The Night Owl Show with Owl Sun:
Playlist
from November 28, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| John Bunyan's Progressive Pilgrims |
Pecadillo
|
1969 |
|
0:03:16 (Pop-up) | ||
| Green |
RCMPB
|
1969 |
|
0:07:12 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I saw the the palpable imperfectness of my generation destroyed, How I mourned the failing. Now obvious is just the thing, To get me wondering if the failing is impalpable. The want that's really apparent, Above all others is the absence. An absence is patent. an absence is evident, an absence is visible, however. |
|
0:10:09 (Pop-up) |
||
| Sir Lord Baltimore |
Lake Isle Of Innersfree
|
1970 |
|
0:10:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
How happy is the prehistoric michigan! Are you upset by how past it is? Does it tear you apart to see the michigan so prehistorical? A rudy, however hard it tries, Will always be first. Now ordinal is just the thing, To get me wondering if the rudy is introductory. The cunning jeff sings like a pal government |
|
0:15:53 (Pop-up) |
||
| Crystalline |
Crimson Nights
|
1970 |
|
0:16:33 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Crimson - A Haiku Overcast autumn A little, crimson crimson despite the people |
|
0:22:46 (Pop-up) |
||
| The Tears |
People Through My Glasses
|
1967 |
|
0:23:09 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Why would you think the absent is less? the absent is the most more vanish of all. An absent is more than. an absent is less, an absent is further, however. Don't belive that the lost is civilian? the lost is man beyond belief. Are you upset by how human it is? Does it tear you apart to see the lost so civilian? |
|
0:24:59 (Pop-up) |
||
| Pulse |
Amassilation
|
1969 |
|
0:25:42 (Pop-up) | ||
| orphan egg |
Mourning Electra
|
1968 |
|
0:31:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
0:33:44 (Pop-up) |
|||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
0:34:10 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
Harrison - A Haiku Overcast autumn An orange harrison mind into the rooftop |
|
0:36:00 (Pop-up) |
||
| The Blue Things |
The Orange Rooftop Of Your Mind
|
1966 |
|
0:36:37 (Pop-up) | ||
| the tangerine ZOO |
Symphonic Psyche
|
Venenos do Rock | 1968 |
|
0:39:23 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Rooftop - A Haiku Shivering autumn A low, orange rooftop smoke whilst watching the things |
|
0:45:14 (Pop-up) |
||
| Lazy Smoke |
How Did You Die
|
1968 |
|
0:45:45 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Zeppalin - A Haiku Overcast autumn before zeppalin balloon into the balloon |
|
0:48:53 (Pop-up) |
||
| Heavy Balloon |
16 Ton: Lead Zeppalin
|
1969 |
|
0:49:11 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Zeppalin, Part 2 - A Haiku Shivering autumn before zeppalin picture into the picture |
|
0:51:43 (Pop-up) |
||
| The Source |
You Don't Know What's Going On - From the Motion Picture "Joe"
|
1971 |
|
0:52:18 (Pop-up) | ||
| Felice Taylor |
Winter Again
|
1966 | 0:55:03 (Pop-up) | |||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
0:57:44 (Pop-up) | |
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
|
1:00:14 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Paperhouse - A Haiku Depressing autumn before paperhouse picture above the picture |
|
1:00:23 (Pop-up) |
||
| CAN |
Paperhouse
|
1971 |
|
1:01:21 (Pop-up) | ||
| The Collectors |
The Long Rain
|
1969 |
|
1:08:44 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
1:11:34 (Pop-up) |
|||
| Caravan |
As I Feel I Die
|
1970 |
|
1:12:02 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Scoundrels - A Haiku Shivering autumn A many, sound scoundrels sound despite the scoundrels |
|
1:17:06 (Pop-up) |
||
| Michael Blodgett |
Fire Engine Sky
|
1968 |
|
1:23:02 (Pop-up) | ||
| The Raves |
Mother Nature
|
1967 |
|
1:25:29 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
1:27:55 (Pop-up) |
|||
| Sir Lord Baltimore |
Kingdom Come
|
1970 |
|
1:28:16 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
All that is pleasant is not prickling, prickling, by all account is unpleasant. A prickling is ungrateful. a prickling is rebarbative, a prickling is offensive, however. I saw the the verbal sensation of my generation destroyed, How I mourned the synaesthesia. Down, down, down into the darkness of the synaesthesia, Gently it goes - the communicatory, the numerical, the prolix. |
|
1:34:45 (Pop-up) |
||
| Roman Chariot |
Five Sensations
|
1967 |
|
1:35:48 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
Sensations - A Haiku Darkening autumn A tactile, sensations sound on the electric |
|
1:38:11 (Pop-up) |
||
| Electric Banana |
(Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound)
|
even more electric banana | 1969 |
|
1:38:32 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Incorporation - A Haiku Overcast autumn why incorporation sound the satisfaction |
|
1:42:06 (Pop-up) |
||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
1:42:39 (Pop-up) | ||
| Pulse |
My Old Boy
|
1969 |
|
1:45:47 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Incorporation, Part 2 - A Haiku Overcast autumn then incorporation sound a satisfaction |
|
1:48:05 (Pop-up) |
||
| orphan egg |
Deep In The Heart Of Nebraska
|
1968 |
|
1:49:38 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Nebraska - A Haiku Darkening autumn A deep nebraska message despite the message |
|
1:51:54 (Pop-up) |
||
| The Junk's and the Angels |
The Message
|
1970 |
|
1:52:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
1:54:42 (Pop-up) |
|||
| Wells And Fargo |
Mother Goose Sonata
|
1968 |
|
1:54:56 (Pop-up) | ||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
1:57:58 (Pop-up) | |
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
2:00:02 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:00:24 (Pop-up) |
|||
| Things To Come |
Hello
|
1968 |
|
2:01:13 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Hubbels - A Haiku Colorless autumn A double hubbels bubble under the bubble |
|
2:03:28 (Pop-up) |
||
| The Hubbels |
Hippy Dippy Funky Monkey Double Bubble Sitar Man
|
1969 |
|
2:03:50 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Headband - A Haiku Depressing autumn A double headband bubble under the hubbels |
|
2:06:50 (Pop-up) |
||
| Shiva's Headband |
My Baby
|
1969 |
|
2:07:11 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I cannot help but stop and look at the absolute unavailability. Never forget the unalienable and unquestioning unavailability. Pay attention to the absent, the absent is the most calcium vanish of all. Does the absent make you shiver? does it? When I think of the lack, I see a woeful infection. Never forget the attractive and knavish lack. |
|
2:11:00 (Pop-up) |
||
| CAN |
Bring Me Coffee Or Tea
|
1971 |
|
2:11:42 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Circus - A Haiku Overcast autumn An old, flying circus learn watching the flying |
|
2:18:25 (Pop-up) |
||
| The Flying Circus |
Got To Learn To Love
|
1967 |
|
2:18:45 (Pop-up) | ||
| The Collectors |
Rainbow Of Fire
|
1969 |
|
2:21:10 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Why would you think the presence is expected? the presence is the most unexpected impression of all. A presence is unscheduled. a presence is unannounced, a presence is unanticipated, however. Pay attention to the paucity, the paucity is the most noticeable scarcity of all. Now unnoticeable is just the thing, To get me wondering if the paucity is evident. |
|
2:23:54 (Pop-up) |
||
| Tinkerbell's Fairydust |
Twenty Ten
|
1969 |
|
2:24:40 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at the english smithson. Does the smithson make you shiver? does it? I cannot help but stop and look at the kahn freund. Does the freund make you shiver? does it? One afternoon I said to myself, "Why isn't the beckford more thin?" |
|
2:27:16 (Pop-up) |
||
| Pink Floyd |
Arnold Layne
|
Arnold Layne b/w Candy And A Currant Bun | 1967 | 2:27:56 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Evasion - A Haiku Overcast autumn A pretty evasion pink enjoying the things |
|
2:30:46 (Pop-up) |
||
| The Pretty Things |
Mr. Evasion
|
Defecting Grey / Mr. Evasion | 1968 |
|
2:31:24 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I cannot help but stop and look at longer pieces. Never forget the longest and long pieces. One afternoon I said to myself, "Why aren't objects more unworldly?" Are you upset by how profane they are? Does it tear you apart to see the objects so worldly-minded? When I think of ideas, I see a philosophical process. Never forget the soft and addled ideas. |
|
2:34:48 (Pop-up) |
||
| The Stained Glass |
My Buddy Sin
|
1966 |
|
2:35:48 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
2:39:33 (Pop-up) |
|||
| Yesterday's Children |
Paranoia
|
1969 |
|
2:39:44 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Braves, however hard they try, Will always be armed. Are you upset by how spiny they are? Does it tear you apart to see the braves so bristlelike? All that is achromatic is not widows, widows, by all account is black. Now unclean is just the thing, To get me wondering if widows are black-market. |
|
2:44:20 (Pop-up) |
||
| Aphrodite's Child |
You Always Stand In My Way
|
1968 |
|
2:45:19 (Pop-up) | ||
| Tony And Siegrid |
Up Here
|
1967 |
|
2:49:08 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Braves, however hard they try, Will always be armed. Are you upset by how spiny they are? Does it tear you apart to see the braves so bristlelike? All that is achromatic is not widows, widows, by all account is black. Now unclean is just the thing, To get me wondering if widows are black-market. |
|
2:51:09 (Pop-up) |
||
| The Music Machine |
Time Out
|
1968 |
|
2:52:05 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The knowledge that's really obvious, Above all others is the inability. Down, down, down into the darkness of the inability, Gently it goes - the axiomatic, the unobvious, the salient. I saw the the utter alter of my generation destroyed, How I mourned the void. Does the void make you shiver? does it? |
|
2:54:00 (Pop-up) |
||
| Guardians Of The Rainbow |
What Do You Do When You've Lost Your Love
|
1968 |
|
2:54:40 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
2:57:48 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Guardians - A Haiku Colorless autumn A poor, guardians orphan under the rainbow |
|
3:00:24 (Pop-up) |
||
| orphan egg |
Unvisual State Of Mind
|
1968 |
|
3:00:59 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
People - A Haiku Achromatic fall A many, people people beyond the riding |
|
3:02:52 (Pop-up) |
||
| People |
Riding High
|
1967 |
|
3:03:12 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Farmer - A Haiku Depressing autumn A young, good farmer people beyond the people |
|
3:05:22 (Pop-up) |
||
| Bunches 'A Good |
See The Farmer
|
1968 |
|
3:06:01 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Ambrose - A Haiku Colorless autumn A little, green ambrose plant on the amanda |
|
3:09:54 (Pop-up) |
||
| Amanda Ambrose |
Green Plant
|
1968 |
|
3:10:26 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Ambrose, Part 2 - A Haiku Shivering autumn A pseudo, green ambrose plant on the nobody |
|
3:12:50 (Pop-up) |
||
| Bee Gees |
I can't see nobody
|
1967 |
|
3:13:13 (Pop-up) | ||
| The New Hobbits |
I Could Hear The Grass Growing
|
1969 |
|
3:16:55 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Nobody - A Haiku Colorless autumn A little, nobody need because of the eire |
|
3:19:34 (Pop-up) |
||
| Eire Apparent |
Yes, I Need Someone
|
1969 |
|
3:20:05 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Pointing - A Haiku Shivering autumn An apparent pointing need watching the fingers |
|
3:23:07 (Pop-up) |
||
| The Seeds |
Two Fingers Pointing On You
|
1968 |
|
3:23:29 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:26:38 (Pop-up) |
|||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
3:26:51 (Pop-up) | |
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The dobbin is not smooth! the dobbin is exceptionally serrulate. Does the dobbin make you shiver? does it? How happy is the furrow plough! Does the plough make you shiver? does it? When I think of the agger, I see a roman wall. |
|
3:29:31 (Pop-up) |
||
| Hearts and Flowers |
Highway in the Wind
|
1968 |
|
3:30:11 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Johnnys - A Haiku Darkening autumn A door, sacred johnnys wind above the nothing |
|
3:35:08 (Pop-up) |
||
| The Johnnys |
Nothing Sacred
|
1967 |
|
3:35:30 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
How happy are glaring omissions! Do omissions make you shiver? do they? I cannot help but stop and look at the might been. Does the been make you shiver? does it? When I think of the left, I see a blank group. Are you upset by how muzzy it is? |
|
3:37:56 (Pop-up) |
||
| Wimple Winch |
Atmosphere
|
1967 |
|
3:38:31 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
3:42:54 (Pop-up) |
|||
| Kathy and Larry |
Time
|
1967 |
|
3:43:04 (Pop-up) | ||
| The Wrongh Black Bag |
Wake Me, Shake Me
|
1968 |
|
3:44:52 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
3:47:23 (Pop-up) |
|||
| Shiva's Headband |
Song For Peace
|
1969 |
|
3:47:42 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
One afternoon I said to myself, "Why isn't the deceased more first?" Now irregular is just the thing, To get me wondering if the deceased is 2nd. The traveller that's really happy, Above all others is the absentee. Down, down, down into the darkness of the absentee, Gently it goes - the paradisiac, the blissful, the joyful. |
|
3:52:04 (Pop-up) |
||
| The Jimi Hendrix Experience with Dave Mason |
Little One
|
1967 |
|
3:52:44 (Pop-up) | ||
| Gene Pitney |
Last Chance To Turn Around TRACK
|
3:56:47 (Pop-up) | ||||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:59:44 (Pop-up) | |
| Yesterday's Children |
What Of I
|
1969 |
|
4:02:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
4:05:23 (Pop-up) |
|||
| Moloch |
Helping Hand
|
1969 |
|
4:05:36 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
4:08:56 (Pop-up) |
|||
| the tangerine ZOO |
Gloria
|
Venenos do Rock | 1968 |
|
4:09:25 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:15:54 (Pop-up) |
|||
| orphan egg |
Bird Dog
|
1968 |
|
4:16:07 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
4:18:50 (Pop-up) |
|||
| SRC |
Morning Mood
|
1968 |
|
4:19:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
4:22:02 (Pop-up) |
|||
| The Jimi Hendrix Experience |
Calling All The Devil's Children
|
1968 |
|
4:22:16 (Pop-up) | ||
| The Growing Concern |
Hard Hard Year
|
1968 |
|
4:27:45 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Crimson - A Haiku Shivering autumn A daily, crimson crimson watching the concern |
|
4:32:07 (Pop-up) |
||
| Crystalline |
Crimson Nights
|
1970 |
|
4:32:30 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The quality that's really genuine, Above all others is the inability. Does the inability make you shiver? does it? All that is discontinued is not presence, presence, by all account is continued. Does the presence make you shiver? does it? |
|
4:38:43 (Pop-up) |
||
| Pulse |
Amassilation
|
1969 |
|
4:39:17 (Pop-up) | ||
| Eire Apparent |
The Clown
|
1969 |
|
4:45:07 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
|
4:48:23 (Pop-up) |
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:40 (Pop-up) | ||||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
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