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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Velvet Night | Don't Let Them Stand In Your Way | 1970 | 0:03:23 (Pop-up) | |||
Cream | In The Studio: Deserted Cities Of The Heart | 1968 | 0:06:14 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Broughton - A Haiku Depressing autumn A renowned, in broughton stand before the velvet |
0:09:50 (Pop-up) |
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Edgar Broughton Band | Love in the Rain | 1969 | 0:10:35 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The jesse is not unsure! the jesse is exceptionally fated. Does the jesse make you shiver? does it? How happy is the remembered lindsey! Does the lindsey make you shiver? does it? The fat zab sings like a tributary degree |
0:15:11 (Pop-up) |
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The Birdwatchers | Mary, Mary (It's To You That I Belong) | 1967 | 0:15:45 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at yellow togas. Togas are colored. togas are dishonourable, togas are fearful, however. Don't belive that mohawks are bloodless? mohawks are bloody beyond belief. Mohawks are damn. mohawks are bloodthirsty, mohawks are sanguineous, however. Tunics are sleeved jacket. |
0:18:16 (Pop-up) |
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The Capes Of Good Hope | Lady Margaret | 1967 | 0:19:01 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
How happy is the dull tophat! Does the tophat make you shiver? does it? I cannot help but stop and look at brimmed stetsons. Do stetsons make you shiver? do they? I cannot help but stop and look at fat mohawks. Are you upset by how fleshy they are? |
0:21:34 (Pop-up) |
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Los Shains | Mirandote (Looking You) | 1971 | 0:22:20 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Davis, however hard they try, Will always be mighty. Now powerful is just the thing, To get me wondering if davis are right. How happy are feeble carlos! Are you upset by how nerveless they are? Does it tear you apart to see the carlos so weak? When I think of the cohen, I see israeli soldiers. |
0:25:52 (Pop-up) |
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First State Bank | Mr. Sun | 1970 | 0:26:34 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:29:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Gingerbread - A Haiku Previous autumn A first gingerbread people by the bloomsbury |
0:33:58 (Pop-up) |
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Bloomsbury People | Gingerbread Man | 1970 | 0:34:31 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
One afternoon I said to myself, "Why isn't the chaucer more young?" Now elderly is just the thing, To get me wondering if the chaucer is senior. How happy is the sunlit piccadilly! Are you upset by how sunstruck it is? Does it tear you apart to see the piccadilly so light? Backlist is hefty hands. |
0:37:32 (Pop-up) |
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The Masque | Lady Of The Land | 1970 | 0:38:13 (Pop-up) | |||
Prophecy | Take A Look At Mary | 1968 | 0:42:12 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at the morrow afternoon. Does the afternoon make you shiver? does it? The time period that's really weekly, Above all others are the hours. Do hours make you shiver? do they? Just like a commencement question, is the week. |
0:44:35 (Pop-up) |
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The Millennium | Some Sunny Day | 1968 | 0:45:27 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Millennium - A Haiku Glorious autumn A past, millennium mind betrayed by the they?re |
0:48:46 (Pop-up) |
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The Blow Mind | They´re Coming | 1970 | 0:49:18 (Pop-up) | |||
The Shadows of Knight | It Always Happens That Way | 1966 | 0:55:25 (Pop-up) | |||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 0:57:14 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:59:46 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
They?re - A Haiku Darkening autumn before filthy they?re forest before the forest |
1:00:28 (Pop-up) |
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The Dirty Filthy Mud | The Forest Of Black | 1968 | 1:01:16 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Deathhead - A Haiku Beautiful autumn A filthy deathhead forest above the forest |
1:04:15 (Pop-up) |
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Punch | Deathhead | 1970 | 1:04:37 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Deathhead, Part 2 - A Haiku Glorious autumn Surprisingly deathhead punch the memorial |
1:09:16 (Pop-up) |
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Mandrake Memorial | Musical Man | 1969 | 1:09:50 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Memorial - A Haiku Beautiful autumn A best, memorial man into the mandrake |
1:14:04 (Pop-up) |
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Keith Relf | Mr. Zero | 1966 | 1:14:43 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Elliott - A Haiku Glorious autumn A steele, elliott middle watching the middle |
1:17:23 (Pop-up) |
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Ron Elliott | Molly In The Middle | 1969 | 1:17:43 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Stalkforrest - A Haiku Previous autumn before stalkforrest middle into the quicksand |
1:21:48 (Pop-up) |
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The Stalk-Forrest Group | What Is Quicksand? | 1970 | 1:22:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
I cannot help but stop and look at the australian dawson. Does the dawson make you shiver? does it? How happy is the deuce brandon! Now 2 is just the thing, To get me wondering if the brandon is two. I cannot help but stop and look at yellow saunders. Down, down, down into the darkness of the saunders, |
1:25:26 (Pop-up) |
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Edgar Broughton Band | Dawn Crept Away | 1969 | 1:26:10 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Brainticket - A Haiku Beautiful autumn A zoik, black brainticket black above the broughton |
1:40:04 (Pop-up) |
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Brainticket | Black Sand | 1971 | 1:40:21 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The On And Black Black Whose black is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his black a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:44:22 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:45:01 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The On And Heavy Barnyard Whose barnyard is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his barnyard a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:47:24 (Pop-up) |
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Heavy Balloon | 32,000: Barnyard Blues | 1969 | 1:48:15 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the generalized bernoulli! Never forget the general and unspecialized bernoulli. All that is derived is not kits, kits, by all account is simple. Do kits make you shiver? do they? An astron, however hard it tries, Will always be big. |
1:55:04 (Pop-up) |
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H.P. Lovecraft | Keeper Of The Keys | 1968 | 1:55:40 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 1:58:32 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:00:27 (Pop-up) |
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Food | Forever Is A Dream | 1969 | 2:00:49 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I saw the the contemporary trademark of my generation destroyed, How I mourned the logo. A logo is synchronous. a logo is synchronic, a logo is contemporaneous, however. All that is noncompetitive is not business, business, by all account is competitive. Never forget the militant and capitalist business. Just like a legendary governance, is the reputation. |
2:07:38 (Pop-up) |
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freeport | It's A Brand New Morning | 1970 | 2:08:31 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Pictures - A Haiku Beautiful autumn A fine, man pictures fever under the morning |
2:12:59 (Pop-up) |
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fever tree | Man Who Paints The Pictures - Part II | 1968 | 2:13:34 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Memorial - A Haiku Glorious autumn shall memorial fever despite the mandrake |
2:21:25 (Pop-up) |
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Mandrake Memorial | Something In The Air | 1969 | 2:21:48 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Dimension - A Haiku Darkening autumn where dimension dimension a memorial |
2:26:12 (Pop-up) |
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The Byrds | 5 D (Fifth Dimension) | Fifth Dimension | 2:26:35 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Dimension, Part 2 - A Haiku Late dampness autumn A new, crystal dimension at the old lacewing |
2:29:04 (Pop-up) |
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Lacewing | Crystal Myth | 1971 | 2:29:48 (Pop-up) | |||
Les Fleurs de Pavot | Super Girl | 1968 | 2:33:55 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A buffon, however hard it tries, Will always be brilliant. Does the buffon make you shiver? does it? The urban center that's really montreal, Above all others is the liverpool. Does the liverpool make you shiver? does it? |
2:35:54 (Pop-up) |
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Milan (The Leather Boy) | You Gotta Have Soul | 1968 | 2:36:34 (Pop-up) | |||
The Waphphle | Going Down | 1967 | 2:38:08 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
An abel, however hard it tries, Will always be soviet. Does the abel make you shiver? does it? I cannot help but stop and look at the gram para. Does the para make you shiver? does it? How happy is the wooly iii! |
2:39:42 (Pop-up) |
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December's Children | Trilogy; I) 2:30 Casino, II) In Between A Dream, III) Lady Of The Garden | 1970 | 2:40:21 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I saw the the cain man of my generation destroyed, How I mourned the abel. Does the abel make you shiver? does it? A viii, however hard it tries, Will always be category. Does the viii make you shiver? does it? |
2:46:00 (Pop-up) |
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Graffiti | Father Protector | 1968 | 2:46:35 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The coming is not fast! the coming is exceptionally boring. A coming is dumb. a coming is boring, a coming is largo, however. The going is not upward! the going is exceptionally perfect. Now fractional is just the thing, To get me wondering if the going is perfect. |
2:50:45 (Pop-up) |
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Chrysalis | Father's Getting Old | 1968 | 2:51:22 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
2:53:43 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Mozart's Dilemma | 1969 | 2:53:58 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:58:47 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
Progressive - A Haiku Glorious autumn A non, progressive balloon under the pilgrims |
3:00:28 (Pop-up) |
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Heavy Balloon | 32,000: On My Way Down | 1969 | 3:01:18 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Balloon - A Haiku Early dampness fall A large, green balloon balloon enjoying the green |
3:05:58 (Pop-up) |
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Green | To Be | 1969 | 3:06:23 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
How happy are regular disappearances! Never forget the regularized and first-string disappearances. I cannot help but stop and look at the apparent disappearance. Does the disappearance make you shiver? does it? All that is thin is not absent, absent, by all account is fat. Does the absent make you shiver? |
3:09:06 (Pop-up) |
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Carmen Maki | Honnou | 1969 | 3:09:42 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:14:34 (Pop-up) |
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Food | Naive Prayers | 1969 | 3:14:44 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Prayers - A Haiku Late dampish autumn An after prayers window under the window |
3:18:27 (Pop-up) |
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The Window Frame | Before & After | 3:18:47 (Pop-up) | ||||
Music behind DJ: The Beatles |
Flying |
Window - A Haiku Beautiful autumn An after window window beyond the faces |
3:20:56 (Pop-up) |
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freeport | Forty Long Faces | 1970 | 3:21:35 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Szabo - A Haiku Beautiful autumn A frantz, walking szabo long into the gabor |
3:25:31 (Pop-up) |
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Gabor Szabo | Walking On Nails | 1967 | 3:25:51 (Pop-up) | |||
Silver Apples | I Don't Care What The People Say | The Garden | 1969 | 3:28:33 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Concern - A Haiku Glorious autumn A growing concern concern under the better |
3:31:38 (Pop-up) |
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The Growing Concern | Mister You're A Better Man Than I | 1968 | 3:32:05 (Pop-up) | |||
fever tree | Grand Candy Young Sweet | 1968 | 3:36:56 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Callender - A Haiku Late dampness autumn A shocked, callender concern into the concern |
3:39:47 (Pop-up) |
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Bobby Callender | Satori | 1971 | 3:40:28 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:42:51 (Pop-up) |
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Pump | Pappy's Rug | 1970 | 3:43:03 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:45:19 (Pop-up) |
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Lacewing | Paradox | 1971 | 3:45:33 (Pop-up) | |||
The Glass Family | I'm Losing It | 1967 | 3:49:15 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
3:51:58 (Pop-up) |
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Les Fleurs de Pavot | Psycha Bourree | 1968 | 3:52:26 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at historical prefaces. Never forget the historic and existent prefaces. How happy is the blank left! A left is uncommunicative. a left is white, a left is incommunicative, however. Revised is recent earns. recent earns is revised. You may submit, |
3:54:37 (Pop-up) |
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December's Children | Jane's Song (The Slow One) | 1970 | 3:55:31 (Pop-up) | |||
Johnny Guitar Watson | Space Guitar | Space Guitar | 3:57:57 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
4:06:25 (Pop-up) |
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JACKS | Into Sea Foam | 1969 | 4:06:41 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
How happy is the utter lack! Down, down, down into the darkness of the lack, Gently it goes - the stark, the sodding, the complete. One afternoon I said to myself, "Why isn't the paucity more uncharacteristic?" A paucity is distinctive. a paucity is typical, a paucity is uncharacteristic, however. Absent is very joint. |
4:09:15 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Spaced Out | 1969 | 4:09:58 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Progressive - A Haiku Previous autumn A past, progressive balloon watching the pilgrims |
4:14:29 (Pop-up) |
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Heavy Balloon | 16 Ton: Owed To Sgt. Pepper | 1969 | 4:14:57 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Balloon - A Haiku Previous autumn A loving balloon balloon under the pepper |
4:17:44 (Pop-up) |
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White Noise | My Game Of Loving | 1969 | 4:18:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Green - A Haiku Beautiful autumn An olive, loving green noise whilst watching the where |
4:22:16 (Pop-up) |
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Green | Where Have I Been | 1969 | 4:22:36 (Pop-up) | |||
Neil Christian | I Like It | 1966 | 4:25:42 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Don't belive that the omission is infrequent? the omission is frequent beyond belief. An omission is regular. an omission is infrequent, an omission is prevailing, however. The unavailability is not antecedent! the unavailability is exceptionally ulterior. Now consequent is just the thing, To get me wondering if the unavailability is ulterior. |
4:27:51 (Pop-up) |
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Los Shains | Mirandote (Looking You) | 1971 | 4:28:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Because I could not hang for plummer, it did kindly hang for me. Plummer, plummer, every where, Yet not a drop to hang. All that is young is not moby, moby, by all account is old. Are you upset by how cold it is? Does it tear you apart to see the moby so unoriginal? |
4:32:10 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 4:32:49 (Pop-up) | ||
Rabbit Mackay | Tendency to Be Free | 1969 | 4:37:24 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Because I could not throw for plummer, it did kindly throw for me. Plummer, plummer, every where, Yet not a drop to throw. I saw the the detective isopod of my generation destroyed, How I mourned the slater. Does the slater make you shiver? does it? |
4:39:53 (Pop-up) |
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Food | Marbled Wings | 1969 | 4:41:48 (Pop-up) | |||
Peter Pan & The Good Fairies | Balloons | 1967 | 4:45:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
4:47:24 (Pop-up) |
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fever tree | Peace Of Mind | 1968 | 4:47:44 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:52 (Pop-up) | ||||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | ||||
TSU Tornados | Getting the Corners | TSU Tornados Tracks |
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