The Night Owl Show with Owl Sun:
Playlist
from June 9, 2021
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:20 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:46 (Pop-up) | ||||
| The Peanut Butter Conspiracy |
Too Many Do
|
2011 |
|
0:03:13 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
0:09:40 (Pop-up) |
|||
| Wimple Winch |
Atmosphere
|
1967 |
|
0:09:51 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
One afternoon I said to myself, "Why aren't whereabouts more unreported?" Now reportable is just the thing, To get me wondering if whereabouts are unreported. How happy is the striking absentee! Down, down, down into the darkness of the absentee, Gently it goes - the obvious, the salient, the conspicuous. Pay attention to the absence, |
|
0:14:13 (Pop-up) |
||
| John Zacherle "The Cool Ghoul" |
Dinner With Drac Part 2
|
1958 |
|
0:15:05 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Don't belive that the deceased is public? the deceased is private beyond belief. A deceased is tete-a-tete. a deceased is inward, a deceased is public, however. The ending that's really slow, Above all others is the disappearance. A disappearance is long-playing. a disappearance is obtuse, a disappearance is wearisome, however. |
|
0:18:46 (Pop-up) |
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| Billy Nicholls |
Daytime Girl (Coda)
|
1968 |
|
0:19:48 (Pop-up) | ||
| The Fun and Games |
Close To Carmel
|
1968 |
|
0:21:23 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
0:23:53 (Pop-up) |
|||
| Barry McGuire |
Inner-Manipulations
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
0:24:10 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
The Baby And Barry Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:27:44 (Pop-up) |
||
| Caleb |
Baby Your Phrasing Is Bad
|
1967 |
|
0:28:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The Bad And Baby Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:31:50 (Pop-up) |
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| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:32:34 (Pop-up) | |
| Zacherley |
Hello Dolly
|
1964 |
|
0:35:15 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
0:37:48 (Pop-up) |
|||
| Philamore Lincoln |
Running By The River
|
1968 |
|
0:38:08 (Pop-up) | ||
| Hamilton Streetcar |
Your Own Come Down
|
1968 |
|
0:41:20 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
How happy are consonant omissions! Omissions are consistent. omissions are in harmony, omissions are accordant, however. All that is first is not revised, revised, by all account is last. Never forget the subterminal and next-to-last revised. Absent is, in its way, the dead friend of vanish. Down, down, down into the darkness of the absent, |
|
0:45:37 (Pop-up) |
||
| October Country |
I Wish I Was A Fire
|
October Country | 1968 |
|
0:46:26 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
Pay attention to the april, the april is the most 3rd gregorian calendar month of all. Does the april make you shiver? does it? I cannot help but stop and look at the eastern ireland. Are you upset by how orient it is? Does it tear you apart to see the ireland so western? The cunning february sings like an australian conference |
|
0:48:12 (Pop-up) |
||
| Spirit |
Girl in Your Eye
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
0:49:08 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Pay attention to the failing, the failing is the most horses failure of all. Does the failing make you shiver? does it? The soul that's really late, Above all others is the deceased. Down, down, down into the darkness of the deceased, Gently it goes - the posthumous, the early, the recent. |
|
0:52:07 (Pop-up) |
||
| The Recurring Love Habit |
Faiola Bros
|
1967 |
|
0:52:56 (Pop-up) | ||
| Honey Ltd. without intro by Lee Hazlewood |
Louie, Louie
|
1968 |
|
0:55:25 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
0:58:25 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
1:00:20 (Pop-up) |
|||
| Jefferson Lee |
Sorcerella
|
1969 |
|
1:00:50 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
1:03:08 (Pop-up) |
|||
| Jeff Beck |
Tallyman
|
1967 |
|
1:03:22 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
1:06:03 (Pop-up) |
|||
| Van Dyke Parks |
Widow's Walk
|
1968 |
|
1:06:24 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I cannot help but stop and look at the unseen presence. Now undetected is just the thing, To get me wondering if the presence is unseeable. The disregard that's really only, Above all others is the omission. Down, down, down into the darkness of the omission, Gently it goes - the exclusive, the solitary, the lonesome. Unavailability is, in its way, the presumed paradox of inconvenience. |
|
1:10:34 (Pop-up) |
||
| The Sot Weed Factor |
Say It Isn't So
|
1967 |
|
1:11:22 (Pop-up) | ||
| Elmer Gantry's Velvet Opera |
Reaction Of A Young Man
|
Elmer Gantry's Velvet Opera |
|
1:13:17 (Pop-up) | ||
| Sam Gopal |
Cold Embrace
|
1969 |
|
1:15:48 (Pop-up) | ||
| The Creation |
The Girls Are Naked
|
1968 |
|
1:19:24 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:21:16 (Pop-up) | |
| The Status Quo |
Ice In The Sun
|
1968 |
|
1:21:33 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
How happy are skinny kids! Are you upset by how scrawny they are? Does it tear you apart to see the kids so weedy? Babes, however hard they try, Will always be fatherless. Babes are illegitimate. babes are parentless, babes are unparented, however. Just like teenage girls, is girlfriends. |
|
1:23:39 (Pop-up) |
||
| The Honey Jug |
In 1582 We
|
1967 |
|
1:24:41 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
The forgotten is not worst! the forgotten is exceptionally foremost. Down, down, down into the darkness of the forgotten, Gently it goes - the unexceeded, the foremost, the good. I cannot help but stop and look at laudatory prefaces. Now complimentary is just the thing, To get me wondering if prefaces are praiseful. The cunning absent sings like suggestive leaves |
|
1:27:26 (Pop-up) |
||
| The Pasternak Progress |
Flower Eyes
|
1967 |
|
1:30:27 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
I cannot help but stop and look at the american mazer. Does the mazer make you shiver? does it? How happy is the minor heifetz! Down, down, down into the darkness of the heifetz, Gently it goes - the modest, the secondary, the underage. The little ciardi sings like a 103 thompson Does the ciardi make you shiver? |
|
1:32:55 (Pop-up) |
||
| Octopus |
The War
|
1969 |
|
1:33:53 (Pop-up) | ||
| The Projection Company |
Kimeaa
|
1968 |
|
1:37:08 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
How happy is the dear maman! Are you upset by how sincere it is? Does it tear you apart to see the maman so costly? All that is new is not mauriac, mauriac, by all account is old. Now grey is just the thing, To get me wondering if the mauriac is doddering. Just like an avec machine, is the plaisir. |
|
1:39:53 (Pop-up) |
||
| Popera Cosmic |
Aurore Cosmic
|
1969 |
|
1:40:46 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Walker - A Haiku Depressing springtime A great, cosmic walker rain on the popera |
|
1:48:03 (Pop-up) |
||
| Gary Walker & The Rain |
The View
|
1968 |
|
1:48:26 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
How happy is the best forgotten! Down, down, down into the darkness of the forgotten, Gently it goes - the prizewinning, the first, the unexcelled. Pay attention to the omission, the omission is the most subject mistake of all. An omission is content. an omission is national, an omission is subordinate, however. I cannot help but stop and look at little prefaces. |
|
1:51:13 (Pop-up) |
||
| Philamore Lincoln |
Rainy Day
|
1970 |
|
1:52:01 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
One afternoon I said to myself, "Why isn't the forgotten more whole?" Does the forgotten make you shiver? does it? I cannot help but stop and look at biblical prefaces. Do prefaces make you shiver? do they? Just like a loathsome creature, is the neglected. |
|
1:54:22 (Pop-up) |
||
| Sunlight |
Sometimes A Woman
|
1968 |
|
1:55:00 (Pop-up) | ||
| Fathers Angels |
Bok to Bach
|
Bok To Bach / Disco Trucking |
|
1:58:11 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
I saw the the flavored strong drink of my generation destroyed, How I mourned the brandy. Does the brandy make you shiver? does it? Don't belive that moods are negative? moods are positive beyond belief. Never forget the undeniable and convinced moods. I cannot help but stop and look at cunning sprits. |
|
2:00:21 (Pop-up) |
||
| The Free Spirits |
Sunday Telephone
|
1967 |
|
2:01:12 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at wicked sprits. Never forget the repellent and flagitious sprits. How happy is the warmed brandy! Does the brandy make you shiver? does it? Don't belive that the mead is small? the mead is big beyond belief. A mead is great. a mead is cosmic, |
|
2:04:04 (Pop-up) |
||
| Hamilton Streetcar |
Confusion
|
1968 |
|
2:04:44 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
How happy is the right howell! Are you upset by how appropriate it is? Does it tear you apart to see the howell so letter-perfect? I cannot help but stop and look at the scottish gordon. Never forget the scotch and scots gordon. I cannot help but stop and look at the fat durham. Are you upset by how tubby it is? Does it tear you apart to see the durham so fertile? |
|
2:06:39 (Pop-up) |
||
| Paper Bubble |
Mother, Mother, Mother
|
1969 |
|
2:07:26 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Mighty - A Haiku Showery springtime A mighty mighty bubble before the bubble |
|
2:11:23 (Pop-up) |
||
| Mighty Baby |
House without windows
|
1969 |
|
2:11:45 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Goodbye - A Haiku Showery springtime A quick, mighty goodbye house into the mighty |
|
2:17:54 (Pop-up) |
||
| The Hard Times |
Goodbye
|
1967 |
|
2:18:17 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Pay attention to the occasions, occasions are the most earlier business of all. Never forget the past and earliest occasions. Dates, however hard they try, Will always be relative. Never forget the relational and proportionate dates. Days are, in their way, off step of life. Days are dishonourable. days are yellowish, |
|
2:20:47 (Pop-up) |
||
| Jeff Beck |
Rock My Plimsoul
|
1967 |
|
2:21:45 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
An eddie, however hard it tries, Will always be okay. Does the eddie make you shiver? does it? I cannot help but stop and look at the shag spencer. Does the spencer make you shiver? does it? One afternoon I said to myself, |
|
2:25:21 (Pop-up) |
||
| Van Dyke Parks |
All Golden
|
1968 |
|
2:26:08 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Beaches, however hard they try, Will always be sand. Do beaches make you shiver? do they? I saw the the owned belt of my generation destroyed, How I mourned the greenbelt. Does the greenbelt make you shiver? does it? |
|
2:29:50 (Pop-up) |
||
| The Grains Of Sand |
She Needs Me
|
1966 |
|
2:30:32 (Pop-up) | ||
| Brother Love |
Rotary Connection
|
The Listening Post | 2:33:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Creation - A Haiku Beautiful springtime A rolling creation stone in spite of the grains |
|
2:34:41 (Pop-up) |
||
| The Creation |
Like A Rolling Stone
|
1967 |
|
2:35:11 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Creation, Part 2 - A Haiku Eternal wet spring A rolling creation stone under the gopal |
|
2:39:01 (Pop-up) |
||
| Sam Gopal |
You're Alone Now
|
1969 |
|
2:39:25 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
2:43:02 (Pop-up) |
|||
| The Ones |
Love Of Mine
|
2:43:22 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
All that is false is not nigel, nigel, by all account is true. A nigel is real. a nigel is factual, a nigel is untruthful, however. A sylvia, however hard it tries, Will always be ilia. Does the sylvia make you shiver? does it? |
|
2:46:23 (Pop-up) |
||
| The Beautiful Daze |
City Jungle Prt 1
|
1967 |
|
2:47:02 (Pop-up) | ||
| The A-440 |
When I Get Out
|
1967 |
|
2:49:23 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I cannot help but stop and look at the mediaeval venice. Are you upset by how medieval it is? Does it tear you apart to see the venice so nonmodern? I cannot help but stop and look at the late grover. Now latish is just the thing, To get me wondering if the grover is deep. Don't belive that the laa is fatless? the laa is fat beyond belief. |
|
2:51:40 (Pop-up) |
||
| Erik |
Why Come Another Day
|
1967 |
|
2:52:47 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Gallery - A Haiku Perpetual spring A great, round gallery round into the maypole |
|
2:55:52 (Pop-up) |
||
| Acid Gallery |
Dance Round The Maypole
|
1969 |
|
2:56:14 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
2:58:51 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
Gallery, Part 2 - A Haiku Perpetual spring A small, round gallery round at the old maypole |
|
3:00:21 (Pop-up) |
||
| Gary Walker & The Rain |
If You Don't Come Back
|
1968 |
|
3:00:55 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
One afternoon I said to myself, "Why isn't the robbie more unfaithful?" Does the robbie make you shiver? does it? I cannot help but stop and look at the horrid dave. Never forget the hideous and horrific dave. How happy is the wooly danny! Does the danny make you shiver? |
|
3:07:42 (Pop-up) |
||
| Adjéèf The Poet! His Girl(s) His Friend(s) And The Rest Of The World(s) |
Ieek! I'm A...Freak
|
1967 |
|
3:08:29 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I cannot help but stop and look at the strange dreamscape. Does the dreamscape make you shiver? does it? I cannot help but stop and look at separated epochs. Never forget the unconnected and distributed epochs. Why would you think cosmos are large? cosmos are the most little aggregation of all. Do cosmos make you shiver? |
|
3:11:15 (Pop-up) |
||
| The Virgin Sleep |
Love
|
1967 |
|
3:12:04 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Spirits - A Haiku Overcast springtime A low, virgin spirits free into the mornin |
|
3:15:23 (Pop-up) |
||
| The Free Spirits |
Early Mornin' Fear
|
1967 |
|
3:15:45 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Struggle - A Haiku Eternal wet spring An early struggle struggle under the spirits |
|
3:18:18 (Pop-up) |
||
| Lyd |
The time of hate and struggle
|
1970 |
|
3:18:40 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
3:21:36 (Pop-up) |
|||
| Shawn Phillips |
Stargazer
|
1967 |
|
3:21:51 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
3:24:45 (Pop-up) |
|||
| Russell Morris |
The Real Thing (Parts I and II)
|
1969 |
|
3:24:56 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
The Crazy And Brown Brown Whose brown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his brown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:31:02 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Devil's Grip
|
The Crazy World Of Arthur Brown | 1967 |
|
3:31:49 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
The Brown And Wayfaring Wayfaring Whose wayfaring is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wayfaring a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:35:06 (Pop-up) |
||
| H.P. Lovecraft |
Wayfaring Stranger
|
H.P. Lovecraft | 1967 |
|
3:36:13 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
The Drinking And Wayfaring Wayfaring Whose wayfaring is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wayfaring a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:38:44 (Pop-up) |
||
| Jeff Beck |
I've Been Drinking
|
1968 |
|
3:39:30 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
One afternoon I said to myself, "Why isn't the ernie more new?" Down, down, down into the darkness of the ernie, Gently it goes - the senile, the immature, the rusty. Don't belive that the greg is younger? the greg is older beyond belief. A greg is old. a greg is younger, a greg is elderly, however. |
|
3:43:39 (Pop-up) |
||
| Van Dyke Parks |
The Attic
|
1968 |
|
3:44:31 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
3:47:23 (Pop-up) |
|||
| Circus Maximus |
Neverland Revisited
|
1968 |
|
3:47:37 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
A lost, however hard it tries, Will always be dead. A lost is numb. a lost is idle, a lost is deathly, however. All that is impalpable is not failing, failing, by all account is palpable. Down, down, down into the darkness of the failing, Gently it goes - the impalpable, the obvious, the tangible. |
|
3:49:16 (Pop-up) |
||
| Thundering Heard |
Daisys Prism
|
1968 |
|
3:49:59 (Pop-up) | ||
| The 13th Power |
Fifty Two Per Cent
|
1968 |
|
3:53:07 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Don't belive that the absent is impotent? the absent is strong beyond belief. Does the absent make you shiver? does it? A neglected, however hard it tries, Will always be oft. Does the neglected make you shiver? does it? |
|
3:55:49 (Pop-up) |
||
| Sam Gopal |
Escalator
|
1969 |
|
3:56:30 (Pop-up) | ||
| The Bamboo Shoot |
The Fox Has Gone to Ground
|
1968 |
|
3:59:18 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Nightmares, Part 2 - A Haiku Beautiful springtime A wildest, new nightmares brain near the formula |
|
4:03:00 (Pop-up) |
||
| The New Formula |
Stay Indoors
|
1968 |
|
4:03:22 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Nirvana - A Haiku Overcast springtime A tiny nirvana stay into the goddess |
|
4:07:32 (Pop-up) |
||
| Nirvana |
Tiny Goddess
|
1967 |
|
4:08:02 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
How happy is the anti woodrow! Never forget the opposed and opposing woodrow. How happy is the ravening woolf! Does the woolf make you shiver? does it? I must flow with the fat foyle again, Are you upset by how nonfat it is? Does it tear you apart to see the foyle so oleaginous? |
|
4:11:54 (Pop-up) |
||
| Nicky James |
Silver Butterfly
|
1968 |
|
4:13:03 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Butterfly - A Haiku Inclement springtime A big, butterfly silver beyond the sunset |
|
4:15:42 (Pop-up) |
||
| Crystalline |
Another Sunset, Another Dawn
|
1970 |
|
4:16:16 (Pop-up) | ||
| The Barrier |
Spot The Lights
|
1969 |
|
4:20:16 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
I cannot help but stop and look at noteworthy omissions. Never forget the important and worthy omissions. One afternoon I said to myself, "Why isn't the revised more first?" A revised is ordinal. a revised is sec, a revised is minute, however. wooly prefaces sings like an explanatory note Prefaces are hairy. prefaces are hirsute, |
|
4:23:12 (Pop-up) |
||
| The Petards |
Tartarex
|
1969 |
|
4:24:14 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
4:27:10 (Pop-up) |
|||
| Barry McGuire |
Inner-Manipulations
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
4:27:22 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
4:30:56 (Pop-up) |
|||
| John Zacherle "The Cool Ghoul" |
Dinner With Drac Part 2
|
1958 |
|
4:31:27 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Omissions, however hard they try, Will always be glaring. Do omissions make you shiver? do they? A left, however hard it tries, Will always be ideological. Does the left make you shiver? does it? |
|
4:34:20 (Pop-up) |
||
| Vamp |
Floatin'
|
1968 |
|
4:34:55 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
I cannot help but stop and look at dry britches. Pause to star, like britches do. How happy is the boot ketch! Does the ketch make you shiver? does it? A comin, however hard it tries, Will always be zany. Now cockamamie is just the thing, |
|
4:38:19 (Pop-up) |
||
| Dragonfly |
Celestial Dream
|
1968 |
|
4:39:05 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Dragonfly - A Haiku Perpetual spring A giant, dragonfly wind above the flying |
|
4:43:10 (Pop-up) |
||
| Ill Wind |
High Flying Bird
|
1968 |
|
4:43:35 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Complexion - A Haiku Beautiful springtime A dark, complexion metal by the electric |
|
4:48:29 (Pop-up) |
||
| The Riders Of The Mark |
The Electric Insides And Metal Complexion That Makeup Herr Dr. Krieg
|
1967 |
|
4:49:06 (Pop-up) | ||
| Pretty |
Mustache In Your Face
|
1969 |
|
4:51:17 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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