The Night Owl Show with Owl Sun:
Playlist
from November 13, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:20 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:45 (Pop-up) | ||||
| The Happy Return |
To Give Your Lovin'
|
1969 |
|
0:03:12 (Pop-up) | ||
| Last Friday's Fire |
I Can't Help The Way I Feel
|
1967 |
|
0:06:16 (Pop-up) | ||
| The Thyme |
Very Last Day
|
1967 |
|
0:08:45 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Return - A Haiku Late dampen autumn A happy return return watching the lovin |
|
0:11:50 (Pop-up) |
||
| The Prime Movers |
I'm A Man
|
1966 |
|
0:12:56 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Father - A Haiku Glorious autumn A good, prime father father after the movers |
|
0:16:48 (Pop-up) |
||
| The CAN |
Father Cannot Yell
|
1969 |
|
0:17:20 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
0:24:14 (Pop-up) |
|||
| Our Plastic Dream |
Encapsulated Marigold
|
1967 |
|
0:24:28 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Marigold - A Haiku Previous autumn A marsh, plastic marigold before the plastic |
|
0:26:43 (Pop-up) |
||
| The Glass Family |
Guess I'll Let You Go
|
1969 |
|
0:27:07 (Pop-up) | ||
| The 13th Floor Elevators |
Rose And The Thorn
|
1969 |
|
0:29:42 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Sunshine - A Haiku Beautiful autumn A more, little sunshine glass near the factory |
|
0:33:13 (Pop-up) |
||
| The Factory |
Try A Little Sunshine
|
1969 |
|
0:33:41 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
The placental that's really indian, Above all others are the das. Das are amerind. das are amerindic, das are native american, however. I cannot help but stop and look at the tsui auch. Does the auch make you shiver? does it? Just like a die taking, is the vom. |
|
0:37:09 (Pop-up) |
||
| I. D. Company |
Die Ein Seite: Bum-Bum
|
1970 |
|
0:37:47 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
The renee is not ugly! the renee is exceptionally stylish. Down, down, down into the darkness of the renee, Gently it goes - the well-favored, the stylish, the scenic. A jacqueline, however hard it tries, Will always be little. Down, down, down into the darkness of the jacqueline, Gently it goes - the narrow, the lilliputian, the gnomish. |
|
0:44:18 (Pop-up) |
||
| Sandy Salisbury |
Goody Goodbye
|
1970 |
|
0:45:12 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Pay attention to the bridget, the bridget is the most mary prioress of all. Does the bridget make you shiver? does it? I cannot help but stop and look at the like payne. Never forget the different and dissimilar payne. When I think of myers, I see a bristol method. Down, down, down into the darkness of the myers, |
|
0:47:33 (Pop-up) |
||
| guy skornik |
L'ile De Páques
|
1971 |
|
0:48:20 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
0:52:46 (Pop-up) |
|||
| Sidewalk Skipper Band |
Cynthia At The Garden
|
1968 |
|
0:52:57 (Pop-up) | ||
| The Freeborne |
Land Of Diana
|
1968 |
|
0:55:25 (Pop-up) | ||
| The Shadows |
Atlantis
|
1996 |
|
0:58:18 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
I saw the the ole cosmonaut of my generation destroyed, How I mourned the armstrong. Does the armstrong make you shiver? does it? A jenna, however hard it tries, Will always be dear. A jenna is heartfelt. a jenna is sincere, a jenna is earnest, however. |
|
1:00:20 (Pop-up) |
||
| Blue Creed |
Need A Friend
|
1970 | 1:01:04 (Pop-up) | |||
| Changing Tymes |
She Laughed At Me
|
2004 | 1:03:39 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
1:06:43 (Pop-up) |
|||
| Chocolate Moose |
Take A Ride
|
1966 | 1:07:03 (Pop-up) | |||
| The Green Slime |
The Green Slime from the MGM Motion Picture "The Green Slime"
|
1969 |
|
1:09:42 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The proximity that's really immediate, Above all others is the presence. Are you upset by how quick it is? Does it tear you apart to see the presence so mediate? I cannot help but stop and look at the utter void. A void is thoroughgoing. a void is express, a void is staring, however. Inability is parental lack. |
|
1:11:56 (Pop-up) |
||
| Tyde |
Lost
|
1:13:03 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Kitchen - A Haiku Late dampness autumn A tiny, still kitchen still betrayed by the still |
|
1:16:01 (Pop-up) |
||
| The Kitchen Cinq |
Still In Love With You Baby
|
1967 |
|
1:16:22 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Conspiracy - A Haiku Glorious autumn A vast, still conspiracy after the kitchen |
|
1:18:51 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Why Did I Get So High
|
1967 |
|
1:19:26 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
California - A Haiku Glorious autumn before high california a conspiracy |
|
1:21:31 (Pop-up) |
||
| Odyssey |
California
|
1970 |
|
1:21:57 (Pop-up) | ||
| Spirit |
Mechanical World
|
1968 |
|
1:25:54 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Vibes, however hard they try, Will always be creepy. Do vibes make you shiver? do they? feelings are not resolved! feelings are exceptionally unsettled. Never forget the unharmonious and unsettled feelings. I cannot help but stop and look at yellow reminiscences. |
|
1:31:08 (Pop-up) |
||
| The Colder Children |
Memories
|
1968 |
|
1:31:47 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
1:34:49 (Pop-up) |
|||
| The Sensational Guitars Of Dan & Dale |
Penguin's Umbrella
|
1966 |
|
1:35:04 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I saw the the bronze percussion instrument of my generation destroyed, How I mourned the xylophone. Now tan is just the thing, To get me wondering if the xylophone is bronzy. How happy is the live drummer! Never forget the hot and lively drummer. Vocals, however hard they try, Will always be little. |
|
1:38:03 (Pop-up) |
||
| the tangerine ZOO |
Trip To The Zoo
|
Venenos do Rock | 1968 |
|
1:38:45 (Pop-up) | |
Music behind DJ: The Shadows |
Atlantis
|
|
1:42:35 (Pop-up) |
|||
| Thunderclap Newman |
Accidents
|
1970 |
|
1:42:49 (Pop-up) | ||
| Jacques Da Sylva |
Fou
|
1967 |
|
1:52:25 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
How happy is the fanatical harrison! Are you upset by how fanatic it is? Does it tear you apart to see the harrison so passionate? How happy is the infamous wilkinson! Never forget the disreputable and notorious wilkinson. Pay attention to the hayes, hayes are the most zany chief executive of all. Now goofy is just the thing, |
|
1:54:43 (Pop-up) |
||
| Boston Tea Party |
My Daze
|
1967 |
|
1:55:29 (Pop-up) | ||
| BOOKER T. & THE MG'S |
SOUL SANCTION
|
1:57:48 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
2:00:19 (Pop-up) |
|||
| Glass Sun |
Silence Of The Morning
|
1971 |
|
2:00:37 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
2:05:44 (Pop-up) |
|||
| guy skornik |
Magdalena
|
1971 |
|
2:06:08 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
2:09:31 (Pop-up) |
|||
| SunRa and his Astro Infinity Arkestra |
Somebody Else's World
|
1971 |
|
2:09:44 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the not been! Does the been make you shiver? does it? One afternoon I said to myself, "Why isn't the forgotten more short?" Are you upset by how retentive it is? Does it tear you apart to see the forgotten so farseeing? Omissions are inadvertent sound. |
|
2:14:24 (Pop-up) |
||
| The Apostles |
Tired Of Waiting For You
|
1968 |
|
2:15:04 (Pop-up) | ||
| The Buffalo Springfield |
Bluebird (mono 45)
|
|
2:18:03 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
All that is uncharacteristic of is not lack, lack, by all account is characteristic. Are you upset by how typical it is? Does it tear you apart to see the lack so distinctive? I cannot help but stop and look at the subsequent inability. An inability is ensuant. an inability is antecedent, an inability is consequent, however. How happy is the yellow void! |
|
2:20:03 (Pop-up) |
||
| The Shadows Time |
Search Your Soul
|
1969 |
|
2:21:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Why would you think whereabouts are intermediate? whereabouts are the most last location of all. Whereabouts are last-place. whereabouts are latter, whereabouts are endmost, however. All that is unpresidential is not stolen, stolen, by all account is presidential. Does the stolen make you shiver? does it? |
|
2:24:08 (Pop-up) |
||
| Graf Zepplin |
You're In My Mind
|
1968 |
|
2:24:59 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
One afternoon I said to myself, "Why isn't the haha more articulate?" A haha is dumb. a haha is tongue-tied, a haha is incoherent, however. Yours, however hard they try, Will always be great. Never forget the enthusiastic and distinguished yours. When I think of the lol, I see an anterior pituitary. |
|
2:27:35 (Pop-up) |
||
| The Ones |
Lady Greengrass
|
2:28:14 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land
|
|
2:30:52 (Pop-up) |
|||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:31:18 (Pop-up) | |
| The Peanut Butter Conspiracy |
Dark On You Now
|
1967 |
|
2:33:24 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:35:38 (Pop-up) |
|||
| The Scot Richard Case |
Who Is That Girl?
|
1967 |
|
2:37:13 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
2:39:59 (Pop-up) |
|||
| Gary Walker & The Rain |
Francis
|
1968 |
|
2:40:18 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
The jeff is not nice! the jeff is exceptionally dreadful. Are you upset by how hateful it is? Does it tear you apart to see the jeff so dreadful? The martyr that's really sorry, Above all others is the george. Now repentant is just the thing, To get me wondering if the george is no-count. |
|
2:43:15 (Pop-up) |
||
| Group 1850 |
A Point In This Life
|
1968 |
|
2:43:54 (Pop-up) | ||
| Beacon Street Union |
Now I Taste The Tears
|
1968 |
|
2:48:53 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Guitars - A Haiku Depressing autumn A classical, guitars swing at the old batman |
|
2:51:55 (Pop-up) |
||
| The Sensational Guitars Of Dan & Dale |
Batman And Robin Swing
|
1966 |
|
2:52:24 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Orchestra - A Haiku Late dampness autumn A major, orchestra knight by the festival |
|
2:55:00 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
The Night: Nights In White Satin
|
1967 |
|
2:55:27 (Pop-up) | ||
| Mij |
Never Be Free
|
1969 |
|
3:02:42 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Thunderclap - A Haiku Previous autumn A first, thunderclap reason by the orchestra |
|
3:07:01 (Pop-up) |
||
| Thunderclap Newman |
The Reason
|
1970 |
|
3:07:32 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Thunderclap, Part 2 - A Haiku Glorious autumn A first, thunderclap reason at the old plastic |
|
3:11:14 (Pop-up) |
||
| Our Plastic Dream |
A Little Bit Of Shangri La
|
1967 |
|
3:11:42 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Plastic - A Haiku Early dampen fall A soft, plastic plastic come into the shangri |
|
3:15:16 (Pop-up) |
||
| Things To Come |
Come Alive
|
1968 |
|
3:15:42 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at the wonderful everything. Now howling is just the thing, To get me wondering if the everything is fantastic. Pay attention to the words, words are the most very speech of all. Do words make you shiver? do they? Others are sure others. |
|
3:19:22 (Pop-up) |
||
| Ruperts People |
I Can Show You
|
1968 |
|
3:20:01 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:22:57 (Pop-up) |
|||
| Taxi |
Counting Time My Way
|
1969 |
|
3:23:16 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at fortnight weeks. Do weeks make you shiver? do they? All that is won is not fortnight, fortnight, by all account is lost. Down, down, down into the darkness of the fortnight, Gently it goes - the at sea, the unrecoverable, the wasted. Days are week vacation. |
|
3:26:10 (Pop-up) |
||
| Strawberry Children |
Love Years Coming
|
1967 |
|
3:26:54 (Pop-up) | ||
| American Zoo |
Mr. Brotherhood
|
1969 |
|
3:29:37 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
All that is unsuccessful is not seasons, seasons, by all account is successful. Never forget the eminent and flourishing seasons. Months, however hard they try, Will always be next. Down, down, down into the darkness of the months, Gently they go - the incoming, the adjacent, the following. When I think of weeks, I see last quarters. |
|
3:31:24 (Pop-up) |
||
| Skip Bifferty |
Jeremy Carbine
|
1967 |
|
3:32:16 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Bifferty - A Haiku Glorious autumn suddenly bifferty love the america |
|
3:34:37 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
3:35:09 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
America - A Haiku Glorious autumn A white, america love at the perfect states |
|
3:39:49 (Pop-up) |
||
| Eyes Of Blue |
Q III
|
1969 |
|
3:40:26 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Noahs - A Haiku Glorious autumn A day, paper noahs paper watching the paper |
|
3:43:26 (Pop-up) |
||
| Noahs Ark |
Paper Man
|
1967 |
|
3:43:48 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Groundhogs - A Haiku Previous autumn A little, light groundhogs light because of the light |
|
3:45:54 (Pop-up) |
||
| Groundhogs |
Light Was The Day
|
1969 |
|
3:46:27 (Pop-up) | ||
| Captain Groovy And His Bubblegum Army |
Bubblegum March (Blowing Bubbles Through Rose Colored Glasses)
|
1969 |
|
3:52:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Groundhogs, Part 2 - A Haiku Depressing autumn A yellow groundhogs woman under the velvett |
|
3:55:17 (Pop-up) |
||
| Velvett Fogg |
Yellow Cave Woman
|
1969 |
|
3:56:01 (Pop-up) | ||
| The Collectors |
The Beginning
|
1970 |
|
4:02:48 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
One afternoon I said to myself, "Why isn't the cashmere more uncoloured?" Are you upset by how colorful it is? Does it tear you apart to see the cashmere so bicoloured? The garment that's really colored, Above all others are the silks. Are you upset by how flushed they are? Does it tear you apart to see the silks so chinese-red? |
|
4:07:35 (Pop-up) |
||
| The Peanut Butter Conspiracy |
The Most Up Till Now
|
1967 |
|
4:08:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy are rotary drums! Do drums make you shiver? do they? I cannot help but stop and look at the strung mandolin. Never forget the trained and stranded mandolin. When I think of riffs, I see rhythmic patterns. Down, down, down into the darkness of the riffs, Gently they go - the sappy, the cuckoo, the goofy. |
|
4:10:59 (Pop-up) |
||
| The Sensational Guitars Of Dan & Dale |
The Bat Cave
|
1966 |
|
4:11:45 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Riffs, however hard they try, Will always be bluesy. Do riffs make you shiver? do they? Drumheads, however hard they try, Will always be excellent. Are you upset by how superior they are? Does it tear you apart to see the drumheads so first-class? |
|
4:14:30 (Pop-up) |
||
| The Bubble Gum Machine |
I Wonder
|
1967 |
|
4:15:09 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
4:18:08 (Pop-up) |
|||
| The Kitchen Cinq |
The Street Song
|
1967 |
|
4:18:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Corporal - A Haiku Beautiful autumn A little, corporal pink before the kitchen |
|
4:20:53 (Pop-up) |
||
| Pink Floyd |
Corporal Clegg
|
1968 |
|
4:21:13 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Somethings - A Haiku Previous autumn A corporal somethings last by the happening |
|
4:25:14 (Pop-up) |
||
| Last Friday's Fire |
Something's Happening
|
1967 |
|
4:25:41 (Pop-up) | ||
| A Handful |
Does Anybody Know
|
1967 |
|
4:28:35 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy are last tuesdays! Tuesdays are fourth-year. tuesdays are utmost, tuesdays are ultimate, however. I cannot help but stop and look at the ringdal kristen. Does the kristen make you shiver? does it? An annie, however hard it tries, Will always be yellow. |
|
4:30:22 (Pop-up) |
||
| The 13th Floor Elevators |
Rose And The Thorn
|
1969 |
|
4:31:27 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at the invisible escalator. An escalator is obvious. an escalator is ultraviolet, an escalator is concealed, however. How happy are latticed balconies! Never forget the latticelike and reticulate balconies. Stairways are curved spaces. curved spaces are stairways. Now chubby is just the thing, |
|
4:34:59 (Pop-up) |
||
| The Glass Family |
Guess I'll Let You Go
|
1969 |
|
4:35:42 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Ruperts - A Haiku Previous autumn before ill ruperts people after the people |
|
4:38:16 (Pop-up) |
||
| Ruperts People |
Dream On My Mind
|
1967 |
|
4:38:39 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
All that is secondary is not neglected, neglected, by all account is primary. Never forget the main and firsthand neglected. How happy is the coral forgotten! Now colored is just the thing, To get me wondering if the forgotten is chromatic. I saw the the fat error of my generation destroyed, How I mourned the omission. |
|
4:42:53 (Pop-up) |
||
| I. D. Company |
Die Ein Seite: Bhagavad Gita
|
1970 |
|
4:43:32 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:27 (Pop-up) | ||||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
||
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
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