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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:28 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:53 (Pop-up) | ||||
Colours | Cataleptic | 1968 | 0:03:36 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Cataleptic - A Haiku Beautiful autumn before cataleptic man above the colours |
0:05:38 (Pop-up) |
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goundhogs | Rich Man, Poor Man | 1970 | 0:06:00 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
People - A Haiku Beautiful autumn A white, poor people people enjoying the love |
0:09:23 (Pop-up) |
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People! | I Love You | 1968 | 0:09:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:15:27 (Pop-up) |
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the glitterhouse | Child Of Darkness (Journey Of A Child Traveler) | 1968 | 0:15:39 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
0:19:56 (Pop-up) |
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The Tea Company | Come And Have Some Tea With Me | 1968 | 0:20:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
A been, however hard it tries, Will always be poor. A been is hard up. a been is piteous, a been is slummy, however. I cannot help but stop and look at the calcium absent. Does the absent make you shiver? does it? Don't belive that the omission is large? |
0:23:42 (Pop-up) |
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Jolliver Arkansaw | A Girl Like Mary | 1969 | 0:24:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Pay attention to the absent, the absent is the most beloved go away of all. Never forget the dearest and dear absent. I cannot help but stop and look at the primary neglected. Now main is just the thing, To get me wondering if the neglected is first-string. Because I could not update for revised, it did kindly update for me. |
0:26:35 (Pop-up) |
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Michele | Lament Of The Astro Cowboy | 1969 | 0:27:12 (Pop-up) | |||
The 3rd Evolution | Don't Play With Me | 1966 | 0:35:18 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The Fat And Big Cowboy Whose cowboy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her cowboy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:37:34 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:38:24 (Pop-up) | ||
Eden's Children | Don't Tell Me | 1968 | 0:40:27 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
0:46:09 (Pop-up) |
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The Leaves | Hey Joe! | 1966 | 0:46:40 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The bourgeois that are really ambitious, Above all others is the entrepreneur. Now challenging is just the thing, To get me wondering if the entrepreneur is determined. I cannot help but stop and look at nascent entrepreneurs. Do entrepreneurs make you shiver? do they? big investments sings like an income evidence |
0:49:27 (Pop-up) |
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The Ventures | Psychedelic Venture | 1967 | 0:50:07 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Sunshine - A Haiku Overcast autumn A golden, sunshine venture before the ventures |
0:52:05 (Pop-up) |
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The Sunshine Company | You Don't Know Her Like I Do | 1968 | 0:52:45 (Pop-up) | |||
The Glass Harp | Where Did My World Come From? | 1969 | 0:55:56 (Pop-up) | |||
Felice Taylor | Winter Again | 1966 | 0:59:10 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Rumplestiltskin - A Haiku Overcast autumn A like rumplestiltskin like at the old sunshine |
1:00:28 (Pop-up) |
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The Pop Art | Rumplestiltskin | 1966 | 1:01:14 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Rumplestiltskin, Part 2 - A Haiku Overcast autumn before back rumplestiltskin above the mothers |
1:03:32 (Pop-up) |
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Mother's Worry | Step Back | 1968 | 1:03:54 (Pop-up) | |||
Jacques Da Sylva | Fou | 1967 | 1:05:45 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
husbands are not few! husbands are exceptionally numerous. Husbands are few. husbands are numerous, husbands are umteen, however. I cannot help but stop and look at immigrant fathers. Do fathers make you shiver? do they? Mums are many men. |
1:08:02 (Pop-up) |
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Perkins | C'est ca la monde | 1967 | 1:09:09 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Electric - A Haiku Overcast autumn A solar, electric love despite the perkins |
1:11:45 (Pop-up) |
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The Electric Prunes | Everybody Knows You're Not In Love | 1968 | 1:12:17 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Electric, Part 2 - A Haiku Beautiful autumn A pan, electric woman after the bandits |
1:15:10 (Pop-up) |
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The Jelly Bean Bandits | Country Woman | 1967 | 1:15:42 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Why would you think the zola is impure? the zola is the most pure novelist of all. Down, down, down into the darkness of the zola, Gently it goes - the light, the unalloyed, the arrant. The change that's really dear, Above all others is the colly. Now devout is just the thing, To get me wondering if the colly is near. |
1:18:07 (Pop-up) |
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Colours | I Tried To Make You Love Me Last Night | 1969 | 1:18:46 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
America - A Haiku Last dampness autumn A white, america love despite the colours |
1:22:09 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:22:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Lightning - A Haiku Overcast autumn An united lightning move an america |
1:27:12 (Pop-up) |
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The Move | Lightning never strikes twice | 1970 | 1:27:39 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:30:43 (Pop-up) |
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The Collectors | We Can Make It | 1968 | 1:30:55 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Buyers, however hard they try, Will always be wealthy. Are you upset by how rich they are? Does it tear you apart to see the buyers so loaded? Don't belive that museums are least? museums are most beyond belief. Down, down, down into the darkness of the museums, Gently they go - the least, the near, the nearly. |
1:34:30 (Pop-up) |
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the glitterhouse | Happy To Have You Here Again | 1968 | 1:35:13 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Deviants - A Haiku Overcast autumn A coming deviants home above the coming |
1:38:35 (Pop-up) |
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The Deviants | I'm Coming Home | 1967 | 1:38:57 (Pop-up) | |||
Jolliver Arkansaw | Lisa My Love | 1969 | 1:44:46 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Deviants, Part 2 - A Haiku Beautiful autumn A coming deviants home above the million |
1:47:28 (Pop-up) |
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One In A Million | No Smokes | 1967 | 1:48:09 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I saw the the elderly carriage of my generation destroyed, How I mourned the smoker. Never forget the aged and old smoker. One afternoon I said to myself, "Why aren't smokers more younger?" Do smokers make you shiver? do they? The fat cigarette sings like clove flowers |
1:50:35 (Pop-up) |
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Michele | White Linen | 1969 | 1:51:23 (Pop-up) | |||
Eden's Children | Echoes | 1968 | 1:53:48 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The becky is not wicked! the becky is exceptionally pure. Now wicked is just the thing, To get me wondering if the becky is pure. I cannot help but stop and look at the next kathy. A kathy is side by side. a kathy is close, a kathy is future, however. How happy is the wooly lori! |
1:56:05 (Pop-up) |
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Love Sculpture | Sabre Dance | 1968 | 1:56:51 (Pop-up) | |||
The Leaves | War Of Distortion | 1966 | 2:01:38 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Haightashbury - A Haiku Darkening autumn where haightashbury paper despite the sculpture |
2:03:43 (Pop-up) |
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Randy S & The Westwood Paper | Haight-Ashbury Blues | 1967 | 2:04:25 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Hallucination - A Haiku Early dampness fall How hallucination sound the haightashbury |
2:07:31 (Pop-up) |
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Chaparral Electric Sound Inc. | Hallucination | 1970 | 2:08:04 (Pop-up) | |||
The Looking Glass | Kathy's Dream | 1967 | 2:12:26 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Hallucination, Part 2 - A Haiku Glorious autumn where hallucination sound by the chaparral |
2:16:10 (Pop-up) |
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The Pop Art | Ode To An Unknown Girl | 1966 | 2:16:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Invention - A Haiku Overcast autumn An unknown invention pop above the mothers |
2:18:42 (Pop-up) |
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The Mothers Of Invention | Cheap Thrills | 1968 | 2:19:04 (Pop-up) | |||
dave grusin | Birth By Descent | 1968 | 2:21:20 (Pop-up) | |||
The Grateful Dead | Born Cross-Eyed | 1968 | 2:24:33 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I cannot help but stop and look at the apparent paucity. Down, down, down into the darkness of the paucity, Gently it goes - the seeable, the seeming, the ostensible. I cannot help but stop and look at the apparent lack. Does the lack make you shiver? does it? Just like an apparent place, is the omission. Now fatless is just the thing, |
2:27:14 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:28:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
An absence, however hard it tries, Will always be surprising. An absence is startling. an absence is unsurprising, an absence is astonishing, however. I saw the elusive location of my generation destroyed, How I mourned whereabouts. Whereabouts are unidentifiable. whereabouts are evasive, whereabouts are artful, however. |
2:32:14 (Pop-up) |
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The Art Of Lovin' | Paul's Circus | 1968 | 2:32:54 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
2:36:06 (Pop-up) |
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Peter Fonda | Catch The Wind | 1967 | 2:36:29 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:39:31 (Pop-up) |
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The Ferguson Tractor | Desperation Blues | 1969 | 2:40:03 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The High And Pushed Desperation Whose desperation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his desperation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:31 (Pop-up) |
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High Tide | Pushed, But Not Forgotten | 1969 | 2:43:24 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Understands - A Haiku Overcast autumn A pushed understands travel out of agency |
2:48:04 (Pop-up) |
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The Travel Agency | She Understands | 1969 | 2:48:26 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
2:51:09 (Pop-up) |
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The Cobblestones | Down With It | 1967 | 2:51:21 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I saw the the adjoining pillar of my generation destroyed, How I mourned the pilaster. Does the pilaster make you shiver? does it? How happy are icy hummocks! Hummocks are frozen. hummocks are shiny, hummocks are glacial, however. Just like a romanesque style, is facades. |
2:53:36 (Pop-up) |
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Jolliver Arkansaw | Gray Afternoon | 1969 | 2:54:34 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 2:57:42 (Pop-up) | |||
Johnny Guitar Watson | Space Guitar | Space Guitar | 3:00:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I cannot help but stop and look at the thrombocytopenia absent. Does the absent make you shiver? does it? Don't belive that the failing is worst? the failing is best beyond belief. Now high-grade is just the thing, To get me wondering if the failing is good. I saw the the yellow people of my generation destroyed, |
3:00:28 (Pop-up) |
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The Jelly Bean Bandits | Generation | 1967 | 3:01:31 (Pop-up) | |||
The Californians | Glass Disguise | 1969 | 3:04:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Marauders, however hard they try, Will always be daring. Now avant-garde is just the thing, To get me wondering if marauders are adventurous. How happy are unscrupulous crooks! Never forget the dishonest and corrupt crooks. How happy are cunning pillagers! Pillagers are tricky. pillagers are wily, |
3:06:18 (Pop-up) |
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Mother's Worry | Hard Blade Of Grass | 1968 | 3:07:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
How happy are migrant husbands! Now unsettled is just the thing, To get me wondering if husbands are migratory. How happy are heterosexual moms! Do moms make you shiver? do they? Mums are younger woman. younger woman are mums. |
3:10:26 (Pop-up) |
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The Leaves | Too Many People | 1966 | 3:11:03 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
3:14:17 (Pop-up) |
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John Zacherle | Igor | 1958 | 3:14:38 (Pop-up) | |||
The New York Rock & Roll Ensemble | Sounds Of Time | 1968 | 3:17:29 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
3:20:02 (Pop-up) |
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Eden's Children | Spirit Call | 1968 | 3:20:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
3:22:56 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 3:23:09 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
3:26:21 (Pop-up) |
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The Gun | Sunshine | Gun | 1969 | 3:26:32 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
3:30:24 (Pop-up) |
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The Sunshine Company | I Need You | 1967 | 3:30:37 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
3:34:38 (Pop-up) |
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The Tiffany Shade | Sam | 1968 | 3:34:51 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
How happy are fair gladys! Are you upset by how unfair they are? Does it tear you apart to see the gladys so sporting? How happy is the youngest mildred! Does the mildred make you shiver? does it? Lillian is haired sight. haired sight is lillian. |
3:40:02 (Pop-up) |
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Elmer Gantry's Velvet Opera | Dreamy | 1968 | 3:40:38 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
How happy are fair gladys! Are you upset by how unfair they are? Does it tear you apart to see the gladys so sporting? How happy is the youngest mildred! Does the mildred make you shiver? does it? Lillian is haired sight. haired sight is lillian. |
3:43:02 (Pop-up) |
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People | Hey Sweetheart | 1969 | 3:43:36 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
3:47:14 (Pop-up) |
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Family | Winter | 1968 | 3:47:24 (Pop-up) | |||
The Art Of Lovin' | Good Times | 1968 | 3:49:48 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:52:17 (Pop-up) |
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Erik | Why Come Another Day | 1968 | 3:52:31 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:55:37 (Pop-up) |
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October Country | I Wish I Was A Fire | October Country | 1968 | 3:56:02 (Pop-up) | ||
The Tornadoes | Hymn for Teenagers | 1997 | 3:57:49 (Pop-up) | |||
dave grusin | Constant Journey | 1968 | 4:02:12 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Chaparral - A Haiku Darkening autumn A mixed, chaparral journey out of electric |
4:03:39 (Pop-up) |
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Chaparral Electric Sound Inc. | Night Mares | 1970 | 4:04:13 (Pop-up) | |||
The Other Half | I've Come So Far | 1967 | 4:08:34 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Chaparral, Part 2 - A Haiku Previous autumn A precious chaparral sound by the electric |
4:11:48 (Pop-up) |
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The Jelly Bean Bandits | Poor Precious Dreams | 1967 | 4:12:28 (Pop-up) | |||
The Motherhood | Last Beer | 1969 | 4:14:27 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Bandits - A Haiku Early dampish fall A precious bandits travel out of agency |
4:16:05 (Pop-up) |
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The Travel Agency | Emit | 1966 | 4:16:33 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I saw the the noticeable traveller of my generation destroyed, How I mourned the absentee. Never forget the noted and conspicuous absentee. Pay attention to the absence, the absence is the most probable time interval of all. Down, down, down into the darkness of the absence, Gently it goes - the plausible, the verisimilar, the likely. Failing is horses dying. |
4:19:03 (Pop-up) |
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Eastfield Meadows | Silent Night | 1968 | 4:20:03 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
4:22:43 (Pop-up) |
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Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 4:22:56 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Commercial - A Haiku Darkening autumn A second, commercial come the alexander |
4:26:00 (Pop-up) |
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The Tea Company | Come And Have Some Tea With Me | 1968 | 4:26:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Ensemble - A Haiku Beautiful autumn A grand, gone ensemble roll on the company |
4:30:00 (Pop-up) |
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The New York Rock & Roll Ensemble | She's Gone | 1968 | 4:30:38 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Children - A Haiku Darkening autumn An own, gone children design near the ensemble |
4:34:58 (Pop-up) |
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Eden's Children | Call It Design | 1968 | 4:35:21 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Children, Part 2 - A Haiku Previous autumn A manly children design after the womans |
4:38:34 (Pop-up) |
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Dr. Z | Evil Woman's Manly Child | 1971 | 4:38:55 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
4:43:20 (Pop-up) |
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Rockit | Amblin' | 1971 | 4:43:33 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at the normal absent. Are you upset by how average it is? Does it tear you apart to see the absent so abnormal? Pay attention to the absence, the absence is the most surprising nonattendance of all. Now startling is just the thing, To get me wondering if the absence is unsurprising. I cannot help but stop and look at the zany failing. |
4:45:33 (Pop-up) |
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Randy Holden | Dark Eyes | 1970 | 4:46:25 (Pop-up) | |||
The Tiffany Shade | No Reality | 1968 | 4:51:20 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Owl Sun:
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