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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
Bee Gees | With the Sun in My Eyes | 1968 | 0:03:21 (Pop-up) | |||
Syd Barrett | Golden Hair (Vocal Version) | 1989 | 0:05:53 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Overdrive - A Haiku Previous summer shall overdrive overdrive before the reprise |
0:07:31 (Pop-up) |
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Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 0:08:00 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Invention - A Haiku Nighttime summertime then invention overdrive on the overdrive |
0:09:52 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 0:10:17 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Moms, however hard they try, Will always be parent. Do moms make you shiver? do they? One afternoon I said to myself, "Why aren't parents more uneducated?" Are you upset by how lettered they are? Does it tear you apart to see the parents so numerate? |
0:13:16 (Pop-up) |
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Caravan | Hello Hello | 1970 | 0:13:54 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Better - A Haiku Indian summer A better better better in spite of the feel |
0:17:01 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 0:17:39 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
0:22:39 (Pop-up) |
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country joe And The Fish | Section 43 | 1966 | 0:22:57 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Instant Request |
0:29:39 (Pop-up) |
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The Moody Blues | Gypsy. | 1969 | Requested by: spacecowboy | 0:29:41 (Pop-up) | ||
The Superfine Dandelion | Crazy Town (Move On Little Children) | 1967 | 0:33:13 (Pop-up) | |||
The Wildlife | New Games To Play | 1967 | 0:36:14 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
0:38:03 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 0:38:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
An absent, however hard it tries, Will always be sweet. Does the absent make you shiver? does it? I saw the the leave time interval of my generation destroyed, How I mourned the absence. Never forget the quit and lead absence. Just like a last origin, is whereabouts. |
0:44:01 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 0:44:45 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Pointing - A Haiku Gloomy summertime A direct, thin pointing grass despite the fingers |
0:47:53 (Pop-up) |
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Grass Roots | Mr. Jones (A Ballad Of A Thin Man) | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 0:48:17 (Pop-up) | |||
G.F. Fitz-Gerald | May Four | 1970 | 0:51:08 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Freeborne - A Haiku Previous summer suddenly thin freeborne grass out of images |
0:54:01 (Pop-up) |
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The Freeborne | Images | 1968 | 0:54:47 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 0:58:17 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I cannot help but stop and look at the shaped cowling. A cowling is formed. a cowling is molded, a cowling is wrought, however. Don't belive that ailerons are starboard? ailerons are left beyond belief. Do ailerons make you shiver? do they? I cannot help but stop and look at zany feathers. |
1:00:25 (Pop-up) |
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Randy Burns | Susan your Mind's got Wings | 1968 | 1:01:17 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The Randy And Storybook Storybook Whose storybook is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her storybook a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:04:57 (Pop-up) |
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The Storybook | Psych-out Sanctorum | 1968 | 1:05:45 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Storybook - A Haiku Indian summer A big, storybook soldier before the sanctorum |
1:09:07 (Pop-up) |
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Small Faces | Tin Soldier | 1967 | 1:09:37 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Visitation - A Haiku Indian summer A last, white visitation into the soldier |
1:13:19 (Pop-up) |
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White Noise | The Visitation | 1969 | 1:13:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Visitation, Part 2 - A Haiku Indian summer A white visitation noise above the looking |
1:24:45 (Pop-up) |
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The Move | Looking On | 1970 | 1:25:07 (Pop-up) | |||
Syd Barrett | It Is Obvious [Take 1] | 1970 | 1:32:47 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Corporal - A Haiku Nighttime summertime A second, corporal pink after the looking |
1:35:35 (Pop-up) |
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Pink Floyd | Corporal Clegg | 1968 | 1:36:02 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Corporal, Part 2 - A Haiku Indian summer A little, corporal close despite the carmel |
1:40:03 (Pop-up) |
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The Fun and Games | Close To Carmel | 1968 | 1:40:27 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Accompaniment - A Haiku Indian summer before accompaniment close near the electric |
1:42:58 (Pop-up) |
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Electric Banana | Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom) | Electric Banana | 1967 | 1:43:38 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Accompaniment, Part 2 - A Haiku Previous summer before accompaniment beat out of invention |
1:46:25 (Pop-up) |
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The Mothers Of Invention | No. No. No. | 1968 | 1:46:57 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:50:00 (Pop-up) |
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The Koala | Poppa Duke Tyler | 1969 | 1:50:21 (Pop-up) | |||
Steve Hammond | The World Is Wrapped Around My Neck | 1966 | 1:52:58 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Cromagnon - A Haiku Dampish summertime before bronze cromagnon bronze enjoying the bronze |
1:56:08 (Pop-up) |
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Cromagnon | First World Of Bronze | 1969 | 1:56:38 (Pop-up) | |||
Aphrodite's Child | Magic Mirror | I Want To Live b/w Magic Mirror | 1969 | 1:59:22 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Fitzgerald - A Haiku Gloomy summertime before bronze fitzgerald bronze by the cromagnon |
2:00:26 (Pop-up) |
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G.F. Fitz-Gerald | Ashes Of An Empire / The End | 1970 | 2:01:01 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:04:49 (Pop-up) |
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Rainbow Ffolly | Sun Sing | 1968 | 2:05:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
2:08:57 (Pop-up) |
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SRC | Interval | 1968 | 2:09:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Interval - A Haiku Dampen summertime A free, deep interval pink despite the ether |
2:15:16 (Pop-up) |
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The Deep | Pink Ether | 1966 | 2:15:35 (Pop-up) | |||
Tenjo Sajiki | 100km per hour | 1970 | 2:18:26 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Storybook - A Haiku Indian summer A yiddish, storybook pink out of innocence |
2:19:30 (Pop-up) |
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The Storybook | Beads of Innocence | 1968 | 2:19:59 (Pop-up) | |||
Small Faces | (Tell Me) Have You Ever Seen Me | 1967 | 2:23:06 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
A look, however hard it tries, Will always be last. Never forget the later and endmost look. One afternoon I said to myself, "Why aren't looms more narrow?" Now all-embracing is just the thing, To get me wondering if looms are narrow. When I think of the confronting, I see a sudden struggle. |
2:25:10 (Pop-up) |
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The Rock Shop | Is That Your Halo | 1967 | 2:25:52 (Pop-up) | |||
The New York Rock & Roll Ensemble | Poor Pauline | 1968 | 2:29:12 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Strawberry - A Haiku Dismal summertime A red, long strawberry clock before the version |
2:31:57 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire - Long Version | 1968 | 2:32:25 (Pop-up) | |||
Syd Barrett | Two of a Kind | 1987 | 2:41:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Strawberry, Part 2 - A Haiku Depressing summer A large, long strawberry clock after the version |
2:44:07 (Pop-up) |
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monks | Oh, How To Do Now | Complication / Oh-How To Do Now | 2:44:46 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Daylight - A Haiku Dismal summertime A much, randy daylight do because of the burns |
2:48:02 (Pop-up) |
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Randy Burns | When Daylight Comes in Everything | 1968 | 2:48:23 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Happening - A Haiku Early summertime A randy happening cloud after the daylight |
2:52:14 (Pop-up) |
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Endle St. Cloud In The Rain | Tell Me One More Time -What's Happening to Our World- | 1969 | 2:52:50 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The In And Pink Happening Whose happening is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his happening a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:55:34 (Pop-up) |
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Pink Floyd | Jugband Blues | 1968 | 2:56:20 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:59:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
thats are not idle! thats are exceptionally overbusy. Down, down, down into the darkness of the thats, Gently they go - the intrusive, the overbusy, the officious. All that is glad is not cuz, cuz, by all account is sad. Never forget the mournful and homesick cuz. Maynard is professional friends. |
3:00:25 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 3:01:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Don't belive that the absence is incurious? the absence is curious beyond belief. Does the absence make you shiver? does it? I cannot help but stop and look at miraculous disappearances. Do disappearances make you shiver? do they? Whereabouts are unknown attempt. |
3:05:43 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 3:06:32 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Quicksilver - A Haiku Early summertime A crude, quicksilver service near the messenger |
3:11:48 (Pop-up) |
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The Koala | Lady Dressed In White | 1969 | 3:12:12 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Reverbaration - A Haiku Early summertime shall reverbaration floor at the old thirteenth |
3:15:39 (Pop-up) |
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the thirteenth floor elevators | Reverbaration (Doubt) | 1966 | 3:16:03 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I saw the the very vanish of my generation destroyed, How I mourned the absent. Now real is just the thing, To get me wondering if the absent is identical. An absentee, however hard it tries, Will always be only. Are you upset by how lonesome it is? Does it tear you apart to see the absentee so exclusive? |
3:18:52 (Pop-up) |
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Bob Guy | Letter From Jeepers | 1963 | 3:19:35 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Quicksilver - A Haiku Dour summertime A crude, quicksilver service out of messenger |
3:21:53 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 3:22:27 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Quicksilver, Part 2 - A Haiku Previous summer A more, quicksilver service by the messenger |
3:34:28 (Pop-up) |
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The Electric Prunes | Wind-Up Toys | 1967 | 3:34:52 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
One afternoon I said to myself, "Why aren't cranberries more uncultivated?" Never forget the cultured and refined cranberries. I saw the the healthy fastener of my generation destroyed, How I mourned the clip. Does the clip make you shiver? does it? I cannot help but stop and look at the little celery. |
3:37:19 (Pop-up) |
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The Runaways | 18th Floor Girl | 1966 | 3:37:58 (Pop-up) | |||
The Other Half | Mr. Pharmacist | 1967 | 3:41:23 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
All that is aged is not juveniles, juveniles, by all account is young. Juveniles are formative. juveniles are schoolgirlish, juveniles are newborn, however. I saw the the sleepless unfortunate of my generation destroyed, How I mourned the homeless. A homeless is alert. a homeless is watchful, a homeless is lidless, however. |
3:43:50 (Pop-up) |
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Skip Bifferty | On Love | 1967 | 3:44:50 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Don't belive that the absent is less? the absent is more beyond belief. Now additional is just the thing, To get me wondering if the absent is further. One afternoon I said to myself, "Why aren't omissions more unintentional?" Do omissions make you shiver? do they? |
3:47:25 (Pop-up) |
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The Deep | When Rain Is Black | 1966 | 3:49:01 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Funkadelic - A Haiku Dampish summertime A black funkadelic black betrayed by the black |
3:51:05 (Pop-up) |
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Funkadelic | Open Our Eyes | 1969 | 3:51:26 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Funkadelic, Part 2 - A Haiku Previous summer before funkadelic take into the barrett |
3:55:21 (Pop-up) |
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Syd Barrett | Waving My Arms in the Air [Take 1] | 1970 | 3:55:52 (Pop-up) | |||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 3:58:01 (Pop-up) | |||
Josefus | Crazy Man | 1970 | 4:02:04 (Pop-up) | |||
Rainbow Ffolly | Hey You | 1968 | 4:04:48 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Destination - A Haiku Nighttime summertime A next, destination man by the josefus |
4:06:52 (Pop-up) |
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SRC | No Secret Destination | 1969 | 4:07:18 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Destination, Part 2 - A Haiku Indian summer A same, destination pink after the controls |
4:11:59 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 4:12:23 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Controls - A Haiku Previous summer A healthy, third controls pink beyond the bardo |
4:17:40 (Pop-up) |
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The Third Bardo | I'm Five Years Ahead Of My Time | 1967 | 4:18:13 (Pop-up) | |||
The Mothers Of Invention | Cheap Thrills | 1968 | 4:20:54 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The absent is not impotent! the absent is exceptionally accented. Down, down, down into the darkness of the absent, Gently it goes - the impotent, the accented, the sizable. How happy are autobiographical prefaces! Do prefaces make you shiver? do they? Just like a precautions prison, is the neglected. |
4:23:10 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 4:24:07 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
4:29:06 (Pop-up) |
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country joe And The Fish | Section 43 | 1966 | 4:29:35 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
4:36:16 (Pop-up) |
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Caravan | Hello Hello | 1970 | 4:36:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Don't belive that the omission is inconspicuous? the omission is conspicuous beyond belief. An omission is inconspicuous. an omission is spectacular, an omission is blazing, however. An unavailability, however hard it tries, Will always be apparent. Does the unavailability make you shiver? does it? |
4:39:36 (Pop-up) |
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The Apryl Fool | Tomorrow's Child | 1969 | 4:40:17 (Pop-up) | |||
The Peanut Butter Conspiracy | Time Is After You | 1967 | 4:45:24 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Tomorrows - A Haiku Dampen summertime A worth, south tomorrows fool watching the hendrix |
4:48:10 (Pop-up) |
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Jimi Hendrix | South Saturn Delta | South Saturn Delta | 1968 | 4:48:42 (Pop-up) | ||
The Move | Yellow Rainbow | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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