Sophisticated Boom Boom with Sheila B.:
Playlist
from June 11, 2021
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View djsheilab's profile
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Female-fronted pop from the past, present, and future; from all over the globe. And the occasional man.
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(* = new)
| Artist | Track | Album | Label | Year | Comments | Images | New | Approx. start time | ||
|---|---|---|---|---|---|---|---|---|---|---|
| Nellie McKay |
How About You
|
Bagatelles | Palmetto Records | 2019 |
|
0:00:00 (Pop‑up) | ||||
| Hide & Rosanna |
Midnight Bossa Nova
|
Columbia | 1969 | From Japan |
|
0:04:02 (Pop‑up) | ||||
| Keren Ann |
La Forme et le Fond
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Nolita | Blue Note | 2004 |
|
0:07:01 (Pop‑up) | ||||
| Videotapemusic |
Nepenthes (Doctoral Mix) [Remixed by Emerson Kitamura & Mmm]
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The Secret Dub Life Of Videotapemusic | Kakuba Rhythm | 2020 | From Japan |
|
0:12:27 (Pop‑up) | |||
| Alisha Chinai |
Zooby Zooby
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Dance Dance | Super Cassettes Industries | 1987 | From India |
|
0:17:10 (Pop‑up) | |||
| Chicks On Speed |
Coventry
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99 Cents | Chicks On Speed Records | 2003 | From Germany |
|
0:23:16 (Pop‑up) | |||
| Nancy Sit |
Congratulations
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Bu Diao Xie De Hua (Flower That Does Not Fade) | Life Records | 2016 | From Hong Kong, 1970 |
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0:26:51 (Pop‑up) | |||
| Sarah Chernoff |
Sunrise On Sunset
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Transitions | Self-released | 2021 |
|
* | 0:36:41 (Pop‑up) | |||
| Sababa 5 and Yurika |
Nasnusa
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Batov Records | 2020 | From Israel & Japan |
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0:41:34 (Pop‑up) | ||||
| Nancy Adams |
I Wanna Hear It From You
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RCA Victor | 1964 | 0:46:19 (Pop‑up) | ||||||
| The Lollipops |
Gee Whiz Baby
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Smash | 1964 | 0:48:25 (Pop‑up) | ||||||
| Livia Nery |
Superegos
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Self-released | 2019 | From Brazil |
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0:50:41 (Pop‑up) | ||||
| Meshell Ndegeocello |
Don’t Disturb This Groove
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Ventriloquism | Naïve | 2018 |
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0:54:03 (Pop‑up) | ||||
| Denya |
Easy Baby
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Self-released | 2018 | 0:58:42 (Pop‑up) | ||||||
| Peggy Gou |
Nabi (Featuring Ohhyuk)
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Gudu Records | 2021 | From South Korea & Germany |
|
* | 1:09:09 (Pop‑up) | |||
| Tina Turner |
Private Dancer (Single Edit)
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Simply the Best | Parlophone | 1991 | From 1983 / I had no idea that Mark Knopfler (Dire Straits) wrote this song! | 1:12:42 (Pop‑up) | ||||
| Linda Lewis |
Red Light Ladies
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Fathoms Deep | Collector’s Choice Music | 2008 | From 1973 |
|
1:16:36 (Pop‑up) | |||
| Gal Costa |
The Archaic Lonely Star Blues
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LeGal | Universal Music | N/A | From Brazil, 1970 |
|
1:18:59 (Pop‑up) | |||
| Timi Yuro |
Interlude (Time)
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Liberty | 1968 | 1:22:01 (Pop‑up) | ||||||
| Léonie |
Lileth
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Paris In the Spring | Ace Records | 2018 | From 1972 |
|
1:25:14 (Pop‑up) | |||
| Kahimi Karie |
Porque Te Vas
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Girly | Crue-L Records | 1994 | Jeanette cover |
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1:27:34 (Pop‑up) | |||
| Liraz |
Bia Bia
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Zan | Glitterbeat | 2020 | From Iran & Israel |
|
1:31:16 (Pop‑up) | |||
| Amber Mark |
Competition
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Competition | PRM/ Interscope | 2021 | MY SINGLE OF THE WEEK!!!! And make sure to watch the sublime music video! |
|
* | 1:40:13 (Pop‑up) | ||
| Voyou featuring Ladaniva |
Malika
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Chroniques Terrestres, Vol. 1 | Entreprise | 2021 |
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* | 1:43:16 (Pop‑up) | |||
| Amanita Wassidjé Traoré |
Tamala
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Tamala | Studio Mala | 2013 | From Mali |
|
1:46:17 (Pop‑up) | |||
| Pongo |
Quem Manda No Mic
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Capitaine Plouf / Jardin Rouge | 2019 | From Portugal & Angola |
|
1:50:53 (Pop‑up) | ||||
| Esther Phillips |
Sit Back Down
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Women Blues Singers (1928-1969) | MCA Records | 1999 | From 1954 | 1:54:08 (Pop‑up) | ||||
| Helen Humes |
Million Dollar Secret
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Let the Good Times Roll: The Definitive Black & Blue Sessions | Disques Black & Blue | 2007 | Originally from 1950, but this version was recorded in Paris in 1973 | 1:56:34 (Pop‑up) | ||||
| Flora Purim |
Love Reborn
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Butterfly Dreams | Concord Music | 2007 | From Brazil, 1973 |
|
2:01:48 (Pop‑up) | |||
| Liz Phair |
Spanish Doors
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Soberish | Chrysalis | 2021 |
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* | 2:08:48 (Pop‑up) | |||
| L’Rain |
Suck Teeth
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Fatigue | Mexican Summer | 2021 | L'Rain will be my guest on 6/25—the day of her album release! |
|
* | 2:12:30 (Pop‑up) | ||
| La Lá |
Cara
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Mito | La La & Altafonte Music | 2021 | From Peru |
|
* | 2:16:29 (Pop‑up) | ||
| David Darling & the Wulu Bunun |
Lugu Lugu Kan-Ibi
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Mudanin Kata | Riverboat Records | 2004 | From Taiwan | 2:19:25 (Pop‑up) | ||||
| Emeka Ogboh |
Danfo Mellow
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Beyond the Yellow Haze | A-Ton | 2021 | From Nigeria & Germany |
|
* | 2:21:45 (Pop‑up) | ||
| Ranking Ann |
Moonlight Lover
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A Slice Of English Toast | Ariwa Sounds | 1982 |
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2:32:58 (Pop‑up) | ||||
| Female Species |
Tying the Leaves
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Tale Of My Lost Love | Numero Group | 2021 | From 1970 |
|
* | 2:42:38 (Pop‑up) | ||
| Marika Hackman |
Phantom Limb
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Covers | Sub Pop | 2020 |
|
2:46:15 (Pop‑up) | ||||
| The Smiths |
Last Night I Dreamt That Somebody Loved Me
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Strangeways Here We Come | Rough Trade | 1987 | 2:49:59 (Pop‑up) | |||||
| Mylène Farmer |
Désenchantée
|
L'Autre | Polydor | 1991 |
|
2:54:41 (Pop‑up) | ||||
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Listener comments!
Listening to this broadcast.
HyperDose, we going to see you in Manhattan in a couple of hours?
🙋♀️Cooh John and cosmic friends
- let everyone know more about the new Schedule
- & spotlight the new Programs & DJs
...very kewl.
- & that's Good. +
"Love is like a friendship caught on fire. In the beginning a flame, very pretty, often hot and fierce, but still only light and flickering. As love grows older, our hearts mature and our love becomes as coals, deep-burning and unquenchable."
Bruce Lee
It can perplex the moderate drinker.
But there's no doubt the Tech Monopolies are duplicitous towards us.
I really got nothing else to connect me with - everything. But I'm not fooled by these Corporate SuperRich TechLords.
It's the unpleasantness of the system that keeps me out.
I'd rather be in, in a good system. That's where my discontent comes from: being forced to choose to stay outside."
George Carlin
I haven’t been on FarceBook literally for years. Probably the top thing I resent most about its insidiousness is that has rendered anyone who chooses to not engage as persona non grata, as if we don’t exist. I could go on and on and on about how demonically exploitative and damaging it has been. But I mainly wanted you to hear the Carlin quote. Because I think many of us here probably feel similarly.
At the risk of sharing this information with people who rank ugly guitar solos
I just think there is a lot more nuance than the social media bad IRL good binary that is being set up here.
I don't know how, of course.
But imagine the potential of Tech now if individuals had control of their own data - & services. (In a Society in which you can't even choose your own cable TV channels...)
Whether Tech is inherently Toxic for humans & human society is another question - & a significant one.
😊
I'll be back later.
I've been enjoying your show since I discovered it a couple years ago, but I never managed to learn the name of your opening theme song (which I "sing" along to every week). Oshiete kuremasen ka?
Anyway it's an interesting and contentious topic. Like I don't think it should be off limits for an artist to attempt a perspective they don't actually have the background for. Alot of people seem to think it should be.
hello to all!
The difference is FMU - whatever its organizational quirks & specifics - is Listener Supported : it ain't selling our data or identities (on the contrary) - & it's more or less transparent: we know a good bit of what's happening & who does it. The Tech Monopolies are the least in all these virtues... SheilaB well summed up.
loved discovering her, covering Nina, on a tv show (not necessarily recommending those, especially when they are produced by Am**on, but that mix, her music & the show's vibe, really worked), I love Dick
brilliant
I saw a live band for the first time since October yesterday! Enjoy!
“What kept me going? Partly the knowledge of what could do after I got out, but most of all the letters. In the 18 months I was in the jail I got 10,000 letters, from Europe and Japan, all over the world. They gave me the hope I needed to live through this thing. At least that part of it was beautiful.”
Merci, DJ Sheila
Bruce Lee