The Night Owl Show with Owl Sun:
Playlist
from August 3, 2021
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | ||||
| Nirvana |
C Side of Ocho Rios
|
0:02:01 (Pop-up) | ||||
| Nina Lizell & Lee Hazlewood |
Hey Cowboy
|
1971 |
|
0:02:51 (Pop-up) | ||
| The Shadows of Knight |
Light Bulb Blues
|
1966 |
|
0:06:02 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
An everybody, however hard it tries, Will always be astonished. Down, down, down into the darkness of the everybody, Gently it goes - the amazed, the surprised, the astonied. Pay attention to the billy, the billy is the most angry goat of all. Now unhealthy is just the thing, To get me wondering if the billy is wrothful. |
|
0:08:33 (Pop-up) |
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| Christopher |
Magic Cycles
|
1970 |
|
0:09:39 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Christopher - A Haiku Dour summertime A late, christopher magic despite the clockwork |
|
0:14:35 (Pop-up) |
||
| The Unspoken Word |
Nobody's Nothing
|
1966 |
|
0:15:50 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Universal - A Haiku Previous summer A non, universal word under the nothing |
|
0:18:03 (Pop-up) |
||
| Small Faces |
The Universal
|
1968 |
|
0:18:37 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Universal, Part 2 - A Haiku Previous summer A new, universal think in spite of the think |
|
0:21:10 (Pop-up) |
||
| bo grumpus |
Think Twice
|
1968 |
|
0:21:37 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Circle - A Haiku Previous summer A better circle better watching the oxford |
|
0:23:52 (Pop-up) |
||
| The Oxford Circle |
You're A Better Man Than I
|
1966 |
|
0:24:25 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Instant Request |
|
0:29:21 (Pop-up) |
||
| The Beatles |
Tomorrow Never Knows
|
1966 | Requested by: The Ayatolluh of Rock 'n Rolluh |
|
0:29:24 (Pop-up) | |
| The Byrds |
Lady Friend
|
Lady Friend | 1967 |
|
0:32:15 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Electric - A Haiku Indian summer A steam, electric better out of banana |
|
0:34:42 (Pop-up) |
||
| Electric Banana |
(Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound)
|
even more electric banana | 1969 |
|
0:35:23 (Pop-up) | |
| Dragonfly |
Blue Monday
|
1968 |
|
0:38:56 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Brainticket - A Haiku Indian summer suddenly brainticket sound near the brainticket |
|
0:42:55 (Pop-up) |
||
| Brainticket |
Brainticket Part II
|
1971 |
|
0:43:41 (Pop-up) | ||
| BOOKER T. & THE MG'S |
SOUL SANCTION
|
0:56:50 (Pop-up) | ||||
| T K Os |
The Charge
|
The Charge |
|
0:59:27 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Pay attention to the nanna, the nanna is the most ninna semitic deity of all. Does the nanna make you shiver? does it? A gurl, however hard it tries, Will always be such. Now such that is just the thing, To get me wondering if the gurl is so much. |
|
0:59:34 (Pop-up) |
||
| the Collectors |
Lydia Purple
|
1968 |
|
1:00:23 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
The Purple And Savage Shepherd Whose shepherd is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her shepherd a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:03:04 (Pop-up) |
||
| The Savage Rose |
The Shepherd & Sally
|
1968 |
|
1:03:50 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Generation - A Haiku Indian summer why generation shepherd after the shepherd |
|
1:09:02 (Pop-up) |
||
| The Rovin' Kind |
My Generation
|
1966 |
|
1:09:36 (Pop-up) | ||
| Nina Lizell & Lee Hazlewood |
Vem Kan Segla Förutan Vind
|
1971 |
|
1:13:08 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
1:15:20 (Pop-up) |
|||
| The Licorice Schtik |
Flowers, Flowers
|
The Kissin' Game b/w Flowers, Flowers | 1968 |
|
1:15:40 (Pop-up) | |
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
1:17:36 (Pop-up) |
|||
| The Del-Vetts |
Every Time
|
1966 |
|
1:17:51 (Pop-up) | ||
| The Mind's Eye |
Help, I'm Lost!
|
1967 |
|
1:19:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
How happy is the total absent! Never forget the whole and complete absent. A presence, however hard it tries, Will always be overwhelming. Does the presence make you shiver? does it? All that is nonfat is not void, void, by all account is fat. |
|
1:21:58 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
Moonchild
|
Moonchild | 1966 |
|
1:22:42 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
How happy is the obvious absentee! Never forget the frank and transparent absentee. One afternoon I said to myself, "Why isn't the disappearance more fast?" A disappearance is pokey. a disappearance is tiresome, a disappearance is bumper-to-bumper, however. The fat stolen sings like a presidential candidate Down, down, down into the darkness of the stolen, |
|
1:25:05 (Pop-up) |
||
| The Monkees |
The Door Into Summer
|
Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 |
|
1:25:52 (Pop-up) | |
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
1:28:32 (Pop-up) |
|||
| Christopher |
Wilbur Lite
|
1970 |
|
1:28:51 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
1:34:32 (Pop-up) |
|||
| bo grumpus |
The Breath O' Love
|
1968 |
|
1:34:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
How happy is the very mcmahon! A mcmahon is real. a mcmahon is identical, a mcmahon is selfsame, however. One afternoon I said to myself, "Why isn't the gemma more rich?" Are you upset by how stony-broke it is? Does it tear you apart to see the gemma so needy? The big armstrong sings like an australian history |
|
1:37:45 (Pop-up) |
||
| Wilkinson Tri-Cycle |
Yellow Wall
|
1969 |
|
1:38:37 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Wilkinson - A Haiku Dismal summertime where wilkinson tricycle near the tricycle |
|
1:42:23 (Pop-up) |
||
| The Unspoken Word |
For The World
|
1968 |
|
1:42:49 (Pop-up) | ||
| Mosaic |
Bird of Time
|
2009 |
|
1:44:31 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the english text! Does the text make you shiver? does it? Pay attention to the adjective, the adjective is the most spanish word class of all. Does the adjective make you shiver? does it? The language is not large! |
|
1:46:39 (Pop-up) |
||
| Children |
Picture Me
|
1967 |
|
1:47:20 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
I cannot help but stop and look at miraculous disappearances. Now heaven-sent is just the thing, To get me wondering if disappearances are supernatural. The vanish that's really more, Above all others is the absent. Now additional is just the thing, To get me wondering if the absent is more than. Pay attention to the deceased, |
|
1:49:56 (Pop-up) |
||
| Dragonfly |
Hootchie Cootchie Man
|
1968 |
|
1:50:34 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Dragonfly - A Haiku Previous summer A mighty dragonfly man beyond the cootchie |
|
1:54:51 (Pop-up) |
||
| Mighty Baby |
Same way from the sun
|
1969 |
|
1:55:12 (Pop-up) | ||
| Chrysalis |
What Will Become Of The Morning
|
1968 |
|
2:00:49 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Shadows - A Haiku Previous summer A blue, mighty shadows knight before the happens |
|
2:03:18 (Pop-up) |
||
| The Shadows of Knight |
It Always Happens That Way
|
1966 |
|
2:03:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:05:37 (Pop-up) |
|||
| Jesus |
Songe Mortuaire
|
1968 |
|
2:05:51 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:08:35 (Pop-up) |
|||
| jeff beck |
Shapes Of Things
|
1968 |
|
2:08:58 (Pop-up) | ||
| Shadows of Knight |
Someone Like Me
|
1967 |
|
2:12:57 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Dimension - A Haiku Previous summer A fractal, blue dimension above the thousand |
|
2:15:10 (Pop-up) |
||
| Electrified People |
One Thousand Dimension In Blue
|
1971 |
|
2:15:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Dimension, Part 2 - A Haiku Indian summer A new, savage dimension at the old mountain |
|
2:18:36 (Pop-up) |
||
| The Savage Rose |
Ride My Mountain (Jade)
|
1968 |
|
2:19:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Mountain - A Haiku Early summertime A foolish mountain savage watching the circle |
|
2:24:53 (Pop-up) |
||
| The Oxford Circle |
Foolish Woman
|
1997 |
|
2:25:29 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Burning - A Haiku Previous summer A burning burning balloon above the balloon |
|
2:27:59 (Pop-up) |
||
| Pretty Things |
Balloon Burning (A Phase In The Life Of S.F. Sorrow)
|
Private Sorrow | 1968 |
|
2:28:21 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Alexander - A Haiku Indian summer For alexander balloon watching the burning |
|
2:32:06 (Pop-up) |
||
| Alexander Spence |
Little Hands
|
1969 |
|
2:32:38 (Pop-up) | ||
| The Del-Vetts |
That's the Way it is
|
1966 |
|
2:36:10 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Alexander, Part 2 - A Haiku Indian summer where alexander project into the banshees |
|
2:39:21 (Pop-up) |
||
| The Banshees |
Project Blue
|
1966 |
|
2:39:54 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
How happy are mighty monsters! Never forget the powerful and right monsters. How happy is the pretty succubi! Now bad is just the thing, To get me wondering if the succubi is fine. Just like discordant cries, is the bray. Down, down, down into the darkness of the bray, Gently it goes - the hairy, the hirsute, the muzzy. |
|
2:42:20 (Pop-up) |
||
| The Zoo |
Sometimes
|
1967 |
|
2:43:02 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
2:45:13 (Pop-up) |
|||
| Christopher |
Disaster
|
1970 |
|
2:45:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
2:49:00 (Pop-up) |
|||
| Ars Nova |
Fields Of People Entracte: Vita De L'Alma Mia
|
2:49:08 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly
|
|
2:52:44 (Pop-up) |
|||
| Neighb'rhood Childr'n |
Patterns
|
1968 |
|
2:53:00 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
2:56:19 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
A presence, however hard it tries, Will always be mere. Never forget the simple and bare presence. Don't belive that the omission is inconspicuous? the omission is conspicuous beyond belief. An omission is blazing. an omission is attention-getting, an omission is prominent, however. How happy is the wooly dearth! |
|
2:59:35 (Pop-up) |
||
| bo grumpus |
Travelin' In The Dark
|
1968 |
|
3:00:33 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Why would you think the absent is weak? the absent is the most strong disappear of all. Never forget the muscular and impregnable absent. The been is not middle! the been is exceptionally recent. Never forget the early and recent been. An omission, however hard it tries, Will always be zany. |
|
3:03:10 (Pop-up) |
||
| Sounds Unlimited |
A Girl As Sweet As You
|
1967 |
|
3:03:58 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Robbery - A Haiku Misty summertime A simple, robbery train at the perfect sounds |
|
3:06:15 (Pop-up) |
||
| The Little Boy Blues |
The Great Train Robbery
|
1966 |
|
3:06:37 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Children - A Haiku Dour summertime A poor, little children train out of robbery |
|
3:09:37 (Pop-up) |
||
| Children |
Enough Of What I Need
|
1968 |
|
3:10:15 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
3:12:12 (Pop-up) |
|||
| Caravan |
Place of My Own
|
1969 |
|
3:12:22 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:16:20 (Pop-up) |
|||
| Chrysalis |
Lacewing
|
1968 |
|
3:16:42 (Pop-up) | ||
| The Unspoken Word |
Rossby
|
1968 |
|
3:20:01 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
A pleasure, however hard it tries, Will always be true. Now rightful is just the thing, To get me wondering if the pleasure is veracious. I saw the the terrible agony of my generation destroyed, How I mourned the passion. Does the passion make you shiver? does it? |
|
3:22:34 (Pop-up) |
||
| The Misunderstood |
Who Do You Love
|
I Can Take You To The Sun / Who Do You Love | 1967 |
|
3:23:16 (Pop-up) | |
Music behind DJ: George Harrison |
On The Bed
|
Joyride - A Haiku Previous summer How a little, joyride love into the crystal |
|
3:25:39 (Pop-up) |
||
| The Joyride |
The Crystal Ship
|
0 | 1967 |
|
3:26:25 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Shadows - A Haiku Previous summer A sharp, crystal shadows knight beyond the joyride |
|
3:28:46 (Pop-up) |
||
| The Shadows of Knight |
I Just Want To Make Love To You
|
1966 |
|
3:29:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Shadows, Part 2 - A Haiku Early summertime A savage shadows savage after the savage |
|
3:34:07 (Pop-up) |
||
| The Savage Rose |
A Trial In Our Native Town
|
1968 |
|
3:34:33 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Savage - A Haiku Indian summer A real, through savage savage after the native |
|
3:41:38 (Pop-up) |
||
| Lost and Found |
When Will You Come Through
|
2008 |
|
3:42:00 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
River - A Haiku Early summertime A little, through river found whilst watching the beck |
|
3:44:18 (Pop-up) |
||
| jeff beck |
Ol' Man River
|
1968 |
|
3:44:40 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
The location that's really elusive, Above all others are the whereabouts. Now impalpable is just the thing, To get me wondering if whereabouts are subtle. The imperfectness that's really never, Above all others is the failing. Does the failing make you shiver? does it? |
|
3:48:26 (Pop-up) |
||
| The Litter |
Breakfast At Gardenson's
|
1969 |
|
3:49:15 (Pop-up) | ||
| The Del-Vetts |
I Call My Baby STP
|
1966 |
|
3:52:13 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
3:54:19 (Pop-up) |
|||
| The Oxford Circle |
Mind Destruction
|
1997 |
|
3:54:37 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
4:02:30 (Pop-up) |
|||
| Alexander Spence |
Grey/Afro
|
1969 |
|
4:03:00 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
4:12:36 (Pop-up) |
|||
| Christopher |
Burns Decision
|
1970 |
|
4:12:48 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
4:17:53 (Pop-up) |
|||
| bo grumpus |
If I Came To You
|
1968 |
|
4:18:05 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
4:22:57 (Pop-up) |
|||
| The Children |
Don't Ever Lose It
|
1968 |
|
4:23:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I saw the the usual lack of my generation destroyed, How I mourned the dearth. Are you upset by how habitual it is? Does it tear you apart to see the dearth so regular? A void, however hard it tries, Will always be empty. Down, down, down into the darkness of the void, Gently it goes - the bare, the empty-bellied, the white. |
|
4:26:25 (Pop-up) |
||
| The Rolling Stones |
The Lantern
|
1967 |
|
4:27:07 (Pop-up) | ||
| Chrysalis |
Cynthia Gerome
|
1968 |
|
4:31:30 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Lantern - A Haiku Early summertime An unspoken lantern word into the sunday |
|
4:35:21 (Pop-up) |
||
| The Unspoken Word |
Sunday Suit Of Clothes
|
1968 |
|
4:35:50 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Dragonfly - A Haiku Indian summer A female, dragonfly word at the old monday |
|
4:38:08 (Pop-up) |
||
| Dragonfly |
Blue Monday
|
1968 |
|
4:38:31 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Dragonfly, Part 2 - A Haiku Previous summer A giant, dragonfly sound on the electric |
|
4:41:32 (Pop-up) |
||
| Electric Banana |
(Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound)
|
even more electric banana | 1969 |
|
4:41:59 (Pop-up) | |
| Neighb'rhood Childr'n |
Happy World Of Captain K
|
1968 |
|
4:45:32 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Ceremony - A Haiku Wicked summertime A much, ceremony frank by the electric |
|
4:48:23 (Pop-up) |
||
| mutantes |
Não Vá Se Perder Por Aí
|
1969 |
|
4:50:38 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
Blast-Off-Girl:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun: