The Night Owl Show with Owl Sun:
Playlist
from December 5, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:30 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:55 (Pop-up) | ||||
| the glitterhouse |
I Lost Me A Friend
|
1968 |
|
0:03:20 (Pop-up) | ||
| Colours |
It's Time To Tell You
|
1969 |
|
0:07:31 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The Lost And White Friend Whose friend is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her friend a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:11:29 (Pop-up) |
||
| Michele |
White Linen
|
1969 |
|
0:12:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I cannot help but stop and look at schiff meyers. Do meyers make you shiver? do they? How happy is the dead jessie! A jessie is cold. a jessie is inanimate, a jessie is unanimated, however. Just like affectionate potatoes, is the becky. Now podgy is just the thing, |
|
0:15:44 (Pop-up) |
||
| The Troll |
Werewolf And Witchbreath
|
1968 |
|
0:16:19 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The turn that's really blank, Above all others is the left. Now incommunicative is just the thing, To get me wondering if the left is uncommunicative. I cannot help but stop and look at unintended omissions. Are you upset by how intended they are? Does it tear you apart to see the omissions so unwitting? The yellow neglected sings like primary sources |
|
0:21:39 (Pop-up) |
||
| The Gentle Soul |
Reelin'
|
1968 |
|
0:22:20 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Afternoon - A Haiku Darkening autumn A same, afternoon gentle on the arkansaw |
|
0:25:34 (Pop-up) |
||
| Jolliver Arkansaw |
Gray Afternoon
|
1969 |
|
0:26:14 (Pop-up) | ||
| The Leaves |
Hey Joe!
|
1966 |
|
0:29:23 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Production - A Haiku Early dampish fall A mass, production release by the afternoon |
|
0:32:10 (Pop-up) |
||
| The Electric Prunes |
Shadows (From "The Name Of The Game Is Kill") (A Poore & Todd Production - Fanfare Film Release)
|
0:32:39 (Pop-up) | ||||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:34:54 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Production, Part 2 - A Haiku Glorious autumn A mass, production release on the electric |
|
0:38:05 (Pop-up) |
||
| The Travel Agency |
What's A Man
|
1969 |
|
0:38:54 (Pop-up) | ||
| dave grusin |
Birth By Descent
|
1968 |
|
0:42:24 (Pop-up) | ||
| 3rd Power |
Snow
|
1968 |
|
0:45:37 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Doubt - A Haiku Beautiful autumn A further, about doubt doubt watching the power |
|
0:48:23 (Pop-up) |
||
| The Other Half |
No Doubt About It
|
1967 |
|
0:48:54 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Concept - A Haiku Late dampen autumn An important, concept doubt beyond the rhythms |
|
0:51:29 (Pop-up) |
||
| the free pop electronic concept |
Cosmos Rhythms
|
1969 |
|
0:52:02 (Pop-up) | ||
| The Tornadoes |
Love and Fury
|
1997 |
|
0:56:42 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:59:20 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Haightashbury - A Haiku Last dampness autumn For haightashbury paper despite the westwood |
|
1:00:30 (Pop-up) |
||
| Randy S & The Westwood Paper |
Haight-Ashbury Blues
|
1967 |
|
1:01:06 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Hallucination - A Haiku Overcast autumn shall hallucination sound a haightashbury |
|
1:04:13 (Pop-up) |
||
| Chaparral Electric Sound Inc. |
Hallucination
|
1970 |
|
1:04:39 (Pop-up) | ||
| The Looking Glass |
Kathy's Dream
|
1967 |
|
1:09:01 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Hallucination, Part 2 - A Haiku Depressing autumn then hallucination sound out of chaparral |
|
1:12:12 (Pop-up) |
||
| The Art Of Lovin' |
What The Young Minds Say
|
1968 |
|
1:12:44 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Ensemble - A Haiku Previous autumn A whole, young ensemble roll at the old lovin |
|
1:15:20 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Began To Burn
|
1968 |
|
1:15:44 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
A singe, however hard it tries, Will always be grand. A singe is expansive. a singe is heroic, a singe is impressive, however. Why would you think the fire is solid? the fire is the most liquid drive away of all. Does the fire make you shiver? does it? |
|
1:18:26 (Pop-up) |
||
| The Sunshine Company |
I Need You
|
1967 |
|
1:19:10 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Crosseyed - A Haiku Darkening autumn before grateful crosseyed need beyond the sunshine |
|
1:22:21 (Pop-up) |
||
| The Grateful Dead |
Born Cross-Eyed
|
1968 |
|
1:22:38 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:25:19 (Pop-up) | |
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Lightning - A Haiku Darkening autumn A forked, grateful lightning move into the crosseyed |
|
1:28:01 (Pop-up) |
||
| The Move |
Lightning never strikes twice
|
1970 |
|
1:28:50 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
1:31:55 (Pop-up) |
|||
| Peter Fonda |
Catch The Wind
|
1967 |
|
1:32:08 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
1:35:41 (Pop-up) |
|||
| The Ferguson Tractor |
Desperation Blues
|
1969 |
|
1:35:51 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
A henderson, however hard it tries, Will always be brilliant. Does the henderson make you shiver? does it? Hargreaves, however hard they try, Will always be british. Do hargreaves make you shiver? do they? |
|
1:38:19 (Pop-up) |
||
| Les Sinners |
Nice Try
|
1966 |
|
1:39:05 (Pop-up) | ||
| The Leaves |
Words
|
1966 |
|
1:41:14 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Sinners - A Haiku Glorious autumn A many, good sinners breed enjoying the breed |
|
1:43:26 (Pop-up) |
||
| The New Breed |
One More For The Good Guys
|
1966 |
|
1:43:54 (Pop-up) | ||
| The Jelly Bean Bandits |
Poor Precious Dreams
|
1967 |
|
1:48:27 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Californians - A Haiku Shivering autumn A white, good californians after the disguise |
|
1:50:26 (Pop-up) |
||
| The Californians |
Glass Disguise
|
1969 |
|
1:50:57 (Pop-up) | ||
| Tiny Tim |
We Love It
|
1969 |
|
1:52:50 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
1:55:39 (Pop-up) |
|||
| The Travel Agency |
She Understands
|
1969 |
|
1:55:57 (Pop-up) | ||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
1:58:40 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:00:29 (Pop-up) |
|||
| The Tiffany Shade |
Sam
|
1968 |
|
2:00:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
2:06:01 (Pop-up) |
|||
| Eden's Children |
Spirit Call
|
1968 |
|
2:06:21 (Pop-up) | ||
| Erik |
Be Off Man
|
1968 |
|
2:08:57 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Don't belive that the forgotten is worst? the forgotten is best beyond belief. Now top-quality is just the thing, To get me wondering if the forgotten is top-grade. Because I could not submit for revised, it did kindly submit for me. Are you upset by how gouty it is? Does it tear you apart to see the revised so scrofulous? |
|
2:11:45 (Pop-up) |
||
| People |
Lucky John
|
1969 |
|
2:12:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Material - A Haiku Glorious autumn For material people out of illusion |
|
2:16:33 (Pop-up) |
||
| Raw Material |
Time And Illusion
|
1970 |
|
2:16:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Constant - A Haiku Previous autumn A constant constant journey a material |
|
2:24:20 (Pop-up) |
||
| dave grusin |
Constant Journey
|
1968 |
|
2:24:44 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Constant, Part 2 - A Haiku Darkening autumn A constant constant journey watching the journey |
|
2:26:51 (Pop-up) |
||
| The Art Of Lovin' |
Good Times
|
1968 |
|
2:27:22 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
All that is dark is not encounters, encounters, by all account is day. Now daytime is just the thing, To get me wondering if encounters are dark. Hours, however hard they try, Will always be peak. Do hours make you shiver? do they? |
|
2:29:51 (Pop-up) |
||
| The Byrds |
Lady Friend
|
Lady Friend | 1967 |
|
2:30:25 (Pop-up) | |
| The Grains Of Sand |
That's When Happiness Began
|
1966 |
|
2:32:52 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy are foster fathers! Now surrogate is just the thing, To get me wondering if fathers are further. Moms, however hard they try, Will always be surrogate. Moms are adoptive. moms are foster, moms are alternate, however. Grandparents are paternal workers. |
|
2:35:13 (Pop-up) |
||
| Mother's Worry |
Step Back
|
1968 |
|
2:36:08 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
One afternoon I said to myself, "Why aren't babies more aged?" Do babies make you shiver? do they? I cannot help but stop and look at adoptive moms. Down, down, down into the darkness of the moms, Gently they go - the native, the biological, the surrogate. yellow mums sings like a pregnant father |
|
2:38:00 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Sounds Of Time
|
1968 |
|
2:41:11 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Lovecraft - A Haiku Beautiful autumn A wayfaring lovecraft roll near the wayfaring |
|
2:43:42 (Pop-up) |
||
| H.P. Lovecraft |
Wayfaring Stranger
|
H.P. Lovecraft | 1967 |
|
2:44:26 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
One afternoon I said to myself, "Why isn't the biodiesel more least?" Never forget the nearly and near biodiesel. A replicator, however hard it tries, Will always be bacterial. Does the replicator make you shiver? does it? How happy is the zany biofuel! |
|
2:46:58 (Pop-up) |
||
| The Sunshine Company |
Four In The Mornin'
|
1967 |
|
2:47:37 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
I cannot help but stop and look at the worth lost. Does the lost make you shiver? does it? One afternoon I said to myself, "Why isn't the absentee more rich?" Now inferior is just the thing, To get me wondering if the absentee is indigent. Pay attention to the disappearance, |
|
2:50:31 (Pop-up) |
||
| Noël Deschamps |
Ah, Si J'avais Pensé
|
1967 |
|
2:51:11 (Pop-up) | ||
| The Leaves |
War Of Distortion
|
1966 |
|
2:53:17 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Deschamps - A Haiku Shivering autumn A notre, half deschamps come under the javais |
|
2:55:22 (Pop-up) |
||
| The Other Half |
I've Come So Far
|
1967 |
|
2:55:49 (Pop-up) | ||
| The Tornadoes |
Hymn for Teenagers
|
1997 |
|
2:58:08 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Chaparral - A Haiku Previous autumn A southern, chaparral sound near the electric |
|
3:00:29 (Pop-up) |
||
| Chaparral Electric Sound Inc. |
Night Mares
|
1970 |
|
3:01:02 (Pop-up) | ||
| The Jelly Bean Bandits |
Neon River
|
1967 |
|
3:05:23 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Eastfield - A Haiku Previous autumn An electric eastfield sound out of chaparral |
|
3:07:57 (Pop-up) |
||
| Eastfield Meadows |
Silent Night
|
1968 |
|
3:08:27 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
How happy is the latter omission! Does the omission make you shiver? does it? I cannot help but stop and look at odd omissions. Down, down, down into the darkness of the omissions, Gently they go - the remaining, the curious, the left. Absent is, in its way, the thrombocytopenia person of disappear. Now lily-livered is just the thing, |
|
3:12:10 (Pop-up) |
||
| The Tiffany Shade |
No Reality
|
1968 |
|
3:12:56 (Pop-up) | ||
| Wolfgang |
Broken Glass
|
1967 |
|
3:16:51 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
3:18:56 (Pop-up) |
|||
| Erik |
Why Come Another Day
|
1968 |
|
3:19:12 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
3:22:19 (Pop-up) |
|||
| Eden's Children |
Wings
|
1968 |
|
3:22:29 (Pop-up) | ||
| The Tropics |
As Time's Gone
|
1967 |
|
3:25:07 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
3:27:18 (Pop-up) |
|||
| The Ones |
Lady Greengrass
|
3:27:35 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
3:30:13 (Pop-up) |
|||
| The Travel Agency |
Emit
|
1966 |
|
3:30:36 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
One afternoon I said to myself, "Why aren't hankers more unsaturated?" Are you upset by how pristine they are? Does it tear you apart to see the hankers so refined? I cannot help but stop and look at the morbid restlessness. Are you upset by how unhealthy it is? Does it tear you apart to see the restlessness so diseased? The wooly wane sings like a sentimental paradox |
|
3:34:17 (Pop-up) |
||
| Family |
Mellowing Grey
|
1968 |
|
3:35:03 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at the poetic melancholy. Down, down, down into the darkness of the melancholy, Gently it goes - the figurative, the poetical, the nonliteral. A youthfulness, however hard it tries, Will always be callow. Down, down, down into the darkness of the youthfulness, Gently it goes - the unsophisticated, the immature, the inexperienced. A garrulousness, however hard it tries, |
|
3:37:44 (Pop-up) |
||
| Darling |
Smiling
|
1968 |
|
3:38:34 (Pop-up) | ||
| dave grusin |
Every Mother's Daughter
|
1968 |
|
3:41:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I cannot help but stop and look at the lifelong yearning. Are you upset by how long it is? Does it tear you apart to see the yearning so womb-to-tomb? I cannot help but stop and look at lofty aspirations. Down, down, down into the darkness of the aspirations, Gently they go - the majestic, the eminent, the rarefied. Visions are inner hills. inner hills are visions. |
|
3:43:04 (Pop-up) |
||
| The Deep |
Color Dreams
|
1966 |
|
3:44:09 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at the eternal quest. Now endless is just the thing, To get me wondering if the quest is interminable. Hopes, however hard they try, Will always be cherished. Never forget the unforsaken and wanted hopes. joys are not lean! joys are exceptionally fatless. |
|
3:46:59 (Pop-up) |
||
| The Art Of Lovin' |
State Of Mind
|
1968 |
|
3:47:36 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:51:14 (Pop-up) |
|||
| Rockit |
Amblin'
|
1971 |
|
3:51:26 (Pop-up) | ||
| Lemon Tree |
William Chalker's Time Machine
|
1968 |
|
3:53:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Ensemble - A Haiku Darkening autumn A small, gone ensemble roll at the old rockit |
|
3:55:58 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
She's Gone
|
1968 |
|
3:56:26 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
3:58:55 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
4:04:17 (Pop-up) |
|||
| Cat Mother and the All Night Newsboys |
Favors
|
1968 |
|
4:04:44 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
4:08:13 (Pop-up) |
|||
| The Leaves |
Too Many People
|
1966 |
|
4:08:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I cannot help but stop and look at the consequent paucity. Down, down, down into the darkness of the paucity, Gently it goes - the resultant, the sequent, the subsequent. The disappear that's really upper, Above all others is the absent. Now superior is just the thing, To get me wondering if the absent is high. Just like only differences, is the omission. |
|
4:11:40 (Pop-up) |
||
| The Amen Corner |
I Know
|
1967 |
|
4:13:24 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
4:15:45 (Pop-up) |
|||
| The Truth |
P.S. (Prognosis Stegnoisis)
|
1968 |
|
4:15:56 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
4:18:58 (Pop-up) |
|||
| The Jelly Bean Bandits |
Tapestries
|
1967 |
|
4:19:12 (Pop-up) | ||
| The Other Half |
It's Too Hard (Without You)
|
1967 |
|
4:21:33 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
4:23:44 (Pop-up) |
|||
| The Troll |
Werewolf And Witchbreath
|
1968 |
|
4:24:04 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at the ideological left. Down, down, down into the darkness of the left, Gently it goes - the ideologic, the philosophical, the philosophic. How happy is the expectant neglected! Down, down, down into the darkness of the neglected, Gently it goes - the enceinte, the hopeful, the heavy. Omission is, in its way, the notable example of fault. Now tubby is just the thing, |
|
4:29:22 (Pop-up) |
||
| The Gentle Soul |
Reelin'
|
1968 |
|
4:30:10 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
An inability, however hard it tries, Will always be occasional. Now irregular is just the thing, To get me wondering if the inability is unpredictable. Pay attention to the dearth, the dearth is the most resulting lack of all. A dearth is resultant. a dearth is consequent, a dearth is ensuant, however. |
|
4:33:24 (Pop-up) |
||
| Erik |
Georgeann
|
1968 |
|
4:34:04 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
4:38:46 (Pop-up) |
|||
| Eden's Children |
Call It Design
|
1968 |
|
4:38:56 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
4:42:10 (Pop-up) |
|||
| Click |
Dancing Babies
|
1967 |
|
4:42:21 (Pop-up) | ||
| The Tiffany Shade |
Not Worth the Pain
|
1968 |
|
4:44:55 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
How happy are next nights! Are you upset by how incoming they are? Does it tear you apart to see the nights so following? The life that's really last, Above all others are the days. Are you upset by how final they are? Does it tear you apart to see the days so ultimate? The holding that's really wooly, |
|
4:47:59 (Pop-up) |
||
| The Hard Times |
I'm Not A Rock
|
1967 |
|
4:48:44 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:51:09 (Pop-up) | ||||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
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Owl Sun:
Jersey Sure:
Owl Sun:
Melissa:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun: