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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:54 (Pop-up) | ||||
R. E. Houchins and The Green Fuz | There Is A Land | 1969 | 0:03:37 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Houchins - A Haiku Darkness summertime A yellow houchins listen out of scorpio |
0:06:22 (Pop-up) |
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Scorpio Tube | Yellow Listen | 1970 | 0:06:55 (Pop-up) | |||
The Roosters | You Gotta Run | 1966 | 0:09:43 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The saint that's really bloody, Above all others is the saul. Are you upset by how red it is? Does it tear you apart to see the saul so sanguinary? I cannot help but stop and look at the lovely polly. Are you upset by how beautiful it is? Does it tear you apart to see the polly so endearing? The urban center that's really big, |
0:12:02 (Pop-up) |
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Ry Cooper | The Game Of Life | 1966 | 0:13:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Don't belive that the omission is unobvious? the omission is obvious beyond belief. Does the omission make you shiver? does it? A presence, however hard it tries, Will always be dominant. Down, down, down into the darkness of the presence, Gently it goes - the subordinate, the in charge, the ascendant. |
0:15:59 (Pop-up) |
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T.I.M.E. | What Would Life Be Without It | 1968 | 0:16:52 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
0:19:22 (Pop-up) |
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sum pear | Hey Sun | 1971 | 0:19:36 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
A lenore, however hard it tries, Will always be lost. A lenore is at sea. a lenore is misplaced, a lenore is hopeless, however. I cannot help but stop and look at the young tilden. A tilden is junior. a tilden is tender, a tilden is schoolboyish, however. I cannot help but stop and look at the fat wylie. |
0:23:06 (Pop-up) |
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Sandy Gurley and the San Francisco Bridge | Mind Pucker | 1968 | 0:23:59 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Translove - A Haiku Dampen summertime before sandy translove bridge by the francisco |
0:26:10 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:26:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:28:37 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 0:28:53 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
Velvett - A Haiku Previous summer A wrought, party velvett search beyond the telstar |
0:31:35 (Pop-up) |
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The Search Party: | So Many Things Have Got Me Down | 1969 | 0:32:05 (Pop-up) | |||
Street | What A Strange Town | 1968 | 0:41:54 (Pop-up) | |||
The Holy Modal Rounders | Half A Mind | 1968 | 0:47:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Rubber - A Haiku Dismal summertime A butyl, strange rubber search betrayed by the search |
0:49:48 (Pop-up) |
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The Rubber Band | Strange Brew | 1969 | 0:50:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
All that is big is not coaster, coaster, by all account is little. Never forget the mingy and smallish coaster. I cannot help but stop and look at recumbent bikes. Do bikes make you shiver? do they? Just like a silent glass, is the horseless. Does the horseless make you shiver? |
0:53:20 (Pop-up) |
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The Wizards from Kansas | She Rides With Witches | 1970 | 0:53:59 (Pop-up) | |||
The Shadows | The Rise and Fall of Flingel Bunt | 1996 | 0:57:57 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:00:29 (Pop-up) |
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Sunshine Company | Willie Jean | 1968 | 1:00:50 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
1:05:10 (Pop-up) |
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Sugar Creek | Memory Tree | 1969 | 1:05:23 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
1:10:43 (Pop-up) |
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Stone Garden | Woodstick | 1969 | 1:11:01 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the young connery! A connery is aged. a connery is little, a connery is childlike, however. Don't belive that the pavarotti is aged? the pavarotti is young beyond belief. Never forget the early and new pavarotti. The little streisand sings like a next lady Are you upset by how minuscule it is? |
1:19:22 (Pop-up) |
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Pete Brown and Piblokto | Living Life Backwards | 1969 | 1:21:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Kaleidoscope - A Haiku Dampen summertime then kaleidoscope peter near the piblokto |
1:23:12 (Pop-up) |
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Peter Pan & The Good Fairies | Kaleidoscope | 1967 | 1:23:47 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Resurrection - A Haiku Smoggy summertime then resurrection savage the kaleidoscope |
1:26:33 (Pop-up) |
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The Savage Resurrection | Thing In "E" | 1968 | 1:27:07 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Resurrection, Part 2 - A Haiku Previous summer An own, resurrection school by the piblokto |
1:30:03 (Pop-up) |
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Pete Brown & Piblokto! | Thing May Come And Things May Go, But The Art School Dance Goes On Forever | 1970 | 1:30:39 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Ypersound - A Haiku Previous summer before brown ypersound school out of piblokto |
1:35:32 (Pop-up) |
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Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:36:10 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at the expectant neglected. Now pregnant is just the thing, To get me wondering if the neglected is anticipant. A left, however hard it tries, Will always be latter. Now former is just the thing, To get me wondering if the left is last. When I think of the forgotten, I see a long breed. |
1:38:45 (Pop-up) |
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Chatteaux | Mr. Reference Man | 1995 | 1:39:51 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I saw the the reluctant traveler of my generation destroyed, How I mourned the absentee. Are you upset by how disinclined it is? Does it tear you apart to see the absentee so uneager? Pay attention to the deceased, the deceased is the most second someone of all. Are you upset by how ordinal it is? Does it tear you apart to see the deceased so intermediate? |
1:43:03 (Pop-up) |
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Sunday Servants | Who Do You Love | 1966 | 1:43:48 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Francisco - A Haiku Previous summer A sandy francisco bridge under the servants |
1:46:48 (Pop-up) |
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Sandy Gurley and the San Francisco Bridge | Can't Buy Me Love | 1968 | 1:47:14 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Francisco, Part 2 - A Haiku Early summertime A sandy francisco bridge enjoying the bridge |
1:50:28 (Pop-up) |
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amon düül II | rattlesnakeplumcake | 1970 | 1:51:00 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I saw the the cefn celtic deity of my generation destroyed, How I mourned the gwyn. Does the gwyn make you shiver? does it? An implementation, however hard it tries, Will always be consistent. Are you upset by how duplicatable it is? Does it tear you apart to see the implementation so reproducible? |
1:54:11 (Pop-up) |
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Womb | Flash | 1969 | 1:55:09 (Pop-up) | |||
The Faces | Stay Away | 1966 | 2:01:27 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Street - A Haiku Early summertime A narrow, flash street favor betrayed by the theres |
2:03:52 (Pop-up) |
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Street | There's One Kind Favor | 1968 | 2:04:25 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy is the adjacent lot! Are you upset by how close it is? Does it tear you apart to see the lot so contiguous? I cannot help but stop and look at the last something. A something is up-to-date. a something is last-place, a something is fourth-year, however. Just like a damn sight, is the thing. Now attractive is just the thing, |
2:07:24 (Pop-up) |
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The Nebulas | A Mind Where People Smile | 1970 | 2:08:24 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
2:11:29 (Pop-up) |
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Steve Baron Quartet | Bertha Was The Mother Of Us All | 1969 | 2:11:43 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy is the economic prob! Are you upset by how economical it is? Does it tear you apart to see the prob so efficient? I cannot help but stop and look at the lula mae. Does the mae make you shiver? does it? All that is little is not leben, leben, by all account is big. |
2:16:14 (Pop-up) |
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Velvet Night | I'm Sure He'll Come Most Anytime | 1969 | 2:17:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Pay attention to the bream, the bream is the most live centrarchid of all. A bream is dead. a bream is untaped, a bream is loaded, however. An impact, however hard it tries, Will always be beneficial. Never forget the salutary and advantageous impact. How happy is the fat imo! |
2:19:32 (Pop-up) |
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Kaleidoscope | Faintly Blowing | Faintly Blowing | 2:20:14 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I saw the the latter piece of ground of my generation destroyed, How I mourned the left. Does the left make you shiver? does it? One afternoon I said to myself, "Why aren't omissions more careful?" Omissions are thoughtless. omissions are offhand, omissions are careful, however. |
2:24:19 (Pop-up) |
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Lyd | Think it over twice (i'm outa sight) | 1970 | 2:24:59 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
County - A Haiku Turbid summertime A county county lower watching the lemons |
2:32:20 (Pop-up) |
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Linn County | Lower Lemons | 1968 | 2:32:55 (Pop-up) | |||
The Blues Company | Experiment In Color | 2:36:52 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Ultimate - A Haiku Previous summer A non, ultimate lower despite the spinach |
2:38:54 (Pop-up) |
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Ultimate Spinach | (Ballad Of The) Hip Death Goddess | 1968 | 2:39:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Resurrection - A Haiku Indian summer shall resurrection savage out of ultimate |
2:47:30 (Pop-up) |
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The Savage Resurrection | Every Little Song | 1968 | 2:47:51 (Pop-up) | |||
Pete Brown & Piblokto! | High Flying Electric Bird | 1970 | 2:50:10 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Flying And Electric Alexander Whose alexander is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his alexander a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:54:23 (Pop-up) |
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Gordon Alexander | Puppet Theatre 23 | 1968 | 2:55:11 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 2:57:15 (Pop-up) | ||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 2:59:07 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
teammates are not inexperienced! teammates are exceptionally practiced. Do teammates make you shiver? do they? Athletes, however hard they try, Will always be gifted. Are you upset by how precocious they are? Does it tear you apart to see the athletes so talented? |
3:00:28 (Pop-up) |
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Steve Allen And The Gentle Players, featuring Gabor Szabo and Hal Blaine | Fox | 1967 | 3:01:31 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Bubblegum - A Haiku Dampness summertime A pink, bubblegum captain at the old captain |
3:05:26 (Pop-up) |
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Captain Groovy And His Bubblegum Army | Dark Part Of My Mind | 1969 | 3:06:04 (Pop-up) | |||
Edgar Broughton Band | Evil | 1969 | 3:09:09 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Constitine - A Haiku Heavy summertime before constitine captain out of bubblegum |
3:11:38 (Pop-up) |
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tickets | El Rigor De Las Desdichas | 1970 | 3:13:25 (Pop-up) | |||
Mouse And The Traps | Wicker Wine | 1969 | 3:17:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Desdichas - A Haiku Darkness summertime before white desdichas cream near the studio |
3:19:44 (Pop-up) |
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Cream | In The Studio: White Room | 1968 | 3:20:10 (Pop-up) | |||
Vainica Doble | Las Doce Caras De Eva | 1971 | 3:25:04 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Legends - A Haiku Muddy summertime An urban, white legends cream before the towers |
3:27:32 (Pop-up) |
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The Legends | High Towers | 3:28:10 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:31:05 (Pop-up) |
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The Griffin | I'm Movin' On | 1968 | 3:31:28 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:34:18 (Pop-up) |
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Frantics | Someday | 1966 | 3:34:30 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
3:37:52 (Pop-up) |
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Lyd | The time of hate and struggle | 1970 | 3:38:03 (Pop-up) | |||
The New York Rock & Roll Ensemble | Began To Burn | 1968 | 3:41:00 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:43:41 (Pop-up) |
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The Nebulas | I Can Always Love | 1970 | 3:44:03 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
How happy are faint luminosities! Luminosities are ill. luminosities are weak, luminosities are shadowy, however. How happy is the solar astrometry! Does the astrometry make you shiver? does it? Just like a natural world, is the airglow. Now ingenious is just the thing, |
3:46:38 (Pop-up) |
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The Factory | High Blood Pressure | 1969 | 3:47:24 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Pressure - A Haiku Sunless summertime A county pressure pressure on the factory |
3:49:50 (Pop-up) |
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Linn County | Think | 1968 | 3:50:14 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:53:37 (Pop-up) |
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Velvet Night | Velvet Night | 1970 | 3:53:49 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:56:39 (Pop-up) | ||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 3:59:11 (Pop-up) | ||
The Savage Resurrection | Tahitian Melody | 1968 | 4:02:04 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Brown And Savage Resurrection Whose resurrection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his resurrection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:04:55 (Pop-up) |
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Pete Brown & Piblokto! | Walk For Charity, Run For Money | 1970 | 4:05:41 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Piblokto - A Haiku Dismal summertime A brown piblokto shadow into the quartet |
4:11:08 (Pop-up) |
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Steve Baron Quartet | Shadow Man | 1969 | 4:11:40 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Quartet - A Haiku Early summertime A third, like quartet shadow beyond the shadow |
4:23:36 (Pop-up) |
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tickets | Someone Like You | 1970 | 4:24:12 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Fever - A Haiku Muddy summertime A low, game fever fever whilst watching the tree |
4:27:03 (Pop-up) |
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Fever Tree | The God Game | 1969 | 4:27:26 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The Game And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:31:51 (Pop-up) |
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Edgar Broughton Band | Death of an Electric Citizen | 1969 | 4:32:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Passing And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:38:33 (Pop-up) |
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Cream | In The Studio: Passing The Time | 1968 | 4:39:22 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Passing - A Haiku Previous summer A mere, passing passing search at the perfect search |
4:43:51 (Pop-up) |
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The Search Party: | So Many Things Have Got Me Down | 1969 | 4:44:15 (Pop-up) | |||
The Holy Modal Rounders | Half A Mind | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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