View Owl Sun's profile |
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:30 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:55 (Pop-up) | ||||
The Jelly Bean Bandits | Poor Precious Dreams | 1967 | 0:03:23 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Tiffany - A Haiku Dampness summertime A precious tiffany bean after the bandits |
0:05:22 (Pop-up) |
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The Tiffany Shade | Sam | 1968 | 0:05:57 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
0:11:08 (Pop-up) |
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Eden's Children | Spirit Call | 1968 | 0:11:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:14:56 (Pop-up) |
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Erik | Why Come Another Day | 1968 | 0:15:09 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
All that is large is not nikki, nikki, by all account is little. Down, down, down into the darkness of the nikki, Gently it goes - the lesser, the littler, the miniscule. Don't belive that the dave is uncertain? the dave is sure beyond belief. Are you upset by how secure it is? Does it tear you apart to see the dave so reliable? |
0:18:14 (Pop-up) |
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The Wildwood | Free Ride | 1968 | 0:18:57 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Sunshine - A Haiku Turbid summertime A little, free sunshine ride beyond the wildwood |
0:21:40 (Pop-up) |
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The Sunshine Company | Four In The Mornin' | 1967 | 0:22:15 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Sunshine, Part 2 - A Haiku Turbid summertime A lucky sunshine people on the company |
0:25:08 (Pop-up) |
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People | Lucky John | 1969 | 0:25:40 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Instant Request |
0:29:45 (Pop-up) |
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The Moving Sidewalks | What Are You Doing To Do? | 99th Floor | For: Candy-O'67 | 0:29:48 (Pop-up) | ||
The Superfine Dandelion | Don't Try To Call Me | 1967 | 0:32:12 (Pop-up) | |||
The Other Half | No Doubt About It | 1967 | 0:35:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Distortion - A Haiku Muddy summertime A slight, distortion people whilst watching the leaves |
0:37:38 (Pop-up) |
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The Leaves | War Of Distortion | 1966 | 0:38:28 (Pop-up) | |||
Eastfield Meadows | Silent Night | 1968 | 0:41:31 (Pop-up) | |||
Euphoria | Hungry Woman | 1966 | 0:44:12 (Pop-up) | |||
The New York Rock & Roll Ensemble | She's Gone | 1968 | 0:47:27 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Euphoria - A Haiku Warm up summertime For euphoria woman watching the woman |
0:49:56 (Pop-up) |
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The Moody Blues | Have You Heard Part I | 1969 | 0:50:38 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Chaparral - A Haiku Warm up summertime A mature, chaparral sound by the electric |
0:52:06 (Pop-up) |
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Chaparral Electric Sound Inc. | Night Mares | 1970 | 0:52:31 (Pop-up) | |||
dave grusin | Every Mother's Daughter | 1968 | 0:56:52 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 0:58:52 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Chaparral, Part 2 - A Haiku Turbid summertime A mature, chaparral state on the electric |
1:00:30 (Pop-up) |
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The Art Of Lovin' | State Of Mind | 1968 | 1:01:21 (Pop-up) | |||
Mother's Worry | Step Back | 1968 | 1:04:59 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
1:06:50 (Pop-up) |
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Rockit | Amblin' | 1971 | 1:07:09 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:10:03 (Pop-up) |
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The Shadows Of Knight | Gospel Zone | 1966 | 1:10:16 (Pop-up) | |||
Dr. Z | Lady Ladybird | 1970 | 1:13:29 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Encouragement - A Haiku Sunless summertime A great, encouragement page at the old candyo67 |
1:16:11 (Pop-up) |
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The Jelly Bean Bandits | Neon River | 1967 | 1:16:52 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
How happy are local pillagers! Do pillagers make you shiver? do they? How happy are terrorist thugs! Do thugs make you shiver? do they? All that is large is not marauders, marauders, by all account is little. |
1:19:26 (Pop-up) |
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The Tiffany Shade | Not Worth the Pain | 1968 | 1:19:59 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Tiffany - A Haiku Warm up summertime A young, worth tiffany worth in spite of the shade |
1:23:04 (Pop-up) |
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Bram Rigg Set | Take The Time Be Yourself | 1967 | 1:23:36 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Children - A Haiku Muddy summertime A normal, real children take into the edens |
1:25:41 (Pop-up) |
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Eden's Children | Sure Looks Real | 1968 | 1:26:06 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Children, Part 2 - A Haiku Loving summertime A small, heather children clock before the heather |
1:30:27 (Pop-up) |
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Heather MacRae | Hands Of The Clock | 1967 | 1:30:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Heather - A Haiku Dampen summertime A wild, heather heather field whilst watching the bright |
1:34:32 (Pop-up) |
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Erik | Lights Across The Field Bright Lights Across The Field Too | 1968 | 1:34:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Callender - A Haiku Loving summertime An old, bright callender field betrayed by the bright |
1:37:37 (Pop-up) |
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Bobby Callender | Raga Man | 1968 | 1:38:04 (Pop-up) | |||
Cat Mother and the All Night Newsboys | Favors | 1968 | 1:44:27 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the notable valure. Now renowned is just the thing, To get me wondering if the valure is worthy. Tyes, however hard they try, Will always be strongest. Do tyes make you shiver? do they? Tibbs, however hard they try, |
1:47:57 (Pop-up) |
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Tokyo Kid Brothers | Freedom | 1971 | 1:48:41 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:51:26 (Pop-up) |
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The Leaves | Too Many People | 1966 | 1:51:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Leaves - A Haiku Rainy summertime shall a long, half leaves people above the people |
1:54:53 (Pop-up) |
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The Other Half | It's Too Hard (Without You) | 1967 | 1:55:33 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:57:44 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Family - A Haiku Hearty summertime A same, like family like at the perfect like |
2:00:30 (Pop-up) |
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Family | Never Like This | 1968 | 2:01:02 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Ensemble - A Haiku Warming summertime A small, like ensemble roll by the atlantis |
2:03:13 (Pop-up) |
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The New York Rock & Roll Ensemble | Studeao Atlantis | 1968 | 2:03:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Chaparral - A Haiku Warming summertime A thorny, chaparral sound out of electric |
2:06:28 (Pop-up) |
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Chaparral Electric Sound Inc. | Pray For Peace | 1970 | 2:06:56 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Chaparral, Part 2 - A Haiku Dampen summertime A high, chaparral corner on the electric |
2:11:25 (Pop-up) |
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The Amen Corner | Gin House Blues | 1967 | 2:12:01 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
2:15:09 (Pop-up) |
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Paul Revere & The Raiders featuring Mark Lindsay | Let Me! | 1969 | 2:15:29 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Wildflowers, however hard they try, Will always be multicolored. Wildflowers are colorful. wildflowers are varicolored, wildflowers are particoloured, however. How happy are scented wreaths! Are you upset by how sweet-scented they are? Does it tear you apart to see the wreaths so sweet? All that is large is not chrysanthemums, |
2:19:22 (Pop-up) |
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Good Time Singers | I Could Gather Flowers | 1967 | 2:20:14 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Singers - A Haiku Dampish summertime A young, good singers gather beyond the flowers |
2:22:40 (Pop-up) |
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The Art Of Lovin' | (How Can We) Hang On To A Dream | 1968 | 2:23:17 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Because I could not feature for lovin, it did kindly feature for me. Lovin, lovin, every where, Yet not a drop to feature. The dreaming is not unconscious! the dreaming is exceptionally intended. Never forget the unconscious and intended dreaming. A dear, however hard it tries, |
2:26:03 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:26:56 (Pop-up) | |||
The Jelly Bean Bandits | September Rain | 1967 | 2:29:36 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Morricone - A Haiku Rainy summertime A little morricone knight originali |
2:31:44 (Pop-up) |
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The Shadows Of Knight | Bad Little Woman | 1966 | 2:32:18 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Encouragement - A Haiku Dour summertime A much, encouragement hang under the candyo67 |
2:35:49 (Pop-up) |
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Bob & Kit | Autumn Too Long | 1966 | 2:36:46 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Generation - A Haiku Warming summertime A best generation best after the autumn |
2:38:52 (Pop-up) |
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FUGS | I Saw The Best Minds Of My Generation Rot | 1967 | 2:39:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The cause that's really collective, Above all others is the destiny. A destiny is aggregate. a destiny is aggregative, a destiny is made-up, however. consciences are not amoral! consciences are exceptionally amoral. Consciences are immoral. consciences are amoral, consciences are virtuous, however. |
2:43:54 (Pop-up) |
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Eden's Children | Wings | 1968 | 2:44:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Candyo67 - A Haiku Rainy summertime before just candyo67 message above the candyo67 |
2:47:15 (Pop-up) |
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Sunset Love | Run To The Sun | 2:47:53 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Burning - A Haiku Rainy summertime A fat, burning burning love despite the sunset |
2:50:26 (Pop-up) |
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Dick St. John | Lady Of The Burning Green Jade | 1968 | 2:50:49 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Newsboys - A Haiku Rainy summertime A burning newsboys mother before the burning |
2:54:03 (Pop-up) |
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Cat Mother and the All Night Newsboys | How I Spent My Summer | 1968 | 2:54:28 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 2:58:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Spent And Mixed Confusion Whose confusion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his confusion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:00:30 (Pop-up) |
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Bob Dylan | Mixed Up Confusion | 1962 | 3:01:26 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The High And Mixed Confusion Whose confusion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his confusion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:03:49 (Pop-up) |
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Skip Battyn and The Groop | High Coin | 1965 | 3:04:41 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I saw the the woeful need of my generation destroyed, How I mourned the lack. Now woebegone is just the thing, To get me wondering if the lack is miserable. I cannot help but stop and look at the seeming paucity. Are you upset by how apparent it is? Does it tear you apart to see the paucity so ostensible? I saw the the zany change of my generation destroyed, |
3:07:09 (Pop-up) |
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The Balloon Farm | A Question of Temperature | 1967 | 3:08:10 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
3:11:40 (Pop-up) |
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The Other Half | I Know | 1967 | 3:11:52 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Koalas, however hard they try, Will always be little. Koalas are mingy. koalas are mean, koalas are puny, however. All that is androgynous is not orangutans, orangutans, by all account is male. Are you upset by how manful they are? Does it tear you apart to see the orangutans so phallic? |
3:14:30 (Pop-up) |
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The Pandas | Walk | 1966 | 3:15:09 (Pop-up) | |||
Family | Me My Friend | 1968 | 3:17:30 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Laughing - A Haiku Loving summertime A much, laughing laughing wind near the tomorrow |
3:19:29 (Pop-up) |
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The Laughing Wind | Don't Take Very Much To See Tomorrow | 1966 | 3:20:00 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Commercial - A Haiku Rainy summertime A second, commercial wind the alexander |
3:21:49 (Pop-up) |
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Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 3:22:26 (Pop-up) | ||
The Blue Things | The Orange Rooftop Of Your Mind | 1966 | 3:25:32 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Commercial, Part 2 - A Haiku Loving summertime A more, commercial flower the alexander |
3:28:17 (Pop-up) |
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The Flower Pot Men | Am I Losing You | 1967 | 3:28:57 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the horses stolen. Does the stolen make you shiver? does it? I cannot help but stop and look at the unexplained absence. Never forget the incomprehensible and undetermined absence. I cannot help but stop and look at the zany failing. Down, down, down into the darkness of the failing, Gently it goes - the silly, the unreasonable, the clownish. |
3:31:58 (Pop-up) |
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The Garden Club | I Must Love Her | 1967 | 3:32:49 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The disappear that's really beloved, Above all others is the absent. Never forget the dearest and dear absent. How happy is the characteristic lack! Never forget the uncharacteristic and symptomatic lack. Omission is consistent errors. consistent errors is omission. Never forget the bad and bulky omission. |
3:35:27 (Pop-up) |
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Chatteaux | Mr. Reference Man | 1995 | 3:36:19 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Chatteaux - A Haiku Loving summertime suddenly hollow chatteaux near the reference |
3:39:33 (Pop-up) |
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Hickory Hollow | Home | 1968 | 3:39:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Beginning - A Haiku Rainy summertime A hollow beginning home near the trilogy |
3:42:55 (Pop-up) |
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Trilogy | I'm Beginning To Fee It | 1970 | 3:43:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
3:45:56 (Pop-up) |
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The Jelly Bean Bandits | Tapestries | 1967 | 3:46:11 (Pop-up) | |||
Tiny Tim | Little Girl | 1966 | 3:48:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Bandits - A Haiku Muddy summertime An armed, about bandits live whilst watching the facts |
3:50:51 (Pop-up) |
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Love Live Life + One | Facts About It All | 1971 | 3:51:33 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Flipside - A Haiku Loving summertime before about flipside live before the talking |
3:54:21 (Pop-up) |
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Kim Fowley | You Get More For Your Money On The Flipside Of This Record Talking Blues | 1966 | 3:54:43 (Pop-up) | |||
The Shadows | 36-24-36 | 1996 | 3:57:12 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 3:58:48 (Pop-up) | ||
Eden's Children | Call It Design | 1968 | 4:02:15 (Pop-up) | |||
Josefus | Bald Peach | 1970 | 4:04:41 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
4:07:17 (Pop-up) |
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Cat Mother and the All Night Newsboys | Marie | 1968 | 4:07:35 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I cannot help but stop and look at colored cops. Are you upset by how maroon they are? Does it tear you apart to see the cops so lilac? I cannot help but stop and look at battle cries. Do cries make you shiver? do they? All that is big is not paperboy, paperboy, by all account is little. |
4:11:21 (Pop-up) |
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Dana Gillespie | You Just Gotta Know My Mind | 1968 | 4:12:13 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Gillespie - A Haiku Dampness summertime A late, stoned gillespie love beyond the circus |
4:14:15 (Pop-up) |
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Stoned Circus | Try Love | 1970 | 4:14:43 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the five forgotten! Are you upset by how cardinal it is? Does it tear you apart to see the forgotten so 5? The disuse that's really notable, Above all others is the omission. Never forget the far-famed and noted omission. The vanish that's really little, Above all others is the absent. |
4:18:54 (Pop-up) |
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Erasmo Carlos | Agora Ninguém Chora Mais | 1971 | 4:19:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
4:22:09 (Pop-up) |
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Bob Dylan | Corrina Corrina | 1962 | 4:22:23 (Pop-up) | |||
The Sunshine Company | Four In The Mornin' | 1967 | 4:24:59 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Pay attention to the maxwell, the maxwell is the most ampere flux unit of all. Does the maxwell make you shiver? does it? How happy is the dear bryant! Never forget the dearest and good bryant. When I think of the derek, I see loving friends. A derek is rounded. a derek is heavy, |
4:27:53 (Pop-up) |
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The Wildwood | Free Ride | 1968 | 4:28:38 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
4:31:22 (Pop-up) |
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Family | Winter | 1968 | 4:31:39 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
One afternoon I said to myself, "Why isn't the absent more abnormal?" Does the absent make you shiver? does it? Why would you think the void is intellectual? the void is the most emotional expel of all. A void is affective. a void is schmaltzy, a void is low-down, however. |
4:34:59 (Pop-up) |
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Tripsichord Music Box | It's Not Good | 1968 | 4:35:38 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Pay attention to the omission, the omission is the most partial mistake of all. Now fond is just the thing, To get me wondering if the omission is fair. Pay attention to the lack, the lack is the most lamentable demand of all. Are you upset by how pitiful it is? Does it tear you apart to see the lack so sorrowful? |
4:38:43 (Pop-up) |
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The Kreeg | Impressin' | 1966 | 4:39:36 (Pop-up) | |||
The Balloon Farm | Hurtin' For Your Love | 1967 | 4:42:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I saw the youthful short whist of my generation destroyed, How I mourned hearts. Are you upset by how young they are? Does it tear you apart to see the hearts so vernal? Psyches, however hard they try, Will always be subconscious. Do psyches make you shiver? do they? |
4:44:12 (Pop-up) |
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The Art Of Lovin' | What The Young Minds Say | 1968 | 4:44:57 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
One afternoon I said to myself, "Why aren't preconceptions more unethical?" Are you upset by how honorable they are? Does it tear you apart to see the preconceptions so honourable? All that is worsened is not idea, idea, by all account is better. An idea is worse. an idea is healthier, an idea is major, however. |
4:47:32 (Pop-up) |
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It's A Beautiful Day | Bulgaria | 1968 | 4:48:21 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:58 (Pop-up) | ||||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
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Listener comments!
Owl Sun:
Candy-O'67:
Owl Sun:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
tom tom the pipers son:
congratulations, owls been messing up on requests lately too
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
spent a christmas in west virginia once...spent most of the time indoors since it was so cold... the people we were staying with had a chinchilla for a pet... such crazy animals...
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
yes, at first i thought it said squirtin wv
Candy-O'67:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
Franco Twinkie:
Candy-O'67:
Candy-O'67:
Owl Sun:
Franco Twinkie:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
Hey, Franco, I've got a pic of me in my Sheena's shirt with a BLT. It's not the best pic of me, that's for sure. It was hot as hell outside!!
Candy-O'67:
Franco Twinkie:
Candy-O'67:
Franco Twinkie:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Franco Twinkie:
Candy-O'67:
Franco Twinkie:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
Franco Twinkie:
Candy-O'67:
Candy-O'67:
Franco Twinkie:
Candy-O'67:
DouglasInDallas:
Owl Sun:
DouglasInDallas:
Owl Sun: