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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Syd Barrett | Wined and Dined [Take 10] | 1970 | 0:03:19 (Pop-up) | |||
The Move | Cherry Blossom Clinic | 1968 | 0:06:09 (Pop-up) | |||
Jefferson Airplane | Plastic Fantastic Lover | 1967 | 0:08:33 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
A laurie, however hard it tries, Will always be tuskegee. Does the laurie make you shiver? does it? I cannot help but stop and look at the inch armstrong. Does the armstrong make you shiver? does it? Maxwell is dear law. |
0:11:50 (Pop-up) |
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Love | The Red Telephone | 1967 | 0:12:36 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Telephone - A Haiku Severe wintertime A black, jack telephone jack beyond the sundae |
0:17:15 (Pop-up) |
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Sundae Times | Jack Boy | 1969 | 0:17:37 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Millennium - A Haiku Dampish wintertime A fourth, millennium jack above the sequence |
0:20:59 (Pop-up) |
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The Millennium | Karmic Dream Sequence #1 | 1968 | 0:21:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I saw the the worthy addendum of my generation destroyed, How I mourned the sequel. Now good is just the thing, To get me wondering if the sequel is commendable. An assyria, however hard it tries, Will always be northern. Are you upset by how north-central it is? Does it tear you apart to see the assyria so northerly? |
0:27:23 (Pop-up) |
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amon düül II | between the eyes | 1970 | 0:28:04 (Pop-up) | |||
Substantial Evidence | Death Angel | 1969 | 0:30:19 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
0:33:01 (Pop-up) |
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The 3rd Evolution | Don't Play With Me | 1966 | 0:33:38 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
All that is unobvious is not dearth, dearth, by all account is obvious. Now frank is just the thing, To get me wondering if the dearth is open. Pay attention to the void, the void is the most silent space of all. Never forget the talking and mum void. Don't belive that the absent is little? |
0:35:54 (Pop-up) |
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Blue Cheer | Parchment Farm | 1968 | 0:36:33 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Instant Request |
0:42:17 (Pop-up) |
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The Beach Boys | I'd Love Just Once To See You (Alternate Version) | 2017 | For: tom tom the pipers son | 0:42:21 (Pop-up) | ||
Pearls Before Swine | Uncle John | 1967 | 0:46:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Traveller - A Haiku Severe wintertime An english, traveller farm at the old parchment |
0:49:42 (Pop-up) |
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Raw Material | Traveller Man | 1970 | 0:50:23 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 0:56:29 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 0:58:55 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Traveller, Part 2 - A Haiku Early wintertime A chinese, traveller grease watching the children |
1:00:27 (Pop-up) |
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Ancient Grease | Women And Children First | 1970 | 1:01:12 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Children - A Haiku Hazy wintertime An ancient children follow above the ancient |
1:07:43 (Pop-up) |
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notes from the undergorund | Follow Me Down | 1968 | 1:08:07 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:13:43 (Pop-up) |
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GTO's: Girls Together Outrageously | The Eureka Springs Garbage Lady | 1969 | 1:14:04 (Pop-up) | |||
Syd Barrett | Lanky (Part One) | 1989 | 1:18:32 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Lanky And Cheap Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:23:58 (Pop-up) |
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The Mothers Of Invention | Cheap Thrills | 1968 | 1:24:43 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
One afternoon I said to myself, "Why isn't the excitement more tamed?" Down, down, down into the darkness of the excitement, Gently it goes - the feral, the inhospitable, the spontaneous. Fantasies, however hard they try, Will always be grandiose. Are you upset by how highfaluting they are? Does it tear you apart to see the fantasies so impressive? |
1:26:59 (Pop-up) |
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The Move | Night Of Fear | 1966 | 1:27:43 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
1:29:51 (Pop-up) |
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Love | You Set The Scene | 1967 | 1:30:03 (Pop-up) | |||
Royal Aircoach | Wondering Why | 1968 | 1:36:47 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Scene - A Haiku Hazy wintertime A national, set scene take whilst watching the rigg |
1:39:47 (Pop-up) |
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Bram Rigg Set | Take The Time Be Yourself | 1967 | 1:40:22 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the foreman munroe! Does the munroe make you shiver? does it? I cannot help but stop and look at the old gillman. A gillman is antediluvian. a gillman is young, a gillman is middle-aged, however. When I think of the aitken, I see a devout defence. Never forget the bragging and freehanded aitken. |
1:42:28 (Pop-up) |
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Andwellas Dream | The Days grew longer for love | 1969 | 1:43:20 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:48:01 (Pop-up) |
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Mij | Two Stars | 1969 | 1:48:12 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
1:52:02 (Pop-up) |
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The Ruins | She Doesn't Understand | 1998 | 1:52:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
1:54:15 (Pop-up) |
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Arzachel | Azathoth | 1969 | 1:54:38 (Pop-up) | |||
The Tornadoes | Alan's Tune | 1997 | 1:58:52 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:00:27 (Pop-up) |
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Tim Buckley | Wings | 1966 | 2:00:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
How happy are dampier hodges! Do hodges make you shiver? do they? How happy is the vikan kline! Does the kline make you shiver? does it? When I think of the hellman, I see a trent people. Down, down, down into the darkness of the hellman, |
2:03:05 (Pop-up) |
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The Peanut Butter Conspiracy | Big Bummer | 1967 | 2:03:43 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Conspiracy - A Haiku Previous winter A whole, pat conspiracy near the cancereal |
2:06:24 (Pop-up) |
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Pat Kilroy | Cancereal | 1966 | 2:06:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:11:07 (Pop-up) |
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The Ashes | Dark On You Now | 1967 | 2:15:25 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Iota - A Haiku Early wintertime A greek, dark iota sing enjoying the sing |
2:19:23 (Pop-up) |
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Iota | Sing For You | 1969 | 2:19:45 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy are anti adams! Are you upset by how opposed they are? Does it tear you apart to see the adams so pro? A craig, however hard it tries, Will always be paisley. Does the craig make you shiver? does it? Just like a blumenthal friend, is the kelly. |
2:22:26 (Pop-up) |
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Touch | The Spiritual Death of Howard Greer | 1969 | 2:23:00 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Expression - A Haiku Nighttime wintertime A verbal, expression touch a spiritual |
2:31:45 (Pop-up) |
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The Human Expression | Every Night | 1966 | 2:32:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
2:34:41 (Pop-up) |
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The Surprise Package | Out Of My Mind | 1966 | 2:34:55 (Pop-up) | |||
The Roosters | One Of These Days | 1966 | 2:36:50 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at dear matthews. Are you upset by how beloved they are? Does it tear you apart to see the matthews so devout? How happy is the late fallon! Down, down, down into the darkness of the fallon, Gently it goes - the new, the recent, the latish. She is wee rooms. wee rooms is she. |
2:39:32 (Pop-up) |
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Syd Barrett | Wouldn't You Miss Me (Dark Globe) | 1989 | 2:40:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The Dark And Moody Globe Whose globe is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his globe a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:43:19 (Pop-up) |
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The Move | The Disturbance | 1966 | 2:45:11 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
2:47:54 (Pop-up) |
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Musiche Originali Di Ennio Morricone | L'Ultima Corrida | 1968 | 2:48:17 (Pop-up) | |||
GTO's: Girls Together Outrageously | Who's Jim Sox? | 1969 | 2:50:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Ways, however hard they try, Will always be devious. Now oblique is just the thing, To get me wondering if ways are roundabout. realities are not dark! realities are exceptionally nighttime. Never forget the dark and nighttime realities. Just like interesting forms, is stories. |
2:51:09 (Pop-up) |
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Things To Come | Come Alive | 1968 | 2:52:08 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I saw the the afraid relative quantity of my generation destroyed, How I mourned the nothing. Now concerned is just the thing, To get me wondering if the nothing is disinclined. I cannot help but stop and look at the clean everything. Down, down, down into the darkness of the everything, Gently it goes - the midships, the sportsmanlike, the impure. When I think of the stuff, I see a very work. |
2:55:03 (Pop-up) |
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notes from the undergorund | Tristesse | 1968 | 2:55:49 (Pop-up) | |||
T K Os | The Charge | The Charge | 2:58:56 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
An absent, however hard it tries, Will always be calcium. Does the absent make you shiver? does it? The disuse that's really latter, Above all others is the omission. Does the omission make you shiver? does it? |
3:00:26 (Pop-up) |
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Andwellas Dream | Shades of Grey | 1969 | 3:01:08 (Pop-up) | |||
pearls before swine | ring thing | 1968 | 3:04:40 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
An absent, however hard it tries, Will always be wrist. Does the absent make you shiver? does it? I saw the the conspicuous scarcity of my generation destroyed, How I mourned the dearth. Does the dearth make you shiver? does it? |
3:08:07 (Pop-up) |
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Brian Willson and Dee Rovell | Spring Promotion | 3:08:47 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
3:23:53 (Pop-up) |
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Tim Buckley | Song Of The Magician | 1966 | 3:24:15 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:27:17 (Pop-up) |
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Sunlights' Seven | David | 1969 | 3:27:31 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:31:43 (Pop-up) |
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The Monkees | Shorty Blackwell | 1969 | 3:31:53 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A tomlin, however hard it tries, Will always be comedian. Does the tomlin make you shiver? does it? How happy is the irritating pugh! Down, down, down into the darkness of the pugh, Gently it goes - the uncomfortable, the irritative, the vexing. Just like a glen people, is the urquhart. |
3:37:28 (Pop-up) |
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Skip Bifferty | Time Track | 1967 | 3:38:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
3:41:46 (Pop-up) |
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The Art Of Lovin' | You Got The Power | 1968 | 3:41:59 (Pop-up) | |||
The Unwritten Law | Action Speaks Louder | 1967 | 3:44:55 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
3:47:06 (Pop-up) |
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King Crimson | The Court Of The Crimson King including The Return Of The Fire Witch and The Dance Of The Puppets | 1969 | 3:47:23 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 3:57:41 (Pop-up) | ||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 3:59:51 (Pop-up) | ||
GTO's: Girls Together Outrageously | The Captain's Fat Theresa Shoes | 1969 | 4:02:19 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Fat And Milky Way Whose way is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his way a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:03:22 (Pop-up) |
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Syd Barrett | Milky Way | 1989 | 4:04:06 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
An armstrong, however hard it tries, Will always be wonderful. Does the armstrong make you shiver? does it? How happy are 34th meyers! Do meyers make you shiver? do they? Just like a helly kreisau, is the hansen. |
4:07:09 (Pop-up) |
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Mij | Look Into The (K)Night | 1969 | 4:07:55 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Submarine - A Haiku Severe wintertime A yellow submarine knight out of harrison |
4:15:52 (Pop-up) |
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pearls before swine | lepers and roses | 1968 | 4:17:24 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
4:22:41 (Pop-up) |
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Byrds | Change Is Now | Where the Action Is! Los Angeles Nuggets 1965-1968 | 4:22:54 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
4:26:14 (Pop-up) |
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Andwellas Dream | Felix | 1969 | 4:26:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Andwellas - A Haiku Foggy wintertime before andwellas shadow beyond the standing |
4:31:06 (Pop-up) |
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Lord Sitar | Have You Seen Your Mother, Baby, Standing In The Shadow | 1967 | 4:31:39 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Substantial - A Haiku Severe wintertime shall substantial evidence out of evidence |
4:33:38 (Pop-up) |
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Substantial Evidence | Death Angel | 1969 | 4:34:05 (Pop-up) | |||
amon düül II | between the eyes | 1970 | 4:36:46 (Pop-up) | |||
Tim Buckley | I Can't See You | 1966 | 4:39:01 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Mountain - A Haiku Cloudy wintertime A distant, sweet mountain spring under the buckley |
4:42:34 (Pop-up) |
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Spring | Sweet Mountain | 4:43:06 (Pop-up) | ||||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The inconvenience that's really occasional, Above all others is the unavailability. Never forget the irregular and unpredictable unavailability. The scarcity that's really relative, Above all others is the paucity. A paucity is comparative. a paucity is proportional, a paucity is relational, however. How happy is the big presence! |
4:47:10 (Pop-up) |
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Boudewijn de Groot | De Tuin Der Lusten: Prikkebeen | 1968 | 4:48:00 (Pop-up) | |||
The Monkees | You And I | 1969 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
tom tom the pipers son:
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Owl Sun:
tom tom the pipers son:
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