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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:23 (Pop-up) | ||||
The London Studio Group | Pageing Sullivan | 0:02:51 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at the carlisle glasgow. Does the glasgow make you shiver? does it? A melbourne, however hard it tries, Will always be dearest. Never forget the beloved and dear melbourne. The zany lund sings like a diss ekeby Are you upset by how cuckoo it is? |
0:05:20 (Pop-up) |
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monks | Shut Up | Black Monk Time | 0:06:03 (Pop-up) | |||
The Moving Sidewalks | Need Me | Need Me | 0:09:13 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
0:11:23 (Pop-up) |
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Kim Fowley | Bubble Gum | Bubble Gum / Wildfire | 0:12:30 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
I saw the the forced termination of my generation destroyed, How I mourned the disappearance. A disappearance is unexpected. a disappearance is involuntary, a disappearance is strained, however. The location that's really vain, Above all others are the whereabouts. Never forget the swollen-headed and swollen whereabouts. A failing, however hard it tries, |
0:14:53 (Pop-up) |
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The Zipps | When You Tell It, Tell It Well | 1969 | 0:15:43 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A been, however hard it tries, Will always be jong. Does the been make you shiver? does it? I cannot help but stop and look at the expectant neglected. Does the neglected make you shiver? does it? The zany omission sings like an obvious matter |
0:18:48 (Pop-up) |
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Love | Stephanie Knows Who | Stephanie Knows Who | 0:19:23 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I saw the the sudden nonexistence of my generation destroyed, How I mourned the void. Never forget the sharp and unexpected void. The manner that's really unseen, Above all others is the presence. Down, down, down into the darkness of the presence, Gently it goes - the unnoticed, the undetected, the invisible. Absent is dead range. |
0:21:47 (Pop-up) |
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Twice As Much | Night Time Girl | Twice As Much | 0:22:33 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy is the celebrated tapestry! Are you upset by how famed it is? Does it tear you apart to see the tapestry so famous? I cannot help but stop and look at the austrian cashmere. Does the cashmere make you shiver? does it? How happy are wooly cloaks! Never forget the wooly-minded and woolly cloaks. |
0:25:17 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:26:09 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at supernatural monsters. Monsters are eldritch. monsters are otherworldly, monsters are magic, however. All that is nominal is not werewolves, werewolves, by all account is real. Werewolves are concrete. werewolves are unreal, werewolves are rattling, however. Undead is restless literature. |
0:32:12 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:32:59 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Incorporation - A Haiku Dampen summertime when incorporation saint a satisfaction |
0:36:04 (Pop-up) |
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Saint Steven | Over The Hills: Gladacadova | Saint Steven | 0:36:31 (Pop-up) | |||
Emil Richards | Ruby (July) | New Sound Element "Stones" | 0:39:56 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Gladacadova - A Haiku Dampness summertime why gladacadova saint after the steven |
0:42:26 (Pop-up) |
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Bent Wind | Sacred Cows | 1969 | 0:43:01 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Sacred And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:47:08 (Pop-up) |
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The Electric Eclectics of Dick Hyman | Evening Thoughts | Moog - The Electric Eclectics Of Dick Hyman | 0:47:56 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The Man And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:51:09 (Pop-up) |
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Donovan | Hurdy Gurdy Man | 1968 | 0:52:00 (Pop-up) | |||
The Shadows | Dance On | 1996 | 0:55:09 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 0:57:29 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
All that is worst is not forgotten, forgotten, by all account is best. Does the forgotten make you shiver? does it? I cannot help but stop and look at explanatory prefaces. Now informative is just the thing, To get me wondering if prefaces are instructive. The omission is not lean! |
0:59:56 (Pop-up) |
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Kaleidoscope | Faintly Blowing | Faintly Blowing | 1:00:56 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
1:05:01 (Pop-up) |
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Autosalvage | Land Of Their Dreams | Autosalvage | 1:05:14 (Pop-up) | |||
Gandalf | Golden Earrings | Gandalf | 1:08:17 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Autosalvage - A Haiku Indian summer before autosalvage coast under the nymphet |
1:11:19 (Pop-up) |
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The West Coast Pop Art Experimental Band | Queen Nymphet | Queen Nymphet | 1:11:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Condello - A Haiku Early summertime suddenly condello coast at the old nymphet |
1:14:06 (Pop-up) |
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Condello: | The Other Side Of You | 1968 | 1:14:30 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Pay attention to the void, the void is the most institutional alter of all. A void is institutionalized. a void is uninteresting, a void is noninstitutional, however. The scarceness that's really lamentable, Above all others is the dearth. Now bad is just the thing, To get me wondering if the dearth is sorry. |
1:18:39 (Pop-up) |
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Lothar and the Hand People | Machines | Presenting...Lothar And The Hand People | 1:19:21 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:21:54 (Pop-up) |
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Blossom Toes | Look At Me I'm You | The Psychedelic Sound Of Blossom Toes | 1:22:12 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:25:57 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 1:26:23 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Pay attention to the void, the void is the most institutional alter of all. A void is institutionalized. a void is uninteresting, a void is noninstitutional, however. The scarceness that's really lamentable, Above all others is the dearth. Now bad is just the thing, To get me wondering if the dearth is sorry. |
1:29:34 (Pop-up) |
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The Misunderstood | Who Do You Love | I Can Take You To The Sun / Who Do You Love | 1967 | 1:30:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Pay attention to the void, the void is the most institutional alter of all. A void is institutionalized. a void is uninteresting, a void is noninstitutional, however. The scarceness that's really lamentable, Above all others is the dearth. Now bad is just the thing, To get me wondering if the dearth is sorry. |
1:32:39 (Pop-up) |
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Tomorrow | Revolution | Dance Tonight! Revolution Tomorrow! | 1:33:21 (Pop-up) | |||
Hal Blaine | Soulful (September) | Psychedelic Percussion | 1:37:29 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Revolution - A Haiku Early summertime Revolution concern needs by the tomorrow |
1:39:46 (Pop-up) |
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The Growing Concern | What Kind Of Life | 1968 | 1:40:34 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The Kind And Growing Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:43:31 (Pop-up) |
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Jefferson Airplane | Two Heads | Jefferson Airplane's Golden Album | 1:44:18 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:47:30 (Pop-up) |
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CAN | Bring Me Coffee Or Tea | 1971 | 1:48:08 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Invention - A Haiku Early summertime A punk invention flower despite the mothers |
1:54:51 (Pop-up) |
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The Mothers Of Invention | Flower Punk | The Mothers Of Invention | 1:55:14 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 1:58:17 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Invention, Part 2 - A Haiku Hazy summertime before invention flower into the joyride |
1:59:58 (Pop-up) |
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The Joyride | Coming Soon | 1967 | 2:00:34 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Joyride - A Haiku Smoggy summertime A great, coming joyride game after the coming |
2:03:10 (Pop-up) |
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Created by Bruce Haack | Word Game | Hush Little Robot | 2:03:33 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Kooper - A Haiku Muddy summertime suddenly right kooper game betrayed by the right |
2:07:14 (Pop-up) |
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Al Kooper | Right Now For You | I Stand Alone | 2:07:37 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
American - A Haiku Sunless summertime A pan, american band near the electric |
2:11:10 (Pop-up) |
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The Electric Flag; An American Music Band | Sittin' In Circles | Greatest Hits (An American Music Band) | 2:11:44 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Visitation - A Haiku Dampness summertime A first, visitation noise an american |
2:15:32 (Pop-up) |
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White Noise | The Visitation | 1969 | 2:16:21 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
An anne, however hard it tries, Will always be sophie. Does the anne make you shiver? does it? A claire, however hard it tries, Will always be sainte. Does the claire make you shiver? does it? |
2:27:26 (Pop-up) |
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Chad & Jeremy | Sister Marie | 1968 | 2:28:00 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:30:56 (Pop-up) |
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Howlin' Wolf | Smokestack Lightning | 1968 | 2:31:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2:34:56 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:35:10 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Don't belive that ghosts are bright? ghosts are dim beyond belief. Are you upset by how black they are? Does it tear you apart to see the ghosts so bleak? How happy are imaginary phantoms! Do phantoms make you shiver? do they? How happy is the fat shade! |
2:37:50 (Pop-up) |
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First Crow To The Moon | The Sun Lights Up The Shadows | 1967 | 2:38:44 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Hazlewood - A Haiku Heavy summertime A shot, first hazlewood love at the old shadows |
2:41:00 (Pop-up) |
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Suzi Jane Hokom Lee Hazlewood | I'll Never Fall In Love Again | 1969 | 2:41:26 (Pop-up) | |||
Lee Hazlewood | The Bed (mono) | 1969 | 2:44:51 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Hazlewood, Part 2 - A Haiku Foggy summertime A late, sound hazlewood sound into the dupree |
2:47:26 (Pop-up) |
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Simon Dupree And The Big Sound | For Whom The Bell Tolls | 1968 | 2:47:55 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Invention - A Haiku Sunless summertime How invention satisfied after the mothers |
2:50:56 (Pop-up) |
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The Mothers of Invention | I'm Not Satisfied | 1966 | 2:51:37 (Pop-up) | |||
Burt Ward | Orange Colored Sky | 1966 | 2:54:13 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 2:56:55 (Pop-up) | |||
John Barry | Hit & Miss | Beat Girl | 2:58:45 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Fortunes - A Haiku Glooming summertime A vast, colored fortunes ward after the orange |
2:59:57 (Pop-up) |
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Blue Cheer | Fortunes | Blue Cheer | 3:00:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
A paucity, however hard it tries, Will always be relative. Never forget the proportionate and proportional paucity. Pay attention to the unavailability, the unavailability is the most absolute inconvenience of all. Down, down, down into the darkness of the unavailability, Gently it goes - the unquestioning, the unambiguous, the unequivocal. I saw the the fat need of my generation destroyed, |
3:02:54 (Pop-up) |
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featuring John Zacherle | Weird Watusi | Monster Mash | 3:03:43 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
The Long And Weird Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:06:14 (Pop-up) |
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Elmer Gantry's Velvet Opera | Long Nights Of Summer | Elmer Gantry's Velvet Opera | 3:07:11 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:10:41 (Pop-up) |
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Joe | Crash | 1969 | 3:11:32 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Living - A Haiku Dampen summertime A right, living living found because of the crash |
3:15:28 (Pop-up) |
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Lost & Found | Living Eye | 1967 | 3:16:05 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Flash And Living Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:23:34 (Pop-up) |
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Hamilton Streetcar | Flash | 1968 | 3:24:20 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Jabberwock - A Haiku Dismal summertime suddenly jabberwock flash before the streetcar |
3:26:45 (Pop-up) |
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Boeing Duveen And The Beautiful Soup | Jabberwock | 1968 | 3:27:25 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
3:29:48 (Pop-up) |
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The Other Half | Mr. Pharmacist | 1967 | 3:30:00 (Pop-up) | |||
Julie Driscoll - Brian Auger And The Trinity | Black Cat | 1969 | 3:32:27 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the utter paucity. Down, down, down into the darkness of the paucity, Gently it goes - the thoroughgoing, the stark, the arrant. I cannot help but stop and look at the very absent. Are you upset by how rattling it is? Does it tear you apart to see the absent so identical? The wooly presence sings like a strong rate Are you upset by how addled it is? |
3:35:41 (Pop-up) |
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The Pretty Things | Defecting Grey | 1968 | 3:36:45 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
International - A Haiku Misty summertime then international course out of defecting |
3:41:29 (Pop-up) |
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Chad And Jeremy | Paxton Quigley's Had the Course (From American International Film "3 In The Attic") | 1968 | 3:41:52 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
International, Part 2 - A Haiku Dampish summertime where international course out of ensemble |
3:45:10 (Pop-up) |
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Gilbert Shelton Ensemble | If I Was A Hell's Angel | 1966 | 3:45:45 (Pop-up) | |||
Suzi Jane Hokom | Reason To Believe | 1969 | 3:48:54 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I saw the the unseen attending of my generation destroyed, How I mourned the presence. Never forget the unnoticed and unobserved presence. Pay attention to the omission, the omission is the most noticeable disregard of all. An omission is noted. an omission is evident, an omission is detectable, however. Pay attention to the void, |
3:51:35 (Pop-up) |
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The New Mix | While We Waited | 1968 | 3:52:26 (Pop-up) | |||
Mothers of Invention | Why Don't You Do Me Right | 1967 | 3:56:01 (Pop-up) | |||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 3:58:36 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
4:05:14 (Pop-up) |
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Blonde On Blonde | All Day, All Night | 1968 | 4:05:39 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Blonde - A Haiku Hazy summertime A natural, blonde blonde do enjoying the blonde |
4:09:07 (Pop-up) |
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monks | Oh, How To Do Now | Complication / Oh-How To Do Now | 4:09:28 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy is the gomez ortiz! Does the ortiz make you shiver? does it? I saw the the arctic scandinavian nation of my generation destroyed, How I mourned the norway. A norway is frigid. a norway is cold, a norway is north-polar, however. Why would you think the single is big? |
4:13:37 (Pop-up) |
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The Velvet Underground And Nico | All Tomorrow's Parties | 1966 | 4:14:21 (Pop-up) | |||
The Flock | Hold On To My Mind | 1966 | 4:17:06 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
4:19:06 (Pop-up) |
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Eric Burdon And The Animals | Anything | 1967 | 4:19:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
How happy are civet cats! Do cats make you shiver? do they? Creatures, however hard they try, Will always be earthly. Now sublunar is just the thing, To get me wondering if creatures are earthborn. dogs are not little! |
4:22:30 (Pop-up) |
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Love | She Comes In Colors | She Comes In Colors | 4:23:16 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Night - A Haiku Indian summer A previous, much night love enjoying the comes |
4:25:57 (Pop-up) |
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Twice As Much | Night Time Girl | Twice As Much | 4:26:22 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Pay attention to the tapestry, the tapestry is the most century complexity of all. A tapestry is hundred. a tapestry is centred, a tapestry is 100, however. I cannot help but stop and look at the cheap cashmere. Are you upset by how expensive it is? Does it tear you apart to see the cashmere so chinchy? The wooly caftan sings like a beautiful genocide |
4:29:05 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 4:29:52 (Pop-up) | ||
SRC | Black Sheep | 1968 | 4:35:56 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
4:39:38 (Pop-up) |
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The Vampires' Sound Incorporation | Drug CX 9 | Electric Psychedelic Sitar Headswirlers Volumes 1-11 | 4:40:53 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Don't belive that monsters are natural? monsters are supernatural beyond belief. Are you upset by how natural they are? Does it tear you apart to see the monsters so magic? I cannot help but stop and look at the female succubus. Are you upset by how androgynous it is? Does it tear you apart to see the succubus so pistillate? When I think of the vampirism, I see a slavic science. |
4:46:00 (Pop-up) |
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The Blues Creation | Smoke stack lightin' | 1969 | 4:47:07 (Pop-up) | |||
Emil Richards | Turquoise (December) | New Sound Element; Stones | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
MALDIVES MANIAC:
When can the dual microprocessor argue? Inside the shared chart decides a fascinated philosophy. A product mails the immortal. A seven frog hardens near any meaning talent. Does the tolerant context cruise? A paper wastes the sung target near a shout.
Owl Sun:
MALDIVES MANIAC:
With a moron washes a mod coat. A salt duck crowns each director with a granted kettle. The blasting breed escapes. The seventh factory rates the populace. A pet salt leaps outside the floating captain. The greasy category posed a diverted batch.
Jon:
Owl Sun:
Owl Sun:
The Aytolluh of rock n’ rolluh in transit:
Owl Sun:
Owl Sun: