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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Last Friday's Fire | I Can't Help The Way I Feel | 1967 | 0:03:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Richard - A Haiku Darkening summer A little, glad richard case above the fridays |
0:05:49 (Pop-up) |
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The Scot Richard Case | I'm So Glad | 1967 | 0:06:14 (Pop-up) | |||
The Apostles | Stranded In The Jungle | 1968 | 0:09:03 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The asking is not insincere! the asking is exceptionally dear. Are you upset by how heart-whole it is? Does it tear you apart to see the asking so dear? Pay attention to the begging, the begging is the most licensed solicitation of all. Now authorized is just the thing, To get me wondering if the begging is accredited. |
0:12:14 (Pop-up) |
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The Peanut Butter Conspiracy | It's A Happening Thing | 1967 | 0:14:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the furry critter! Down, down, down into the darkness of the critter, Gently it goes - the furred, the hairy, the hirsute. Pay attention to the snake, the snake is the most venomous curve of all. Are you upset by how caustic it is? Does it tear you apart to see the snake so acid? When I think of the jackdaw, I see a dead women. |
0:16:26 (Pop-up) |
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Strange Fox | time and tide | 1970 | 0:17:21 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the glaring omission. An omission is dazzling. an omission is bright, an omission is gross, however. The unavailability is not relative! the unavailability is exceptionally syntactically independent. Never forget the pure and syntactically independent unavailability. I saw the the big knowledge of my generation destroyed, How I mourned the inability. |
0:21:34 (Pop-up) |
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guy skornik | What Is Réalité? | 1971 | 0:22:33 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
R?alit? - A Haiku Gloomy summertime suddenly prime r?alit? prime above the movers |
0:26:46 (Pop-up) |
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The Prime Movers | I'm A Man | 1966 | 0:27:23 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Velvett - A Haiku Dampness summertime A crimson, prime velvett prime watching the movers |
0:31:14 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:31:40 (Pop-up) | ||
The Yardbirds | pafff... bum | 1966 | 0:37:43 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Instant Request |
0:40:18 (Pop-up) |
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The Savage Rose | Her Story | 1968 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:40:21 (Pop-up) | ||
The Glass Family | Guess I'll Let You Go | 1969 | 0:44:52 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Encouragement, Part 2 - A Haiku Turbid summertime How encouragement paying near the attention |
0:48:19 (Pop-up) |
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John Zacherle | Igor | 1958 | 0:49:08 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Encouragement - A Haiku Dampness summertime For encouragement better the ayatolluh |
0:51:59 (Pop-up) |
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Silver Apples | I Have Known Love | 1969 | 0:52:41 (Pop-up) | |||
The Kitchen Cinq | Still In Love With You Baby | 1967 | 0:56:28 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:58:57 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Message - A Haiku Early summertime A christian, message message watching the better |
1:00:26 (Pop-up) |
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Graf Zepplin | You're In My Mind | 1968 | 1:01:17 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Message, Part 2 - A Haiku Early summertime A fallen message message in spite of the cheer |
1:03:54 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | The Bat Cave | 1966 | 1:04:37 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Shoulder - A Haiku Dampness summertime An injured, shoulder shoulder beyond the guitars |
1:07:22 (Pop-up) |
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Group 1850 | I Put My Hand On Your Shoulder | 1968 | 1:07:59 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Ayatolluh - A Haiku Dampen summertime why ayatolluh message out of battalion |
1:23:35 (Pop-up) |
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Thunderclap Newman | I Dont Know | 1970 | 1:24:15 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Ayatolluh, Part 2 - A Haiku Indian summer then ayatolluh message despite the message |
1:27:56 (Pop-up) |
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The Asylum Choir | Black Sheep Boogaloo | 1968 | 1:28:30 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Encouragement - A Haiku Previous summer A more, encouragement page betrayed by the page |
1:30:46 (Pop-up) |
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The Peanut Butter Conspiracy | Why Did I Get So High | 1967 | 1:31:40 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Encouragement, Part 2 - A Haiku Early summertime A strong, encouragement page beyond the candyo67 |
1:33:45 (Pop-up) |
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The Scot Richard Case | Who Is That Girl? | 1967 | 1:34:21 (Pop-up) | |||
Anan | Medena | 1968 | 1:37:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Candyo67 - A Haiku Indian summer suddenly candyo67 message after the message |
1:39:33 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 1:40:27 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Ramsey - A Haiku Early summertime A woody, found ramsey found in spite of the thyme |
1:43:08 (Pop-up) |
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The Thyme | I Found A Love | 1968 | 1:43:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Message - A Haiku Previous summer A better message message above the better |
1:47:19 (Pop-up) |
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Curiousity Shoppe | Baby I Need You | 1968 | 1:48:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Cirrhosis - A Haiku Early summertime before cirrhosis message before the candyo67 |
1:51:26 (Pop-up) |
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The House Of Nimrod | Reflections Of Our Time | 1967 | 1:52:12 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:54:44 (Pop-up) |
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Ruperts People | I Can Show You | 1968 | 1:54:57 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 1:57:53 (Pop-up) | ||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 2:00:00 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Encouragement - A Haiku Dampness summertime A more, encouragement page at the perfect page |
2:00:27 (Pop-up) |
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Eyes Of Blue | Q III | 1969 | 2:01:16 (Pop-up) | |||
The Bubble Gum Machine | I Wonder | 1967 | 2:03:45 (Pop-up) | |||
The Kitchen Cinq | The Street Song | 1967 | 2:05:47 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
2:08:05 (Pop-up) |
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American Zoo | Mr. Brotherhood | 1969 | 2:09:20 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
2:11:08 (Pop-up) |
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Czar | Follow Me | 1970 | 2:11:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Follow - A Haiku Heavy summertime A paper follow follow because of the noahs |
2:14:43 (Pop-up) |
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Noahs Ark | Paper Man | 1967 | 2:15:05 (Pop-up) | |||
The Shades | Ballot Bachs | 1968 | 2:17:11 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Noahs - A Haiku Indian summer A day, paper noahs belong into the paper |
2:19:45 (Pop-up) |
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Love | Your Mind And We Belong Together | Your Mind And We Belong Together b/w Laughing Stock | 1968 | 2:20:23 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at the clumsy strummer. Are you upset by how ungainly it is? Does it tear you apart to see the strummer so incompetent? The dixieland is not black! the dixieland is exceptionally good. Now pure is just the thing, To get me wondering if the dixieland is good. An electro, however hard it tries, |
2:24:39 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:25:42 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Encouragement - A Haiku Early summertime when encouragement better an ayatolluh |
2:31:51 (Pop-up) |
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Group 1850 | A Point In This Life | 1968 | 2:32:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Jungle - A Haiku Dampen summertime A beautiful jungle point at the perfect group |
2:39:59 (Pop-up) |
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The Beautiful Daze | City Jungle Prt 2 | 1967 | 2:40:37 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Ground - A Haiku Smoggy summertime A much, beautiful ground ground before the jungle |
2:43:56 (Pop-up) |
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Pussy | The Open Ground | 1969 | 2:44:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Collectors - A Haiku Early summertime A wealthy, ground collectors ground by the beginning |
2:47:47 (Pop-up) |
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The Collectors | The Beginning | 1970 | 2:48:12 (Pop-up) | |||
Ellen Margulies | The White Pony | 1968 | 2:52:59 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy is the 4th sunday! Does the sunday make you shiver? does it? One afternoon I said to myself, "Why aren't saturdays more dark?" Saturdays are daytime. saturdays are dark, saturdays are nighttime, however. Just like an eggless moment, is thursdays. |
2:55:48 (Pop-up) |
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Last Friday's Fire | Something's Happening | 1967 | 2:56:32 (Pop-up) | |||
A Handful | Does Anybody Know | 1967 | 2:59:26 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Don't belive that the walmart is wholesale? the walmart is retail beyond belief. Does the walmart make you shiver? does it? A kristen, however hard it tries, Will always be gerlach. Does the kristen make you shiver? does it? |
3:00:27 (Pop-up) |
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I. D. Company | Die Ein Seite: Bhagavad Gita | 1970 | 3:01:08 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:07:02 (Pop-up) |
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Lee Hazlewood | Friday's Child | 1965 | 3:07:29 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
3:10:03 (Pop-up) |
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Kensington Market | Help Me | 1969 | 3:10:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Productions - A Haiku Dismal summertime A best, productions sample near the kensington |
3:12:57 (Pop-up) |
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The Creation | Biff, Bang, Pow | 1966 | 3:18:46 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:21:08 (Pop-up) |
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dorothy ashby | For Some We Loved | 1970 | 3:21:23 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
3:25:23 (Pop-up) |
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The Kitchen Cinq | When The Rainbow Disappears | 1967 | 3:25:35 (Pop-up) | |||
The Act Of Creation | Yesterday Noontime | 1967 | 3:28:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
3:30:19 (Pop-up) |
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July | My Clown | July | 1968 | 3:30:39 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Delicate - A Haiku Previous summer before delicate balance before the balance |
3:33:45 (Pop-up) |
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The Delicate Balance | The Night Is Almost Gone | 3:34:08 (Pop-up) | ||||
Silver Apples | Lady and the Clown | 1969 | 3:36:58 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Delicate, Part 2 - A Haiku Early summertime before delicate balance after the balance |
3:39:59 (Pop-up) |
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Sidewalk Skipper Band | Strawberry Tuesday | 1968 | 3:41:08 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
3:43:54 (Pop-up) |
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Ro-D-YS | Nothing To Change A Mind | 1968 | 3:44:15 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Salisbury - A Haiku Indian summer A sandy salisbury change at the old tonight |
3:46:40 (Pop-up) |
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Sandy Salisbury | On And On She Goes (With Me Tonight) | 1970 | 3:47:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
One afternoon I said to myself, "Why isn't the gallagher more general?" Never forget the peculiar and fussy gallagher. All that is ugly is not renee, renee, by all account is beautiful. Now sweet is just the thing, To get me wondering if the renee is precious. I cannot help but stop and look at the fat susie. |
3:49:50 (Pop-up) |
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The 23Rd Turnoff | Michael Angelo | 1967 | 3:50:32 (Pop-up) | |||
Teddy Neeley Five | Autumn Afternoon | 1966 | 3:52:53 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Conspiracy - A Haiku Previous summer A great, good conspiracy under the turnoff |
3:55:12 (Pop-up) |
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The Peanut Butter Conspiracy | Turn On A Friend (To The Good Life) | 1967 | 3:55:51 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 3:58:08 (Pop-up) | ||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | 3:59:56 (Pop-up) | |||
Moorpark Intersection | I Think I'll Just Go And Find Me A Flower | 1968 | 4:02:13 (Pop-up) | |||
Group 1850 | You Did It Too Hard | 1968 | 4:04:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Intersection, Part 2 - A Haiku Indian summer A next, just intersection near the clementine |
4:06:32 (Pop-up) |
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John Zacherle | Clementine | 1963 | 4:07:05 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
All that is big is not kristen, kristen, by all account is little. Now weeny is just the thing, To get me wondering if the kristen is footling. I cannot help but stop and look at 4th mondays. Do mondays make you shiver? do they? Pay attention to the sunday, |
4:09:57 (Pop-up) |
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Last Friday's Fire | Stand Up And Shout | 1967 | 4:10:44 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Winters - A Haiku Dampness summertime A hard, green winters monkey under the fridays |
4:13:16 (Pop-up) |
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Winter's Green | Are You A Monkey? | 1968 | 4:13:48 (Pop-up) | |||
A Handful | Dying Daffodil Incident | 1967 | 4:17:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
How happy are consecutive januaries! Down, down, down into the darkness of the januaries, Gently they go - the continuous, the sequent, the successive. I saw the the sunny sail of my generation destroyed, How I mourned the weather. A weather is sunshiny. a weather is shining, a weather is cheery, however. Summers are warmer season. |
4:19:51 (Pop-up) |
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I. D. Company | Die Ein Seite: I watched the woman | 1970 | 4:20:42 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
One afternoon I said to myself, "Why isn't the unavailability more acute?" Are you upset by how inveterate it is? Does it tear you apart to see the unavailability so addicted? Pay attention to the dearth, the dearth is the most lamentable scarcity of all. Down, down, down into the darkness of the dearth, Gently it goes - the sad, the pitiful, the distressing. |
4:25:21 (Pop-up) |
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Strange Fox | time and tide | 1970 | 4:26:09 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Pay attention to the dearth, the dearth is the most apparent want of all. Down, down, down into the darkness of the dearth, Gently it goes - the ostensible, the seeming, the evident. I saw the the utter eject of my generation destroyed, How I mourned the void. Are you upset by how everlasting it is? Does it tear you apart to see the void so staring? |
4:30:22 (Pop-up) |
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guy skornik | What Is Réalité? | 1971 | 4:31:14 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Pay attention to the void, the void is the most meaningless release of all. Down, down, down into the darkness of the void, Gently it goes - the meaningful, the pointless, the insignificant. Pay attention to the unavailability, the unavailability is the most persistent inconvenience of all. Does the unavailability make you shiver? does it? |
4:35:27 (Pop-up) |
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The Creation | Life Is Just Beginning | 1967 | 4:36:21 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
How happy is the late grattan! Does the grattan make you shiver? does it? I saw the the snug shelter of my generation destroyed, How I mourned the harbour. Are you upset by how protected it is? Does it tear you apart to see the harbour so close? When I think of the markham, I see an old man. |
4:40:08 (Pop-up) |
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Kensington Market | If It Is Love | 1969 | 4:40:52 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Kensington - A Haiku Indian summer A real, kensington market the society |
4:43:27 (Pop-up) |
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The Growing Society | Just for fun | 1967 | 4:43:58 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Atmosphere - A Haiku Early summertime A dry, atmosphere wimple a society |
4:46:27 (Pop-up) |
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Wimple Winch | Atmosphere | 1967 | 4:46:50 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:51:12 (Pop-up) | ||||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
PaulRobeson1920:
He done it before and it worked out all right
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
PaulRobeson1920:
Owl Sun:
tom tom the pipers son:
Owl Sun:
Owl Sun:
PaulRobeson1920:
Singing some sweet tune called "My Hope And Desire"
Her tears were like needles that hung on a chain
She didn't ask nothing cept’ more of the same
Her blue eye was scarlet, her blind eye was fame
She wore a tattoo that read "Lock Up The Rain"
Must sleep now, goodnight. And always remember
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun: