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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
the Electric Flag, an American Music Band | Hobbit | Original Motion Picture Sound Track: The Trip | 1967 | 0:03:21 (Pop-up) | ||
The Holy Mackerel | The Secret Of Pleasure | The Holy Mackerel | 1968 | 0:04:29 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
An ape, however hard it tries, Will always be bipedal. An ape is biped. an ape is four-footed, an ape is quadrupedal, however. Why would you think the fairy is familiar? the fairy is the most strange supernatural being of all. Are you upset by how quaint it is? Does it tear you apart to see the fairy so other? |
0:08:03 (Pop-up) |
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The Kaleidoscope | Why Try | 1967 | 0:08:57 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
0:11:38 (Pop-up) |
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The Flower Pot | Black Moto | 1967 | 0:12:44 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Frederic - A Haiku Cloudy summertime A henri, frederic reserve above the reserve |
0:14:43 (Pop-up) |
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The Frederic | Federal Reserve Bank Blues | 1968 | 0:15:05 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Funkadelic - A Haiku Brumous summertime where funkadelic reserve into the frederic |
0:17:09 (Pop-up) |
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Funkadelic | Open Our Eyes | 1969 | 0:17:32 (Pop-up) | |||
Endle St. Cloud In The Rain | Quest For Beauty | 1969 | 0:21:27 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the simple electro. Never forget the lancelike and bare electro. A handclap, however hard it tries, Will always be sudden. Down, down, down into the darkness of the handclap, Gently it goes - the unforeseen, the explosive, the gradual. The fat ska sings like chay years Down, down, down into the darkness of the ska, |
0:24:09 (Pop-up) |
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The Grains Of Sand | That's When Happiness Began | 1966 | 0:25:01 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Happiness - A Haiku Brumous summertime A much, happiness balloon into the burning |
0:27:22 (Pop-up) |
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Pretty Things | Balloon Burning (A Phase In The Life Of S.F. Sorrow) | Private Sorrow | 1968 | 0:27:45 (Pop-up) | ||
The Yardbirds | Puzzles | 1967 | 0:31:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Burning - A Haiku Nighttime summertime A burning burning balloon at the old balloon |
0:33:31 (Pop-up) |
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Autosalvage | Rampant Generalities | 1968 | 0:35:00 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
disappearances are not explicable! disappearances are exceptionally inscrutable. Disappearances are unaccountable. disappearances are inscrutable, disappearances are cryptical, however. A gone, however hard it tries, Will always be psor. Does the gone make you shiver? does it? |
0:38:11 (Pop-up) |
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Almond Marzipan | Summer Love | 1969 | 0:39:05 (Pop-up) | |||
The Litter | Blue Ice | 1969 | 0:42:21 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
0:45:26 (Pop-up) |
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Thundertree | Head Embers | 1970 | 0:45:47 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The issue that's really contingent, Above all others is the aftereffect. An aftereffect is possible. an aftereffect is conditional, an aftereffect is uncertain, however. The profit that's really classic, Above all others is the account. Are you upset by how standard it is? Does it tear you apart to see the account so classical? |
0:49:13 (Pop-up) |
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The Locomotive | There's Got To Be A Way | 1969 | 0:49:54 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the main qui! Does the qui make you shiver? does it? Because I could not flow for aux, it did kindly flow for me. Pause to flow, like the aux does. Comme is french sector. french sector is comme. |
0:53:33 (Pop-up) |
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William Sheller | Les 4 Saisons | 1968 | 0:54:22 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:58:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Sheller - A Haiku Warm up summertime A corn, tiny sheller be at the old william |
1:00:23 (Pop-up) |
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Tiny Tim | Be My Baby | 1968 | 1:00:55 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Aphrodites - A Haiku Hearty summertime A nude, aphrodites stand in spite of the child |
1:04:01 (Pop-up) |
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Aphrodite's Child | You Always Stand In My Way | 1968 | 1:04:21 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
How happy are australian caucasians! Do caucasians make you shiver? do they? I cannot help but stop and look at blackfeet braves. Do braves make you shiver? do they? The mythical being that's really yellow, Above all others is the hero. |
1:08:11 (Pop-up) |
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the Collectors | What Is Love | 1968 | 1:08:47 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Connection - A Haiku Hazy summertime A burning connection love at the old collectors |
1:13:24 (Pop-up) |
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Rotary Connection | Burning Of The Midnight Lamp | 1969 | 1:13:47 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:18:18 (Pop-up) |
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dayde | Cocaine | 1970 | 1:18:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
1:26:58 (Pop-up) |
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daughters of albion | hat off, arms out, ronnie | 1968 | 1:27:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Childs - A Haiku Dampish summertime An american, childs coast because of the coast |
1:29:54 (Pop-up) |
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The West Coast Pop Art Experimental Band Vol.3 | A Child's Guide To Good And Evil | 1968 | 1:30:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Passing - A Haiku Warming summertime An electric, passing cream on the studio |
1:32:46 (Pop-up) |
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Cream | In The Studio: Passing The Time | 1968 | 1:33:09 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Passing, Part 2 - A Haiku Foggy summertime A mere, passing passing cream near the studio |
1:37:38 (Pop-up) |
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Canned Heat | On The Road Again | 1968 | 1:38:03 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Hollywood - A Haiku Darkness summertime A pre, hollywood welcome at the old welcome |
1:41:20 (Pop-up) |
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The Asylum Choir | Welcome To Hollywood | 1968 | 1:41:51 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Experience - A Haiku Loving summertime shall laughing experience near the hollywood |
1:45:46 (Pop-up) |
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The Jimi Hendrix Experience | The Stars That Play With Laughing Sam's Dice | 1967 | 1:46:11 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Experience, Part 2 - A Haiku Dismal summertime where laughing experience before the laughing |
1:50:21 (Pop-up) |
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The Dovers | The Third Eye | 1966 | 1:50:49 (Pop-up) | |||
Bonzo Dog Band | Humanoid Boogie | 1968 | 1:53:03 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at the great been. Are you upset by how capital it is? Does it tear you apart to see the been so extraordinary? How happy are inadvertent omissions! Are you upset by how accidental they are? Does it tear you apart to see the omissions so unintended? I cannot help but stop and look at cunning prefaces. Now knavish is just the thing, |
1:56:03 (Pop-up) |
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Greg Robbins | Virginia Creeper | 2009 | 1:56:57 (Pop-up) | |||
Dream | Night Of The Lonely Organist And His Mysterious Pals | 1967 | 1:59:09 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:00:23 (Pop-up) |
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Fifty Foot Hose....... | If Not This Time | 1968 | 2:00:44 (Pop-up) | |||
Blood Sweat & Tears | Meagan's Gypsy Eyes | 1968 | 2:04:17 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
All that is bloodless is not forgotten, forgotten, by all account is bloody. A forgotten is internecine. a forgotten is crashing, a forgotten is bloodthirsty, however. The go away that's really present, Above all others is the absent. Now ever-present is just the thing, To get me wondering if the absent is absent. |
2:07:35 (Pop-up) |
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The Elastik Band | In A Family Tree | 2007 | 2:08:21 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Elastik - A Haiku Cloudy summertime suddenly elastik coast near the family |
2:11:56 (Pop-up) |
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West Coast Pop Art Experimental Band | 1906 | 1967 | 2:12:22 (Pop-up) | |||
Le Cirque | I'll Be Thinking Of You | 1967 | 2:14:36 (Pop-up) | |||
The 13th Floor Elevators | Kingdom Of Heaven | 1966 | 2:16:59 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Nuisance - A Haiku Cloudy summertime A great, thinking nuisance be before the thinking |
2:20:03 (Pop-up) |
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Public Nuisance | America | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:20:33 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The europe is not unenlightened! the europe is exceptionally educated. Down, down, down into the darkness of the europe, Gently it goes - the learned, the educated, the uninitiate. Pay attention to the americana, the americana is the most nord artifact of all. Does the americana make you shiver? does it? |
2:23:54 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 2:24:51 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
The Fat And Big Cooper Whose cooper is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her cooper a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:30:31 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 2:31:27 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Translove - A Haiku Nighttime summertime suddenly big translove eye on the sullivan |
2:33:29 (Pop-up) |
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Aorta | What's In My Mind's Eye | 1969 | 2:33:54 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Don't belive that the dont is local? the dont is general beyond belief. A dont is widespread. a dont is universal, a dont is common, however. All that is same is not whos, whos, by all account is different. Never forget the various and diametrical whos. One afternoon I said to myself, |
2:37:39 (Pop-up) |
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Appaloosa | Thoughts of Polly | 1969 | 2:38:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
2:43:53 (Pop-up) |
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Fairport Convention | If I Had A Ribbon Bow | 1968 | 2:44:04 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Convention - A Haiku Loving summertime A blonde convention ribbon watching the fairport |
2:46:39 (Pop-up) |
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Blonde On Blonde | Castles In The Sky | 1970 | 2:47:03 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The Blonde And Blonde Bridge Whose bridge is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bridge a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:50:26 (Pop-up) |
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Bump | Winston Built A Bridge | 1969 | 2:51:09 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at the blue eddie. Down, down, down into the darkness of the eddie, Gently it goes - the risque, the dejected, the low-spirited. How happy are dauphin francis! Do francis make you shiver? do they? The gordon is not big! the gordon is exceptionally small-minded. |
2:54:08 (Pop-up) |
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Kevin Ayers | Girl On A Swing | 1969 | 2:55:01 (Pop-up) | |||
Bobby Fuller And The Fanatics | Our Favorite Martian | 2018 | 2:57:46 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
People - A Haiku Hearty summertime A colored people people despite the lothar |
3:00:25 (Pop-up) |
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Lothar And The Hand People | Rose Colored Glasses | 1967 | 3:00:53 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Aldebaran - A Haiku Dampen summertime why aldebaran farewell despite the farewell |
3:03:18 (Pop-up) |
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Judy Henske & Jerry Yester | Farewell Aldebaran | 1969 | 3:03:46 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Aldebaran, Part 2 - A Haiku Brumous summertime why aldebaran farewell despite the farewell |
3:07:41 (Pop-up) |
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Bee Gees | Please read me | 1967 | 3:08:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Colombe - A Haiku Dampness summertime An only colombe read because of the clark |
3:11:17 (Pop-up) |
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Gene Clark | Only Colombe | 1967 | 3:11:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
3:14:33 (Pop-up) |
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The Johnnys | Nothing Sacred | 1967 | 3:14:51 (Pop-up) | |||
Sopwith Camel | Hello Hello | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:17:16 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Sabbath - A Haiku Dampish summertime A true, sacred sabbath black despite the johnnys |
3:19:37 (Pop-up) |
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Coven | Black Sabbath | 1969 | 3:20:12 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Guilloteens - A Haiku Hearty summertime A black guilloteens black watching the sabbath |
3:23:31 (Pop-up) |
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The Guilloteens | Wild Child | 1966 | 3:23:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
The On And Wild Child Whose child is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his child a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:26:56 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:27:36 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
The Blind And Purple Purple Whose purple is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his purple a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:30:00 (Pop-up) |
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Deep Purple | Blind | 1969 | 3:30:50 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Documentary - A Haiku Dour summertime when documentary blind beyond the excerpts |
3:36:10 (Pop-up) |
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The Common People | Those Who Love | 1969 | 3:40:14 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy are corporate developers! Now incorporated is just the thing, To get me wondering if developers are bodied. I cannot help but stop and look at greatest inventors. Inventors are superior. inventors are leading, inventors are largest, however. I cannot help but stop and look at little webmasters. Now footling is just the thing, |
3:43:19 (Pop-up) |
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Smokey and His Sister | Creators of Rain | 1966 | 3:44:04 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Beefheart - A Haiku Dampish summertime A magic beefheart captain by the tomorrow |
3:46:42 (Pop-up) |
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Captain Beefheart & His Magic Band | On Tomorrow | 1968 | 3:47:05 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Beefheart, Part 2 - A Haiku Dampish summertime A magic beefheart captain on the tomorrow |
3:50:31 (Pop-up) |
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The Stained Glass | If I Needed Someone | 1966 | 3:51:04 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Abstract - A Haiku Wicked summertime An abstract abstract abstract by the axelrod |
3:53:10 (Pop-up) |
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David Axelrod | The Human Abstract | 1969 | 3:53:35 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:58:56 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
4:03:34 (Pop-up) |
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Chad Stuart & Jeremy Clyde | Sunstroke | 1968 | 4:04:12 (Pop-up) | |||
the Electric Flag, an American Music Band | Joint Passing | Original Motion Picture Sound Track: The Trip | 1967 | 4:08:22 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
4:10:16 (Pop-up) |
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CAN | Midnight Sky: 1968 | 1968 | 4:10:43 (Pop-up) | |||
Count Five | Declaration Of Independence | 1968 | 4:13:23 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
4:15:42 (Pop-up) |
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Gary Lewis & the Playboys | Jill | Where the Action Is! Los Angeles Nuggets 1965-1968 | 4:16:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
4:18:12 (Pop-up) |
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Acanthus | Le Frisson Des Vampires | 1971 | 4:18:34 (Pop-up) | |||
Endle St. Cloud In The Rain | Quest For Beauty | 1969 | 4:21:11 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Werewolves, however hard they try, Will always be dead. Now deceased is just the thing, To get me wondering if werewolves are nonliving. How happy are nazi zombies! Do zombies make you shiver? do they? How happy are big goblins! |
4:23:54 (Pop-up) |
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Funkadelic | Open Our Eyes | 1969 | 4:24:33 (Pop-up) | |||
Hamilton Streetcar | Now I Taste The Tears | Original Lp - Dot Records DLP 25939 | 1969 | 4:28:27 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Funkadelic - A Haiku Hazy summertime before funkadelic think before the yardbirds |
4:31:30 (Pop-up) |
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The Yardbirds | Think About It | 1968 | 4:32:06 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Yardbirds - A Haiku Hazy summertime A second yardbirds second at the old second |
4:35:45 (Pop-up) |
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The Second Time | Sally Le Roy | 1968 | 4:36:09 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Arzachel - A Haiku Loving summertime before arzachel second beyond the delights |
4:38:39 (Pop-up) |
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Arzachel | Garden Of Earthly Delights | 1969 | 4:39:00 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Delicacies, however hard they try, Will always be exotic. Are you upset by how unusual they are? Does it tear you apart to see the delicacies so alien? Idylls, however hard they try, Will always be delightful. Never forget the delicious and pleasing idylls. All that is small is not delicious, |
4:41:39 (Pop-up) |
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Poe | Up Up Through The Spiral | 1971 | 4:42:27 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the little chim. Does the chim make you shiver? does it? How happy is the louis felix! Does the felix make you shiver? does it? Just like a proportional tao, is the cun. Now confused is just the thing, |
4:46:24 (Pop-up) |
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amon düül II | Archangels Thunderbird | 1970 | 4:47:13 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:44 (Pop-up) | ||||
Ramsey Lewis | Sexy Sadie | 1968 |
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