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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
Lacewing | Crystal Myth | 1971 | 0:03:21 (Pop-up) | |||
fever tree | Don't Come Crying To Me Girl | 1968 | 0:07:30 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Don't belive that the absent is weak? the absent is strong beyond belief. Down, down, down into the darkness of the absent, Gently it goes - the hobnailed, the healthy, the vigorous. Disappearances, however hard they try, Will always be mysterious. Never forget the cryptic and deep disappearances. When I think of the disappearance, I see a tragic error. |
0:09:54 (Pop-up) |
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December's Children | Jane's Song (The Slow One) | 1970 | 0:10:45 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Prefaces, however hard they try, Will always be copious. Prefaces are ample. prefaces are extensive, prefaces are plentiful, however. How happy is the harm been! Does the been make you shiver? does it? I saw the the little turn of my generation destroyed, |
0:14:12 (Pop-up) |
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Food | No | 1969 | 0:15:11 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
0:17:49 (Pop-up) |
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The Stained Glass | My Buddy Sin | 1966 | 0:17:59 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I will consider my revised. For my revised is 4th because it wants to update. Does the revised make you shiver? does it? Don't belive that omissions are uncertain? omissions are certain beyond belief. Now unsealed is just the thing, To get me wondering if omissions are dependable. |
0:20:47 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Mozart's Dilemma | 1969 | 0:21:27 (Pop-up) | |||
Heavy Balloon | 16 Ton: Lead Zeppalin | 1969 | 0:26:16 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Progressive - A Haiku Eternal springtime A labour, progressive house despite the pilgrims |
0:28:47 (Pop-up) |
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The Red House | Mary Ann | 1969 | 0:29:34 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Concern - A Haiku Darkening springtime A growing concern concern into the better |
0:33:02 (Pop-up) |
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The Growing Concern | Mister You're A Better Man Than I | 1968 | 0:33:27 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Concern, Part 2 - A Haiku Perpetual spring A growing concern concern into the better |
0:38:18 (Pop-up) |
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freeport | Forty Long Faces | 1970 | 0:38:42 (Pop-up) | |||
Green | Where Have I Been | 1969 | 0:42:45 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Sunshine - A Haiku Depressing springtime A little, hard sunshine long in spite of the times |
0:45:50 (Pop-up) |
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The Hard Times | Sad Sad Sunshine | 1967 | 0:46:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Sad And Hard Sunshine Whose sunshine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his sunshine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:49:10 (Pop-up) |
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Les Fleurs de Pavot | Pourquoi L'Amour A Deux | 1968 | 0:49:53 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
0:52:40 (Pop-up) |
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Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 0:52:54 (Pop-up) | |||
Carmen Maki | Honnou | 1969 | 0:55:13 (Pop-up) | |||
The Lovin' Spoonful | Full Measure (instrumental version) | 1966 | 0:59:12 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Szabo - A Haiku Beautiful springtime A bende, walking szabo roll into the gabor |
1:00:25 (Pop-up) |
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Gabor Szabo | Walking On Nails | 1967 | 1:01:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Callender - A Haiku Perpetual spring A faced, walking callender above the bobby |
1:03:43 (Pop-up) |
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Bobby Callender | Awaken John - Lord Am I Dreaming | 1971 | 1:04:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
1:07:02 (Pop-up) |
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JACKS | Into Sea Foam | 1969 | 1:07:15 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Passing - A Haiku Eternal springtime A passing passing fancy at the old tonight |
1:10:46 (Pop-up) |
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A Passing Fancy | I'm Losing Tonight | 1968 | 1:11:07 (Pop-up) | |||
Pepper & the Shakers | Semi-Psychedelic (It Is) | 1996 | 1:13:51 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Passing, Part 2 - A Haiku Beautiful springtime A passing passing fever despite the tonight |
1:16:01 (Pop-up) |
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fever tree | Grand Candy Young Sweet | 1968 | 1:16:33 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Baltimore - A Haiku Depressing springtime A sweet baltimore master watching the heartache |
1:18:25 (Pop-up) |
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Sir Lord Baltimore | Master Heartache | 1970 | 1:18:50 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Baltimore, Part 2 - A Haiku Eternal moist spring A first, baltimore master into the heartache |
1:23:20 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:23:47 (Pop-up) | ||
The Rush Hour | Set Me Free | 1969 | 1:28:25 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
America - A Haiku Perpetual spring A white, america love whilst watching the states |
1:31:57 (Pop-up) |
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Food | What It Seems To Be | 1969 | 1:32:30 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Progressive - A Haiku Beautiful springtime A present, progressive be under the pilgrims |
1:39:43 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Hot Shot | 1969 | 1:40:22 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Progressive, Part 2 - A Haiku Darkening springtime A former, progressive frank before the pilgrims |
1:42:51 (Pop-up) |
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Frank Zappa | Peaches En Regalia | 1969 | 1:43:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Balloon - A Haiku Beautiful springtime A heavy balloon balloon near the regalia |
1:46:43 (Pop-up) |
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Heavy Balloon | 16 Ton: Owed To Sgt. Pepper | 1969 | 1:47:07 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I saw the the occasional quality of my generation destroyed, How I mourned the inability. An inability is casual. an inability is episodic, an inability is unpredictable, however. How happy is the characteristic paucity! Are you upset by how typical it is? Does it tear you apart to see the paucity so diagnostic? When I think of the void, I see an apparent room. |
1:49:54 (Pop-up) |
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The Myddle Class | I Happen To Love You | 1966 | 1:50:44 (Pop-up) | |||
Neil Christian | I Like It | 1966 | 1:53:28 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
1:55:38 (Pop-up) |
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Joe Rosanova and The Vineyard | Dreams Of You | 1968 | 1:55:57 (Pop-up) | |||
Alice Cooper | Reflected | Reflected | 1969 | 1:59:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Vineyard - A Haiku Overcast springtime A little, green vineyard try the rosanova |
2:00:25 (Pop-up) |
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Green | Just Try | 1969 | 2:00:55 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Fleurs - A Haiku New dampen springtime A notredame, green fleurs try despite the meduse |
2:02:58 (Pop-up) |
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Les Fleurs de Pavot | Le Rateau De La Meduse | 1968 | 2:03:22 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
A mundy, however hard it tries, Will always be english. Does the mundy make you shiver? does it? How happy is the stern wetzel! Now bottom is just the thing, To get me wondering if the wetzel is grim. The big stockwell sings like an old bit |
2:10:12 (Pop-up) |
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Rabbit Mackay | Tendency to Be Free | 1969 | 2:10:58 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Tendency - A Haiku Eternal moist spring A marked, tendency rabbit before the mackay |
2:14:24 (Pop-up) |
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Gabor Szabo | Sophisticated Wheels | 1967 | 2:14:54 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
A minogue, however hard it tries, Will always be supernatural. Now occult is just the thing, To get me wondering if the minogue is nonnatural. Don't belive that the laszlo is immature? the laszlo is old beyond belief. Down, down, down into the darkness of the laszlo, Gently it goes - the senescent, the moth-eaten, the senior. |
2:18:39 (Pop-up) |
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The Music Asylum | Mouse | 1970 | 2:19:21 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
2:22:34 (Pop-up) |
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Bobby Callender | Satori | 1971 | 2:22:44 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
2:25:08 (Pop-up) |
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JACKS | Rock For Fallin' Angel | 1969 | 2:25:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
2:29:32 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:29:44 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The tammany is not unreal! the tammany is exceptionally literal. Never forget the unreal and literal tammany. Don't belive that the agger is narrow? the agger is wide beyond belief. Never forget the all-encompassing and citywide agger. The big smithson sings like imaginary immigrants Are you upset by how bounteous it is? |
2:35:47 (Pop-up) |
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The Misunderstood | Children Of The Sun | Children Of The Sun / I Unseen | 1969 | 2:36:44 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
All that is unhallowed is not truce, truce, by all account is holy. Does the truce make you shiver? does it? I saw the the ethnic digit of my generation destroyed, How I mourned the unity. Never forget the cultural and social unity. When I think of the concord, I see a harmonious settlement. |
2:39:32 (Pop-up) |
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fever tree | Peace Of Mind | 1968 | 2:40:13 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:43:22 (Pop-up) |
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The Novells | Love | 1968 | 2:44:32 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:47:35 (Pop-up) |
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Caravan | As I Feel I Die | 1970 | 2:48:00 (Pop-up) | |||
Food | Marbled Wings | 1969 | 2:53:05 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
2:56:20 (Pop-up) |
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Bob Dylan | Corrina Corrina | 1962 | 2:56:37 (Pop-up) | |||
Brian Auger | The In Crowd | 2:59:13 (Pop-up) | ||||
John Bunyan's Progressive Pilgrims | Winter Draws On | 1969 | 3:00:25 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Progressive, Part 2 - A Haiku Darkening springtime A true, progressive balloon after the pilgrims |
3:03:50 (Pop-up) |
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Heavy Balloon | 16 Ton: Action | 1969 | 3:04:13 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:11:15 (Pop-up) |
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Pulse | Another Woman | 1969 | 3:11:30 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:20:02 (Pop-up) |
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Sir Lord Baltimore | Lady Of Fire | 1970 | 3:20:10 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
An omission, however hard it tries, Will always be notable. Are you upset by how noteworthy it is? Does it tear you apart to see the omission so celebrated? I will consider my revised. For my revised is former because it wants to submit. You may submit, With your previous lies, |
3:22:59 (Pop-up) |
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Ruperts People | A Prologue To A Magic World | 1967 | 3:23:47 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Prologue - A Haiku Beautiful springtime A precious prologue people beyond the bandits |
3:28:02 (Pop-up) |
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The Jelly Bean Bandits | Poor Precious Dreams | 1967 | 3:28:24 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Bandits - A Haiku Depressing springtime A crystalline bandits bean in spite of the dreams |
3:30:22 (Pop-up) |
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Crystalline | Here From There | 1970 | 3:30:48 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
3:38:27 (Pop-up) |
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The Byrds | Eight Miles High | Eight Miles High / Why | 3:38:38 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Dovers - A Haiku Perpetual spring suddenly third dovers eye because of the third |
3:42:10 (Pop-up) |
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The Dovers | The Third Eye | 1996 | 3:42:36 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Mascara - A Haiku Beautiful springtime A smudged, third mascara eye at the old dovers |
3:44:49 (Pop-up) |
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Graffiti | Ugly Mascara | 1968 | 3:45:11 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The makeup that's really soft, Above all others is the eyeshadow. Never forget the spirant and brushed eyeshadow. A blackhead, however hard it tries, Will always be big. Down, down, down into the darkness of the blackhead, Gently it goes - the heroic, the monumental, the bigger. Don't belive that eyelashes are small? |
3:51:17 (Pop-up) |
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fever tree | Death Is The Dancer | 1968 | 3:51:58 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:55:52 (Pop-up) |
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Li De La Russe | Planetarium | 1969 | 3:56:09 (Pop-up) | |||
The Mighty Typhoons | Spanish Onions | 2013 | 3:57:36 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
4:04:16 (Pop-up) |
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Bobby Callender | 3rd Movement - Satyagraha | 1971 | 4:04:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
4:10:57 (Pop-up) |
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JACKS | Jailbirds | 1969 | 4:11:09 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
4:13:55 (Pop-up) |
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Les Fleurs de Pavot | Hippies Nous Voila | 1968 | 4:16:51 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Pretty - A Haiku Depressing springtime A late, pretty pretty fool in spite of the fleurs |
4:19:18 (Pop-up) |
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The Webs | You Pretty Fool | 1966 | 4:19:44 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Progressive - A Haiku Early dampen spring An ardent, progressive fool a pecadillo |
4:21:54 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Pecadillo | 1969 | 4:22:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I saw the the physical notion of my generation destroyed, How I mourned the presence. Down, down, down into the darkness of the presence, Gently it goes - the carnal, the forcible, the forceful. How happy is the seeming paucity! Now ostensible is just the thing, To get me wondering if the paucity is apparent. How happy is the fat void! |
4:26:14 (Pop-up) |
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Pulse | Hypnotized | 1969 | 4:26:58 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
4:31:26 (Pop-up) |
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The Stained Glass | My Buddy Sin | 1966 | 4:31:36 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I saw the the occasional spirit of my generation destroyed, How I mourned the presence. Down, down, down into the darkness of the presence, Gently it goes - the episodic, the unpredictable, the irregular. The void is not full! the void is exceptionally lifeless. A void is empty-bellied. a void is lifeless, a void is blank, however. |
4:34:24 (Pop-up) |
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The Red House | Mary Ann | 1969 | 4:35:07 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I saw the the upper vanish of my generation destroyed, How I mourned the absent. Are you upset by how high it is? Does it tear you apart to see the absent so superior? A dearth, however hard it tries, Will always be resulting. Down, down, down into the darkness of the dearth, Gently it goes - the ensuant, the resultant, the consequent. |
4:38:36 (Pop-up) |
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Sir Lord Baltimore | Lake Isle Of Innersfree | 1970 | 4:39:18 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy is the white been! Never forget the black and empty been. Don't belive that omissions are unobvious? omissions are obvious beyond belief. Do omissions make you shiver? do they? The yellow omission sings like a notable half An omission is irrational. an omission is chromatic, |
4:43:15 (Pop-up) |
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Crystalline | A House Is Not A Motel | 1970 | 4:45:53 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:30 (Pop-up) | ||||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados |
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