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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
Von Ruden | The Spider And The Fly | 1970 | 0:03:08 (Pop-up) | |||
The Trolls | There Was A Time | 1967 | 0:06:09 (Pop-up) | |||
The Travel Agency | Time | 1967 | 0:08:28 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
All that is young is not vaterland, vaterland, by all account is old. Now white-haired is just the thing, To get me wondering if the vaterland is auld. I cannot help but stop and look at the est erhard. Does the erhard make you shiver? does it? Just like a nux form, is the vom. |
0:11:23 (Pop-up) |
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Velvet Illusions | Velvet Illusions | 1967 | 0:12:24 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Illusions - A Haiku Glorious autumn A few, thin illusions grass out of illusions |
0:14:23 (Pop-up) |
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Grass Roots | Mr. Jones (A Ballad Of A Thin Man) | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 0:14:59 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Weatherman - A Haiku Previous autumn An own, thin weatherman grass at the old ballad |
0:17:50 (Pop-up) |
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The Tears | Weatherman | 1966 | 0:18:35 (Pop-up) | |||
The Vectors | What In The World | 1965 | 0:20:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:23:08 (Pop-up) |
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The Byrds | Why | Eight Miles High b/w Why | 1966 | 0:23:26 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Looking - A Haiku Previous autumn A part, colored looking split before the level |
0:26:20 (Pop-up) |
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The Split Level | Looking at the Rose through World Colored Glasses | 1969 | 0:26:46 (Pop-up) | |||
The Treez | You Lied To Me Before | 1966 | 0:29:50 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The Through And Colored Level Whose level is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his level a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:32:27 (Pop-up) |
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Uranus And The Five Moons | Your Groove | 1967 | 0:35:21 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
0:38:06 (Pop-up) |
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Justin Heathcliff | You All Should Think More | 1971 | 0:38:25 (Pop-up) | |||
Tasmanians | Love, Love, Love | 1967 | 0:40:41 (Pop-up) | |||
Tuesday's Children | Mr. Kipling | 1968 | 0:42:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Omissions, however hard they try, Will always be intentional. Are you upset by how deliberate they are? Does it tear you apart to see the omissions so voluntary? How happy are subsequent prefaces! Down, down, down into the darkness of the prefaces, Gently they go - the ensuant, the sequent, the consequent. How happy is the yellow forgotten! |
0:44:48 (Pop-up) |
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Tyde | Lost | 1969 | 0:45:49 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
0:48:35 (Pop-up) |
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The Vaqueros | 69 | 1966 | 0:48:49 (Pop-up) | |||
Tim Buckley | No Man Can Find The War | 1967 | 0:51:08 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Indians - A Haiku Glorious autumn An or indians ally on the enemy |
0:54:04 (Pop-up) |
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T. P. And The Indians | Ally or Enemy | 1970 | 0:54:32 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:56:45 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Service - A Haiku Beautiful autumn An active, service service on the indians |
1:00:15 (Pop-up) |
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The United Travel Service | Drumer Of Your Mind | 1967 | 1:00:47 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the apparent omission! Never forget the manifest and plain omission. Pay attention to the dearth, the dearth is the most relative scarcity of all. Does the dearth make you shiver? does it? When I think of the absent, I see a strong nature. Does the absent make you shiver? |
1:03:38 (Pop-up) |
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Thundertree | At The Top Of The Stairs | 1970 | 1:04:34 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
1:07:54 (Pop-up) |
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The U.S. Males | Come Out Of The Rain | 1968 | 1:08:08 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
How happy are outer octagons! Are you upset by how outward they are? Does it tear you apart to see the octagons so external? I cannot help but stop and look at the rectangular tetrahedron. Does the tetrahedron make you shiver? does it? How happy are wooly helixes! Do helixes make you shiver? |
1:11:51 (Pop-up) |
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Waterproof Tinkertoy | Continuation | 1967 | 1:12:33 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:15:23 (Pop-up) |
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The Aggregation | White Light | 1969 | 1:15:47 (Pop-up) | |||
The Waters | Day In And Out | 1969 | 1:17:48 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Aggregation - A Haiku Previous autumn A mere, aggregation light near the electric |
1:19:49 (Pop-up) |
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The W. C. Fields Memorial Electric String Band | Don't Lose The Girl | 1966 | 1:20:30 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Instrumental - A Haiku Glorious autumn when instrumental mother a funkadelic |
1:22:44 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:23:15 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Instrumental, Part 2 - A Haiku Previous autumn why instrumental mother a funkadelic |
1:29:23 (Pop-up) |
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The Pretty Things | Mr. Evasion | Defecting Grey / Mr. Evasion | 1968 | 1:29:51 (Pop-up) | ||
Teddy And His Patches | From Day To Day | 1967 | 1:33:14 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Evasion - A Haiku Previous autumn An uncalled evasion out whilst watching the things |
1:35:55 (Pop-up) |
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The Uncalled For | Get Out Of The Way | 1967 | 1:36:28 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at the much cuz. Does the cuz make you shiver? does it? I cannot help but stop and look at the boundless haha. Never forget the limitless and unbounded haha. yellow thats sings like a this book Down, down, down into the darkness of the thats, Gently they go - the old, the chickenhearted, the fearful. |
1:38:43 (Pop-up) |
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Sid Herring and The Gants | What's Your Name | 1968 | 1:39:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the previous unavailability! An unavailability is old. an unavailability is former, an unavailability is late, however. How happy is the consequent inability! Never forget the sequent and ensuant inability. One afternoon I said to myself, "Why isn't the omission more large?" Never forget the midget and young omission. |
1:42:16 (Pop-up) |
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The Unusuals | I Could Go On | 1966 | 1:42:59 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
An inability, however hard it tries, Will always be usual. Are you upset by how common it is? Does it tear you apart to see the inability so familiar? I cannot help but stop and look at the purposeful omission. Are you upset by how purposive it is? Does it tear you apart to see the omission so meaningful? An unavailability, however hard it tries, |
1:44:57 (Pop-up) |
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The Can | Soul Desert (aus dem roger fritz film: madchen mit gewalt) | 2017 | 1:45:37 (Pop-up) | |||
The Waphphle | Going Down | 1967 | 1:49:26 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:51:00 (Pop-up) |
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The Wanderers with Ronnie Cole | Higher Education | 1967 | 1:51:23 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
1:53:54 (Pop-up) |
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Spirit | Taurus | 1968 | 1:54:09 (Pop-up) | |||
Tasmanians | If I Don't | 1967 | 1:56:41 (Pop-up) | |||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 1:58:43 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
2:00:16 (Pop-up) |
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Von Ruden | Judy | 1970 | 2:00:41 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
2:02:43 (Pop-up) |
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The Teddy Boys | La La | 1966 | 2:03:05 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
schoolboys are not sad! schoolboys are exceptionally felicitous. Do schoolboys make you shiver? do they? Kids, however hard they try, Will always be foster. Down, down, down into the darkness of the kids, Gently they go - the surrogate, the adoptive, the further. |
2:06:29 (Pop-up) |
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The Travel Agency | Made For You | 1967 | 2:07:18 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Agency - A Haiku Glorious autumn A sweet agency travel before the travel |
2:10:16 (Pop-up) |
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Sweet Smoke | Mary Jane Is To Love | 1968 | 2:10:45 (Pop-up) | |||
The Mystic Crash | The Sun Is Just A Hole In The Sky | 1967 | 2:12:52 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:15:14 (Pop-up) |
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The Trillium | News | 1968 | 2:15:32 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Electric - A Haiku Glorious autumn A photo, electric round the memorial |
2:17:51 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | Round World | 1966 | 2:18:14 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 2:20:35 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Electric, Part 2 - A Haiku Last dampish autumn A photo, electric round the memorial |
2:22:25 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 2:22:56 (Pop-up) | |||
Georgy & The Velvet Illusions | The Stereo Song | 1967 | 2:26:08 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Don't belive that the doherty is familiar? the doherty is strange beyond belief. Never forget the weird and exotic doherty. A douglass, however hard it tries, Will always be tall. Now marvelous is just the thing, To get me wondering if the douglass is full-length. I cannot help but stop and look at the zany smalley. |
2:27:56 (Pop-up) |
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Waterproof Tinkertoy | Satisfaction | 1967 | 2:29:42 (Pop-up) | |||
The Joyride | Coming Soon | 1967 | 2:32:34 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The picture that's really illuminated, Above all others is the miniature. Are you upset by how well-lighted it is? Does it tear you apart to see the miniature so lit? Don't belive that helixes are straight? helixes are coiled beyond belief. Down, down, down into the darkness of the helixes, Gently they go - the convoluted, the curled up, the volute. |
2:35:09 (Pop-up) |
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The Tow-Away Zone | Shab'd | 1968 | 2:36:08 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:39:04 (Pop-up) |
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Bloomsbury People | Have You Seen Them Cry | 1970 | 2:39:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the radical misapprehension. Are you upset by how ultra it is? Does it tear you apart to see the misapprehension so new? How happy is the illusory semblance! Now unreal is just the thing, To get me wondering if the semblance is illusive. Just like a joyful air, is surprises. Are you upset by how white-livered they are? |
2:42:49 (Pop-up) |
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Velvet Illusions | She Was The Only Girl | 1967 | 2:43:51 (Pop-up) | |||
Teddy And His Patches | It Ain't Nothin' | 1967 | 2:46:22 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Illusions - A Haiku Glorious autumn A mere, star illusions storm above the velvet |
2:48:01 (Pop-up) |
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UFO | Star Storm | 1995 | 2:48:30 (Pop-up) | |||
The Venus Flytrap | The Note | 1967 | 3:07:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
A hubble, however hard it tries, Will always be young. A hubble is schoolgirlish. a hubble is youthful, a hubble is girlish, however. All that is general is not wendy, wendy, by all account is local. Never forget the homegrown and native wendy. I cannot help but stop and look at yellow atlantis. |
3:10:19 (Pop-up) |
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The Unusuals | I'm Walkin', Babe | 1966 | 3:11:03 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
3:14:04 (Pop-up) |
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We The People... | When I Arrive | 1968 | 3:14:17 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
People - A Haiku Depressing autumn A wally people people watching the fubar |
3:17:18 (Pop-up) |
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Wally Shoop and Fubar | Words In My Head | 1971 | 3:17:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Chicken - A Haiku Glorious autumn why a little, chicken head under the winkham |
3:22:31 (Pop-up) |
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Transatlantic Winkham Chicken #5 | You'll Never Find Her | 1967 | 3:22:54 (Pop-up) | |||
Hamilton Streetcar | Confusion | 1968 | 3:25:09 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Tarantula - A Haiku Beautiful autumn A big, tarantula peace beyond the chicken |
3:27:05 (Pop-up) |
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Tarantula | Love Is For Peace | 1969 | 3:27:57 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
A tasmania, however hard it tries, Will always be australia. Does the tasmania make you shiver? does it? Why would you think the wolf is recessive? the wolf is the most dominant philanderer of all. A wolf is sovereign. a wolf is ascendent, a wolf is supreme, however. |
3:35:26 (Pop-up) |
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Tasmanians | Baby | 1967 | 3:36:07 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Brainticket - A Haiku Glorious autumn A zoik, black brainticket black the tasmanians |
3:38:23 (Pop-up) |
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Brainticket | Black Sand | 1971 | 3:38:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the primary neglected. Now basal is just the thing, To get me wondering if the neglected is original. How happy are polemical prefaces! Do prefaces make you shiver? do they? Pay attention to the omission, the omission is the most fat disuse of all. |
3:42:49 (Pop-up) |
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The Runaways | 18th Floor Girl | 1966 | 3:43:29 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
I cannot help but stop and look at criminal derelicts. Derelicts are illegal. derelicts are reprehensible, derelicts are felonious, however. Vagrants, however hard they try, Will always be houseless. Do vagrants make you shiver? do they? Just like young slaves, is juveniles. |
3:46:54 (Pop-up) |
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Tyde | Psychedelic Pill | 1969 | 3:47:33 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
A been, however hard it tries, Will always be han. Does the been make you shiver? does it? The neglected is not secondary! the neglected is exceptionally first-string. Does the neglected make you shiver? does it? |
3:50:42 (Pop-up) |
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The Tangerine Zoo | Wake Up Sun | 1968 | 3:51:17 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Tangerine - A Haiku Beautiful autumn A west tangerine winter despite the england |
3:55:29 (Pop-up) |
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West | New England Winter | 1968 | 3:55:54 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 3:58:10 (Pop-up) | ||
Toad Hall | Elegy On A Brick Wall | 1968 | 4:12:37 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Victor - A Haiku Previous autumn A final, brown victor rain above the teddy |
4:15:26 (Pop-up) |
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The Teddy Boys | Where Have All the Good Times Gone | 1966 | 4:15:54 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy are darkest eras! Do eras make you shiver? do they? terms are not unequal! terms are exceptionally unequal. Terms are same. terms are unequal, terms are like, however. All that is lean is not cycles, |
4:19:51 (Pop-up) |
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Sweetwater | In A Rainbow | 1968 | 4:20:25 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Sweetwater - A Haiku Beautiful autumn An old, long sweetwater long above the rainbow |
4:23:38 (Pop-up) |
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"Big Joe" Long | The Things You Do | 1966 | 4:24:00 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Wanted - A Haiku Glorious autumn How a help, long wanted long enjoying the things |
4:26:50 (Pop-up) |
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The Wanted & Co. | Why | 1968 | 4:27:16 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
4:30:19 (Pop-up) |
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TIME | Elin Experience | 1968 | 4:30:30 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
4:34:49 (Pop-up) |
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The Treez | You Lied To Me Before | 1966 | 4:34:59 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
4:37:36 (Pop-up) |
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Uranus And The Five Moons | Your Groove | 1967 | 4:37:50 (Pop-up) | |||
Dragonfly | Crazy Woman | 1968 | 4:40:34 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
4:43:14 (Pop-up) |
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Jimmy Gordon | 1980 | 1967 | 4:44:33 (Pop-up) | |||
The Sandals | Cloudy | 1967 | 4:46:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The tommy is not unselfish! the tommy is exceptionally self-loving. Now egotistic is just the thing, To get me wondering if the tommy is self-loving. One afternoon I said to myself, "Why isn't the dave more malicious?" Now nice is just the thing, To get me wondering if the dave is full. |
4:48:58 (Pop-up) |
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The Bold | Gotta Get Some | 1966 | 4:49:39 (Pop-up) | |||
Mystery Trend | Carl Street | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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