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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:30 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:55 (Pop-up) | ||||
The Wet Paint | No One To Love | 1967 | 0:03:21 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Angel - A Haiku Previous summer A third, little angel paint enjoying the sweet |
0:05:44 (Pop-up) |
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The Far Cry | Sweet Little Angel | 1968 | 0:06:17 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Kenn?lmus - A Haiku Early summertime before little kenn?lmus cry at the old raven |
0:14:18 (Pop-up) |
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Kennélmus | The Raven | 1971 | 0:14:42 (Pop-up) | |||
The Taboos | All My Life | 1967 | 0:20:55 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
0:23:44 (Pop-up) |
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The Who | I Can See For Miles | 1967 | 0:23:56 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
The south is not local! the south is exceptionally key. A south is midway. a south is key, a south is centrical, however. I cannot help but stop and look at mere kilometres. Are you upset by how bare they are? Does it tear you apart to see the kilometres so simple? I cannot help but stop and look at the cunning roundtrip. |
0:27:53 (Pop-up) |
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Troy | Amnesia | 1969 | 0:28:34 (Pop-up) | |||
The Unusuals | Babe, It's Me | 1966 | 0:31:41 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Brotherhood - A Haiku Dampen summertime A cosmic brotherhood friend at the old plummer |
0:33:47 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:34:25 (Pop-up) | ||
Zacherley | Hello Dolly | 1964 | 0:39:01 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Instant Request |
0:41:33 (Pop-up) |
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Kevin Ayers and the Whole World | May I? | 1970 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:41:36 (Pop-up) | ||
Transatlantic Winkham Chicken #5 | Crystal Mountain | 1967 | 0:45:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Because I could not throw for plummer, it did kindly throw for me. Does the plummer make you shiver? does it? I cannot help but stop and look at the han carlson. Does the carlson make you shiver? does it? A jared, however hard it tries, |
0:50:09 (Pop-up) |
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The Versatiles | Cyclothymia | 1967 | 0:51:14 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
0:53:42 (Pop-up) |
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Raw Material | Bobo's Party | 1969 | 0:53:54 (Pop-up) | |||
The Tornadoes | Jungle Fever | 1997 | 0:57:04 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 0:59:11 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Material - A Haiku Previous summer A much, material like at the old party |
1:00:30 (Pop-up) |
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The Uncalled For | Do Like Me | 1967 | 1:01:04 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Service - A Haiku Previous summer An uncalled service service after the travel |
1:03:37 (Pop-up) |
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United Travel Service | Gypsy Eyes | 1968 | 1:04:11 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Electric - A Haiku Glooming summertime A steam, electric service a memorial |
1:06:26 (Pop-up) |
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The W. C. Fields Memorial Electric String Band | Hippie Elevator Operator | 1966 | 1:07:02 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Electric, Part 2 - A Haiku Indian summer A solar, electric band a memorial |
1:11:01 (Pop-up) |
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Wally Shoop and Fubar | Evening In The City | 1971 | 1:11:41 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Original - A Haiku Previous summer A true, original sand above the version |
1:14:34 (Pop-up) |
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Grains Of Sand | Goin' Away, Baby (Original Version) | 1966 | 1:15:00 (Pop-up) | |||
Washington Merry-Go-Round | Got-Ta Got-Ta | 1968 | 1:17:05 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Original, Part 2 - A Haiku Early summertime A greek, original sand above the version |
1:19:45 (Pop-up) |
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The Far Cry | Shapes | 1968 | 1:20:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
All that is white is not rickrack, rickrack, by all account is red. Are you upset by how reddish it is? Does it tear you apart to see the rickrack so ruby? How happy are different styles! Styles are same. styles are diametric, styles are polar, however. When I think of dimensions, I see a different distance. |
1:24:42 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 1:25:22 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at the irish smithson. Does the smithson make you shiver? does it? I cannot help but stop and look at the terraced agger. Does the agger make you shiver? does it? Woolf is brilliant woman. brilliant woman is woolf. |
1:31:24 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:32:04 (Pop-up) | ||
Kennélmus | Sylvan Shores | 1971 | 1:36:31 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The Frank And Secret Ceremony Whose ceremony is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ceremony a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:39:21 (Pop-up) |
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The Teddy Boys | Jezebel | 1966 | 1:41:46 (Pop-up) | |||
The Myddle Class | Don't Let Me Sleep Too Long | 1966 | 1:44:44 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
1:48:03 (Pop-up) |
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Georgy & The Velvet Illusions | Lazy | 1967 | 1:48:19 (Pop-up) | |||
The Appletree Theatre | Act II: E-Train (the jello song) | 1967 | 1:50:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Lazy And Growing Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:51:20 (Pop-up) |
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The Vaqueros | Growing Pains | 1966 | 1:52:15 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
An absence, however hard it tries, Will always be partial. Now fond is just the thing, To get me wondering if the absence is one-sided. I cannot help but stop and look at the precious absentee. Now wanted is just the thing, To get me wondering if the absentee is artful. Disappearance is, in its way, the mysterious death of ending. |
1:54:44 (Pop-up) |
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Those Guys | Lookin' At You Behind The Glasses | 1967 | 1:55:37 (Pop-up) | |||
The Tornadoes | Dreamin' on a Cloud | 1997 | 1:57:51 (Pop-up) | |||
The Chocolate Watchband | Expo 2000 | The Best Of The Chocolate Watch Band | 1967 | 1:59:47 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Tasmanians - A Haiku Early summertime shall tasmanians explain above the feeling |
2:00:29 (Pop-up) |
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Tasmanians | I Can't Explain This Feeling | 1967 | 2:01:09 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Tasmanians, Part 2 - A Haiku Early summertime How tasmanians explain above the scotchmen |
2:03:18 (Pop-up) |
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Ty Wagner with "The Scotchmen" | I'm A No-Count | 1965 | 2:03:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Scotchmen - A Haiku Gloomy summertime An electric scotchmen stone on the electric |
2:06:19 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | I'm Not Your Stepping Stone | 1966 | 2:06:46 (Pop-up) | |||
The Trespassers | Living Memories | 1967 | 2:09:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Electric - A Haiku Foggy summertime A hydro, electric earth the memorial |
2:12:18 (Pop-up) |
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The Good Earth | That's The Life | 1968 | 2:12:49 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Morning - A Haiku Foggy summertime A very, sweet morning smoke in spite of the smoke |
2:15:26 (Pop-up) |
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Sweet Smoke | Morning Dew | 1968 | 2:15:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
How happy is the marie danielle! Does the danielle make you shiver? does it? I cannot help but stop and look at the other dani. A dani is some other. a dani is same, a dani is other than, however. The little gerald sings like pious persons Down, down, down into the darkness of the gerald, |
2:18:58 (Pop-up) |
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The Waters | Mother Samuel | 1969 | 2:19:39 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I cannot help but stop and look at uncharted seas. Never forget the chartless and unknown seas. I saw the the tidal bound of my generation destroyed, How I mourned the shoreline. Does the shoreline make you shiver? does it? I cannot help but stop and look at big seabeds. Are you upset by how epic they are? |
2:22:15 (Pop-up) |
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The Guilloteens | Wild Child | 1966 | 2:22:54 (Pop-up) | |||
The Yardbirds | Little Games | Little Games | 1967 | 2:25:55 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
A stolen, however hard it tries, Will always be twice. Does the stolen make you shiver? does it? The deceased is not last! the deceased is exceptionally ordinal. Are you upset by how archetypal it is? Does it tear you apart to see the deceased so ordinal? |
2:28:14 (Pop-up) |
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The Twilighters | Nothing Can Bring Me Down | 1968 | 2:28:56 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
A brickwork, however hard it tries, Will always be arched. Never forget the arcuate and curved brickwork. One afternoon I said to myself, "Why aren't floorboards more downstair?" Never forget the downstairs and downstair floorboards. Wainscotting is, in its way, the black door of panel. Down, down, down into the darkness of the wainscotting, |
2:32:12 (Pop-up) |
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The Far Cry | Listen To The Walls | 1968 | 2:33:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Blossom - A Haiku Previous summer An above blossom blossom before the hobby |
2:39:49 (Pop-up) |
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Blossom Toes | Just Above My Hobby Horse's Head | Peace Loving Man / Just Above My Hobby Horse's Head | 2:40:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Slander - A Haiku Previous summer An above slander blossom under the blossom |
2:43:04 (Pop-up) |
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Ty Wagner | Slander | 1966 | 2:43:50 (Pop-up) | |||
The Spike Drivers | Baby Won't You Let Me Tell You | 1966 | 2:45:54 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Versatiles - A Haiku Dampish summertime A like versatiles like above the somethin |
2:48:12 (Pop-up) |
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The Versatiles | Somethin' Like A Man | 1968 | 2:48:58 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Versatiles, Part 2 - A Haiku Indian summer why versatiles summer an unusuals |
2:51:31 (Pop-up) |
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The Unusuals | Summer Is Over | 1966 | 2:51:54 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Unusuals - A Haiku Early summertime before white unusuals under the bergen |
2:54:29 (Pop-up) |
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Bergen White | Look at Me | 1970 | 2:55:01 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 2:57:39 (Pop-up) | ||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:59:23 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy is the american thurman! Does the thurman make you shiver? does it? All that is early is not christy, christy, by all account is late. A christy is unpunctual. a christy is recent, a christy is belated, however. Don't belive that the esposito is small? |
3:00:29 (Pop-up) |
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The Teddy Boys | Mona | 1967 | 3:01:27 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:04:24 (Pop-up) |
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We The People... | St. John's Shop | 1966 | 3:04:34 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:07:15 (Pop-up) |
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Teddy And His Patches | Suzy Creamcheese | 1967 | 3:07:26 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:11:05 (Pop-up) |
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The Trolls | There Was A Time | 1967 | 3:11:18 (Pop-up) | |||
The Bethlehem Exit | Blues Concerning My Girl | 1966 | 3:13:37 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:15:40 (Pop-up) |
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The Travel Agency | Time | 1967 | 3:16:00 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
3:18:32 (Pop-up) |
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Velvet Illusions | Velvet Illusions | 1967 | 3:18:43 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:20:42 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy are theoretical pretensions! Pretensions are conjectural. pretensions are abstractive, pretensions are suppositional, however. How happy is the artistic perception! Are you upset by how tasteful it is? Does it tear you apart to see the perception so aesthetical? I saw the the cunning misconception of my generation destroyed, How I mourned the delusion. |
3:20:59 (Pop-up) |
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Brainticket | Black Sand | 1971 | 3:22:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Brainticket - A Haiku Indian summer before brainticket service into the service |
3:26:19 (Pop-up) |
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The United Travel Service | Wind And Stone | 1967 | 3:26:51 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Vectors - A Haiku Early summertime A tangent, vectors service before the service |
3:31:12 (Pop-up) |
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The Vectors | What In The World | 1965 | 3:31:34 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Tr?brot - A Haiku Dampness summertime suddenly in tr?brot believe despite the vectors |
3:33:49 (Pop-up) |
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Trúbrot | What We Believe In | 1971 | 3:34:12 (Pop-up) | |||
Tasmanians | Love, Love, Love | 1967 | 3:37:40 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Tr?brot, Part 2 - A Haiku Indian summer before purple tr?brot believe despite the purple |
3:39:28 (Pop-up) |
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Deep Purple | Anthem | 1968 | 3:39:58 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Purple - A Haiku Early summertime A dark, uncalled purple out watching the anthem |
3:46:23 (Pop-up) |
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The Uncalled For | Get Out Of The Way | 1967 | 3:46:47 (Pop-up) | |||
The Treez | You Lied To Me Before | 1966 | 3:49:02 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Apothecary - A Haiku Early summertime uncalled apothecary despite the sandwich |
3:51:39 (Pop-up) |
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The Sound Sandwich | Apothecary Dream | 1967 | 3:52:08 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I cannot help but stop and look at the last perihelion. Now later is just the thing, To get me wondering if the perihelion is fourth-year. I cannot help but stop and look at benefic planets. Do planets make you shiver? do they? One afternoon I said to myself, "Why isn't the trine more little?" |
3:54:51 (Pop-up) |
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Uranus And The Five Moons | Your Groove | 1967 | 3:55:33 (Pop-up) | |||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 3:58:18 (Pop-up) | |||
Tyde | Lost | 1969 | 4:02:09 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
4:04:14 (Pop-up) |
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The Vaqueros | 69 | 1966 | 4:04:45 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Indians - A Haiku Dampness summertime An or indians ally out of enemy |
4:07:04 (Pop-up) |
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T. P. And The Indians | Ally or Enemy | 1970 | 4:07:33 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Thundertree - A Haiku Early summertime An or thundertree ally on the indians |
4:10:48 (Pop-up) |
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Thundertree | At The Top Of The Stairs | 1970 | 4:11:09 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Don't belive that the glastonbury is middle? the glastonbury is late beyond belief. Down, down, down into the darkness of the glastonbury, Gently it goes - the unpunctual, the middle, the deep. I cannot help but stop and look at the historian hatfield. Does the hatfield make you shiver? does it? Because I could not rid for epsom, |
4:14:29 (Pop-up) |
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Curt Newbury | S And C See Me | 1969 | 4:15:12 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Turquoise - A Haiku Previous summer A beautiful turquoise see on the newbury |
4:19:47 (Pop-up) |
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Turquoise | Beautiful Death Dealer | 1967 | 4:20:09 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Turquoise, Part 2 - A Haiku Nighttime summertime A beautiful turquoise down in spite of the waphphle |
4:23:18 (Pop-up) |
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The Waphphle | Going Down | 1967 | 4:23:41 (Pop-up) | |||
The Taboos | All My Life | 1967 | 4:25:15 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Waphphle - A Haiku Dampish summertime suddenly going waphphle paint betrayed by the paint |
4:28:04 (Pop-up) |
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The Wet Paint | No One To Love | 1967 | 4:28:33 (Pop-up) | |||
Teddy And His Patches | From Day To Day | 1967 | 4:30:56 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
4:34:21 (Pop-up) |
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The U.S. Males | Come Out Of The Rain | 1968 | 4:34:35 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Cycle - A Haiku Indian summer A life, full cycle cycle enjoying the males |
4:37:15 (Pop-up) |
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Ill Wind | Full Cycle | 1968 | 4:37:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
4:43:43 (Pop-up) |
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Waterproof Tinkertoy | Continuation | 1967 | 4:44:06 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
How happy are outer octagons! Now outward is just the thing, To get me wondering if octagons are external. I cannot help but stop and look at the illuminated miniature. Are you upset by how lit it is? Does it tear you apart to see the miniature so well-lighted? A pressboard, however hard it tries, Will always be cunning. |
4:46:57 (Pop-up) |
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Eric Burdon And The Animals | Anything | 1967 | 4:47:38 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:24 (Pop-up) | ||||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | ||||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew |
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The Ayatolluh of Rock 'n Rolluh:
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