cinnamon Snowflake | 1968 | 1:44:47 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Millennium - A Haiku Depressing springtime A past, millennium dance out of electric |
1:47:24 (Pop-up) |
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The Millennium | It's You | 1968 | 1:47:59 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:51:05 (Pop-up) |
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Blossom Toes | Mister Watchmaker | 1967 | 1:51:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Pay attention to the dearth, the dearth is the most consequent scarceness of all. Does the dearth make you shiver? does it? The void is not gradual! the void is exceptionally gradual. A void is sharp. a void is gradual, a void is unforeseen, however. |
1:53:37 (Pop-up) |
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The Third Bardo | Lose Your Mind | 1967 | 1:54:13 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 1:57:31 (Pop-up) | ||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:59:25 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
The Blonde And Blonde Blonde Whose blonde is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her blonde a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:59:56 (Pop-up) |
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Blonde on Blonde | Jeanette Isabella | 1969 | 2:01:03 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Cardboard - A Haiku Depressing springtime A thick, cardboard cardboard box an isabella |
2:04:47 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 2:05:12 (Pop-up) | |||
Mad River | Amphetamine Gazelle | 1968 | 2:08:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Cardboard, Part 2 - A Haiku Perpetual spring A thick, cardboard cardboard coast out of natural |
2:11:21 (Pop-up) |
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Lothar and the Hand People | Milkweed Love | 1968 | 2:12:42 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I cannot help but stop and look at grave reflections. Reflections are severe. reflections are sober, reflections are critical, however. experiences are not impersonal! experiences are exceptionally physical. Down, down, down into the darkness of the experiences, Gently they go - the person-to-person, the physical, the individualized. Don't belive that dreams are fat-free? |
2:15:38 (Pop-up) |
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Front Page News | Thoughts | 1966 | 2:16:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Thoughts - A Haiku Beautiful springtime A negative, tight thoughts front on the aorta |
2:19:03 (Pop-up) |
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Aorta | Sleep Tight | 1969 | 2:19:34 (Pop-up) | |||
Pink Floyd | Candy And A Currant Bun | The Best Of The Pink Floyd | 1967 | 2:24:18 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at the downy nap. A nap is fluffy. a nap is soft, a nap is pubescent, however. Don't belive that the asleep is slow? the asleep is fast beyond belief. Are you upset by how immediate it is? Does it tear you apart to see the asleep so smooth? All that is little is not insomnia, |
2:26:58 (Pop-up) |
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Plague | The Face of Time | 1996 | 2:27:51 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the downy nap. A nap is fluffy. a nap is soft, a nap is pubescent, however. Don't belive that the asleep is slow? the asleep is fast beyond belief. Are you upset by how immediate it is? Does it tear you apart to see the asleep so smooth? All that is little is not insomnia, |
2:30:16 (Pop-up) |
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Noah's Ark | Love In | 1996 | 2:30:58 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I cannot help but stop and look at the tailed mermen. Does the mermen make you shiver? does it? I cannot help but stop and look at the italian barque. Does the barque make you shiver? does it? The bateau is not big! the bateau is exceptionally undersized. |
2:33:49 (Pop-up) |
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Fifty Foot Hose....... | Cauldron | 1968 | 2:34:35 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:39:24 (Pop-up) |
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The Yardbirds | Drinking Muddy Water | 1967 | 2:40:47 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Reflections - A Haiku Darkening springtime A few, reflections water beyond the childhood |
2:43:34 (Pop-up) |
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The Freedom | Childhood Reflections | 1969 | 2:43:58 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
I cannot help but stop and look at the mysterious absence. Never forget the secret and inscrutable absence. How happy is the fin gone! Now 5 is just the thing, To get me wondering if the gone is five. I saw the the yellow people of my generation destroyed, How I mourned the lost. Down, down, down into the darkness of the lost, |
2:46:57 (Pop-up) |
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Captain Beefheart & His Magic Band | The Blimp (mousetrapreplica) | 1970 | 2:47:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Beefheart - A Haiku Perpetual spring A magic beefheart captain into the captain |
2:49:47 (Pop-up) |
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Jeff Beck | Love Is Blue (L'amour Est Bleu) | 1968 | 2:50:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Lamour - A Haiku Beautiful springtime suddenly blue lamour tree at the perfect cheer |
2:53:16 (Pop-up) |
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Blue Cheer | Feathers From Your Tree | 1968 | 2:53:39 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:57:04 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Weird - A Haiku Perpetual spring A same, weird weird think beyond the going |
2:59:55 (Pop-up) |
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Art | I Think I'm Going Weird | 1967 | 3:00:28 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Sunshine - A Haiku Depressing springtime A warm, weird sunshine think above the shadows |
3:03:39 (Pop-up) |
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Ars Nova | Sunshine & Shadows | 1969 | 3:04:07 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy are valorous tibbs! Never forget the valiant and brave tibbs. A valure, however hard it tries, Will always be desperate. Does the valure make you shiver? does it? juggins are not fat-free! juggins are exceptionally juicy. |
3:07:06 (Pop-up) |
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Bobby Callender | Raga Man | 1968 | 3:07:51 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Documentary - A Haiku Beautiful springtime when documentary trip near the callender |
3:14:15 (Pop-up) |
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Beast | Prelude For Today: Floating (Down By The River) | 1969 | 3:18:24 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Pay attention to the yesterday, the yesterday is the most alive past of all. Are you upset by how lively it is? Does it tear you apart to see the yesterday so alert? I cannot help but stop and look at the 7th day. Does the day make you shiver? does it? When I think of the morning, I see a morrow future. |
3:22:14 (Pop-up) |
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The One Way Street | Tears | 1966 | 3:23:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
3:25:10 (Pop-up) |
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Alice Cooper | Shoe Salesman | 1970 | 3:25:21 (Pop-up) | |||
Joe Byrd And The Field Hippies | The Sub-Sylvian Litanies: You Can't Ever Come Down | 1969 | 3:27:51 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
3:30:51 (Pop-up) |
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Pepper & the Shakers | Semi-Psychedelic (It Is) | 1996 | 3:31:24 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Because I could not rotate for shakers, they did kindly rotate for me. Pause to rotate, like shakers do. Pay attention to the nothings, nothings are the most vapid conversation of all. Down, down, down into the darkness of the nothings, Gently they go - the insipid, the bland, the savorless. I cannot help but stop and look at influential bigwigs. |
3:33:34 (Pop-up) |
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John English, III and The Lemondrops | Just Don't Complain | 3:34:28 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The War And Just Find Whose find is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her find a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:37:12 (Pop-up) |
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Tim Buckley | No Man Can Find The War | 1967 | 3:37:53 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Buckley - A Haiku Darkening springtime A quiet buckley summer after the summer |
3:41:48 (Pop-up) |
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Bonzo Dog Band | Quiet Talks And Summer Walks | 1969 | 3:42:11 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Buffoons - A Haiku Perpetual spring A quiet buffoons summer watching the summer |
3:45:33 (Pop-up) |
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The Buffoons | My World Fell Down | 1967 | 3:46:00 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Somebody - A Haiku Darkening springtime A sure, great somebody love beyond the buffoons |
3:48:56 (Pop-up) |
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Great Society | Somebody To Love | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:49:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at the american lauren. Does the lauren make you shiver? does it? One afternoon I said to myself, "Why isn't the kurt more large?" Does the kurt make you shiver? does it? Corey is poor girl. |
3:53:38 (Pop-up) |
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The 23Rd Turnoff | Michael Angelo | 1967 | 3:54:21 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 3:56:42 (Pop-up) | ||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:57:50 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Vanishing - A Haiku Darkening springtime A non, vanishing beaver at the old passing |
4:02:39 (Pop-up) |
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Blonde On Blonde | Time Is Passing | 1970 | 4:03:04 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy is the sunny friday! A friday is bright. a friday is cheerful, a friday is shining, however. How happy is the lagged fibonacci! Does the fibonacci make you shiver? does it? The little morning sings like an eventful picture Now bitty is just the thing, |
4:05:39 (Pop-up) |
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Appaloosa | Yesterday's Roads | 1969 | 4:06:19 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy is the big borzoi! Does the borzoi make you shiver? does it? I saw the the old thrush of my generation destroyed, How I mourned the merle. A merle is antediluvian. a merle is experienced, a merle is doddering, however. A piebald, however hard it tries, |
4:10:28 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: A Thousand Ages From The Sun | 1968 | 4:11:05 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Accompaniment - A Haiku Overcast springtime before accompaniment light near the electric |
4:13:28 (Pop-up) |
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The Ugly's | I See The Light | 1969 | 4:14:02 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
An unavailability, however hard it tries, Will always be previous. Does the unavailability make you shiver? does it? All that is discontinued is not presence, presence, by all account is continued. Does the presence make you shiver? does it? |
4:17:31 (Pop-up) |
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The 13th Floor Elevators | I've Got Levitation | 1967 | 4:18:20 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy are still shots! Are you upset by how static they are? Does it tear you apart to see the shots so moving? I saw the next life of my generation destroyed, How I mourned days. Days are side by side. days are incoming, days are succeeding, however. fat periods sings like a week drive |
4:20:51 (Pop-up) |
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Kevin Ayers | Song For Insane Times | 1969 | 4:21:32 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
4:25:27 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Robin's Theme | 1966 | 4:25:42 (Pop-up) | |||
Lothar & The Hand People | The Music Never Stops | 1968 | 4:28:41 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Banjos, however hard they try, Will always be few. Do banjos make you shiver? do they? How happy are sultry vocals! Down, down, down into the darkness of the vocals, Gently they go - the sensual, the sulphurous, the sulfurous. How happy are zany drums! |
4:31:05 (Pop-up) |
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BlueCheer | Peace Of Mind | 1969 | 4:31:54 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:39:08 (Pop-up) |
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Dave Clark Five | Come Home | 2000 | 4:40:21 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Swimming - A Haiku Overcast springtime A more, swimming swimming home into the dollar |
4:43:06 (Pop-up) |
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Yankee Dollar | If in Swimming | 1968 | 4:43:26 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Swimming, Part 2 - A Haiku Overcast springtime A rapid, swimming swimming on the holiday |
4:47:17 (Pop-up) |
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Bee Gees | Holiday | 1967 | 4:47:53 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:44 (Pop-up) | ||||
Brian Auger | The In Crowd |
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Listener comments!
Owl Sun:
CC:
Owl Sun:
CC:
CC:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
CC:
The Ayatolluh of Rock 'n Rolluh:
CC:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
CC:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
swivs:
The Ayatolluh of Rock 'n Rolluh:
CC:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Eli:
I write haikus too
Never hear one about me
I'll keep hoping though.
The Ayatolluh of Rock 'n Rolluh:
Eli:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun: