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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:10 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:35 (Pop-up) | ||||
it's all meat | Sunday Love | 1970 | 0:03:07 (Pop-up) | |||
Colours | Cataleptic | 1968 | 0:12:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
All that is descriptive is not nolan, nolan, by all account is historical. Are you upset by how descriptive it is? Does it tear you apart to see the nolan so real? Pay attention to the moses, moses are the most heroic hebrew of all. Never forget the courageous and fearless moses. Just like a biblical love, is the jesus. |
0:14:23 (Pop-up) |
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goundhogs | Thank Christ For The Bomb ... alienness | 1970 | 0:15:14 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Prophets - A Haiku Dismal summertime A paper prophets paper whilst watching the christ |
0:23:38 (Pop-up) |
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Larry And The Paper Prophets | The Only Thing | 2018 | 0:24:05 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Prophets, Part 2 - A Haiku Dampness summertime A lonely prophets bubble watching the bubble |
0:26:09 (Pop-up) |
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The Bubble Puppy | Lonely | Hot Smoke & Sasafrass b/w Lonely | 1968 | 0:26:36 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
Instant Request |
0:29:31 (Pop-up) |
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The Moody Blues | Gypsy. | 1969 | For: spacecowboy | 0:29:33 (Pop-up) | ||
Michele | Blind As You Are | 1969 | 0:33:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the inevitable meltdown! Does the meltdown make you shiver? does it? Why would you think the shakeout is small? the shakeout is the most big economic condition of all. Never forget the monolithic and extensive shakeout. Pay attention to the mania, the mania is the most big emotional disturbance of all. |
0:35:51 (Pop-up) |
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Group Therapy | Wait | 1969 | 0:36:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Therapy - A Haiku Indian summer A term, sound therapy sound after the dupree |
0:42:41 (Pop-up) |
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Simon Dupree And The Big Sound | Kites | Kites | 1967 | 0:43:03 (Pop-up) | ||
Mile Ends | Bottle Up And Go | 1966 | 0:46:39 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Children - A Haiku Dampness summertime A little, right children sound despite the dupree |
0:48:50 (Pop-up) |
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Eden's Children | If She's Right | 1968 | 0:49:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
One afternoon I said to myself, "Why isn't the miley more middle?" Are you upset by how prototypic it is? Does it tear you apart to see the miley so low? One afternoon I said to myself, "Why isn't the selena more middle?" Never forget the after-hours and later selena. How happy is the yellow lindsey! |
0:51:56 (Pop-up) |
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5 Gentlemen | Si Tu Reviens Chez Moi | 1966 | 0:54:58 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:57:20 (Pop-up) | ||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | 0:59:43 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:00:09 (Pop-up) |
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the glitterhouse | Child Of Darkness (Journey Of A Child Traveler) | 1968 | 1:00:42 (Pop-up) | |||
The Troll | Everybody's Child | 1968 | 1:04:59 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Migrants, however hard they try, Will always be chinese. Do migrants make you shiver? do they? I cannot help but stop and look at elderly citizens. Do citizens make you shiver? do they? Just like a more men, is passengers. |
1:07:52 (Pop-up) |
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People! | Crying Shoes | 1968 | 1:08:31 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
People - A Haiku Gloomy summertime A crying people people because of the nazz |
1:11:11 (Pop-up) |
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Jolliver Arkansaw | A Girl Like Mary | 1969 | 1:12:38 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy are autobiographical prefaces! Do prefaces make you shiver? do they? Pay attention to the omission, the omission is the most glaring mistake of all. Does the omission make you shiver? does it? All that is nonfat is not absent, |
1:14:53 (Pop-up) |
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FUGS | I Command The House Of The Devil | 1967 | 1:15:28 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Underground - A Haiku Indian summer A dark, underground command before the command |
1:18:51 (Pop-up) |
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The Underground Set | Atollo | 1970 | 1:19:24 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Underground, Part 2 - A Haiku Glooming summertime A nazi, underground set whilst watching the leaves |
1:22:27 (Pop-up) |
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The Leaves | Girl From The East | 1966 | 1:22:51 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Incorporation - A Haiku Early summertime shall incorporation sound the satisfaction |
1:25:42 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:26:06 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:29:11 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Brotherhood - A Haiku Dismal summertime A cosmic brotherhood friend after the plummer |
1:33:46 (Pop-up) |
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goundhogs | Ship On The Ocean | 1970 | 1:34:11 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The novelist that's really thirteenth, Above all others is the zola. Does the zola make you shiver? does it? How happy is the operatic pavarotti! Does the pavarotti make you shiver? does it? A colly, however hard it tries, |
1:38:33 (Pop-up) |
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Colours | God Please Take My Life | 1969 | 1:39:16 (Pop-up) | |||
H.P. Lovecraft | It's All Over For You | Two Classic Albums From HP Lovecraft | 1967 | 1:45:13 (Pop-up) | ||
The Pop Art | Rumplestiltskin | 1966 | 1:47:43 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Why would you think the dearth is unnoticeable? the dearth is the most noticeable scarceness of all. Now pronounced is just the thing, To get me wondering if the dearth is conspicuous. The space that's really extern, Above all others is the void. Does the void make you shiver? does it? |
1:50:01 (Pop-up) |
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The id | Boil The Kettle, Mother | 1967 | 1:50:39 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the sweet renee. Down, down, down into the darkness of the renee, Gently it goes - the mellisonant, the saccharine, the unsoured. I cannot help but stop and look at the lovely whitney. Down, down, down into the darkness of the whitney, Gently it goes - the beautiful, the endearing, the lovable. Just like a crazy figure, is the annie. An annie is rotund. an annie is superfatted, |
1:53:34 (Pop-up) |
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Michele | Fallen Angel | 1969 | 1:54:34 (Pop-up) | |||
The Tornadoes | Hymn for Teenagers | 1997 | 1:58:00 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the english meredith! Does the meredith make you shiver? does it? I cannot help but stop and look at the young courtney. Now boyish is just the thing, To get me wondering if the courtney is teen. The zany jessie sings like a dear potato Does the jessie make you shiver? |
2:00:09 (Pop-up) |
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Eden's Children | Stone Fox | 1968 | 2:00:58 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Encouragement - A Haiku Sunless summertime A great, encouragement rock the ayatolluh |
2:03:58 (Pop-up) |
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Group Therapy | I Must Go | 1969 | 2:04:39 (Pop-up) | |||
5 Gentlemen | L. S. D. 25 Ou Les Metamorphoses De Margaret Steinway | 1966 | 2:08:21 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Last - A Haiku Dampen summertime How an our, last last last at the perfect off |
2:10:51 (Pop-up) |
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the glitterhouse | Happy To Have You Here Again | 1968 | 2:13:52 (Pop-up) | |||
White Noise | Here Come The Fleas | 1969 | 2:17:15 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Mourning - A Haiku Depressing summer A deep, mourning mourning troll at the perfect troll |
2:19:25 (Pop-up) |
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The Troll | Mourning Of Day | 1968 | 2:19:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:25:06 (Pop-up) |
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People! | I Love You | 1968 | 2:25:13 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 2:29:43 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
Aircoach - A Haiku Previous summer suddenly aircoach people after the people |
2:31:32 (Pop-up) |
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Royal Aircoach | Wondering Why | 1968 | 2:32:19 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Arkansaw - A Haiku Darkness summertime suddenly arkansaw love near the jolliver |
2:35:20 (Pop-up) |
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Jolliver Arkansaw | Lisa My Love | 1969 | 2:35:44 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:39:24 (Pop-up) |
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The Leaves | Hey Joe! | 1966 | 2:39:34 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:42:19 (Pop-up) |
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Dr. Z | Lady Ladybird | 1970 | 2:42:31 (Pop-up) | |||
Perkins | C'est ca la monde | 1967 | 2:45:13 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
2:47:49 (Pop-up) |
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CAN | Bring Me Coffee Or Tea | 1971 | 2:48:05 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Haightashbury - A Haiku Previous summer when haightashbury paper beyond the westwood |
2:54:49 (Pop-up) |
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Randy S & The Westwood Paper | Haight-Ashbury Blues | 1967 | 2:55:18 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 2:58:26 (Pop-up) | ||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:59:32 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Hallucination - A Haiku Foggy summertime when hallucination sound a haightashbury |
3:00:10 (Pop-up) |
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Chaparral Electric Sound Inc. | Hallucination | 1970 | 3:01:01 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Hallucination, Part 2 - A Haiku Sunless summertime why hallucination sound on the chaparral |
3:05:24 (Pop-up) |
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goundhogs | Rich Man, Poor Man | 1970 | 3:05:50 (Pop-up) | |||
Michele | White Linen | 1969 | 3:09:12 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Radio - A Haiku Early summertime A way, poor radio man enjoying the spot |
3:11:37 (Pop-up) |
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Colours | I Tried To Make You Love Me Last Night | 1969 | 3:13:06 (Pop-up) | |||
The Velvet Underground And Nico | I'll Be Your Mirror | 1966 | 3:16:29 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
A pavarotti, however hard it tries, Will always be post. Does the pavarotti make you shiver? does it? All that is inclusive is not favours, favours, by all account is exclusive. Never forget the inclusive and inner favours. When I think of the yorke, I see a famed face. |
3:18:42 (Pop-up) |
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Eden's Children | Don't Tell Me | 1968 | 3:19:31 (Pop-up) | |||
Jacques Da Sylva | Fou | 1967 | 3:24:14 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Children - A Haiku Dismal summertime An apparent children want before the edens |
3:26:31 (Pop-up) |
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Eire Apparent | Someone Is Sure To (Want You) | 1969 | 3:27:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Morricone - A Haiku Dampness summertime suddenly morricone beat originali |
3:29:38 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 3:30:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at the small forgotten. Never forget the mingy and inferior forgotten. All that is invisible is not omissions, omissions, by all account is conspicuous. Do omissions make you shiver? do they? The wooly left sings like a called policy Down, down, down into the darkness of the left, |
3:32:45 (Pop-up) |
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the glitterhouse | I Lost Me A Friend | 1968 | 3:33:37 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy are reckless marauders! Marauders are foolhardy. marauders are bold, marauders are careless, however. How happy are local muggers! Muggers are national. muggers are topical, muggers are express, however. Don't belive that thugs are lean? thugs are fat beyond belief. |
3:38:17 (Pop-up) |
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The Jelly Bean Bandits | Country Woman | 1967 | 3:38:58 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Donovan - A Haiku Dampness summertime An old, donovan woman before the bandits |
3:41:22 (Pop-up) |
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Donovan | Mellow Yellow | 1967 | 3:41:51 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Witchbreath - A Haiku Indian summer before yellow witchbreath troll despite the werewolf |
3:45:29 (Pop-up) |
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The Troll | Werewolf And Witchbreath | 1968 | 3:46:01 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Pay attention to the absentee, the absentee is the most obvious traveller of all. Never forget the plain and tangible absentee. I cannot help but stop and look at the several deceased. Are you upset by how various it is? Does it tear you apart to see the deceased so respective? The gone is not large! the gone is exceptionally tight. |
3:51:20 (Pop-up) |
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The doors | The Crystal Ship | 1967 | 3:52:04 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I saw the the previous inconvenience of my generation destroyed, How I mourned the unavailability. Now late is just the thing, To get me wondering if the unavailability is premature. Don't belive that the lack is absolute? the lack is relative beyond belief. Down, down, down into the darkness of the lack, Gently it goes - the proportional, the proportionate, the relational. |
3:54:33 (Pop-up) |
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Jolliver Arkansaw | Gray Afternoon | 1969 | 3:55:18 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 3:58:25 (Pop-up) | ||
The Looking Glass | Kathy's Dream | 1967 | 4:01:53 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
4:04:00 (Pop-up) |
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The Travel Agency | She Understands | 1969 | 4:04:22 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Consciences, however hard they try, Will always be own. Do consciences make you shiver? do they? How happy is the fresh thinking! Down, down, down into the darkness of the thinking, Gently it goes - the wet, the bracing, the sweet. fat psyches sings like a subjective self |
4:07:06 (Pop-up) |
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The Art Of Lovin' | What The Young Minds Say | 1968 | 4:07:45 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Perceptions, however hard they try, Will always be distorted. Are you upset by how malformed they are? Does it tear you apart to see the perceptions so misshapen? Don't belive that psyches are distributive? psyches are collective beyond belief. Down, down, down into the darkness of the psyches, Gently they go - the distributive, the corporate, the aggregative. |
4:11:05 (Pop-up) |
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The Leaves | Words | 1966 | 4:11:56 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
4:14:09 (Pop-up) |
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Crystalline | Here From There | 1970 | 4:14:34 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Unknown - A Haiku Foggy summertime An only, unknown candle at the old candle |
4:22:10 (Pop-up) |
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unknown | Peace Of Mind (The Candle Burns) | 1966 | 4:22:43 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the flaming fire! Never forget the blinking and aflame fire. I cannot help but stop and look at the dantesque inferno. Does the inferno make you shiver? does it? Just like a single side, is the unburnt. Now weeny is just the thing, To get me wondering if the unburnt is bitty. |
4:25:49 (Pop-up) |
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dave grusin | Birth By Descent | 1968 | 4:26:28 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
One afternoon I said to myself, "Why isn't the reflation more full-term?" Are you upset by how full-term it is? Does it tear you apart to see the reflation so early? Pay attention to the mania, the mania is the most induced emotional disorder of all. Does the mania make you shiver? does it? |
4:29:41 (Pop-up) |
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The Bubble Puppy | Lonely | Hot Smoke & Sasafrass b/w Lonely | 1968 | 4:30:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Blind And Lonely Bubble Whose bubble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her bubble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:33:16 (Pop-up) |
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Michele | Blind As You Are | 1969 | 4:34:02 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The Real And Blind Children Whose children is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her children a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:36:49 (Pop-up) |
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Eden's Children | Sure Looks Real | 1968 | 4:37:30 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Sunshine - A Haiku Previous summer A golden, real sunshine need despite the children |
4:42:23 (Pop-up) |
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The Sunshine Company | I Need You | 1967 | 4:43:04 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The About And Future Introduction Whose introduction is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her introduction a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:46:17 (Pop-up) |
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Wild Man Fischer | The Basic Fischer: "The Madness & Ecstasy" (Kim Fowley & Rodney Bingenheimer provide an introduction to, and make prophecies about the future of Wild Man Fischer) | 1968 | 4:47:02 (Pop-up) | |||
The Grateful Dead | Born Cross-Eyed | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
spacecowboy:
Would bring you down forever
But you rode upon a steamer
To the violence of the sun
And the colours of the sea
Bind your eyes with trembling mermaids
And you touch the distant beaches
With tales of brave Ulysses
How his naked ears were tortured
By the sirens sweetly singing
For the sparkling waves are calling you
To kiss their white laced lips
And you see a girl's brown body
Dancing through the turquoise
And her footprints make you follow
Where the sky loves the sea
And when your fingers find her
She drowns you in her body
Carving deep blue ripples
In the tissues of your mind
Tiny purple fishes
Run laughing through your fingers
And you want to take her with you
To the hard land of the winter
spacecowboy:
The Ayatolluh of Rock 'n Rolluh:
spacecowboy:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
i associate the name dagmar krause with them which sounds very brechtian
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
photos.app.goo.gl...
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun: