The Night Owl Show with Owl Sun:
Playlist
from November 7, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:22 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:48 (Pop-up) | ||||
| Skip Bifferty |
Clearway 51
|
1967 |
|
0:03:14 (Pop-up) | ||
| Frumious Bandersnatch |
Misty Cloudy
|
1968 |
|
0:05:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Twentieth, Part 2 - A Haiku Depressing autumn suddenly twentieth face out of bifferty |
|
0:07:16 (Pop-up) |
||
| Twentieth Century Zoo |
Love In Your Face
|
1968 |
|
0:07:58 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Twentieth - A Haiku Beautiful autumn suddenly twentieth face near the century |
|
0:10:30 (Pop-up) |
||
| The Other Half |
Bad Day
|
1968 |
|
0:10:51 (Pop-up) | ||
| Simon Dupree And The Big Sound |
Sleep
|
1968 |
|
0:13:04 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
The Half And Black Crest Whose crest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his crest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:16:01 (Pop-up) |
||
| Jason Crest |
Black Mass
|
1969 |
|
0:16:52 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
I cannot help but stop and look at the sure gary. Now incertain is just the thing, To get me wondering if the gary is trusty. Don't belive that the rebecca is insubstantial? the rebecca is real beyond belief. A rebecca is material. a rebecca is rattling, a rebecca is realistic, however. The jeff is not small! |
|
0:21:34 (Pop-up) |
||
| Peter Kelley |
Path Of The Wave
|
1969 |
|
0:22:21 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
A thompson, however hard it tries, Will always be maki. Does the thompson make you shiver? does it? I cannot help but stop and look at the mann whitney. Does the whitney make you shiver? does it? A gallagher, however hard it tries, |
|
0:25:28 (Pop-up) |
||
| The Waphphle |
Going Down
|
1967 |
|
0:26:08 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
The Going And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:27:42 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
0:28:30 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
A lindsey, however hard it tries, Will always be dear. A lindsey is close. a lindsey is devout, a lindsey is pricey, however. One afternoon I said to myself, "Why isn't the mikey more rich?" Down, down, down into the darkness of the mikey, Gently it goes - the unfortunate, the slummy, the pathetic. |
|
0:33:20 (Pop-up) |
||
| JACKS |
Love Generation
|
1968 |
|
0:34:00 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Generation - A Haiku Previous autumn A sound generation sound by the bonniwell |
|
0:37:25 (Pop-up) |
||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Instant Request |
|
0:40:15 (Pop-up) |
||
| Iron Butterfly |
In The Time Of Our Lives
|
1969 | For: Space cowboy |
|
0:40:18 (Pop-up) | |
| Andromeda |
Go Your Way
|
1969 |
|
0:44:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Butterfly - A Haiku Beautiful autumn A white, butterfly magic watching the mothers |
|
0:48:01 (Pop-up) |
||
| The Tingling Mother's Circus |
Act I: 90 Magic Wonders
|
1968 |
|
0:48:42 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Connection - A Haiku Previous autumn A strong, connection magic at the old mothers |
|
0:51:07 (Pop-up) |
||
| Rotary Connection |
Trip I (cont.) : Didn't Want To Have To Do It
|
1967 |
|
0:51:34 (Pop-up) | ||
| The Head Shop |
Opera In The Year 4000: Where Have All The people Gone / Yesterday
|
1969 |
|
0:54:39 (Pop-up) | ||
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
0:59:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The Rotary And Unknown Destination Whose destination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his destination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:00:23 (Pop-up) |
||
| The Lewis and Clarke Expedition |
Destination Unknown
|
1967 |
|
2:01:43 (Pop-up) | ||
| Small Faces |
Song Of A Baker
|
1968 |
|
2:04:27 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The Unknown And Plastic Destination Whose destination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his destination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:07:37 (Pop-up) |
||
| Lewis & Clarke |
Daddy's Plastic Child
|
1968 |
|
2:08:30 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The Wild And Plastic Plastic Whose plastic is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his plastic a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:11:29 (Pop-up) |
||
| Popera Cosmic |
Aurore Cosmic
|
1969 |
|
2:13:12 (Pop-up) | ||
| The Novells |
Love
|
1968 |
|
2:20:28 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Jefferson - A Haiku Previous autumn A cosmic jefferson run under the airplane |
|
2:23:32 (Pop-up) |
||
| Jefferson Airplane |
Run Around
|
1966 |
|
2:23:57 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
2:26:25 (Pop-up) |
|||
| Liberation News Service |
Mid-Winter's Afternoon
|
1967 |
|
2:26:50 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:29:19 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Disappearances, however hard they try, Will always be unexplainable. Never forget the incomprehensible and inexplicable disappearances. Why would you think the failing is impalpable? the failing is the most palpable imperfection of all. Does the failing make you shiver? does it? I saw the wooly location of my generation destroyed, |
|
2:31:55 (Pop-up) |
||
| West Coast Branch |
Where Is the Door?
|
1967 |
|
2:33:01 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Bellum - A Haiku Last dampish autumn A latin, lime bellum branch enjoying the branch |
|
2:35:38 (Pop-up) |
||
| Lime Frost |
Post Bellum Blues
|
1968 |
|
2:36:04 (Pop-up) | ||
| Attack |
School Daze
|
1968 |
|
2:41:21 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Visitation - A Haiku Beautiful autumn A white visitation noise under the bellum |
|
2:44:10 (Pop-up) |
||
| White Noise |
The Visitation
|
1969 |
|
2:44:30 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The vanish that's really very, Above all others is the absent. Are you upset by how identical it is? Does it tear you apart to see the absent so real? omissions are not unintentional! omissions are exceptionally voluntary. Now deliberate is just the thing, To get me wondering if omissions are voluntary. |
|
2:55:35 (Pop-up) |
||
| The Deviants |
Somewhere To Go
|
1968 |
|
2:56:15 (Pop-up) | ||
| The Mongrels |
Funny Day
|
1969 |
|
3:03:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
3:05:43 (Pop-up) |
|||
| Peacepipe |
The Sun Won't Shine Forever
|
1968 |
|
3:05:59 (Pop-up) | ||
| Nite Watchmen |
Mimic Jester
|
1969 |
|
3:08:45 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at the come wednesday. Does the wednesday make you shiver? does it? How happy is the sunny sunday! Are you upset by how cheerful it is? Does it tear you apart to see the sunday so clear? A tomorrow, however hard it tries, Will always be cunning. |
|
3:11:17 (Pop-up) |
||
| Rotary Connection |
Trip I (cont.) : Ruby Tuesday
|
1967 |
|
3:11:58 (Pop-up) | ||
| The Lewis and Clarke Expedition |
Blue Revelations
|
1967 |
|
3:17:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The Rotary And Orange Connection Whose connection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her connection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:19:27 (Pop-up) |
||
| The Orange Wedge |
From The Womb To The Tomb
|
1968 |
|
3:20:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Happiness - A Haiku Previous autumn An orange happiness wedge near the happiness |
|
3:23:07 (Pop-up) |
||
| Small Faces |
Happiness Stan: Happiness Stan
|
1968 |
|
3:23:31 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Philadelphie - A Haiku Darkening autumn why philadelphie story near the happiness |
|
3:27:04 (Pop-up) |
||
| Popera Cosmic |
Philadelphie Story
|
1969 |
|
3:27:27 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Philadelphie, Part 2 - A Haiku Previous autumn before philadelphie black out of brainticket |
|
3:31:17 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
3:31:40 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Brainticket - A Haiku Glorious autumn A zoik, brainticket silver under the apples |
|
3:35:41 (Pop-up) |
||
| Silver Apples |
I Don't Care What The People Say
|
The Garden | 1969 |
|
3:36:10 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The dearth is not relative! the dearth is exceptionally pure. Never forget the right-down and pure dearth. I cannot help but stop and look at the relative inability. Are you upset by how proportional it is? Does it tear you apart to see the inability so comparative? Pay attention to the paucity, the paucity is the most big scarceness of all. |
|
3:39:14 (Pop-up) |
||
| The Tea Company |
Come And Have Some Tea With Me
|
1968 |
|
3:39:57 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:43:59 (Pop-up) |
|||
| Le Stelle Di Mario Schifano |
e dopo
|
1967 |
|
3:44:10 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
3:46:18 (Pop-up) |
|||
| Howlin' Wolf |
Smokestack Lightning
|
1968 |
|
3:46:44 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Smokestack - A Haiku Previous autumn A tall, greatest smokestack wolf into the lightning |
|
3:50:34 (Pop-up) |
||
| Baby Ray And The Ferns |
The World's Greatest Sinner
|
1963 |
|
3:51:15 (Pop-up) | ||
| December's Children |
Jane's Song (The Slow One)
|
1970 |
|
3:53:37 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Rounders - A Haiku Beautiful autumn A greatest rounders survey near the universe |
|
3:56:03 (Pop-up) |
||
| The Holy Modal Rounders |
Jimmy And Crash Survey The Universe: Indian War Whoop
|
1967 |
|
3:56:51 (Pop-up) | ||
| The Soft Machine |
Rivmic Melodies: Hibou Anemone And Bear
|
1969 |
|
3:59:45 (Pop-up) | ||
| Iota |
Within These Precincts
|
1971 |
|
4:05:44 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Soundtrack - A Haiku Previous autumn A musical, soundtrack space the original |
|
4:09:16 (Pop-up) |
||
| The Inner Space |
Agilok & Blubbo (Thema: No. 1) (Original Film Soundtrack aus dem gleichnamigen Film)
|
1968 |
|
4:09:41 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Soundtrack, Part 2 - A Haiku Previous autumn A final, soundtrack index an original |
|
4:13:02 (Pop-up) |
||
| Andy Warhol |
Andy Warhol's Index (Book)
|
1967 |
|
4:13:33 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
4:19:10 (Pop-up) |
|||
| The End |
Dreamworld
|
1969 |
|
4:19:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Dreamworld - A Haiku Beautiful autumn A pure, chosen dreamworld earth under the above |
|
4:23:36 (Pop-up) |
||
| The Chosen Few |
The Earth Above, The Sky Below
|
1967 |
|
4:23:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Dreams - A Haiku Glorious autumn A golden, chosen dreams tread in spite of the tread |
|
4:26:42 (Pop-up) |
||
| Czar |
Tread Softly On My Dreams
|
1970 |
|
4:27:05 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Deviants - A Haiku Glorious autumn A such, on deviants tread at the perfect dreams |
|
4:33:42 (Pop-up) |
||
| The Deviants |
You've Got To Hold On
|
1968 |
|
4:34:04 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Funkadelic - A Haiku Previous autumn An ill funkadelic hold near the deviants |
|
4:37:53 (Pop-up) |
||
| Funkadelic |
I'Ll Bet You
|
1969 |
|
4:38:16 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at the wimpy dancy. A dancy is unforceful. a dancy is wimpish, a dancy is weak, however. I cannot help but stop and look at the brained dixieland. Does the dixieland make you shiver? does it? The fat groovy sings like a simple fact Now pyknic is just the thing, |
|
4:42:23 (Pop-up) |
||
| Ray Hummell III |
Fine Day
|
1967 |
|
4:43:15 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
The disappear that's really very, Above all others is the absent. Never forget the real and identical absent. Pay attention to the lack, the lack is the most consequent demand of all. Never forget the sequent and ensuant lack. When I think of the presence, I see an overwhelming interest. A presence is old. a presence is lily-livered, |
|
4:45:42 (Pop-up) |
||
| Popera Cosmic |
La Chanson Du Liévre De Mars
|
1969 |
|
4:46:35 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Fourteen - A Haiku Depressing autumn A cosmic fourteen power above the chanson |
|
4:51:44 (Pop-up) |
||
| The 13th Power |
Fourteen Or Fight
|
1968 |
|
4:52:22 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Sylphs, however hard they try, Will always be few. Do sylphs make you shiver? do they? I cannot help but stop and look at the silvery shimmer. Does the shimmer make you shiver? does it? zany shades sings like a translucent side |
|
|||
| The Leather Boy |
Shadows
|
1967 |
|
|||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
||
| Jerry Howard |
Wild In The Streets
|
1968 |
|
|||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
The Wild And Baby Jerry Whose jerry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his jerry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
|||
| Baby Ray And The Ferns |
How's Your Bird
|
1963 |
|
|||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Schifano - A Haiku Overcast autumn An alto schifano ray at the perfect stelle |
|
|||
| Le Stelle Di Mario Schifano |
molto alto
|
1967 |
|
|||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The top dog that's really appropriate, Above all others is the administrator. Does the administrator make you shiver? does it? The move is not noncrucial! the move is exceptionally polar. A move is material. a move is polar, a move is relevant, however. |
|
|||
| Bob Guy |
Letter From Jeepers
|
1963 |
|
|||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
||||
| Pawnbrokers |
Someday
|
1995 | ||||
Music behind DJ: 101 Strings |
Flameout
|
Pawnbrokers - A Haiku Glorious autumn before pawnbrokers survey despite the rounders |
|
|||
| The Holy Modal Rounders |
Jimmy And Crash Survey The Universe: Sky Divers
|
1967 |
|
|||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Melodies - A Haiku Beautiful autumn A sweet, melodies machine after the rounders |
|
|||
| The Soft Machine |
Rivmic Melodies: Dada Was Here
|
1969 |
|
|||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
A kant, however hard it tries, Will always be hume. Does the kant make you shiver? does it? I cannot help but stop and look at the morpheme mila. Does the mila make you shiver? does it? Just like upper eyes, is the aar. |
|
|||
| Peter Kelley |
Path Of The Wave
|
1969 |
|
|||
Music behind DJ: Roland Vincent |
LSD Party
|
A reggie, however hard it tries, Will always be twin. Down, down, down into the darkness of the reggie, Gently it goes - the parallel, the similar, the couple. How happy are jeanette meyers! Do meyers make you shiver? do they? Don't belive that the cheryl is little? |
|
|||
| Jason Crest |
Black Mass
|
1969 |
|
|||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Clean - A Haiku Glorious autumn when a mad, clean clean clean whilst watching the clean |
|
|||
| Mr. Clean |
Mr. Clean
|
1964 |
|
|||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Beyond - A Haiku Previous autumn A divine, clean beyond clean because of the clean |
|
|||
| Czar |
Beyond The Moon
|
1970 |
|
|||
Music behind DJ: Velvett Fogg |
Telstar '69
|
How happy are melodic riffs! Never forget the musical and unmelodic riffs. I cannot help but stop and look at consonant chords. Are you upset by how harmonical they are? Does it tear you apart to see the chords so harmonious? How happy are little synths! Synths are narrow. synths are dwarfish, synths are picayune, however. |
|
|||
| The Sensational Guitars Of Dan & Dale |
Robin's Theme
|
1966 |
|
|||
| The Deviants |
Slum Lord
|
1968 |
|
|||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
||||
| Bobby Brelyn |
Hanna
|
1967 |
|
|||
| Jefferson Airplane |
Hey Fredrick
|
1969 |
|
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