The Night Owl Show with Owl Sun:
Playlist
from December 23, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:30 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:55 (Pop-up) | ||||
| The doors |
Take It As It Comes
|
1967 |
|
0:03:22 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The failing is not impalpable! the failing is exceptionally perceptible. Does the failing make you shiver? does it? How happy is the private deceased! Down, down, down into the darkness of the deceased, Gently it goes - the public, the insular, the secret. I cannot help but stop and look at the cunning disappearance. |
|
0:05:33 (Pop-up) |
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| The Sonic Vibrations Of Tom Dissevelt & Kid Baltan |
Tom Dissevelt: Orbit Aurora
|
1959 |
|
0:06:21 (Pop-up) | ||
| The Mothers Of Invention |
Mom & Dad
|
1968 |
|
0:09:17 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Because I could not submit for revised, it did kindly submit for me. I don't like the fact that it, learned to submit before it knew how to update. Pay attention to the absent, the absent is the most suggestive disappear of all. Never forget the implicational and meaningful absent. How happy is the zany neglected! |
|
0:11:33 (Pop-up) |
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| The Moody Blues |
Ride My See-Saw
|
1968 |
|
0:13:24 (Pop-up) | ||
| Skip Bifferty |
Cover Girl
|
1967 |
|
0:17:03 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
The Moody And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:19:48 (Pop-up) |
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| The Velvet Underground & Nico |
Venus In Furs
|
1967 |
|
0:20:51 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Underground - A Haiku Glooming wintertime A nazi, underground twink under the velvet |
|
0:25:57 (Pop-up) |
||
| Twink |
Fluid
|
1970 |
|
0:26:21 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
0:30:16 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Strings - A Haiku Frigid wintertime An upper, soulful strings twink on the jericho |
|
0:35:06 (Pop-up) |
||
| The Soulful Strings |
Jericho
|
1968 |
|
0:35:37 (Pop-up) | ||
| The Rolling Stones |
2000 Light Years From Home
|
1967 |
|
0:38:41 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Quicksilver - A Haiku Frosty wintertime A crude, quicksilver service near the messenger |
|
0:44:16 (Pop-up) |
||
| Quicksilver Messenger Service |
Bears
|
1968 |
|
0:45:04 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Why would you think the presence is discontinued? the presence is the most continued feeling of all. Does the presence make you shiver? does it? I cannot help but stop and look at the absolute unavailability. Now unequivocal is just the thing, To get me wondering if the unavailability is pure. Just like an utter word, is the void. |
|
0:47:08 (Pop-up) |
||
| Shiva's Headband |
Kaleidescoptic
|
1969 |
|
0:47:51 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Kaleidescoptic - A Haiku Frosty wintertime shall kaleidescoptic pink above the headband |
|
0:51:14 (Pop-up) |
||
| played and composed by the pink floyd |
Main Theme
|
1969 |
|
0:51:39 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:56:49 (Pop-up) | |
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
|
0:57:57 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Neighbourhood - A Haiku Early wintertime A composed neighbourhood pink into the children |
|
1:00:29 (Pop-up) |
||
| Tiny Tim |
Neighbourhood Children
|
1969 |
|
1:01:17 (Pop-up) | ||
| The Crazy World Of Arthur Brown |
Spontaneous Apple Creation
|
1968 |
|
1:05:14 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I cannot help but stop and look at the demure brett. Are you upset by how coy it is? Does it tear you apart to see the brett so overmodest? I cannot help but stop and look at the sure henderson. A henderson is reliable. a henderson is secure, a henderson is steady, however. One afternoon I said to myself, "Why aren't travis more small?" |
|
1:08:08 (Pop-up) |
||
| The Smoke |
Odyssey
|
1968 |
|
1:09:11 (Pop-up) | ||
| The Alan Lorber Orchestra |
Djellaba (The Hooded One)
|
1967 |
|
1:13:52 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
1:15:07 (Pop-up) |
|||
| Jefferson Airplane |
Somebody To Love
|
1967 |
|
1:15:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
A forgotten, however hard it tries, Will always be five. Are you upset by how 5 it is? Does it tear you apart to see the forgotten so cardinal? How happy is the turkish left! Does the left make you shiver? does it? All that is fatless is not revised, |
|
1:18:31 (Pop-up) |
||
| The Velvet Underground |
Lady Godiva's Operation
|
1968 |
|
1:19:22 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
1:24:11 (Pop-up) |
|||
| The Mothers Of Invention |
Electric Aunt Jemima
|
1969 |
|
1:24:26 (Pop-up) | ||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
1:26:12 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Invention - A Haiku Gloomy wintertime A pure, invention people on the electric |
|
1:28:15 (Pop-up) |
||
| People |
I've Got You On My Mind
|
1969 |
|
1:28:49 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
People - A Haiku Heavy wintertime A moody people people at the perfect still |
|
1:31:15 (Pop-up) |
||
| The Moody Blues |
Sun is still shining.
|
1969 |
|
1:31:38 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
1:36:08 (Pop-up) |
|||
| The Jimi Hendrix Experience |
Are You Experienced
|
1967 |
|
1:36:32 (Pop-up) | ||
| Aphrodite's Child |
Plastics Nevermore
|
1968 |
|
1:40:39 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
1:43:07 (Pop-up) |
|||
| The Soft Machine |
Why Are We Sleeping?
|
1968 |
|
1:43:43 (Pop-up) | ||
| Tinkerbell's Fairydust |
Twenty Ten
|
1969 |
|
1:49:08 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Containing - A Haiku Smoggy wintertime A lead, containing machine watching the sleeping |
|
1:51:44 (Pop-up) |
||
| The Asylum Choir |
Episode Containing 3 Songs: Mr. Henry The Clown
|
1968 |
|
1:52:11 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
California - A Haiku Nighttime wintertime before california clown near the containing |
|
1:54:07 (Pop-up) |
||
| The United States Of America |
The American Way Of Love: part I - Metephore for an Older Man, Part II - California Good-time Music, Part III - Love Is All
|
1968 |
|
1:54:34 (Pop-up) | ||
| Thunderclap Newman |
Accidents
|
1970 |
|
2:01:10 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
California, Part 2 - A Haiku Darkness wintertime before california love near the metephore |
|
2:10:47 (Pop-up) |
||
| Tiny Tim |
Ever Since You Told Me That You Loved Me (I'm A Nut)
|
1968 |
|
2:11:39 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Ibiza - A Haiku Darkening winter A composed ibiza pink in spite of the pink |
|
2:14:20 (Pop-up) |
||
| played and composed by the pink floyd |
Ibiza Bar
|
1969 |
|
2:14:49 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Morning - A Haiku Smoggy wintertime A clear, composed morning need under the glory |
|
2:17:49 (Pop-up) |
||
| Morning Glory |
Need Someone
|
1968 |
|
2:18:13 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
2:23:19 (Pop-up) |
|||
| Ill Wind |
People Of The Night
|
1968 |
|
2:23:31 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
A pekin, however hard it tries, Will always be tientsin. Does the pekin make you shiver? does it? A brewster, however hard it tries, Will always be gentle. Never forget the tame and easy brewster. When I think of the suitcase, I see a battered friend. |
|
2:31:10 (Pop-up) |
||
| Gladstone |
What A Day
|
1969 |
|
2:32:04 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
The granville is not early! the granville is exceptionally ripe. Never forget the modern and ripe granville. A chillicothe, however hard it tries, Will always be modern. Now nonclassical is just the thing, To get me wondering if the chillicothe is last. I cannot help but stop and look at the wooly kearney. |
|
2:35:01 (Pop-up) |
||
| Bee Gees |
I Have Decided To Join The Air
|
1968 |
|
2:35:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Street - A Haiku Sunless wintertime A dark, decided street down in spite of the down |
|
2:37:44 (Pop-up) |
||
| the stooges |
Down On The Street
|
1970 |
|
2:38:18 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
How happy is the conjunctival telangiectasia! Does the telangiectasia make you shiver? does it? I saw the the gigantic barrier of my generation destroyed, How I mourned the breakwater. Down, down, down into the darkness of the breakwater, Gently it goes - the mammoth, the large, the big. Pay attention to the nevus, |
|
2:40:53 (Pop-up) |
||
| The Moles |
We Are The Moles (Part 1)
|
We Are The Moles (Part 1) | 1968 |
|
2:41:35 (Pop-up) | |
| Sweet Smoke |
Mary Jane Is To Love
|
1968 |
|
2:45:57 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I cannot help but stop and look at the see efter. Does the efter make you shiver? does it? I cannot help but stop and look at the mantle oma. Does the oma make you shiver? does it? Just like dan traces, is the nick. Are you upset by how thick it is? |
|
2:48:04 (Pop-up) |
||
| The Velvet Underground & Nico |
Run, Run, Run
|
1967 |
|
2:48:49 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The Moody And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:55:56 (Pop-up) |
||
| The Moody Blues |
House Of Four Doors (part two)
|
1968 |
|
2:56:41 (Pop-up) | ||
| The Shadows |
Dance On
|
1996 |
|
2:58:16 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Underground - A Haiku Smoggy wintertime A german, underground house beyond the velvet |
|
3:00:29 (Pop-up) |
||
| The Velvet Underground |
I Heard Her Call My Name
|
1968 |
|
3:01:00 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
3:05:34 (Pop-up) |
|||
| Graham Bond |
The Magician
|
1970 |
|
3:05:49 (Pop-up) | ||
| The Asylum Choir |
Episode Containing 3 Songs: NY Op.
|
1968 |
|
3:09:49 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
A vertigo, however hard it tries, Will always be slight. Are you upset by how flimsy it is? Does it tear you apart to see the vertigo so thin? All that is uncovered is not rocks, rocks, by all account is covered. Rocks are crustlike. rocks are overgrown, rocks are barnacled, however. |
|
3:12:05 (Pop-up) |
||
| The Mothers Of Invention |
Absolutely Free
|
1968 |
|
3:14:02 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Hemisphere - A Haiku Arctic wintertime A northern hemisphere free on the invention |
|
3:17:25 (Pop-up) |
||
| East of Eden |
Northern Hemisphere
|
1969 |
|
3:17:59 (Pop-up) | ||
| The Freeborne |
Peak Impressions & Thoughts
|
1968 |
|
3:22:23 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
3:28:59 (Pop-up) |
|||
| Procol Harum |
Skip Softly (My Moonbeams)
|
1968 |
|
3:29:13 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Because I could not throw for plummer, it did kindly throw for me. Pause to throw, like the plummer does. How happy is the dear kristin! Does the kristin make you shiver? does it? The jessie is not younger! the jessie is exceptionally elderly. |
|
3:32:54 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:33:33 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Brotherhood - A Haiku Misty wintertime A cosmic brotherhood friend out of ulysses |
|
3:38:09 (Pop-up) |
||
| Cream |
Tales Of Brave Ulysses
|
1967 |
|
3:38:35 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Quicksilver - A Haiku Hazy wintertime An observed, quicksilver cream on the ulysses |
|
3:41:19 (Pop-up) |
||
| played and composed by the pink floyd |
Quicksilver
|
1969 |
|
3:41:43 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Quicksilver, Part 2 - A Haiku Nippy wintertime A liquid, quicksilver wind whilst watching the world |
|
3:49:45 (Pop-up) |
||
| Ill Wind |
Dark World
|
1968 |
|
3:50:21 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
The Ill And Dark Sunshine Whose sunshine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her sunshine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:54:01 (Pop-up) |
||
| Sunshine Company |
Willie Jean
|
1968 |
|
3:54:43 (Pop-up) | ||
| The Shadows |
The Rise and Fall of Flingel Bunt
|
1996 |
|
3:59:04 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
One afternoon I said to myself, "Why isn't the whitney more aged?" Never forget the youngish and childlike whitney. A kenny, however hard it tries, Will always be young. Down, down, down into the darkness of the kenny, Gently it goes - the aged, the formative, the immature. When I think of the donald, I see a scottish politician. |
|
4:01:51 (Pop-up) |
||
| The Litter |
Feeling
|
1969 |
|
4:02:08 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Yesterdays - A Haiku Icy wintertime A day, yesterdays people on the tomorrow |
|
4:04:57 (Pop-up) |
||
| Lothar and the Hand People |
Today Is Only Yesterday's Tomorrow
|
1969 |
|
4:05:31 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Underground - A Haiku Dismal wintertime A french, underground people on the yesterdays |
|
4:11:44 (Pop-up) |
||
| The Velvet Underground & Nico |
All Tomorrow's Parties
|
1967 |
|
4:12:08 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Underground, Part 2 - A Haiku Previous winter A german, underground warm on the tomorrows |
|
4:18:04 (Pop-up) |
||
| Warm Sounds |
Nite Is A Comin' b/w Smeta Murgaty
|
1967 |
|
4:18:29 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Murgaty - A Haiku Dismal wintertime before warm murgaty warm on the asylum |
|
4:24:10 (Pop-up) |
||
| The Asylum Choir |
Thieves In The Choir
|
1968 |
|
4:24:46 (Pop-up) | ||
| The Mothers Of Invention |
Mr. Green Genes
|
1969 |
|
4:28:42 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The In And Funky Asylum Whose asylum is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his asylum a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:31:53 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
4:32:58 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The Funky And Fluid Twink Whose twink is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his twink a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:37:48 (Pop-up) |
||
| Twink |
Fluid
|
1970 |
|
4:38:27 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
Morning - A Haiku Arctic wintertime A fine, little morning twink after the glory |
|
4:42:23 (Pop-up) |
||
| Morning Glory |
Hey Little Girl
|
1968 |
|
4:42:44 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Don't belive that omissions are intended? omissions are unintended beyond belief. Never forget the unintentional and inadvertent omissions. All that is shallow is not forgotten, forgotten, by all account is deep. Never forget the unfathomed and inexplicable forgotten. I saw the the cunning vanish of my generation destroyed, How I mourned the absent. |
|
4:46:01 (Pop-up) |
||
| Procol Harum |
Something Following Me
|
1968 |
|
4:46:45 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:18 (Pop-up) | ||||
| The Beach Boys |
Little Saint Nick
|
The Beach Boys' Christmas Album | 1968 |
|
||
| Fathers Angels |
Bok to Bach
|
Bok To Bach / Disco Trucking |
|
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