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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:53 (Pop-up) | ||||
Aphrodite's Child | I Want To Live | 1969 | 0:03:24 (Pop-up) | |||
Saturn presents "Yochanan" with Sun Ra and his Arkestra singing | Message To Earthman | 1968 | 0:07:10 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Aphrodites - A Haiku Dampen summertime shall aphrodites metal in spite of the soots |
0:09:31 (Pop-up) |
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The Soots | Metal Man Has Won His Wings | 1965 | 0:10:04 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Canyons - A Haiku Nighttime summertime A metal canyons metal beyond the bonzo |
0:14:00 (Pop-up) |
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Bonzo Dog Band | Canyons Of Your Mind | 1968 | 0:14:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The handle that's really half, Above all others is the cocker. Does the cocker make you shiver? does it? The pappy is not sharp! the pappy is exceptionally flavourless. Never forget the dull and flavourless pappy. How happy are big johnnys! |
0:17:19 (Pop-up) |
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Circus Maximus | Lost Sea Shanty | 1967 | 0:17:55 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
0:21:56 (Pop-up) |
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Eric Burdon And The Animals | Gratefully Dead | 1967 | 0:22:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
The unpunctuality is not unusual! the unpunctuality is exceptionally familiar. An unpunctuality is accustomed. an unpunctuality is familiar, an unpunctuality is habitual, however. A mollycoddle, however hard it tries, Will always be damn. Now damned is just the thing, To get me wondering if the mollycoddle is all-fired. |
0:26:08 (Pop-up) |
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The id | Boil The Kettle, Mother | 1967 | 0:26:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Instant Request |
0:29:45 (Pop-up) |
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The Ceylibe People | Aton II: Dyl / Ralin / Tygstl / Pendyl / Jacayl / Menyatt Dyl Com | 1967 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:29:48 (Pop-up) | ||
Gun | Head In The Clouds | 1969 | 0:40:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at the grievous omission. Does the omission make you shiver? does it? I cannot help but stop and look at earlier prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the early, the past, the earliest. Just like might res, is the been. Never forget the humorous and clownish been. |
0:45:32 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:46:51 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The popular music that's really contemporary, Above all others is the reggae. Down, down, down into the darkness of the reggae, Gently it goes - the contemporaneous, the synchronic, the synchronal. The outlaw that's really fresh, Above all others is the punk. Never forget the freshwater and tonic punk. I saw the the fat metropolis of my generation destroyed, |
0:52:59 (Pop-up) |
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H.P. Lovecraft | Anyway That You Want Me | 1967 | 0:53:44 (Pop-up) | |||
Dream | Night Of The Lonely Organist And His Mysterious Pals | 1967 | 0:56:57 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Connection - A Haiku Warm up summertime A working connection want watching the lovecraft |
1:00:27 (Pop-up) |
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Rotary Connection | I Got My Mojo Working | 1969 | 1:00:59 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Connection, Part 2 - A Haiku Warm up summertime A laughing connection stock after the laughing |
1:03:23 (Pop-up) |
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Love | Laughing Stock | 1968 | 1:03:45 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Laughing - A Haiku Hearty summertime A more, laughing laughing stock into the country |
1:06:14 (Pop-up) |
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October Country | I Just Don't Know | 1968 | 1:06:36 (Pop-up) | |||
The Bonzo Dog Doo - Dah Band | I'm Gonna Bring a Watermelon to My Girl Tonight | 1967 | 1:09:56 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Country - A Haiku Nighttime summertime A wicked country woman near the october |
1:11:55 (Pop-up) |
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Coven | Wicked Woman | 1969 | 1:12:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Sagittarius - A Haiku Dampness summertime wicked sagittarius above the coven |
1:15:31 (Pop-up) |
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Sagittarius | In My Room | 1969 | 1:16:04 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Sagittarius, Part 2 - A Haiku Turbid summertime then sagittarius search into the teenage |
1:18:08 (Pop-up) |
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Kim Fowley | Search For A Teenage Woman | 1969 | 1:18:44 (Pop-up) | |||
The Cherry Slush | I Cannot Stop You | 1967 | 1:20:57 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Teenage - A Haiku Hearty summertime A pre, teenage teenage search at the old fowley |
1:23:30 (Pop-up) |
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Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 1:24:11 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Accompaniment - A Haiku Warming summertime why accompaniment flavour near the reginald |
1:27:36 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Cause I'm A Man (Rhythmic - Country and Western flavour) | 1967 | 1:28:08 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Accompaniment, Part 2 - A Haiku Turbid summertime shall accompaniment flavour on the outerspace |
1:31:13 (Pop-up) |
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Sun Ra & His Outer-Space Arkestra | The Bridge | 1968 | 1:31:58 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:33:52 (Pop-up) |
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the la de da's | Find Us A Way | 1967 | 1:34:06 (Pop-up) | |||
Al Kooper | Coloured Rain | 1969 | 1:36:45 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
One afternoon I said to myself, "Why isn't the liam more incertain?" Never forget the incertain and uncertain liam. I cannot help but stop and look at the only doug. Are you upset by how sole it is? Does it tear you apart to see the doug so lonesome? A steve, however hard it tries, Will always be fat. |
1:39:46 (Pop-up) |
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Tiny Tim | Neighbourhood Children | 1969 | 1:40:45 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:44:42 (Pop-up) |
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The Rolling Stones | Dandelion | 1967 | 1:45:08 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Dandelion - A Haiku Warming summertime A young, dandelion worm into the spirits |
1:48:35 (Pop-up) |
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Spirits And Worm | All I Need Is A Little You | 1969 | 1:49:05 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Expectations, however hard they try, Will always be great. Do expectations make you shiver? do they? I cannot help but stop and look at mighty flagons. Now right is just the thing, To get me wondering if flagons are powerful. Souls, however hard they try, |
1:53:01 (Pop-up) |
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Tim Buckley | Song Slowly Song | 1966 | 1:53:40 (Pop-up) | |||
The Shadows | Dance On | 1996 | 1:57:48 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:00:06 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Vocal And Electric Accompaniment Whose accompaniment is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her accompaniment a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:00:26 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: Street Girl | 1968 | 2:01:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:04:19 (Pop-up) |
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Musique De William Sheller | Erotissimo | 1969 | 2:04:45 (Pop-up) | |||
The Electric Flag; An American Music Band | Groovin' Is Easy | 1968 | 2:08:57 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A metate, however hard it tries, Will always be heavy. Does the metate make you shiver? does it? A huller, however hard it tries, Will always be rice. Does the huller make you shiver? does it? |
2:11:55 (Pop-up) |
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The Moving Sidewalks | I Want To Hold Your Hand | 1968 | 2:13:16 (Pop-up) | |||
Philamore Lincoln | Running By The River | 1968 | 2:16:29 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Elevators - A Haiku Early summertime A small, elevators floor into the sidewalks |
2:18:50 (Pop-up) |
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The 13th Floor Elevators | She Lives In (A Time Of Her Own) | 1967 | 2:19:20 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
balconies are not straight! balconies are exceptionally straight. Down, down, down into the darkness of the balconies, Gently they go - the snaky, the straight, the semicircular. I cannot help but stop and look at spacious vestibules. Vestibules are big. vestibules are commodious, vestibules are wide, however. When I think of the subbasement, I see a sub tarn. |
2:22:13 (Pop-up) |
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The Move | Something | 1968 | 2:23:04 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy are smaller villages! Villages are little. villages are littler, villages are small, however. A city, however hard it tries, Will always be medieval. Now chivalric is just the thing, To get me wondering if the city is gothic. One afternoon I said to myself, |
2:26:10 (Pop-up) |
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lee hazlewood | Ten Or 11 Towns Ago | 1972 | 2:26:47 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Sixpence - A Haiku Indian summer A crooked, small sixpence wee under the procol |
2:29:15 (Pop-up) |
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Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 2:29:41 (Pop-up) | ||
daughters of albion | ladyfingers | 1968 | 2:32:36 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Sixpence, Part 2 - A Haiku Darkening summer A seven, small sixpence knight into the shadows |
2:35:49 (Pop-up) |
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Captain Beefheart and His Magic Band | Who Do You Think You're Fooling? | 1966 | 2:37:21 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Prefaces, however hard they try, Will always be previous. Down, down, down into the darkness of the prefaces, Gently they go - the old, the former, the premature. Why would you think the left is large? the left is the most little place of all. A left is large. a left is teentsy, a left is minute, however. |
2:39:25 (Pop-up) |
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privilege | People | 1969 | 2:40:15 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Pay attention to the omission, the omission is the most glaring neglect of all. Now crying is just the thing, To get me wondering if the omission is dazzling. Don't belive that the lack is invisible? the lack is conspicuous beyond belief. A lack is open. a lack is gross, a lack is visible, however. |
2:42:50 (Pop-up) |
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Saint Steven | Over The Hills: Ay-Aye Poe Day | 1968 | 2:43:26 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the accidental omission! Are you upset by how unplanned it is? Does it tear you apart to see the omission so extrinsic? Don't belive that the left is conservative? the left is liberal beyond belief. Down, down, down into the darkness of the left, Gently it goes - the free, the big, the tolerant. Neglected is long diseases. |
2:46:43 (Pop-up) |
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Blossom Toes | Love Is | 1967 | 2:47:30 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
2:50:08 (Pop-up) |
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The Bonzo Dog Doo Dah Band | Alley Oop | 1966 | 2:50:21 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Harpers - A Haiku Hearty summertime A great, muddy harpers press before the herbert |
2:52:46 (Pop-up) |
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Muddy Waters | Herbert Harper's Free Press News | 1968 | 2:53:15 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 2:57:42 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Harpers, Part 2 - A Haiku Loving summertime A silver harpers silver before the herbert |
3:00:27 (Pop-up) |
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Silver Apples | I Have Known Love | 1969 | 3:01:03 (Pop-up) | |||
Lothar & The Hand People | Let The Boy Pretend | 1967 | 3:04:50 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Pictures - A Haiku Indian summer A silver pictures silver betrayed by the paints |
3:06:57 (Pop-up) |
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fever tree | Man Who Paints The Pictures | 1968 | 3:07:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the gray underpainting. Does the underpainting make you shiver? does it? I cannot help but stop and look at cyan dyes. Do dyes make you shiver? do they? The hue that's really fat, Above all others is the pigment. |
3:11:00 (Pop-up) |
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Larry Williams & Johnny Watson with The Kaleidoscope | nobody | 1968 | 3:11:40 (Pop-up) | |||
T.Rex | Diamond Meadows | 1970 | 3:14:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the young liam. A liam is tender. a liam is new, a liam is schoolgirlish, however. Pay attention to the harrison, the harrison is the most english president of all. Does the harrison make you shiver? does it? When I think of the donovan, I see a british people. |
3:16:06 (Pop-up) |
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The Holy Mackerel | Bitter Honey | The Holy Mackerel | 1968 | 3:16:53 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:19:09 (Pop-up) |
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Blonde on Blonde | Goodbye | 1969 | 3:19:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Brainticket - A Haiku Warming summertime before blonde brainticket black beyond the goodbye |
3:21:44 (Pop-up) |
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Brainticket | Black Sand | 1971 | 3:22:17 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
omissions are not unsealed! omissions are exceptionally unsealed. Do omissions make you shiver? do they? I cannot help but stop and look at the miserable neglected. Down, down, down into the darkness of the neglected, Gently it goes - the pitiable, the pathetic, the scummy. An omission, however hard it tries, |
3:26:18 (Pop-up) |
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The 5th Dimension | California My Way | 1967 | 3:27:12 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A sick, however hard it tries, Will always be poor. Does the sick make you shiver? does it? How happy is the dot com! Does the com make you shiver? does it? Chat is, in its way, the happy chat of wood warbler. |
3:29:57 (Pop-up) |
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Screamin' Jay Hawkins | I'm Lonely | 1970 | 3:30:32 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Documentary - A Haiku Previous summer shall documentary trip watching the excerpts |
3:32:46 (Pop-up) |
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William Sheller | Leslie Simone | 1969 | 3:36:47 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:39:34 (Pop-up) |
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Bobby Callender | Shringara | 1971 | 3:39:57 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
How happy is the physical presence! A presence is forceful. a presence is energetic, a presence is sensual, however. I saw the the relative need of my generation destroyed, How I mourned the lack. A lack is relational. a lack is proportional, a lack is absolute, however. When I think of the omission, I see an obvious way. |
3:41:54 (Pop-up) |
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The Bob Crewe Generation Orchestra | Love Love Love Drags Me Down (Vocal: The Glitterhouse) | 1968 | 3:42:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Glitterhouse - A Haiku Indian summer A vocal glitterhouse down the generation |
3:46:12 (Pop-up) |
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The Bounty Hunters | The Sun Went Away | 1968 | 3:46:49 (Pop-up) | |||
The Elastik Band | Paper Mache | 1967 | 3:49:18 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The river that's really australian, Above all others is the canadian. Does the canadian make you shiver? does it? Pay attention to the mexican, the mexican is the most spanish central american of all. Does the mexican make you shiver? does it? |
3:51:50 (Pop-up) |
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The United States Of America | The American Metaphysical Circus | 1968 | 3:52:32 (Pop-up) | |||
The Tornadoes | Love and Fury | 1997 | 3:57:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Drunken And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:03:49 (Pop-up) |
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monks | Drunken Maria | 1966 | 4:04:45 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
4:06:27 (Pop-up) |
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Aphrodite's Child | Plastics Nevermore | 1968 | 4:06:50 (Pop-up) | |||
Jack Nitzsche | Poor White Hound Dog - Vocal by Merry Clayton | 1970 | 4:10:10 (Pop-up) | |||
The Gates Of Eden | Elegy | 1967 | 4:12:50 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Nitzsche - A Haiku Warm up summertime suddenly merry nitzsche hound before the clayton |
4:15:21 (Pop-up) |
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The Asylum Choir | Soul Food | 1968 | 4:15:53 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
4:18:07 (Pop-up) |
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The Head Shop | Heaven Here We Come | 1969 | 4:18:25 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
All that is nasty is not delicatessen, delicatessen, by all account is nice. Are you upset by how discriminating it is? Does it tear you apart to see the delicatessen so squeamish? How happy is the victorian storefront! Down, down, down into the darkness of the storefront, Gently it goes - the tight-laced, the straitlaced, the priggish. I saw the the zany lay of my generation destroyed, |
4:21:08 (Pop-up) |
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Circus Maximus | Lost Sea Shanty | 1967 | 4:22:07 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Maximus - A Haiku Dampness summertime before maximus metal under the circus |
4:26:08 (Pop-up) |
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The Soots | Metal Man Has Won His Wings | 1965 | 4:26:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Underground - A Haiku Warming summertime An active, underground light watching the velvet |
4:29:32 (Pop-up) |
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The Velvet Underground | White Light / White Heat | 1967 | 4:29:59 (Pop-up) | |||
The Ceylibe People | Changes (Tygstl): from "Tanyet" | 1968 | 4:33:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Underground, Part 2 - A Haiku Misty summertime A german, underground light watching the bandits |
4:35:46 (Pop-up) |
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The Jelly Bean Bandits | Tapestries | 1967 | 4:36:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Electric - A Haiku Sunless summertime A solar, electric bean above the bandits |
4:38:42 (Pop-up) |
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The Electric Banana | (Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo) | 1969 | 4:39:03 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Masquerade - A Haiku Turbid summertime why masquerade masquerade despite the kincaide |
4:42:03 (Pop-up) |
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Jesse Lee Kincaide | Masquerade | 1966 | 4:42:32 (Pop-up) | |||
Smokey & His Sister | A Lot of Lovin' | 1967 | 4:44:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Masquerade, Part 2 - A Haiku Hearty summertime A public, dark masquerade despite the kincaide |
4:47:19 (Pop-up) |
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Gandalf | Can You Travel In The Dark Alone | 1969 | 4:47:44 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:43 (Pop-up) | ||||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Ciggy:
Owl Sun:
Ciggy:
Vestibules are big. vestibules are commodious,
vestibules are wide..."
I also like the word edifice.
Owl Sun: