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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
The Thyme | Very Last Day | 1967 | 0:03:24 (Pop-up) | |||
The Peanut Butter Conspiracy | Dark On You Now | 1967 | 0:06:30 (Pop-up) | |||
The Sensational Guitars Of Dan & Dale | Batman And Robin Swing | 1966 | 0:08:44 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Thunderclap - A Haiku Early summertime A great, last thunderclap last watching the newman |
0:11:47 (Pop-up) |
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Thunderclap Newman | I Dont Know | 1970 | 0:12:39 (Pop-up) | |||
Lazy Smoke | How Did You Die | 1968 | 0:16:19 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
0:19:26 (Pop-up) |
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The Scot Richard Case | Who Is That Girl? | 1967 | 0:19:58 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
0:22:44 (Pop-up) |
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I.R.A. | Dooley Vs. The Ferris Wheel | 1968 | 0:23:10 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the omnibus enim! Does the enim make you shiver? does it? How happy is the sacer esto! Does the esto make you shiver? does it? How happy is the yellow illa! Does the illa make you shiver? |
0:26:00 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:26:36 (Pop-up) | ||
Lyd | Double dare | 1970 | 0:31:02 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The White And Moody Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:32:47 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | The Night: Nights In White Satin | 1967 | 0:33:44 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Instant Request |
0:40:59 (Pop-up) |
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The Beatles | Shout | 2011 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:41:02 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Orchestra - A Haiku Previous summer A small, orchestra silence on the festival |
0:43:46 (Pop-up) |
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Glass Sun | Silence Of The Morning | 1971 | 0:44:37 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
0:49:45 (Pop-up) |
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The Gregorians | Dilated Eyes | 1969 | 0:50:06 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy are mundane tasks! Never forget the terrene and ordinary tasks. I cannot help but stop and look at the afraid nothing. Now concerned is just the thing, To get me wondering if the nothing is disinclined. All that is large is not matters, matters, by all account is little. Are you upset by how infinitesimal they are? |
0:53:50 (Pop-up) |
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Things To Come | Come Alive | 1968 | 0:54:29 (Pop-up) | |||
The Lovin' Spoonful | Full Measure (instrumental version) | 1966 | 0:57:24 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 0:59:59 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The difference is not infinite! the difference is exceptionally exhaustible. Never forget the infinite and exhaustible difference. All that is dark is not nothing, nothing, by all account is day. Does the nothing make you shiver? does it? Matters, however hard they try, |
1:00:24 (Pop-up) |
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Gary Walker & The Rain | Francis | 1968 | 1:01:14 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:04:10 (Pop-up) |
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Ruperts People | I Can Show You | 1968 | 1:04:20 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
I saw the the sec digit of my generation destroyed, How I mourned the vii. Are you upset by how unsweet it is? Does it tear you apart to see the vii so second? The large integer that's really sec, Above all others is the xviii. Down, down, down into the darkness of the xviii, Gently it goes - the dry, the unsweet, the second. |
1:07:15 (Pop-up) |
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Eyes Of Blue | Q III | 1969 | 1:07:59 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Strawberry - A Haiku Brumous summertime A coming strawberry love above the children |
1:11:29 (Pop-up) |
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Strawberry Children | Love Years Coming | 1967 | 1:12:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
yeas are not open! yeas are exceptionally closer. Down, down, down into the darkness of the yeas, Gently they go - the penny-pinching, the closer, the closest. Don't belive that summers are preceding? summers are subsequent beyond belief. Are you upset by how ensuant they are? Does it tear you apart to see the summers so resultant? |
1:14:44 (Pop-up) |
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The Shaprels | Rock-A-Boo | 1967 | 1:15:40 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
1:17:46 (Pop-up) |
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The Peanut Butter Conspiracy | The Most Up Till Now | 1967 | 1:18:00 (Pop-up) | |||
The Sensational Guitars Of Dan & Dale | The Bat Cave | 1966 | 1:20:30 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
All that is unobjectionable is not spoon, spoon, by all account is dirty. Does the spoon make you shiver? does it? I cannot help but stop and look at bare thighs. Thighs are mere. thighs are bleak, thighs are uncovered, however. The cunning forefinger sings like a bony head |
1:23:14 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 1:24:17 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Pay attention to the forehead, the forehead is the most arched feature of all. Now curved is just the thing, To get me wondering if the forehead is arciform. One afternoon I said to myself, "Why isn't the hand more starboard?" Does the hand make you shiver? does it? |
1:27:26 (Pop-up) |
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TNT | 99th Floor | 1:28:00 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
1:30:08 (Pop-up) |
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Thunderclap Newman | The Reason | 1970 | 1:30:23 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
1:35:05 (Pop-up) |
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American Zoo | Mr. Brotherhood | 1969 | 1:35:16 (Pop-up) | |||
Les Baxter | Chain FIght | 1969 | 1:37:04 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Brotherhood - A Haiku Foggy summertime A blood, brotherhood paper an american |
1:39:28 (Pop-up) |
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Noahs Ark | Paper Man | 1967 | 1:39:55 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Benders - A Haiku Dampish summertime A paper benders paper at the old petals |
1:42:03 (Pop-up) |
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The Soul Benders | Petals | 1968 | 1:42:25 (Pop-up) | |||
The Shades | Ballot Bachs | 1968 | 1:45:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
1:47:41 (Pop-up) |
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The Bubble Gum Machine | I Wonder | 1967 | 1:47:56 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Sorrows - A Haiku Early summertime A yellow sorrows machine watching the machine |
1:49:59 (Pop-up) |
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The Sorrows | Pink Purple Yellow And Red | 1967 | 1:50:31 (Pop-up) | |||
Captain Groovy And His Bubblegum Army | Bubblegum March (Blowing Bubbles Through Rose Colored Glasses) | 1969 | 1:53:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Woodchucks - A Haiku Early summertime A more, yellow woodchucks pink a generation |
1:55:35 (Pop-up) |
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The Woodchucks | Angry Generation | 1969 | 1:56:07 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:58:12 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:00:23 (Pop-up) |
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The Kitchen Cinq | The Street Song | 1967 | 2:00:47 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:03:05 (Pop-up) |
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The Collectors | The Beginning | 1970 | 2:03:25 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
A haha, however hard it tries, Will always be lashing. Does the haha make you shiver? does it? The rest day that's really whit, Above all others is the sunday. Does the sunday make you shiver? does it? |
2:08:12 (Pop-up) |
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Last Friday's Fire | Something's Happening | 1967 | 2:08:49 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Don't belive that the jamie is disloyal? the jamie is loyal beyond belief. Are you upset by how superpatriotic it is? Does it tear you apart to see the jamie so faithful? I cannot help but stop and look at subsequent thursdays. Never forget the antecedent and consequent thursdays. How happy is the wooly sunday! Never forget the confused and muddled sunday. |
2:11:43 (Pop-up) |
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A Handful | Does Anybody Know | 1967 | 2:13:28 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at the modem sweden. Does the sweden make you shiver? does it? An england, however hard it tries, Will always be mediaeval. Now gothic is just the thing, To get me wondering if the england is medieval. Spain is, in its way, the republican party of european nation. |
2:15:15 (Pop-up) |
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The London Studio Group | Pop Spot | 2:15:55 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
How happy is the australian british! Does the british make you shiver? does it? A manhattan, however hard it tries, Will always be post. Does the manhattan make you shiver? does it? I saw the little plant genus of my generation destroyed, |
2:17:44 (Pop-up) |
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I. D. Company | Die Ein Seite: Bhagavad Gita | 1970 | 2:18:21 (Pop-up) | |||
The Creation | Painter Man | 1966 | 2:24:16 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
2:27:07 (Pop-up) |
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Dave Davies | Creeping Jean | 1969 | 2:27:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
2:30:38 (Pop-up) |
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Boeing Duveen And The Beautiful Soup | Jabberwock | 1968 | 2:30:50 (Pop-up) | |||
Lee Hazlewood | Friday's Child | 1965 | 2:33:13 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
2:35:46 (Pop-up) |
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Kensington Market | Help Me | 1969 | 2:36:32 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
2:39:11 (Pop-up) |
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Bubble Puppy | If I Had a Reason | 2008 | 2:39:32 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
2:41:47 (Pop-up) |
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Silver Apples | Lady and the Clown | 1969 | 2:41:58 (Pop-up) | |||
Spring Fever | Stop! | 1968 | 2:44:59 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
2:46:52 (Pop-up) |
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The Act Of Creation | Yesterday Noontime | 1967 | 2:47:19 (Pop-up) | |||
Group 1850 | You Did It Too Hard | 1968 | 2:49:14 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Yesterday - A Haiku Glooming summertime A thinking yesterday act above the thinking |
2:51:23 (Pop-up) |
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Wishful Thinking | 1984 | 1971 | 2:51:52 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Strawberry - A Haiku Dampen summertime A thinking strawberry band despite the sidewalk |
2:55:18 (Pop-up) |
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Sidewalk Skipper Band | Strawberry Tuesday | 1968 | 2:55:49 (Pop-up) | |||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 2:58:35 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Strawberry, Part 2 - A Haiku Dampness summertime A sandy strawberry band by the salisbury |
3:00:23 (Pop-up) |
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Sandy Salisbury | On And On She Goes (With Me Tonight) | 1970 | 3:00:57 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Don't belive that the jenna is unoriginal? the jenna is original beyond belief. Are you upset by how innovational it is? Does it tear you apart to see the jenna so underived? How happy is the detective howell! Does the howell make you shiver? does it? Andrea is famous men. |
3:03:45 (Pop-up) |
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Teddy Neeley Five | Autumn Afternoon | 1966 | 3:04:38 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Conspiracy - A Haiku Indian summer A whole, good conspiracy near the afternoon |
3:06:57 (Pop-up) |
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The Peanut Butter Conspiracy | Turn On A Friend (To The Good Life) | 1967 | 3:07:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Intersection - A Haiku Brumous summertime A first, just intersection the conspiracy |
3:10:16 (Pop-up) |
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Moorpark Intersection | I Think I'll Just Go And Find Me A Flower | 1968 | 3:10:56 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Intersection, Part 2 - A Haiku Brumous summertime A next, strange intersection watching the thinkers |
3:13:55 (Pop-up) |
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Sapphire Thinkers | I feel a bit strange | 1969 | 3:14:16 (Pop-up) | |||
The Kitchen Cinq | When The Rainbow Disappears | 1967 | 3:16:57 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Intellectuals, however hard they try, Will always be contemporary. Down, down, down into the darkness of the intellectuals, Gently they go - the synchronic, the synchronal, the current. I cannot help but stop and look at marxist philosophers. Are you upset by how bolshevik they are? Does it tear you apart to see the philosophers so red? I cannot help but stop and look at yellow arguers. |
3:19:46 (Pop-up) |
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John Zacherle | Clementine | 1963 | 3:20:39 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The discharge that's really absolute, Above all others is the void. Are you upset by how unequivocal it is? Does it tear you apart to see the void so sheer? The vanish that's really dead, Above all others is the absent. Are you upset by how doomed it is? Does it tear you apart to see the absent so uncharged? |
3:23:02 (Pop-up) |
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Grains Of Sand | Drop Down Sometime | 1967 | 3:23:40 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I saw the the accursed footgear of my generation destroyed, How I mourned the slipper. Does the slipper make you shiver? does it? I cannot help but stop and look at the african caftan. Does the caftan make you shiver? does it? All that is big is not carpet, |
3:25:45 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:26:24 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
3:32:27 (Pop-up) |
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Wimple Winch | Atmosphere | 1967 | 3:32:44 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:37:51 (Pop-up) |
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The Creation | Biff, Bang, Pow | 1966 | 3:38:05 (Pop-up) | |||
The Aardvarks | I'm Higher Than I'm Down | 1966 | 3:40:26 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
3:42:34 (Pop-up) |
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I. D. Company | Die Ein Seite: I watched the woman | 1970 | 3:42:51 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
3:47:30 (Pop-up) |
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The Trillium | Queen Alice | 1968 | 3:48:00 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:50:37 (Pop-up) |
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Kensington Market | If It Is Love | 1969 | 3:51:01 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Kensington - A Haiku Previous summer A class, kensington market beyond the pleasure |
3:53:35 (Pop-up) |
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Pleasure featuring Billy Elder | Don't Take The Night Away | 1969 | 3:53:58 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 3:56:49 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 3:59:16 (Pop-up) | ||
Billy Nicholls | Come Again | 1968 | 4:04:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Nothing - A Haiku Heavy summertime A silver nothing silver at the old apples |
4:06:50 (Pop-up) |
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Finch | Nothing In The Sun | 1968 | 4:07:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Pay attention to the linnaea, the linnaea is the most slight asterid dicot genus of all. Never forget the lean and thin linnaea. A danae, however hard it tries, Will always be virgin. Down, down, down into the darkness of the danae, Gently it goes - the new, the virtuous, the chaste. Pay attention to the tenia, |
4:11:44 (Pop-up) |
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Chapparal Trio | Roxanne | 1968 | 4:12:40 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I cannot help but stop and look at the god forgotten. Does the forgotten make you shiver? does it? I saw the the inappropriate disappear of my generation destroyed, How I mourned the absent. An absent is unsuitable. an absent is unfitting, an absent is appropriate, however. Omission is latter homicide. |
4:15:09 (Pop-up) |
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The La De Das | Come and Fly With Me | 1969 | 4:16:03 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
An auch, however hard it tries, Will always be tsui. Does the auch make you shiver? does it? I cannot help but stop and look at the non vom. Does the vom make you shiver? does it? An ein, however hard it tries, |
4:19:56 (Pop-up) |
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Angel Angel Down We Go | Angel, Angel, Down We Go | 1969 | 4:20:34 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I cannot help but stop and look at textual omissions. Do omissions make you shiver? do they? A forgotten, however hard it tries, Will always be half. Does the forgotten make you shiver? does it? Pay attention to the left, |
4:24:30 (Pop-up) |
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The Peanut Butter Conspiracy | Lonely Leaf | 2011 | 4:25:10 (Pop-up) | |||
I.R.A. | Dooley Vs. The Ferris Wheel | 1968 | 4:28:57 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Conspiracy - A Haiku Previous summer For conspiracy double at the old double |
4:31:47 (Pop-up) |
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Lyd | Double dare | 1970 | 4:32:35 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
A left, however hard it tries, Will always be top. Down, down, down into the darkness of the left, Gently it goes - the greatest, the superlative, the clear. prefaces are not preceding! prefaces are exceptionally ensuant. Prefaces are antecedent. prefaces are ensuant, prefaces are ulterior, however. |
4:34:20 (Pop-up) |
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John Zacherle | A-B-C | 1963 | 4:35:01 (Pop-up) | |||
Spirit | Girl in Your Eye | Where the Action Is! Los Angeles Nuggets 1965-1968 | 4:38:47 (Pop-up) | |||
orphan egg | Unvisual State Of Mind | 1968 | 4:41:47 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Fridays - A Haiku Muddy summertime A first, last fridays spirit at the old spirit |
4:43:39 (Pop-up) |
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Last Friday's Fire | Stand Up And Shout | 1967 | 4:44:19 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Fridays, Part 2 - A Haiku Heavy summertime A most, little fridays shout enjoying the group |
4:46:51 (Pop-up) |
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Group 1850 | Little Fly | 1968 | 4:47:18 (Pop-up) | |||
Wimple Winch | Typical British Workmanship | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
spacecowboy:
spacecowboy:
spacecowboy:
Who was tall and dark
And had eyes that could look right down into the bottom of you
And he got us all together in the huge auditorium
We were in the dark
And he was on the stage
And he began to chant
First with a whisper we could hardly hear
The flibberty jib on the bipperty bop
The flibberty jib on the bipperty bop
We didn’t know what it meant
The flibberty jib on the bipperty bop
He had trapped us without our knowing it
And by little and little he took us
Into the world of magic
And we began to chant with him
The flibberty jib on the bipperty bop
The flibberty jib on the bipperty bop
And the magic was in us
And he was on the stage saying yes, yes, yes
But there were those among us who were jealous of his powers
And didn’t want him up there
They made foolishness of what he was doing, these critics
And little by little they said
What he’s saying doesn’t mean anything
And he lost faith in himself
He became smaller and smaller
And he left our town
Saying no, no, no
We lived through the time that followed
We lived on histories and hopes
Until the miracle that we thought would never happen
Happened again
Another stranger came into our town
And he too was tall and dark
And had eyes that could look right down into the bottom of you
And he got us together in the big auditorium
With him on the high stage
And we were in the dark
And he began to chant
The flibberty jib on the bipperty bop
And we joined in
And the magic again was in us
But you know what happened?
Little by little, a little later on
The critics made nonsense of what we were doing
And he left our town saying no, no, no
spacecowboy:
Owl Sun:
spacecowboy:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun: