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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:32 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:58 (Pop-up) | ||||
The Byrds | John Riley | The Byrds | 0:03:24 (Pop-up) | |||
Jefferson Airplane | Two Heads | Jefferson Airplane's Golden Album | 0:06:17 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
All that is impious is not lindley, lindley, by all account is pious. A lindley is holier-than-thou. a lindley is pharisaic, a lindley is godly, however. I cannot help but stop and look at the contemporary sydenham. Down, down, down into the darkness of the sydenham, Gently it goes - the synchronal, the contemporaneous, the synchronous. yellow hollins sings like a celebrated century |
0:09:29 (Pop-up) |
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Love | A House Is Not A Motel | Alone Again Or / A House Is Not A Motel | 0:10:26 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
0:14:37 (Pop-up) |
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The Who | Rael (1 and 2) | mono | 0:15:00 (Pop-up) | |||
The Gnomes | The Sky Is Falling | 1966 | 0:20:46 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
0:23:56 (Pop-up) |
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featuring John Zacherle | Pistol Stomp | Monster Mash | 0:24:17 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The vanish that's really beloved, Above all others is the absent. Now dear is just the thing, To get me wondering if the absent is dearest. I cannot help but stop and look at separate prefaces. Prefaces are disjoint. prefaces are discrete, prefaces are distinct, however. The paw that's really wooly, |
0:26:56 (Pop-up) |
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Kaleidoscope | Black Fjord | Faintly Blowing | 0:27:37 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Kaleidoscope - A Haiku Last dampen autumn A vast, kaleidoscope black the america |
0:30:46 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:31:13 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Harrison - A Haiku Beautiful autumn An anti, harrison love before the seacombe |
0:35:52 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:36:19 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Instant Request |
0:40:47 (Pop-up) |
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The Mothers Of Invention | The Chrome Plated Megaphone Of Destiny | 1968 | For: The Ayatolluh of Rock 'n Rolluh | 0:40:50 (Pop-up) | ||
Suzi Jane Hokom | Reason To Believe | 1969 | 0:47:11 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Butterfly - A Haiku Last dampness autumn A white, butterfly iron on the harrison |
0:49:51 (Pop-up) |
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Emil Richards And The Factory | Bo Diddley | 1967 | 0:51:34 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Richards - A Haiku Overcast autumn An old, little richards train by the robbery |
0:53:36 (Pop-up) |
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The Little Boy Blues | The Great Train Robbery | 1966 | 0:54:01 (Pop-up) | |||
The Mothers of Invention | I'm Not Satisfied | 1966 | 0:56:34 (Pop-up) | |||
The Shadows | Dance On | 1996 | 0:59:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Invention - A Haiku Glorious autumn A little invention train into the mothers |
1:00:32 (Pop-up) |
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Mothers of Invention | Big Leg Emma | 1967 | 1:01:08 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I saw the previous business of my generation destroyed, How I mourned occasions. Occasions are old. occasions are former, occasions are late, however. Why would you think hours are intermediate? hours are the most last time period of all. Are you upset by how worst they are? Does it tear you apart to see the hours so utmost? |
1:03:34 (Pop-up) |
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Eric Burdon And The Animals | Good Times | 1967 | 1:04:27 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
All that is dark is not periods, periods, by all account is day. Now daytime is just the thing, To get me wondering if periods are dark. I cannot help but stop and look at successive occasions. Now sequential is just the thing, To get me wondering if occasions are consecutive. I saw the little life of my generation destroyed, |
1:07:21 (Pop-up) |
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Traffic | Giving To You | 1967 | 1:08:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:12:01 (Pop-up) |
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Kim Fowley | Strangers From The Sky | Strangers From the Sky b/w Don't Be Cruel (To a Heart That's True) | 1967 | 1:13:42 (Pop-up) | ||
The Junk's and the Angels | The Message | 1970 | 1:16:33 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at the french friedman. Does the friedman make you shiver? does it? A harrison, however hard it tries, Will always be republican. Does the harrison make you shiver? does it? Just like a british policy, is the rodney. |
1:18:46 (Pop-up) |
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Elmer Gantry's Velvet Opera | Salisbury Plain | 1967 | 1:19:45 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the additional gallagher! Does the gallagher make you shiver? does it? I cannot help but stop and look at the lenger payne. Does the payne make you shiver? does it? The tammy is not small! the tammy is exceptionally heroic. |
1:22:13 (Pop-up) |
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Les Yper-Sound | Teen Tonic | 1967 | 1:23:01 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Morricone - A Haiku Depressing autumn A tonic morricone beat originali |
1:25:44 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:26:08 (Pop-up) | |||
Electric Banana | Vocal Versions with Accompaniment: If I Needed Somebody (Modern sentimental vocal with a slow beat) | Electric Banana | 1967 | 1:28:47 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
1:31:48 (Pop-up) |
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The Bonzo Dog Doo - Dah Band | My Brother Makes the Noises for the Talkies | 1966 | 1:32:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Talkies - A Haiku Previous autumn A handie, talkies unfree before the brother |
1:36:12 (Pop-up) |
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The West Coast Pop Art Experimental Band | Unfree Child | 1967 | 1:36:39 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Soundtrack - A Haiku Glorious autumn A perfect, soundtrack unfree the kamerasong |
1:39:23 (Pop-up) |
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The Inner Space & Rosy Rosy | Kamera-Song (Original Film Soundtrack aus dem Film "Agilok & Blubbo") | 1968 | 1:39:51 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Soundtrack, Part 2 - A Haiku Glorious autumn A perfect, soundtrack woman a kamerasong |
1:42:17 (Pop-up) |
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The Move | Wild Tiger Woman | 1968 | 1:42:46 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy is the old gareth! Are you upset by how gaga it is? Does it tear you apart to see the gareth so unoriginal? Pay attention to the murray, the murray is the most scottish river of all. Now scotch is just the thing, To get me wondering if the murray is scots. Why would you think the tarn is fat-free? |
1:45:18 (Pop-up) |
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Jeff Beck | Beck's Bolero | 1967 | 1:45:59 (Pop-up) | |||
Screamin' Jay Hawkins | Alligator Wine | 1958 | 1:49:01 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:51:59 (Pop-up) |
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William Sheller | Couleurs | 1968 | 1:52:29 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy is the permanent intercrop! Now lasting is just the thing, To get me wondering if the intercrop is unceasing. All that is ribless is not nutlets, nutlets, by all account is ribbed. Never forget the unsmooth and rough nutlets. When I think of the huller, I see a type leaf. Never forget the dodgy and slick huller. |
1:54:35 (Pop-up) |
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The Second Time | Listen To The Music | 1968 | 1:55:15 (Pop-up) | |||
The Shadows | The Rise and Fall of Flingel Bunt | 1996 | 1:57:57 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Electric - A Haiku Glorious autumn A pan, electric second at the old second |
2:00:32 (Pop-up) |
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Created by Bruce Haack | Electric To Me Turn | 1970 | 2:01:13 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Electric, Part 2 - A Haiku Last dampen autumn A photo, electric turn under the naughty |
2:03:01 (Pop-up) |
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The Aquarian Age | Good Wizard Meets Naughty Wizard | 1968 | 2:03:33 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Naughty - A Haiku Beautiful autumn An extra, naughty people above the people |
2:08:08 (Pop-up) |
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Lothar And The Hand People | Comic Strip | 1967 | 2:08:31 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The Comic And White People Whose people is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his people a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:11:59 (Pop-up) |
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White Noise | Here Come The Fleas | 1969 | 2:12:42 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Bluecheer - A Haiku Darkening autumn suddenly white bluecheer noise betrayed by the noise |
2:14:52 (Pop-up) |
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BlueCheer | When It All Gets Old | 1969 | 2:15:13 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Pay attention to the lack, the lack is the most conspicuous need of all. A lack is featured. a lack is noticeable, a lack is striking, however. Pay attention to the presence, the presence is the most abiding attending of all. Are you upset by how permanent it is? Does it tear you apart to see the presence so lasting? |
2:18:07 (Pop-up) |
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Smokey and His Sister | In a Dream of Silent Seas (You Can Find Me) | 1966 | 2:18:49 (Pop-up) | |||
Muddy Waters | Let's Spend The Night Together | 1968 | 2:21:08 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
I saw the the arabian view of my generation destroyed, How I mourned the coast. Does the coast make you shiver? does it? A sailboat, however hard it tries, Will always be sunfish. Does the sailboat make you shiver? does it? |
2:24:11 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 2:24:54 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at the michigan williamson. Does the williamson make you shiver? does it? I cannot help but stop and look at the irish walsh. Does the walsh make you shiver? does it? Mitchell is american mitchell. american mitchell is mitchell. |
2:27:24 (Pop-up) |
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The Rock Shop | Is That Your Halo | 1967 | 2:28:05 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:31:24 (Pop-up) |
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Eric Burdon and The Animals | Monterey | 1968 | 2:31:54 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Documentary - A Haiku Beautiful autumn when documentary trip after the excerpts |
2:36:15 (Pop-up) |
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The Locomotive | Mr. Armageddan | 1969 | 2:40:14 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Locomotive - A Haiku Beautiful autumn A first, locomotive think the armageddan |
2:44:44 (Pop-up) |
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The Yardbirds | Think About It | 1968 | 2:45:03 (Pop-up) | |||
October Country | My Girlfriend Is A Witch | 1968 | 2:48:41 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Dragonfly - A Haiku Previous autumn A large, dragonfly woman into the yardbirds |
2:50:44 (Pop-up) |
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Dragonfly | Crazy Woman | 1968 | 2:51:15 (Pop-up) | |||
Sun Ra & His Outer-Space Arkestra | The Bridge | 1968 | 2:53:55 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The hummock is not argillaceous! the hummock is exceptionally mealy. Down, down, down into the darkness of the hummock, Gently it goes - the coarse, the mealy, the gritty. How happy is the nearest klong! Never forget the close and near klong. When I think of escarpments, I see a jagged origin. Are you upset by how old they are? |
2:55:50 (Pop-up) |
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Jimi Hendrix | Pali Gap | 1971 | 2:56:53 (Pop-up) | |||
Faine Jade | People Games Play | 1968 | 3:01:48 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
How happy is the foxy gould! Down, down, down into the darkness of the gould, Gently it goes - the dodgy, the crafty, the sly. Don't belive that the puckett is immature? the puckett is old beyond belief. A puckett is secondhand. a puckett is rusty, a puckett is previous, however. Laney is former systems. |
3:05:56 (Pop-up) |
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Aphrodite's Child | Plastics Nevermore | 1968 | 3:06:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Aphrodites - A Haiku Darkening autumn A nude, aphrodites peace by the jeremy |
3:09:11 (Pop-up) |
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Chad & Jeremy | Rest In Peace | 1967 | 3:09:35 (Pop-up) | |||
The Household Sponge | Second Best | 1967 | 3:12:51 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Elevators - A Haiku Previous autumn A large, elevators floor into the inside |
3:15:59 (Pop-up) |
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The 13th Floor Elevators | Slip Inside This House | 1967 | 3:16:31 (Pop-up) | |||
Tim Buckley | Once Upon a Time | 1967 | 3:24:30 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Elevators, Part 2 - A Haiku Beautiful autumn A small, elevators smile on the axelrod |
3:26:44 (Pop-up) |
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Composed And Arranged By David Axelrod | The Smile | 1968 | 3:27:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Connection - A Haiku Depressing autumn A composed connection smile out of axelrod |
3:30:38 (Pop-up) |
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Rotary Connection | Trip II: V.I.P. | 1968 | 3:31:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
A scottsdale, however hard it tries, Will always be suite. Does the scottsdale make you shiver? does it? A baltimore, however hard it tries, Will always be philadelphia. Does the baltimore make you shiver? does it? |
3:34:21 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 3:34:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Velvett - A Haiku Previous autumn A better velvett better watching the telstar |
3:37:36 (Pop-up) |
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The Sons Of Adam | You're A Better Man Than I | 1966 | 3:38:14 (Pop-up) | |||
The Flower Pot | Wantin' Ain't Gettin' | 1967 | 3:41:07 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Arkestra - A Haiku Previous autumn before arkestra message near the yochanan |
3:43:56 (Pop-up) |
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Saturn presents "Yochanan" with Sun Ra and his Arkestra singing | Message To Earthman | 1968 | 3:44:27 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:46:51 (Pop-up) |
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The Roosters | Love Machine | 1968 | 3:47:02 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the awake brock. Are you upset by how alive it is? Does it tear you apart to see the brock so alert? How happy is the famous maynard! Are you upset by how illustrious it is? Does it tear you apart to see the maynard so famed? When I think of the daley, I see an anti firm. Down, down, down into the darkness of the daley, |
3:49:40 (Pop-up) |
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The Pink Floyd | Apples and Oranges | 1967 | 3:50:25 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The Crazy And Brown Kingdom Whose kingdom is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kingdom a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:53:28 (Pop-up) |
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The Crazy World Of Arthur Brown | Child Of My Kingdom | 1968 | 3:54:12 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The Crazy And Brown Kingdom Whose kingdom is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kingdom a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:04:07 (Pop-up) |
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Sagittarius | In My Room | 1969 | 4:05:01 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Sagittarius - A Haiku Glorious autumn shall sagittarius rain after the kooper |
4:07:06 (Pop-up) |
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Al Kooper | Coloured Rain | 1969 | 4:07:27 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Dandelion - A Haiku Glorious autumn A wild, dandelion rain at the old kooper |
4:10:27 (Pop-up) |
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The Rolling Stones | Dandelion | 1967 | 4:10:51 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Dandelion, Part 2 - A Haiku Previous autumn A false, dandelion love despite the planet |
4:15:10 (Pop-up) |
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Love | The Daily Planet | The Daily Planet | 4:15:30 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Satisfaction - A Haiku Previous autumn waterproof satisfaction near the waterproof |
4:18:53 (Pop-up) |
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Waterproof Tinkertoy | Satisfaction | 1967 | 4:19:27 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Satisfaction, Part 2 - A Haiku Previous autumn waterproof satisfaction on the waterproof |
4:22:18 (Pop-up) |
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The Electric Flag; An American Music Band | Groovin' Is Easy | 1968 | 4:22:44 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Handbags - A Haiku Glorious autumn An electric handbags band the american |
4:25:43 (Pop-up) |
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Chris Farlowe | Handbags And Gladrags | 1967 | 4:26:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
4:29:57 (Pop-up) |
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featuring John Zacherle | Pistol Stomp | Monster Mash | 4:30:13 (Pop-up) | |||
Kaleidoscope | Black Fjord | Faintly Blowing | 4:32:51 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
How happy are vehicular roadways! Do roadways make you shiver? do they? I cannot help but stop and look at floor walkways. Do walkways make you shiver? do they? A boulevard, however hard it tries, Will always be yellow. |
4:36:00 (Pop-up) |
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The Moving Sidewalks | I Want To Hold Your Hand | 1968 | 4:36:45 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Why would you think the downtown is idle? the downtown is the most busy city district of all. Never forget the occupied and officious downtown. Pay attention to the pavement, the pavement is the most asphalt paved surface of all. Never forget the macadamized and paved pavement. zany pavements sings like an asphaltic weather Now wacky is just the thing, |
4:39:58 (Pop-up) |
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Alice Cooper | Living | 1969 | 4:41:13 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The empress that's really lady, Above all others is the catherine. Does the catherine make you shiver? does it? A rebecca, however hard it tries, Will always be beautiful. Does the rebecca make you shiver? does it? |
4:44:16 (Pop-up) |
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Bobby Callender | 3rd Movement - Satyagraha | 1971 | 4:44:49 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:51:20 (Pop-up) | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners |
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Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
SF Sorrow:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
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Owl Sun:
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Popple Vuh:
Owl Sun:
Owl Sun:
Popple Vuh:
Hoboken Jack:
Hoboken Jack:
Owl Sun:
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