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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:02:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:04:52 (Pop-up) | ||||
Syd Barrett | Effervescing Elephant [Take 9] | 1970 | 0:05:20 (Pop-up) | |||
Jefferson Airplane | Today | 1967 | 0:07:05 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the woodward hoffman. Does the hoffman make you shiver? does it? Pay attention to the gemma, the gemma is the most flat reproductive structure of all. Are you upset by how noneffervescent it is? Does it tear you apart to see the gemma so sharp? Don't belive that hayes are fat-free? |
0:09:59 (Pop-up) |
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Velvet Opera | Raise the Light | 1970 | 0:10:48 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
0:15:51 (Pop-up) |
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The Move | The Disturbance | 1966 | 0:16:11 (Pop-up) | |||
electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Cause I'm A Man (Rhythmic - Country and Western flavour) | 1967 | 0:18:54 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Disturbance - A Haiku Turbid summertime A gone disturbance people on the yesterday |
0:21:03 (Pop-up) |
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The Head Shop | Opera In The Year 4000: Where Have All The people Gone / Yesterday | 1969 | 0:21:49 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Happening - A Haiku Dampness summertime A strange, happening people near the yesterday |
0:26:10 (Pop-up) |
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Montage | Wake Up Jimmy (Something Is Happening Outside) | 1969 | 0:26:35 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the jong been! Does the been make you shiver? does it? How happy is the very absent! Are you upset by how identical it is? Does it tear you apart to see the absent so selfsame? Just like an only thing, is the left. Never forget the goofy and cockamamie left. |
0:29:30 (Pop-up) |
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The Mass | Raining Sorrow | 1969 | 0:30:10 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
I cannot help but stop and look at the mountainous north. Now cragged is just the thing, To get me wondering if the north is upland. The geographical region that's really east, Above all others is the south. Does the south make you shiver? does it? East is, in its way, the furthest cities of geographic region. |
0:33:08 (Pop-up) |
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The Byrds | Eight Miles High | Eight Miles High / Why | 0:33:45 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Scene - A Haiku Smoggy summertime An entire, high scene love betrayed by the byrds |
0:37:17 (Pop-up) |
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Love | You Set The Scene | 1967 | 0:37:41 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Millennium - A Haiku Dampish summertime A last, millennium love into the sequence |
0:45:27 (Pop-up) |
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The Millennium | Karmic Dream Sequence #1 | 1968 | 0:45:48 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Millennium, Part 2 - A Haiku Loving summertime A 3rd, millennium purpose watching the sequence |
0:51:39 (Pop-up) |
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the la de da's | All Purpose Low | 1967 | 0:52:14 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Don't belive that lockets are achromatic? lockets are black beyond belief. Never forget the illegal and grim lockets. Jewels, however hard they try, Will always be exquisite. Now keen is just the thing, To get me wondering if jewels are elegant. Pay attention to the silk, |
0:55:03 (Pop-up) |
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Pearls Before Swine | Uncle John | 1967 | 0:55:48 (Pop-up) | |||
Brian Auger | The In Crowd | 0:58:33 (Pop-up) | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | 1:02:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Sequins, however hard they try, Will always be gold. Sequins are gilded. sequins are colored, sequins are golden, however. Amethysts, however hard they try, Will always be imperial. Do amethysts make you shiver? do they? |
1:02:27 (Pop-up) |
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Blue Cheer | Parchment Farm | 1968 | 1:03:28 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Parchment - A Haiku Misty summertime A fine, ancient parchment grease before the children |
1:09:12 (Pop-up) |
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Ancient Grease | Women And Children First | 1970 | 1:09:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Children - A Haiku Dour summertime An ancient children follow above the ancient |
1:16:09 (Pop-up) |
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notes from the undergorund | Follow Me Down | 1968 | 1:16:33 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Productions - A Haiku Dour summertime A best, productions sample watching the trident |
1:22:09 (Pop-up) |
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Syd Barrett | Wouldn't You Miss Me (Dark Globe) | 1989 | 1:27:57 (Pop-up) | |||
Crystalline | Peace Of Mind | 1970 | 1:30:52 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Dark And Half Globe Whose globe is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his globe a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:33:53 (Pop-up) |
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The Other Half | Oz Lee Eaves Drops | 1968 | 1:34:42 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Buckley - A Haiku Dampish summertime A further, cant buckley cant enjoying the cant |
1:37:07 (Pop-up) |
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Tim Buckley | I Can't See You | 1966 | 1:37:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Aphrodites - A Haiku Warm up summertime where aphrodites mirror into the buckley |
1:40:05 (Pop-up) |
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Aphrodite's Child | Magic Mirror | I Want To Live b/w Magic Mirror | 1969 | 1:40:42 (Pop-up) | ||
The Head Shop | Listen With A Third Ear | 1969 | 1:43:31 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
How happy are contemporary praxiteles! Down, down, down into the darkness of the praxiteles, Gently they go - the modern, the synchronous, the contemporaneous. The deity is not malicious! the deity is exceptionally freehearted. Never forget the gracious and freehearted deity. I saw the the fat cognition of my generation destroyed, How I mourned the psyche. |
1:46:01 (Pop-up) |
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Andwellas Dream | The Days grew longer for love | 1969 | 1:47:04 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
1:51:36 (Pop-up) |
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GTO's: Girls Together Outrageously | The Eureka Springs Garbage Lady | 1969 | 1:52:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Garbage - A Haiku Muddy summertime An old, blind garbage butter before the springs |
1:55:35 (Pop-up) |
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Wild Butter | Terribly Blind | 1970 | 1:56:13 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:59:39 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Butter - A Haiku Dampness summertime A melt, blind butter butter because of the stars |
2:02:27 (Pop-up) |
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Mij | Two Stars | 1969 | 2:02:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
2:06:45 (Pop-up) |
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Arzachel | Azathoth | 1969 | 2:06:57 (Pop-up) | |||
The Peanut Butter Conspiracy | Big Bummer | 1967 | 2:11:11 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Jefferson - A Haiku Indian summer A young, east jefferson side above the airplane |
2:13:53 (Pop-up) |
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Pat Kilroy | Cancereal | 1966 | 2:15:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the lower left! A left is subordinate. a left is subaltern, a left is secondary, however. How happy is the how been! Does the been make you shiver? does it? prefaces are not big! prefaces are exceptionally littlest. |
2:19:56 (Pop-up) |
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Ars Nova | Fields Of People Entracte: Vita De L'Alma Mia | 2:20:31 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
Sullivan - A Haiku Previous summer A through sullivan people out of entracte |
2:24:08 (Pop-up) |
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The Jim Sullivan Sound | She Walks Through The Fair | 1966 | 2:24:34 (Pop-up) | |||
The Human Expression | Every Night | 1966 | 2:27:11 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Original - A Haiku Previous summer A greek, original sound near the sullivan |
2:29:43 (Pop-up) |
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Grains Of Sand | Goin' Away, Baby (Original Version) | 1966 | 2:30:22 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Lightning - A Haiku Previous summer then a distant, lightning move the original |
2:32:27 (Pop-up) |
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The Move | Lightning never strikes twice | 1970 | 2:32:54 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
How happy is the glorious joshua! Never forget the incandescent and brilliant joshua. A payne, however hard it tries, Will always be 6th. Does the payne make you shiver? does it? How happy is the fat geoff! Never forget the tubby and greasy geoff. |
2:35:58 (Pop-up) |
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Syd Barrett | Milky Way | 1989 | 2:36:32 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
All that is ugly is not andrea, andrea, by all account is beautiful. Are you upset by how beauteous it is? Does it tear you apart to see the andrea so marvelous? How happy is the sorry harold! Never forget the unregretting and rueful harold. When I think of the robson, I see an english jason. A robson is suety. a robson is potbellied, |
2:40:35 (Pop-up) |
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notes from the undergorund | What Am I Doing Here | 1968 | 2:41:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Sabbath - A Haiku Early summertime A true, wizard sabbath black watching the wizard |
2:43:34 (Pop-up) |
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Black Sabbath | The Wizard | 1970 | 2:43:59 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Sabbath, Part 2 - A Haiku Dismal summertime A third, wizard sabbath black before the wizard |
2:48:15 (Pop-up) |
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pearls before swine | ring thing | 1968 | 2:48:38 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
2:52:04 (Pop-up) |
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The #1 | The Collector | 1967 | 2:52:33 (Pop-up) | |||
Tim Buckley | Wings | 1966 | 2:54:50 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
2:57:17 (Pop-up) |
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The Ashes | Dark On You Now | 1967 | 2:57:33 (Pop-up) | |||
Wally Shoop and Fubar | Evening In The City | 1971 | 3:01:31 (Pop-up) | |||
GTO's: Girls Together Outrageously | Who's Jim Sox? | 1969 | 3:02:26 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the prolonged unavailability! Now lengthy is just the thing, To get me wondering if the unavailability is protracted. The quality that's really apparent, Above all others is the inability. Never forget the evident and visible inability. The lack is not big! the lack is exceptionally piddling. |
3:02:43 (Pop-up) |
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Andwellas Dream | Cocaine | 1969 | 3:03:37 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Don't belive that the paucity is absolute? the paucity is relative beyond belief. Never forget the comparative and proportionate paucity. A presence, however hard it tries, Will always be abiding. Down, down, down into the darkness of the presence, Gently it goes - the lasting, the permanent, the imperishable. The deficiency that's really zany, |
3:08:31 (Pop-up) |
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Spring | Falling In Love | 3:09:26 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Friendly - A Haiku Heavy summertime A bird, friendly friendly spring betrayed by the spring |
3:12:08 (Pop-up) |
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Touch | Friendly Birds | 1969 | 3:12:43 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Friendly, Part 2 - A Haiku Smoggy summertime A gay, friendly friendly press despite the harpers |
3:17:31 (Pop-up) |
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Muddy Waters | Herbert Harper's Free Press News | 1968 | 3:17:57 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Arzachel - A Haiku Darkness summertime A muddy arzachel press above the harpers |
3:22:23 (Pop-up) |
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Arzachel | Leg | 1969 | 3:22:54 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
3:28:29 (Pop-up) |
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Affinity | Night Flight | 1970 | 3:28:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Affinity - A Haiku Loving summertime A close, affinity flight before the purple |
3:36:01 (Pop-up) |
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Deep Purple | Hush | 1968 | 3:36:22 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
California - A Haiku Dour summertime shall purple california near the dimension |
3:39:36 (Pop-up) |
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The 5th Dimension | California My Way | 1967 | 3:39:59 (Pop-up) | |||
The Monkees | You And I | 1969 | 3:42:45 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:45:55 (Pop-up) |
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Skip Bifferty | Jeremy Carbine | 1967 | 3:46:18 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
How happy are curved legs! Never forget the sinuate and arcuate legs. How happy are manacled wrists! Do wrists make you shiver? do they? When I think of lips, I see a tremulous brow. Never forget the woolly-headed and flocculent lips. Refresh until you're happy with your poem. |
3:48:39 (Pop-up) |
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Pretty Things | Bracelets Of Fingers | 1968 | 3:49:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Cheeks, however hard they try, Will always be puffed. Down, down, down into the darkness of the cheeks, Gently they go - the tumescent, the tumid, the bloated. Knuckles, however hard they try, Will always be abraded. Down, down, down into the darkness of the knuckles, Gently they go - the skinned, the scraped, the injured. |
3:52:57 (Pop-up) |
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Mij | Look Into The (K)Night | 1969 | 3:53:54 (Pop-up) | |||
Novaks Kapelle | Hypodermic Needle - Dedicated to Eric Burdon | 1968 | 4:01:51 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
4:05:56 (Pop-up) |
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Tim Buckley | It Happens Every Time | 1966 | 4:06:08 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
4:07:53 (Pop-up) |
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pearls before swine | lepers and roses | 1968 | 4:08:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Moody And After Concert Whose concert is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his concert a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:13:28 (Pop-up) |
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Andwellas Dream | Shades of Grey | 1969 | 4:15:01 (Pop-up) | |||
The Magicians | Slow Motion | 1968 | 4:18:33 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Prefaces, however hard they try, Will always be biblical. Do prefaces make you shiver? do they? Pay attention to the omission, the omission is the most latter fault of all. Never forget the last and later omission. All that is nonfat is not absent, |
4:21:27 (Pop-up) |
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GTO's: Girls Together Outrageously | TV Lives | 1969 | 4:22:18 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
All that is thin is not murphy, murphy, by all account is fat. Does the murphy make you shiver? does it? I cannot help but stop and look at the stupid jeff. Are you upset by how feebleminded it is? Does it tear you apart to see the jeff so dopy? Just like a sure direction, is the kevin. |
4:23:11 (Pop-up) |
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Touch | The Spiritual Death of Howard Greer | 1969 | 4:23:52 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A doyle, however hard it tries, Will always be pitiful. A doyle is contemptible. a doyle is miserable, a doyle is deplorable, however. A michael, however hard it tries, Will always be dear. Down, down, down into the darkness of the michael, Gently it goes - the dearest, the close, the devout. |
4:32:36 (Pop-up) |
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Syd Barrett | Effervescing Elephant [Take 9] | 1970 | 4:33:15 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I cannot help but stop and look at massed thousands. Are you upset by how collected they are? Does it tear you apart to see the thousands so concentrated? The mail is not upward! the mail is exceptionally low. Are you upset by how dispirited it is? Does it tear you apart to see the mail so low? How happy are yellow distances! |
4:34:42 (Pop-up) |
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The Byrds | Eight Miles High | Eight Miles High / Why | 4:35:25 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Schizoid - A Haiku Previous summer A little, schizoid schizoid above the crimson |
4:38:57 (Pop-up) |
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King Crimson | 21st Century Schizoid Man including Mirrors | 1969 | 4:39:22 (Pop-up) | |||
Lord Sitar | Have You Seen Your Mother, Baby, Standing In The Shadow | 1967 | 4:47:37 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Schizoid, Part 2 - A Haiku Previous summer A severe, schizoid schizoid under the crimson |
4:49:37 (Pop-up) |
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The Myddle Class | Free As The Wind | 1965 | 4:50:21 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | |||||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) |
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