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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Honey Ltd. with intro by Lee Hazlewood | Louie, Louie | 1968 | 0:03:19 (Pop-up) | |||
Jeff Beck | I've Been Drinking | 1968 | 0:06:17 (Pop-up) | |||
The Creation | The Girls Are Naked | 1968 | 0:09:33 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
0:11:24 (Pop-up) |
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The Projection Company | Don't Think Twice | 1968 | 0:13:48 (Pop-up) | |||
Bobby Jameson | See Dawn | 1967 | 0:16:34 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the reaching importance! Does the importance make you shiver? does it? All that is uninteresting is not prob, prob, by all account is interesting. Does the prob make you shiver? does it? Just like little conditions, is the consideration. |
0:19:29 (Pop-up) |
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Van Dyke Parks | The Attic | 1968 | 0:20:22 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Spirits - A Haiku Beautiful autumn A good, early spirits free despite the mornin |
0:23:14 (Pop-up) |
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The Free Spirits | Early Mornin' Fear | 1967 | 0:23:45 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Spirits, Part 2 - A Haiku Beautiful autumn A bad, early spirits give before the mornin |
0:26:18 (Pop-up) |
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Bram Rigg Set | I Can Only Give You Everything | 1967 | 0:26:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Instant Request |
0:29:36 (Pop-up) |
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Kingdom Come Arthur Brown | Sunrise | 1971 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:29:39 (Pop-up) | ||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:36:20 (Pop-up) | ||
Sam Gopal | Yesterlove | 1969 | 0:38:43 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Encouragement - A Haiku Beautiful autumn A more, encouragement died enjoying the page |
0:44:43 (Pop-up) |
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Acid Gallery | Dance Round The Maypole | 1969 | 0:45:46 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Gallery - A Haiku Last hearty autumn A round gallery flower beyond the maypole |
0:48:22 (Pop-up) |
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The Flower Pot Men | A Walk In The Sky | 1967 | 0:48:47 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The forgotten is not shallow! the forgotten is exceptionally esoteric. A forgotten is late. a forgotten is esoteric, a forgotten is low, however. Omissions, however hard they try, Will always be odd. Never forget the unpaired and unmatched omissions. When I think of the neglected, I see a long born. |
0:52:35 (Pop-up) |
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Adjéèf The Poet! His Girl(s) His Friend(s) And The Rest Of The World(s) | Ieek! I'm A...Freak | 1967 | 0:53:21 (Pop-up) | |||
The October Country | October Country | October Country | 1968 | 0:56:08 (Pop-up) | ||
T K Os | The Charge | The Charge | 0:58:39 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Encouragement - A Haiku Early dampish fall A more, encouragement hear after the candyo67 |
1:00:27 (Pop-up) |
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The Virgin Sleep | Love | 1967 | 1:01:33 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Encouragement, Part 2 - A Haiku Previous autumn A more, encouragement died an ayatolluh |
1:03:54 (Pop-up) |
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Shawn Phillips | Stargazer | 1967 | 1:04:51 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
1:07:45 (Pop-up) |
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Russell Morris | The Real Thing (Parts I and II) | 1969 | 1:07:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Prefaces, however hard they try, Will always be brief. Are you upset by how short they are? Does it tear you apart to see the prefaces so concise? I saw the the subject disuse of my generation destroyed, How I mourned the omission. Does the omission make you shiver? does it? |
1:14:34 (Pop-up) |
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The Bamboo Shoot | The Fox Has Gone to Ground | 1968 | 1:15:21 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Candyo67 - A Haiku Glorious autumn A better candyo67 better watching the better |
1:18:05 (Pop-up) |
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Lincoln St. Exit | Sunny Sunday Dream | 1968 | 1:18:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Encouragement - A Haiku Beautiful autumn A strong, encouragement died at the old candyo67 |
1:22:27 (Pop-up) |
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The Creation | Hey Joe | 1967 | 1:23:05 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
The demand that's really temporary, Above all others is the lack. Now transient is just the thing, To get me wondering if the lack is pro tempore. Pay attention to the paucity, the paucity is the most relative scarcity of all. Does the paucity make you shiver? does it? |
1:27:13 (Pop-up) |
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Thundering Heard | Daisys Prism | 1968 | 1:27:49 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Pay attention to the windpipe, the windpipe is the most manifold cartilaginous tube of all. Never forget the multiplex and multiple windpipe. How happy are enlarged adenoids! Adenoids are large. adenoids are unhealthy, adenoids are expanded, however. Nostrils are posterior stomach. posterior stomach are nostrils. |
1:30:57 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:31:47 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
The Last And Pink Scream Whose scream is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his scream a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:33:48 (Pop-up) |
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Pink Floyd | Scream Thy Last Scream | Scream Thy Last Scream / Vegetable Man | 1967 | 1:34:46 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Message - A Haiku Last hearty autumn A clear, nice message message under the tonga |
1:39:24 (Pop-up) |
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J. D. Blackfoot | Epitaph For A Head | 1969 | 1:40:09 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
A forgotten, however hard it tries, Will always be best. A forgotten is greatest. a forgotten is prizewinning, a forgotten is high-grade, however. Omissions, however hard they try, Will always be accidental. Omissions are casual. omissions are inadvertent, omissions are unintended, however. |
1:43:39 (Pop-up) |
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Nicky James | Silver Butterfly | 1968 | 1:44:31 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Yesterday - A Haiku Darkening autumn A due, yesterday finger near the butterfly |
1:47:10 (Pop-up) |
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The Moving Finger | The World Will End Yesterday | 1968 | 1:47:33 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A fingertip, however hard it tries, Will always be quick. Now hurried is just the thing, To get me wondering if the fingertip is nimble. I saw the the finger fairy swallow of my generation destroyed, How I mourned the thumb. Does the thumb make you shiver? does it? |
1:51:19 (Pop-up) |
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The Barrier | Spot The Lights | 1969 | 1:51:54 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:54:49 (Pop-up) |
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Dragonfly | Portrait Of Youth | 1968 | 1:55:02 (Pop-up) | |||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 1:57:35 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 2:00:05 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Encouragement - A Haiku Previous autumn A much, encouragement rock the ayatolluh |
2:00:26 (Pop-up) |
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The New Formula | Stay Indoors | 1968 | 2:01:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Candyo67 - A Haiku Last warm up autumn A silly candyo67 message despite the candyo67 |
2:05:27 (Pop-up) |
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The Petards | Tartarex | 1969 | 2:06:08 (Pop-up) | |||
The Free Spirits | Don't Look Now (But Your Head Is Turned Around) | 1967 | 2:09:05 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
2:11:17 (Pop-up) |
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Vamp | Floatin' | 1968 | 2:12:51 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Don't belive that the charley is cursed? the charley is blessed beyond belief. Down, down, down into the darkness of the charley, Gently it goes - the golden, the blasted, the damn. I saw the the colonial sailing vessel of my generation destroyed, How I mourned the ketch. Are you upset by how compound it is? Does it tear you apart to see the ketch so complex? |
2:15:19 (Pop-up) |
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Fever Tree | Catcher In The Rye | 1969 | 2:16:03 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Catcher - A Haiku Early warming fall A silver catcher silver before the lining |
2:19:10 (Pop-up) |
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Jeff Beck | Hi Ho Silver Lining | 1967 | 2:19:32 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
All that is smart is not alex, alex, by all account is stupid. Down, down, down into the darkness of the alex, Gently it goes - the slow, the intelligent, the dim. An anthony, however hard it tries, Will always be sure. Down, down, down into the darkness of the anthony, Gently it goes - the unsure, the true, the incertain. |
2:23:09 (Pop-up) |
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Sam Gopal | Horse | 1968 | 2:23:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Don't belive that the sherry is fine? the sherry is coarse beyond belief. Are you upset by how unrefined it is? Does it tear you apart to see the sherry so granular? I cannot help but stop and look at the additional allen. An allen is further. an allen is supplemental, an allen is extra, however. All that is little is not cameron, |
2:27:20 (Pop-up) |
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The Waphphle | Going Down | 1967 | 2:28:12 (Pop-up) | |||
Ray Hummell III | Fine Day | 1967 | 2:29:47 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Machines - A Haiku Previous autumn A large, herbal machines down at the perfect waphphle |
2:32:13 (Pop-up) |
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Herbal Mixture | Machines | 1966 | 2:32:45 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Creation - A Haiku Early dampness fall A rolling creation stone before the machines |
2:35:56 (Pop-up) |
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The Creation | Like A Rolling Stone | 1967 | 2:36:27 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Watchband - A Haiku Glorious autumn A new, rolling watchband stone after the chocolate |
2:39:25 (Pop-up) |
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The Chocolate Watchband | How Ya Been | 1969 | 2:40:00 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Generation - A Haiku Glorious autumn A next, generation mind at the old watchband |
2:43:06 (Pop-up) |
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The Spontaneous Generation | Up In My Mind | 1968 | 2:43:30 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Generation, Part 2 - A Haiku Beautiful autumn then generation cooper before the cooper |
2:46:16 (Pop-up) |
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Ry Cooper | 1983 | 1966 | 2:46:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:49:52 (Pop-up) |
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The Pandamonium | No Presents For Me | 1967 | 2:50:14 (Pop-up) | |||
Cosmic Rock Show | Psiship | 1968 | 2:53:03 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Pandamonium - A Haiku Last dampish autumn why pandamonium coast beyond the nymphet |
2:55:22 (Pop-up) |
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The West Coast Pop Art Experimental Band | Queen Nymphet | Queen Nymphet | 2:55:54 (Pop-up) | |||
The Shadows | 36-24-36 | 1996 | 2:58:08 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 2:59:44 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Nymphet - A Haiku Depressing autumn A cynical, nymphet coast whilst watching the street |
3:00:27 (Pop-up) |
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Van Dyke Parks | Vine Street | 1968 | 3:01:10 (Pop-up) | |||
The Riders Of The Mark | The Electric Insides And Metal Complexion That Makeup Herr Dr. Krieg | 1967 | 3:04:50 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:07:01 (Pop-up) |
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The Pulse | Burritt Bradley | 1967 | 3:07:23 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Instrumental - A Haiku Overcast autumn A non, instrumental pulse out of bhagavad |
3:11:03 (Pop-up) |
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Bhagavad Gita | Long Hair Soulful (Instrumental) | 1967 | 3:11:23 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Instrumental, Part 2 - A Haiku Darkening autumn A best, instrumental long out of andwellas |
3:13:52 (Pop-up) |
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Andwellas Dream | Felix | 1969 | 3:14:12 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:18:25 (Pop-up) |
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The Raves | Mother Nature | 1967 | 3:18:37 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
3:20:58 (Pop-up) |
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The Flower Power | Mt. Olympus | 1968 | 3:21:09 (Pop-up) | |||
The Art Of Lovin' | Paul's Circus | 1968 | 3:24:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:28:04 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:28:27 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
3:34:31 (Pop-up) |
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Park Avenue Playground | The Trip | 1967 | 3:34:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:37:54 (Pop-up) |
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Jeff Beck | Beck's Bolero | 1967 | 3:38:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Bolero - A Haiku Depressing autumn A rolling bolero plane whilst watching the plane |
3:41:09 (Pop-up) |
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The Rolling Stones | Who's Driving Your Plane | 1966 | 3:41:31 (Pop-up) | |||
Philamore Lincoln | You're The One | 1970 | 3:44:43 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Boonville - A Haiku Overcast autumn A nearby, rolling boonville on the massacre |
3:47:41 (Pop-up) |
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Cat Mother and the all night newsboys | Boonville Massacre | 1970 | 3:48:22 (Pop-up) | |||
Whistler's Mother | Dark Dawn | 1970 | 3:52:35 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Boonville, Part 2 - A Haiku Overcast autumn A free boonville massacre out of massacre |
3:55:30 (Pop-up) |
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The Free Spirits | I'm Gonna Be Free | 1967 | 3:56:09 (Pop-up) | |||
United Travel Service | Echo Of You | 1968 | 3:59:35 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A paucity, however hard it tries, Will always be glaring. Down, down, down into the darkness of the paucity, Gently it goes - the fulgent, the glary, the blinding. The linguistic process that's really noticeable, Above all others is the omission. An omission is noted. an omission is unnoticeable, an omission is unobtrusive, however. |
4:03:36 (Pop-up) |
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Nirvana | Feelin' Shattered | 1967 | 4:04:29 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
4:06:43 (Pop-up) |
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Brainticket | Brainticket Part I / Brainticket Part I Conclusion | 1971 | 4:06:59 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Pay attention to the santee, the santee is the most old siouan language of all. Are you upset by how grey-haired it is? Does it tear you apart to see the santee so yellow? One afternoon I said to myself, "Why isn't the vidalia more little?" A vidalia is orotund. a vidalia is galactic, a vidalia is megascopic, however. |
4:20:12 (Pop-up) |
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One In A Million | Fredereek Hernando | 1967 | 4:20:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Because I could not perform for lovin, it did kindly perform for me. Pause to perform, like the lovin does. How happy is the extra cheese! Are you upset by how additional it is? Does it tear you apart to see the cheese so other? Why would you think the buttermilk is natural? the buttermilk is the most artificial milk of all. |
4:24:08 (Pop-up) |
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Hou Lops | Good Good Lovin' | 2008 | 4:24:48 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Cycle - A Haiku Last loving autumn An acid cycle cycle watching the lovin |
4:27:40 (Pop-up) |
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Sunn Cycle | Acid Raga Pt. 1 / Acid Raga Pt. 2 | 1969 | 4:28:11 (Pop-up) | |||
Randy Newman | Last Night I Had A Dream | 1968 | 4:32:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The Acid And Acid Cycle Whose cycle is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his cycle a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:34:54 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 4:35:55 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
The On And Brown Kingdom Whose kingdom is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kingdom a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:38:18 (Pop-up) |
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Kingdom Come Arthur Brown | Sunrise | 1971 | 4:39:09 (Pop-up) | |||
Kanaan | Leave It | 1969 | 4:45:50 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at the sorry susan. Does the susan make you shiver? does it? How happy is the immortal allan! Down, down, down into the darkness of the allan, Gently it goes - the mortal, the aeonian, the eternal. A carl, however hard it tries, Will always be cunning. |
4:48:29 (Pop-up) |
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Captain Foam | No Reason | 1968 | 4:49:24 (Pop-up) | |||
The Kitchen Cinq | If You Think... | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
Owl Sun:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Owl Sun: