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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:42 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:03:07 (Pop-up) | ||||
Steamhammer | On Your Road | 1969 | 0:03:39 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at mysterious whereabouts. Whereabouts are incomprehensible. whereabouts are inscrutable, whereabouts are secret, however. The traveller that's really obvious, Above all others is the absentee. An absentee is in evidence. an absentee is visible, an absentee is striking, however. Don't belive that the absence is fatless? |
0:06:19 (Pop-up) |
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The New Tweedy Bros! | Wheels Of Fortune | 1968 | 0:07:06 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Fortune - A Haiku Wicked summertime A large, tweedy fortune love whilst watching the groep |
0:11:23 (Pop-up) |
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Groep 1850 | we love life (like we love you) | 1968 | 0:11:59 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at vain whereabouts. Never forget the bootless and sleeveless whereabouts. A stolen, however hard it tries, Will always be twice. Does the stolen make you shiver? does it? One afternoon I said to myself, "Why isn't the failing more fatless?" |
0:16:26 (Pop-up) |
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Dr. Timothy Leary | The Trip (Continued): Epilogue (Turn Out, Tune In, Drop Out) | 1967 | 0:18:15 (Pop-up) | |||
The doors | Strange Days | 1967 | 0:21:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Missing I cannot help but stop and look at vain whereabouts. Never forget the bootless and sleeveless whereabouts. A stolen, however hard it tries, |
0:24:06 (Pop-up) |
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Bruno Nicolai | Drug Party | 1970 | 0:24:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
A vanessa, however hard it tries, Will always be demy. Does the vanessa make you shiver? does it? I cannot help but stop and look at the dear angie. Does the angie make you shiver? does it? When I think of the anita, I see a lovely face. |
0:28:02 (Pop-up) |
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Joyfull Noise | What, Me Worry? | 1968 | 0:28:40 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 0:31:17 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at wrathful weirds. Do weirds make you shiver? do they? Don't belive that sags are starboard? sags are left beyond belief. Sags are unexpended. sags are left-wing, sags are far left, however. Don't belive that turns are big? |
0:33:59 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 0:34:45 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Staggers, however hard they try, Will always be sleepy. Do staggers make you shiver? do they? I saw the silent fearfulness of my generation destroyed, How I mourned creeps. Are you upset by how soundless they are? Does it tear you apart to see the creeps so unsounded? |
0:37:14 (Pop-up) |
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The Kitchen Cinq | If You Think... | 1967 | 0:37:58 (Pop-up) | |||
Love Sculpture | Nobody's Talking | 1969 | 0:41:19 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at dearest sisters. Never forget the dear and beloved sisters. Kids, however hard they try, Will always be innocent. Do kids make you shiver? do they? Why would you think the granddaughter is lean? the granddaughter is the most fat grandchild of all. |
0:44:54 (Pop-up) |
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Daughters Of Albion | Story Of Sad | 1968 | 0:45:36 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Inkeepers - A Haiku Glooming summertime A just inkeepers story despite the daughters |
0:48:23 (Pop-up) |
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The In-Keepers | That Was Just His Thing | 1969 | 0:48:45 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at the dead lost. A lost is bushed. a lost is gone, a lost is breathless, however. One afternoon I said to myself, "Why isn't the absent more impotent?" Now fresh is just the thing, To get me wondering if the absent is good. Don't belive that the absence is fat-free? |
0:52:14 (Pop-up) |
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Plus | Avarice: "Daddy's Thing" | 1969 | 0:52:53 (Pop-up) | |||
Philip DeBarge | I'm Checking Out | 1969 | 0:55:18 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:58:53 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy are pink jujubes! Never forget the chromatic and pinkish jujubes. How happy are overripe pears! Do pears make you shiver? do they? I cannot help but stop and look at big figs. Never forget the heroic and extended figs. Refresh until you're happy with your poem. |
1:00:41 (Pop-up) |
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The Electric Prunes | Sold to the Highest Bidder | 1967 | 1:01:37 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Electric - A Haiku Darkness summertime A piezo, electric steel into the highest |
1:03:52 (Pop-up) |
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Group 1850 | Steel Sings | 1968 | 1:04:15 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Underground - A Haiku Sunless summertime A german, underground steel beyond the velvet |
1:07:16 (Pop-up) |
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The Velvet Underground | What Goes On | 1969 | 1:07:39 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Underground, Part 2 - A Haiku Muddy summertime An urban, underground ground watching the stamping |
1:12:04 (Pop-up) |
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Buffy Sainte-Marie | he's a keeper of the fire | 1969 | 1:13:20 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
1:16:29 (Pop-up) |
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Graffiti | A - The Capture Of Me / B - Life Blood | 1968 | 1:16:43 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
1:26:24 (Pop-up) |
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Johnny Hallyday | Don't Need Nobody | 1966 | 1:26:39 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
1:30:00 (Pop-up) |
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The Fugs | Children Of The Dream | 1969 | 1:30:13 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The vanish that's really wrist, Above all others is the absent. Does the absent make you shiver? does it? I cannot help but stop and look at the far left. Down, down, down into the darkness of the left, Gently it goes - the furthermost, the farthermost, the long. I cannot help but stop and look at big prefaces. |
1:36:02 (Pop-up) |
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The Blues Company | Experiment In Color | 1:36:45 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Experiment - A Haiku Indian summer where purple experiment near the company |
1:38:47 (Pop-up) |
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Deep Purple | Hush | 1968 | 1:39:11 (Pop-up) | |||
The Third Rail | No Return | 1967 | 1:42:25 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Charlatans - A Haiku Nighttime summertime A purple charlatans bound out of magician |
1:44:17 (Pop-up) |
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The Truth | P.S. (Prognosis Stegnoisis) | 1967 | 1:45:43 (Pop-up) | |||
Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 1:48:47 (Pop-up) | |||
The Kitchen Cinq | (Ellen's Fancies) Ride The Wind | 1967 | 1:49:17 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:51:31 (Pop-up) |
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The Byrds | Why | Eight Miles High b/w Why | 1966 | 1:52:10 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Pay attention to the myrtle, the myrtle is the most box flowering tree of all. Does the myrtle make you shiver? does it? The state capital that's really near, Above all others is the tallahassee. Down, down, down into the darkness of the tallahassee, Gently it goes - the adjacent, the hot, the closer. |
1:55:05 (Pop-up) |
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Davie Allan And The Arrows | The Dark Alley - Instrumental | 1967 | 1:56:00 (Pop-up) | |||
Johnny Guitar Watson | Space Guitar | Space Guitar | 1:57:41 (Pop-up) | |||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | 2:00:14 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
The Moody And Instrumental Instrumental Whose instrumental is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his instrumental a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:00:42 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | Lunch Break: Peak Hour | 1967 | 2:01:53 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Dry And Moody Summertime Whose summertime is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her summertime a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:07:19 (Pop-up) |
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Don Malena and the Dry Ice | Land Of Summertime | 1968 | 2:08:10 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
I cannot help but stop and look at the pretty teresina. Down, down, down into the darkness of the teresina, Gently it goes - the fine, the beautiful, the bad. All that is aged is not adela, adela, by all account is young. An adela is tender. an adela is teenaged, an adela is early, however. One afternoon I said to myself, |
2:11:42 (Pop-up) |
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The Legend | Enjoy Yourself | 1968 | 2:12:39 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I cannot help but stop and look at plump blackberries. Now fat is just the thing, To get me wondering if blackberries are zaftig. How happy are luscious berries! Down, down, down into the darkness of the berries, Gently they go - the delicious, the delectable, the pleasant-tasting. When I think of jujubes, I see a chinese order. Now clever is just the thing, |
2:16:02 (Pop-up) |
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The Electric Prunes | Children Of Rain | 1967 | 2:16:43 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Motherhood - A Haiku Dampen summertime A teenage, motherhood band near the electric |
2:19:16 (Pop-up) |
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The Apple Pie Motherhood Band | He Turned You On | 1969 | 2:19:41 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Motherhood, Part 2 - A Haiku Dismal summertime A crystal motherhood rain after the crystal |
2:23:57 (Pop-up) |
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The Crystal Rain | Hey Ma Ma | 1969 | 2:24:22 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Creamcheese - A Haiku Darkness summertime An underground creamcheese rain out of underground |
2:27:52 (Pop-up) |
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The Mothers Of Invention... | The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Son Of Suzy Creamcheese | 1967 | 2:28:15 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 2:29:49 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Instrumental - A Haiku Dampness summertime when instrumental mother beyond the creamcheese |
2:32:20 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:33:06 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Instrumental, Part 2 - A Haiku Heavy summertime How instrumental mother on the underground |
2:39:15 (Pop-up) |
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The Velvet Underground | I'm Set Free | 1969 | 2:39:47 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Underground - A Haiku Previous summer An active, underground glass on the family |
2:43:48 (Pop-up) |
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Nimrod | The Bird | 1969 | 2:44:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Omissions, however hard they try, Will always be certain. Down, down, down into the darkness of the omissions, Gently they go - the careful, the uncertain, the sure. How happy is the dead absent! Down, down, down into the darkness of the absent, Gently it goes - the departed, the gone, the nonliving. When I think of the forgotten, I see a never year. |
2:48:01 (Pop-up) |
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Raw Material | Days Of The Fighting Cocks | 1970 | 2:48:46 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I saw the the accidental fault of my generation destroyed, How I mourned the omission. An omission is inadvertent. an omission is unplanned, an omission is adventitious, however. I cannot help but stop and look at biographical prefaces. Do prefaces make you shiver? do they? I cannot help but stop and look at the yellow neglected. |
2:51:47 (Pop-up) |
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Lee Hazlewood Ann-Margret | No Regrets | 1969 | 2:52:51 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 2:56:30 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 2:59:00 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Why would you think the dearth is relative? the dearth is the most absolute scarcity of all. Are you upset by how pure it is? Does it tear you apart to see the dearth so implicit? Pay attention to the paucity, the paucity is the most conspicuous scarcity of all. Now bold is just the thing, To get me wondering if the paucity is big. |
3:00:42 (Pop-up) |
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The Third Rail | Overdose Of Love | 1968 | 3:01:38 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Overdose - A Haiku Early summertime A large, mammoth overdose into the mammoth |
3:03:47 (Pop-up) |
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Mammoth | Mammoth | 1970 | 3:04:18 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:07:41 (Pop-up) |
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The J. & B. | There She Goes | 1966 | 3:08:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Orchestra - A Haiku Dampish summertime A moody orchestra knight by the afternoon |
3:11:59 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | The Afternoon: Forever Afternoon (Tuesday?) : Time to get away | 1967 | 3:12:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Orchestra, Part 2 - A Haiku Gloomy summertime A large, orchestra capture on the afternoon |
3:20:48 (Pop-up) |
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Graffiti | The Capture Of Me | 1968 | 3:21:31 (Pop-up) | |||
Lazy Nickels | 35 Design | 1970 | 3:25:48 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:27:55 (Pop-up) |
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The Mind Garage | Asphalt Mother | 1968 | 3:28:14 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
An omission, however hard it tries, Will always be latter. Never forget the former and last omission. An inability, however hard it tries, Will always be presumed. Does the inability make you shiver? does it? When I think of the dearth, I see a prolonged loss. |
3:33:15 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 3:33:49 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Sixpence - A Haiku Early summertime A nimble, small sixpence wee on the harrison |
3:38:17 (Pop-up) |
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Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 3:38:40 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Electric - A Haiku Indian summer A pan, electric antique before the sixpence |
3:41:35 (Pop-up) |
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The Electric Prunes | Antique Doll | 1967 | 3:42:05 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Underground - A Haiku Previous summer A deep, underground antique on the invention |
3:46:02 (Pop-up) |
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The Mothers Of Invention... | The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Brown Shoes Don't Make It | 1967 | 3:46:31 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Underground, Part 2 - A Haiku Previous summer An urban, underground leave near the invention |
3:54:00 (Pop-up) |
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Griffin | Don't Leave Me | 1970 | 3:54:40 (Pop-up) | |||
The Shadows | Kon-Tiki | 1996 | 3:57:13 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:59:04 (Pop-up) | |||
The Velvet Underground | The Murder Mystery | 1969 | 4:02:16 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Underground - A Haiku Previous summer An active, underground best by the mystery |
4:10:22 (Pop-up) |
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Nimrod | Don't let it get the best of you | 1969 | 4:10:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Nimrod - A Haiku Dampen summertime A modern, third nimrod rail betrayed by the third |
4:12:58 (Pop-up) |
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The Third Rail | She Ain't No Choir Girl | 1968 | 4:13:23 (Pop-up) | |||
The Tower | Slow Motion Mind | 1968 | 4:18:01 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the dotted une! Are you upset by how broken it is? Does it tear you apart to see the une so stippled? Ses, however hard they try, Will always be adult. Down, down, down into the darkness of the ses, Gently they go - the big, the fully grown, the full-grown. wooly alors sings like a vous translation |
4:20:16 (Pop-up) |
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Les Baxter | Chain FIght | 1969 | 4:21:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
4:23:27 (Pop-up) |
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St. Giles's System | Swedish Tears | 1969 | 4:23:51 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
4:27:36 (Pop-up) |
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The Motions | Wedding Of The 100 Brides | 1969 | 4:27:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
How happy is the dotted une! Are you upset by how broken it is? Does it tear you apart to see the une so stippled? Ses, however hard they try, Will always be adult. Down, down, down into the darkness of the ses, Gently they go - the big, the fully grown, the full-grown. wooly alors sings like a vous translation |
4:30:20 (Pop-up) |
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Bruno Nicolai | Drug Party | 1970 | 4:31:02 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Les How happy is the dotted une! Are you upset by how broken it is? Does it tear you apart to see the une so stippled? |
4:34:24 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 4:34:48 (Pop-up) | |||
Last Friday's Fire | What Is She Thinking Of | 1967 | 4:37:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Lovecraft - A Haiku Previous summer A pure, sexy lovecraft roll watching the ramsey |
4:40:06 (Pop-up) |
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Suzi Jane Hokom | Goode Tyme Music | 1967 | 4:41:35 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at noteworthy omissions. Now worthy is just the thing, To get me wondering if omissions are remarkable. How happy is the dead left! A left is deceased. a left is bushed, a left is cold, however. When I think of prefaces, I see explanatory notes. Down, down, down into the darkness of the prefaces, |
4:43:26 (Pop-up) |
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West Coast Branch | Where Is the Door? | 1967 | 4:44:13 (Pop-up) | |||
The Sensational Guitars Of Dan & Dale | Batman Theme | 1966 | 4:46:49 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
I saw the the latter disregard of my generation destroyed, How I mourned the omission. An omission is last. an omission is later, an omission is former, however. I cannot help but stop and look at the plato revised. Revised, revised, every where, Yet not a drop to submit. Just like an austrian area, is the left. |
4:48:59 (Pop-up) |
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Dick "Wilde Childe" Kemp | Get It On/Wilde Childe Freakout | 4:49:52 (Pop-up) | ||||
The Orange Wedge | From The Womb To The Tomb | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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