The Night Owl Show with Owl Sun:
Playlist
from November 22, 2021
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:29 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:55 (Pop-up) | ||||
| The Teddy Boys |
Where Have All the Good Times Gone
|
1966 |
|
0:03:21 (Pop-up) | ||
| Georgy & The Velvet Illusions |
The Stereo Song
|
1967 |
|
0:06:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Why would you think occasions are same? occasions are the most other business of all. Are you upset by how remaining they are? Does it tear you apart to see the occasions so other than? One afternoon I said to myself, "Why aren't situations more few?" Now umteen is just the thing, To get me wondering if situations are few. |
|
0:08:10 (Pop-up) |
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| The Tangerine Zoo |
Wake Up Sun
|
1968 |
|
0:08:59 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
0:14:10 (Pop-up) |
|||
| Tarantula |
Love Is For Peace
|
1969 |
|
0:14:28 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
0:21:57 (Pop-up) |
|||
| Dick St. John |
You Know What I Mean
|
1965 |
|
0:22:12 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Victor - A Haiku Overcast autumn A rca, brown victor rain whilst watching the brown |
|
0:24:41 (Pop-up) |
||
| victor brady |
Brown Rain
|
1970 |
|
0:25:15 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Victor, Part 2 - A Haiku Darkening autumn A rca, brown victor brick in spite of the brick |
|
0:36:47 (Pop-up) |
||
| Toad Hall |
Elegy On A Brick Wall
|
1968 |
|
0:37:10 (Pop-up) | ||
| The West Coast Pop Art Experimental Band |
Transparent Day
|
1967 |
|
0:39:59 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:42:12 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Sweetwater - A Haiku Overcast autumn A more, in sweetwater brick beyond the rainbow |
|
0:45:22 (Pop-up) |
||
| Sweetwater |
In A Rainbow
|
1968 |
|
0:46:00 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Meads, however hard they try, Will always be sicilian. Do meads make you shiver? do they? How happy are white stouts! Stouts are whitened. stouts are ashen, stouts are empty, however. beers are not little! |
|
0:50:10 (Pop-up) |
||
| TIME |
Elin Experience
|
1968 |
|
0:50:46 (Pop-up) | ||
| Moby Grape |
Omaha
|
1967 |
|
0:55:05 (Pop-up) | ||
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 0:57:40 (Pop-up) | |||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
0:59:32 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Kilometers, however hard they try, Will always be vehicle. Do kilometers make you shiver? do they? Pay attention to the east, the east is the most far asia of all. An east is cold. an east is immoderate, an east is furthest, however. |
|
1:00:31 (Pop-up) |
||
| Dragonfly |
Miles Away
|
1968 |
|
1:01:24 (Pop-up) | ||
| Jimmy Gordon |
1980
|
1967 |
|
1:05:57 (Pop-up) | ||
| The Bold |
Gotta Get Some
|
1966 |
|
1:08:12 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Apothecary - A Haiku Overcast autumn How sound apothecary after the sandwich |
|
1:11:27 (Pop-up) |
||
| The Sound Sandwich |
Apothecary Dream
|
1967 |
|
1:11:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Don't belive that wiggs are uncommon? wiggs are common beyond belief. Are you upset by how informal they are? Does it tear you apart to see the wiggs so usual? A dewitt, however hard it tries, Will always be birmingham. Does the dewitt make you shiver? does it? |
|
1:14:30 (Pop-up) |
||
| Bobby Callender |
Nature
|
1968 |
|
1:15:12 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Lightening - A Haiku Beautiful autumn A first, light lightening light near the callender |
|
1:19:39 (Pop-up) |
||
| The Shy Guys |
Black Lightening Light
|
1968 |
|
1:20:07 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Lightening, Part 2 - A Haiku Overcast autumn A slight, light lightening light by the tangerine |
|
1:24:34 (Pop-up) |
||
| The Tangerine Zoo |
Confusion
|
1968 |
|
1:25:13 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy are sure thats! Down, down, down into the darkness of the thats, Gently they go - the certain, the reliable, the uncertain. A haha, however hard it tries, Will always be hihi. Does the haha make you shiver? does it? How happy is the zany dont! |
|
1:30:03 (Pop-up) |
||
| People |
I've Got You On My Mind
|
1969 |
|
1:30:42 (Pop-up) | ||
| Tasmanians |
Baby
|
1967 |
|
1:33:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Flashback - A Haiku Previous autumn A brief, winged flashback flashback out of alliance |
|
1:35:26 (Pop-up) |
||
| Silk Winged Alliance |
Flashback
|
1968 |
|
1:35:54 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Flashback, Part 2 - A Haiku Depressing autumn A brief, winged flashback flashback on the alliance |
|
1:39:49 (Pop-up) |
||
| The Sons Of May |
Morning Dew (And the Light Turned Red)
|
1968 |
|
1:40:14 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Morning - A Haiku Last dampen autumn An early, light morning light by the milano |
|
1:43:46 (Pop-up) |
||
| Le Orme |
Part I: Milano 1968
|
1969 |
|
1:44:10 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Society - A Haiku Overcast autumn A free, society part before the mighty |
|
1:47:16 (Pop-up) |
||
| The Society |
High And Mighty
|
1967 |
|
1:47:37 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Grumbleweeds - A Haiku Glorious autumn before grumbleweeds follow the society |
|
1:50:24 (Pop-up) |
||
| Grumbleweeds |
(Hey Babe) Follow Me
|
2009 |
|
1:50:48 (Pop-up) | ||
| Toad Hall |
Storybook Love
|
1968 |
|
1:53:29 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
1:56:07 (Pop-up) |
|||
| Razor's Edge |
Get Yourself Together
|
1967 |
|
1:56:25 (Pop-up) | ||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
1:58:44 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
2:00:30 (Pop-up) |
|||
| Skip Battyn and The Group |
Night Time Girl
|
1966 |
|
2:00:51 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
2:03:28 (Pop-up) |
|||
| Sweetwater |
My Cyrstal Spider
|
1968 |
|
2:03:40 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The seasoner that's really unsigned, Above all others is the msg. Does the msg make you shiver? does it? One afternoon I said to myself, "Why isn't the prob more nominal?" Never forget the insubstantial and nominal prob. When I think of the con, I see a much city. |
|
2:07:26 (Pop-up) |
||
| The Sky |
I'm Not A Fool
|
1966 |
|
2:08:01 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
The roman deity that's really latin, Above all others are the dis. Are you upset by how emotional they are? Does it tear you apart to see the dis so romance? An imo, however hard it tries, Will always be norwegian. Does the imo make you shiver? does it? |
|
2:10:58 (Pop-up) |
||
| The Soul Trippers |
King Bee
|
1966 |
|
2:11:37 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Trippers - A Haiku Overcast autumn A noisy, sound trippers sound beyond the dupree |
|
2:13:36 (Pop-up) |
||
| Simon Dupree And The Big Sound |
Sleep
|
1968 |
|
2:14:01 (Pop-up) | ||
| Soul Society |
Psychedelic Cycle
|
1968 |
|
2:16:58 (Pop-up) | ||
| Dragonfly |
Portrait Of Youth
|
1968 |
|
2:19:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
2:22:27 (Pop-up) |
|||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
2:22:41 (Pop-up) | ||
| The Ravelles |
Psychedelic Movement
|
1968 |
|
2:25:21 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Morricone - A Haiku Previous autumn before small morricone sound originali |
|
2:27:48 (Pop-up) |
||
| The Small Society |
Live For A Real Good Sound
|
1968 |
|
2:28:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Goodbye - A Haiku Depressing autumn A proper, small goodbye sound a society |
|
2:31:27 (Pop-up) |
||
| The Shy Guys |
Goodbye To You
|
1968 |
|
2:31:50 (Pop-up) | ||
| Bedpost Oracle |
The Break Of Dawn
|
2:35:12 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:37:59 (Pop-up) |
|||
| The Tangerine Zoo |
Can't You See
|
1968 |
|
2:38:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:42:10 (Pop-up) |
|||
| The Thyme |
Love To Love
|
1967 |
|
2:42:22 (Pop-up) | ||
| Smokestack Lightnin' |
Look What You've Done
|
1967 |
|
2:44:29 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
2:47:25 (Pop-up) |
|||
| Soul Inc. |
Love Me When I'm Down
|
1968 |
|
2:47:42 (Pop-up) | ||
| The New Mix |
While We Waited
|
1968 |
|
2:49:46 (Pop-up) | ||
| After Tea |
Not Just A Flower In Your Hair
|
1967 |
|
2:53:21 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The lack that's really conspicuous, Above all others is the absence. An absence is pretentious. an absence is flaunty, an absence is blatant, however. How happy are silent disappearances! Down, down, down into the darkness of the disappearances, Gently they go - the unsounded, the inaudible, the implied. Just like dog bonds, is the gone. |
|
2:55:35 (Pop-up) |
||
| The Zoo |
444
|
1969 |
|
2:56:37 (Pop-up) | ||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
2:58:52 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
|
3:00:31 (Pop-up) |
|||
| The Shag |
Stop And Listen
|
1967 |
|
3:00:52 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
A stolen, however hard it tries, Will always be red. A stolen is ruby-red. a stolen is bloody, a stolen is ruddy, however. I saw the the quiet going away of my generation destroyed, How I mourned the disappearance. Down, down, down into the darkness of the disappearance, Gently it goes - the slumbrous, the unquiet, the noiseless. |
|
3:03:22 (Pop-up) |
||
| Something Wild |
Trippin' Out
|
1967 |
|
3:04:21 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
An absentee, however hard it tries, Will always be regular. An absentee is routine. an absentee is orderly, an absentee is irregular, however. I cannot help but stop and look at the ware gone. Does the gone make you shiver? does it? One afternoon I said to myself, |
|
3:06:29 (Pop-up) |
||
| Sir Winston & The Commons |
Not The Spirit Of India
|
1967 |
|
3:07:08 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Because I could not enter for mans, they did kindly enter for me. Do mans make you shiver? do they? I cannot help but stop and look at the mexican fella. Does the fella make you shiver? does it? A baxter, however hard it tries, |
|
3:10:21 (Pop-up) |
||
| The Sheppards |
Poor Man's Thing
|
1966 |
|
3:10:55 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Because I could not enter for mans, they did kindly enter for me. Do mans make you shiver? do they? How happy is the peron farrell! Does the farrell make you shiver? does it? How happy are such pukes! |
|
3:13:05 (Pop-up) |
||
| Van Dyke Parks |
Vine Street
|
1968 |
|
3:13:46 (Pop-up) | ||
| The Senders |
Sometimes Good Guys Don't Wear White
|
1967 |
|
3:17:25 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
3:19:58 (Pop-up) |
|||
| Souls Of The Slain |
7 And 7 Is
|
1967 |
|
3:20:16 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The Crazy And Brown Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:22:19 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Give Him A Flower
|
The Crazy World Of Arthur Brown | 1967 |
|
3:23:13 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
The Crazy And Brown Flytrap Whose flytrap is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her flytrap a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:26:09 (Pop-up) |
||
| The Venus Flytrap |
The Note
|
1967 |
|
3:26:57 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
3:30:02 (Pop-up) |
|||
| The Shades |
Ballot Bachs
|
1968 |
|
3:30:14 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Sandwich - A Haiku Overcast autumn A whole, sound sandwich sandwich beyond the ballot |
|
3:33:06 (Pop-up) |
||
| The Sound Sandwich |
Zig Zag News
|
1967 |
|
3:33:31 (Pop-up) | ||
| The Dizzy Limits |
Mare Tranquility
|
1969 |
|
3:36:47 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Dragonfly - A Haiku Beautiful autumn A sound dragonfly sandwich despite the sandwich |
|
3:39:32 (Pop-up) |
||
| Dragonfly |
Time Has Slipped Away
|
1968 |
|
3:40:04 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Dragonfly, Part 2 - A Haiku Overcast autumn A great, ground dragonfly ground above the handful |
|
3:42:34 (Pop-up) |
||
| My Solid Ground |
handful of grass
|
1971 |
|
3:43:00 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Spleandor - A Haiku Depressing autumn suddenly ground spleandor ground near the indians |
|
3:45:40 (Pop-up) |
||
| The Epic Spleandor |
Cowboys And Indians
|
1967 |
|
3:46:05 (Pop-up) | ||
| The Soul Seekers |
Good Revelations
|
1968 |
|
3:49:00 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Pay attention to the omission, the omission is the most slight disuse of all. Are you upset by how weak it is? Does it tear you apart to see the omission so slim? Pay attention to the presence, the presence is the most frequent existence of all. Are you upset by how common it is? Does it tear you apart to see the presence so prevailing? |
|
3:51:49 (Pop-up) |
||
| The Birds |
How Can It Be
|
1965 |
|
3:52:37 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
3:55:31 (Pop-up) |
|||
| The Shaprels |
Rock-A-Boo
|
1967 |
|
3:55:42 (Pop-up) | ||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
3:57:48 (Pop-up) | ||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
4:00:17 (Pop-up) | |
Music behind DJ: The Beatles |
The Bus
|
An absent, however hard it tries, Will always be respiratory. Does the absent make you shiver? does it? I saw the the parental inconvenience of my generation destroyed, How I mourned the unavailability. An unavailability is maternal. an unavailability is filial, an unavailability is paternal, however. |
|
4:03:29 (Pop-up) |
||
| Soul, Inc. |
Stronger Than Dirt
|
1967 |
|
4:04:07 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Alliance - A Haiku Inclement autumn A hometown alliance silk beyond the hometown |
|
4:06:25 (Pop-up) |
||
| Silk Winged Alliance |
Hometown
|
1968 |
|
4:06:51 (Pop-up) | ||
| Soul Inc. |
The Alligator
|
1966 |
|
4:10:02 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Alliance, Part 2 - A Haiku Early dampish fall A hometown alliance silk beyond the hometown |
|
4:12:12 (Pop-up) |
||
| Moby Grape |
Ooh Mama Ooh
|
1969 |
|
4:12:43 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Machine - A Haiku Glorious autumn A ray, sound machine machine after the spanish |
|
4:15:02 (Pop-up) |
||
| The Sound Machine |
Spanish Flash
|
1967 |
|
4:15:34 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Society - A Haiku Glorious autumn A free, sound society at the old machine |
|
4:18:07 (Pop-up) |
||
| The Society |
Summer Sunset
|
1967 |
|
4:18:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
4:21:06 (Pop-up) |
|||
| The Tangerine Zoo |
Wake Up Sun
|
1968 |
|
4:21:17 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
4:25:29 (Pop-up) |
|||
| Tarantula |
Love Is For Peace
|
1969 |
|
4:25:41 (Pop-up) | ||
| Jimmy Gordon |
Test Pattern
|
1967 |
|
4:33:11 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
4:35:56 (Pop-up) |
|||
| The Si-Dells |
Watch Out Mother
|
1968 |
|
4:36:55 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
4:40:18 (Pop-up) |
|||
| His Majesty's Coachmen |
I Don't Want To See You
|
1967 |
|
4:40:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
4:42:50 (Pop-up) |
|||
| Sir Winston & The Commons |
We're Gonna Love
|
1966 |
|
4:43:06 (Pop-up) | ||
| Dana Gillespie |
You Just Gotta Know My Mind
|
1968 |
|
4:45:41 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:47:44 (Pop-up) |
|||
| The Skunks |
When I Need Her
|
1967 |
|
4:48:12 (Pop-up) | ||
| Snow |
Song Of The Sirens
|
1968 |
|
4:51:33 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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