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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:20 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:46 (Pop-up) | ||||
Dragonfly | Hootchie Cootchie Man | 1968 | 0:03:14 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I saw the later location of my generation destroyed, How I mourned whereabouts. Never forget the latter and late whereabouts. Why would you think the deceased is intermediate? the deceased is the most first individual of all. Are you upset by how ordinal it is? Does it tear you apart to see the deceased so first-year? The wooly absence sings like a conspicuous future |
0:07:31 (Pop-up) |
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Christopher | Burns Decision | 1970 | 0:08:14 (Pop-up) | |||
bo grumpus | Travelin' In The Dark | 1968 | 0:13:19 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
0:15:54 (Pop-up) |
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jeff beck | Shapes Of Things | 1968 | 0:16:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
0:19:58 (Pop-up) |
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The Tremeloes | Let Your Hair Hang Down | 1967 | 0:20:23 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
0:22:49 (Pop-up) |
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The Del-Vetts | That's the Way it is | 1966 | 0:23:13 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Message - A Haiku Beautiful springtime A better message message beyond the better |
0:25:18 (Pop-up) |
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Chrysalis | What Will Become Of The Morning | 1968 | 0:25:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:28:22 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Fruscio Di Foglie Verdi | 1968 | 0:28:37 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:30:56 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
0:32:03 (Pop-up) |
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The Shadows of Knight | Oh Yeah | 1966 | 0:32:40 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Shadows - A Haiku Depressing springtime How a purple, shadows knight betrayed by the sounds |
0:36:22 (Pop-up) |
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Sounds Unlimited | A Girl As Sweet As You | 1967 | 0:36:44 (Pop-up) | |||
The Geranium Pond | No Elephants In My Garden | 1967 | 0:39:02 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Instant Request |
0:41:46 (Pop-up) |
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The Beatles | It's all too much | 1969 | For: The Ayatolluh of Rock 'n Rolluh | 0:41:49 (Pop-up) | ||
The Unspoken Word | Rossby | 1968 | 0:48:02 (Pop-up) | |||
The Misty Wizards | It's Love | 1967 | 0:50:34 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy is the warm sibilance! Are you upset by how lively it is? Does it tear you apart to see the sibilance so enthusiastic? Noises, however hard they try, Will always be deafening. Noises are thundery. noises are thunderous, noises are earsplitting, however. Seems are sculptured girl. |
0:52:38 (Pop-up) |
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The Children | Pictorial | 1968 | 0:53:47 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Pictorial - A Haiku Early dampish spring then pictorial woman into the children |
1:00:20 (Pop-up) |
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The Oxford Circle | Foolish Woman | 1997 | 1:00:50 (Pop-up) | |||
Shadows of Knight | Someone Like Me | 1967 | 1:01:22 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I cannot help but stop and look at the characteristic paucity. Does the paucity make you shiver? does it? The dearth is not unusual! the dearth is exceptionally common. Does the dearth make you shiver? does it? Void is immense reasons. |
1:03:20 (Pop-up) |
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The Piranha Sounds | La Turbie Pirhanienne | 1968 | 1:03:58 (Pop-up) | |||
The Banshees | Project Blue | 1966 | 1:06:43 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Alexander - A Haiku Perpetual spring A young, blue alexander watching the banshees |
1:09:41 (Pop-up) |
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Alexander Spence | War In Peace | 1969 | 1:10:04 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Georgeann - A Haiku Depressing springtime before war georgeann peace the alexander |
1:13:59 (Pop-up) |
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Erik | Georgeann | 1968 | 1:14:20 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Georgeann, Part 2 - A Haiku Overcast springtime A little georgeann train near the robbery |
1:18:03 (Pop-up) |
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The Little Boy Blues | The Great Train Robbery | 1966 | 1:18:25 (Pop-up) | |||
bo grumpus | If I Came To You | 1968 | 1:21:00 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Robbery - A Haiku Overcast springtime A little robbery train watching the dovers |
1:23:52 (Pop-up) |
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The Dovers | The Third Eye | 1996 | 1:24:18 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
One afternoon I said to myself, "Why isn't the stolen more saved?" A stolen is mixed-up. a stolen is cursed, a stolen is helpless, however. How happy are silent disappearances! Now inaudible is just the thing, To get me wondering if disappearances are implicit. I cannot help but stop and look at the wooly gone. |
1:26:31 (Pop-up) |
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The Trees | Don't Miss The Turn | 1996 | 1:27:13 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
1:29:23 (Pop-up) |
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jeff beck | Morning Dew | 1968 | 1:29:34 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Productions - A Haiku Overcast springtime A chief, productions sample above the trident |
1:33:56 (Pop-up) |
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The Del-Vetts | I Call My Baby STP | 1966 | 1:39:45 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Delvetts - A Haiku Eternal wet spring suddenly still delvetts still by the elastik |
1:41:52 (Pop-up) |
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The Elastik Band | I Would Still Love You | 1968 | 1:42:15 (Pop-up) | |||
Neighb'rhood Childr'n | Patterns | 1968 | 1:44:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
I cannot help but stop and look at the occasional unavailability. Never forget the unpredictable and casual unavailability. I cannot help but stop and look at the resultant paucity. Does the paucity make you shiver? does it? How happy is the cunning presence! Never forget the adroit and foxy presence. Refresh until you're happy with your poem. |
1:47:55 (Pop-up) |
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The Move | The Disturbance | 1966 | 1:48:41 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
1:51:24 (Pop-up) |
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Chrysalis | Cynthia Gerome | 1968 | 1:51:36 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
1:55:27 (Pop-up) |
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The Stone Circus | Adam's Lament | 1969 | 1:55:47 (Pop-up) | |||
Dream | Night Of The Lonely Organist And His Mysterious Pals | 1967 | 1:58:19 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Pay attention to the friday, the friday is the most monday weekday of all. Does the friday make you shiver? does it? A tuesday, however hard it tries, Will always be 5th. Does the tuesday make you shiver? does it? |
2:00:20 (Pop-up) |
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The Unspoken Word | Sunday Suit Of Clothes | 1968 | 2:01:10 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Bridge - A Haiku Early dampish spring A second, floating bridge bridge beyond the sunday |
2:03:30 (Pop-up) |
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Floating Bridge | Watch Your Step | 1969 | 2:03:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Shadows - A Haiku Depressing springtime A deep, floating shadows knight because of the knight |
2:07:50 (Pop-up) |
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The Shadows of Knight | I Just Want To Make Love To You | 1966 | 2:08:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Productions - A Haiku Beautiful springtime A best, productions sample watching the trident |
2:12:17 (Pop-up) |
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The Children | Don't Ever Lose It | 1968 | 2:18:07 (Pop-up) | |||
Peter Fonda | Catch The Wind | 1967 | 2:21:14 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:23:52 (Pop-up) |
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The Oxford Circle | Mind Destruction | 1997 | 2:24:10 (Pop-up) | |||
Alexander Spence | All Come To Meet Her | 1969 | 2:29:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Destruction - A Haiku Overcast springtime A self, destruction incense watching the incense |
2:31:18 (Pop-up) |
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The West Coast Pop Art Experimental Band | Smell Of Incense | The West Coast Pop Art Experimental Band | 1967 | 2:31:53 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Piccadilly - A Haiku Eternal springtime For piccadilly incense into the incense |
2:34:13 (Pop-up) |
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The Galaxies IV | Piccadilly Circus | 1966 | 2:34:43 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:37:19 (Pop-up) |
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mutantes | Não Vá Se Perder Por Aí | 1969 | 2:37:30 (Pop-up) | |||
Zone 26 | As The World Turns Cold | 1968 | 2:41:08 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the han been! Does the been make you shiver? does it? I saw the the grievous mistake of my generation destroyed, How I mourned the omission. Are you upset by how wicked it is? Does it tear you apart to see the omission so of import? The revised is not thin! |
2:43:53 (Pop-up) |
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Sunshine Trolley | Cover Me Baby | 1970 | 2:44:51 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Sunshine - A Haiku Eternal wet spring A baby sunshine cover at the old trolley |
2:47:57 (Pop-up) |
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jeff beck | Ol' Man River | 1968 | 2:48:17 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The melanie is not unregretting! the melanie is exceptionally dingy. Now cheerless is just the thing, To get me wondering if the melanie is dingy. Don't belive that the donnie is old? the donnie is young beyond belief. Does the donnie make you shiver? does it? |
2:52:03 (Pop-up) |
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Eric Burdon & The Animals | Monterey | 1968 | 2:52:42 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:57:21 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:00:21 (Pop-up) |
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The Werp's | Love's A Fire | 1967 | 3:00:39 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The inconvenience that's really consequent, Above all others is the unavailability. Are you upset by how resultant it is? Does it tear you apart to see the unavailability so ensuant? I saw the the apparent scarceness of my generation destroyed, How I mourned the paucity. Down, down, down into the darkness of the paucity, Gently it goes - the obvious, the seeable, the evident. |
3:03:46 (Pop-up) |
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fat mattress | All Night Drinker | 1969 | 3:04:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Neighbrhood - A Haiku Eternal springtime A happy neighbrhood captain beyond the mattress |
3:07:32 (Pop-up) |
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Neighb'rhood Childr'n | Happy World Of Captain K | 1968 | 3:07:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Neighbrhood, Part 2 - A Haiku Overcast springtime A happy neighbrhood captain out of chrysalis |
3:11:43 (Pop-up) |
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Chrysalis | Father's Getting Old | 1968 | 3:12:07 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Incorporation - A Haiku Perpetual spring How incorporation sound out of chrysalis |
3:14:28 (Pop-up) |
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The Vampires' Sound Incorporation | The Lions And The Cucumber | 1969 | 3:15:00 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Incorporation, Part 2 - A Haiku Perpetual spring For incorporation stone an insideout |
3:20:05 (Pop-up) |
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The Stone Circus | Inside-Out Man | 1969 | 3:20:31 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Insideout - A Haiku New dampish springtime For insideout monkey after the monkey |
3:25:36 (Pop-up) |
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The Young Monkey Men | Bald Headed Woman | 1966 | 3:26:09 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Monkey - A Haiku Perpetual spring A headed monkey monkey whilst watching the floyd |
3:29:29 (Pop-up) |
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Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 3:30:03 (Pop-up) | ||
Grains Of Sand | Goin' Away, Baby (Original Version) | 1966 | 3:33:28 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Children - A Haiku Depressing springtime A most, pink children flower above the sitting |
3:35:34 (Pop-up) |
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The Children | Sitting On A Flower | 1968 | 3:36:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
3:42:16 (Pop-up) |
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The Oxford Circle | The Raven | 1997 | 3:42:30 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
3:45:07 (Pop-up) |
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Sweet Marriage | Titania | 1969 | 3:45:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:49:47 (Pop-up) |
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Alexander Spence | Grey/Afro | 1969 | 3:49:58 (Pop-up) | |||
Ron Elliott | To The City, To The Sea | 1969 | 3:59:35 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
4:03:28 (Pop-up) |
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mutantes | Dia 36 | 1969 | 4:03:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
4:07:42 (Pop-up) |
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Wool | Love, Love, Love, Love | 1969 | 4:08:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
4:11:25 (Pop-up) |
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Floating Bridge | Crackshot | 1969 | 4:13:07 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Crackshot - A Haiku Depressing springtime before floating crackshot bridge after the walker |
4:19:59 (Pop-up) |
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Gary Walker & The Rain | If You Don't Come Back | 1968 | 4:20:21 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The Fat And Back Mattress Whose mattress is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his mattress a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:27:09 (Pop-up) |
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fat mattress | I Don't Mind | 1969 | 4:28:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
The quality that's really inherent, Above all others is the inability. An inability is implicit. an inability is intrinsic, an inability is built-in, however. Why would you think the lack is indefinite? the lack is the most definite demand of all. Never forget the distinct and decisive lack. When I think of the void, I see an utter keyword. |
4:31:44 (Pop-up) |
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The Zakary Thaks | Face To Face | 1967 | 4:32:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
4:35:39 (Pop-up) |
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The Shadows of Knight | Oh Yeah | 1966 | 4:35:50 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 4:38:33 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy are durbin evans! Do evans make you shiver? do they? How happy are henri charles! Do charles make you shiver? do they? I cannot help but stop and look at the wooly cohen. Down, down, down into the darkness of the cohen, |
4:39:40 (Pop-up) |
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The Stone Circus | Mr. Grey | 1969 | 4:40:40 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Brawley - A Haiku Perpetual spring A nearby, male brawley stone into the circus |
4:43:43 (Pop-up) |
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The Zoo | Gonna' Miss Me | 1967 | 4:44:46 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
4:46:48 (Pop-up) |
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Ancient Grease | Time To Die | 1970 | 4:46:57 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:56 (Pop-up) | ||||
The United States Of America | Hard Coming Love | The United States Of America | 1968 |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
spacecowboy:
spacecowboy:
The Ayatolluh of Rock 'n Rolluh:
spacecowboy:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
spacecowboy:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun: