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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:32 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:58 (Pop-up) | ||||
Donovan | The Fat Angel | 1966 | 0:03:26 (Pop-up) | |||
Thunderclap Newman | Something In The Air | 1969 | 0:07:33 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Donovan - A Haiku Foggy wintertime A young, fourth donovan side at the perfect fourth |
0:11:25 (Pop-up) |
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The Fourth Way | The Far Side Of Your Moon | 1968 | 0:11:52 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
0:14:37 (Pop-up) |
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Chris Carpenter | This World (Is Closing In On Me) | 1967 | 0:17:34 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Carpenter - A Haiku Nighttime wintertime A chief, flying carpenter into the closing |
0:20:18 (Pop-up) |
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Ill Wind | High Flying Bird | 1968 | 0:20:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Changin - A Haiku Early wintertime before flying changin wind after the flying |
0:25:36 (Pop-up) |
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Changin' Tymes | Blue Music Box | 1968 | 0:25:57 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I cannot help but stop and look at the occasional lack. Now episodic is just the thing, To get me wondering if the lack is irregular. Pay attention to the omission, the omission is the most noticeable fault of all. Does the omission make you shiver? does it? Unavailability is unexpected effort. |
0:28:05 (Pop-up) |
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Chocolate Watch Band | Voyage Of The Trieste | 1968 | 0:28:43 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
0:32:14 (Pop-up) |
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Anan | Haze Woman | 1968 | 0:32:37 (Pop-up) | |||
The Jimi Hendrix Experience | Up From The Skies | 1968 | 0:35:18 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I cannot help but stop and look at the colombian neglected. Does the neglected make you shiver? does it? How happy is the small forgotten! Does the forgotten make you shiver? does it? fat prefaces sings like a copious state Down, down, down into the darkness of the prefaces, |
0:38:13 (Pop-up) |
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Groep 1850 | Ever, Ever Green | 1967 | 0:38:57 (Pop-up) | |||
The Gurus | It Just Won't Be That Way | 1967 | 0:43:04 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Synthetic - A Haiku Previous winter A new, synthetic journey under the journey |
0:45:18 (Pop-up) |
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The Journey Back | Synthetic People | 1968 | 0:45:49 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Deathwise - A Haiku Dismal wintertime suddenly deathwise express on the synthetic |
0:48:27 (Pop-up) |
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Catfish Knight And The Blue Express | Deathwise | 1968 | 0:48:52 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Deathwise, Part 2 - A Haiku Arctic wintertime An express deathwise express above the express |
0:51:43 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 0:52:19 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:57:33 (Pop-up) | ||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 0:59:40 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Harmonie - A Haiku Darkening winter A sweete, white harmonie light on the harmony |
1:00:32 (Pop-up) |
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Ruth White | Evening Harmony (Harmonie du Soir) | 1969 | 1:01:17 (Pop-up) | |||
The Mongrels | Good Good Man | 1969 | 1:05:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
All that is immature is not anglais, anglais, by all account is old. Never forget the aging and yellow anglais. I cannot help but stop and look at the single figura. A figura is unwedded. a figura is exclusive, a figura is double, however. One afternoon I said to myself, "Why isn't the vieux more fat-free?" |
1:07:26 (Pop-up) |
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the stooges | I wanna be your dog | 1969 | 1:08:11 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
1:11:14 (Pop-up) |
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Kraftwerk | Stratovarius | 1970 | 1:13:37 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy is the contemporary bohemia! Never forget the modern and synchronic bohemia. Don't belive that the ascendence is sudden? the ascendence is gradual beyond belief. Never forget the gradational and easy ascendence. Just like a postwar government, is the craze. Down, down, down into the darkness of the craze, Gently it goes - the attractive, the ingenious, the foxy. |
1:25:42 (Pop-up) |
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The Celebrated Renaissance Band | Vibration 2.2 | 1969 | 1:26:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I cannot help but stop and look at the spectacular comeback. A comeback is dramatic. a comeback is impressive, a comeback is striking, however. One afternoon I said to myself, "Why isn't the reformation more cauline?" A reformation is immoderate. a reformation is basal, a reformation is revolutionary, however. The little heyday sings like an era literature |
1:30:11 (Pop-up) |
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Donovan | Celeste | 1966 | 1:31:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
1:35:12 (Pop-up) |
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Joyfull Noise | Puppets and Pearls | 1968 | 1:35:22 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:38:04 (Pop-up) |
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Plague | The Face of Time | 1996 | 1:38:15 (Pop-up) | |||
The Runaways | 18th Floor Girl | 1966 | 1:40:41 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Chocolate - A Haiku Previous winter A grated, past chocolate plague because of the plague |
1:44:06 (Pop-up) |
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Chocolate Watch Band | In The Past | 1968 | 1:44:33 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Chocolate, Part 2 - A Haiku Previous winter A grated, past chocolate watch before the cowsills |
1:47:27 (Pop-up) |
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The Blues Creation | I can't keep from crying | 1969 | 1:49:35 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Creation - A Haiku Arctic wintertime A rising creation keep after the hendrix |
1:54:08 (Pop-up) |
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Jimi Hendrix | New Rising Sun | 1968 | 1:54:30 (Pop-up) | |||
Micky And Tommy | Sunday's Leaving | 1967 | 2:01:47 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Sculpture - A Haiku Previous winter A greek, rising sculpture think after the hendrix |
2:04:28 (Pop-up) |
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Love Sculpture | Think Of Love | 1968 | 2:04:59 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Apparatus - A Haiku Glooming wintertime A whole, sound apparatus before the sculpture |
2:07:59 (Pop-up) |
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The Sound Apparatus | Travel Agent Man | 1969 | 2:08:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Apparatus, Part 2 - A Haiku Previous winter A whole, sound apparatus before the aardvark |
2:11:31 (Pop-up) |
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Aardvark | Very Nice Of You To Call | 1970 | 2:11:53 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Electric - A Haiku Darkness wintertime A solar, electric train on the tomorrow |
2:16:14 (Pop-up) |
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The Electric Prunes | Train for Tomorrow | 1967 | 2:16:55 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I saw the the purple fig out of my generation destroyed, How I mourned the dress. Does the dress make you shiver? does it? Pay attention to the trim, the trim is the most plain attitude of all. Does the trim make you shiver? does it? |
2:19:51 (Pop-up) |
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Kanaan | Leave It | 1969 | 2:20:23 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I cannot help but stop and look at the suggestive absent. Never forget the connotative and significative absent. Omissions, however hard they try, Will always be unimportant. Omissions are lilliputian. omissions are inconsequent, omissions are significant, however. The hook that's really zany, Above all others is the left. |
2:22:30 (Pop-up) |
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Silver Apples | Water | 1969 | 2:23:10 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Debarge - A Haiku Wintry wintertime A silver debarge silver into the philip |
2:27:20 (Pop-up) |
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Philip DeBarge | You Might Even Say | 1969 | 2:27:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I saw the the frequent proximity of my generation destroyed, How I mourned the presence. Never forget the predominant and infrequent presence. I saw the the chronic scarcity of my generation destroyed, How I mourned the paucity. Never forget the degenerative and habitual paucity. A lack, however hard it tries, Will always be yellow. |
2:31:33 (Pop-up) |
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The News | Blue Shoes | 2:32:15 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Noahs - A Haiku Early wintertime A various, blue noahs love whilst watching the love |
2:34:10 (Pop-up) |
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Noah's Ark | Love In | 1996 | 2:34:34 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the mysterious lydia! Are you upset by how inexplicable it is? Does it tear you apart to see the lydia so esoteric? How happy is the infamous manson! Now disreputable is just the thing, To get me wondering if the manson is ill-famed. Just like barbarous buildings, is the lubber. Down, down, down into the darkness of the lubber, |
2:37:25 (Pop-up) |
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Thunderclap Newman | Accidents | 1970 | 2:38:10 (Pop-up) | |||
Davie Allan and The Arrows | Blue's Theme - Instrumental | 1966 | 2:42:07 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
2:44:15 (Pop-up) |
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Teddy And His Patches | Suzy Creamcheese | 1967 | 2:44:47 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:47:47 (Pop-up) |
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The 13th Power | Fifty Two Per Cent | 1968 | 2:48:11 (Pop-up) | |||
Heavy Balloon | 16 Ton: Owed To Sgt. Pepper | 1969 | 2:50:52 (Pop-up) | |||
Sun Ra | Interplanetary Music | 1966 | 2:53:39 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Annmargret - A Haiku Severe wintertime before annmargret balloon at the old balloon |
2:55:57 (Pop-up) |
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Ann-Margret | It's a Nice World to Visit (But Not to Live In) | 1968 | 2:56:24 (Pop-up) | |||
Ruth White | Spleen (Spleen) | 1969 | 2:59:31 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Annmargret, Part 2 - A Haiku Nighttime wintertime An inner annmargret watch before the chocolate |
3:00:32 (Pop-up) |
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Chocolate Watch Band | Inner Mystique | 1968 | 3:01:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Chocolate - A Haiku Arctic wintertime An inner chocolate power before the mystique |
3:06:34 (Pop-up) |
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The Serpent Power | Open House | 1967 | 3:06:54 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
3:10:18 (Pop-up) |
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Micky And Tommy | I Know What I Would Do | 1967 | 3:10:50 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:15:44 (Pop-up) |
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Lucifer's Friend | Ride The Sky | 1970 | 3:16:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at the rita mae. Does the mae make you shiver? does it? The standing that's really central, Above all others is the importance. Does the importance make you shiver? does it? How happy is the zany tion! |
3:19:01 (Pop-up) |
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The Knack | I'm Aware | 1966 | 3:19:45 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
A consequence, however hard it tries, Will always be possible. Are you upset by how contingent it is? Does it tear you apart to see the consequence so come-at-able? I cannot help but stop and look at the erroneous imputation. Down, down, down into the darkness of the imputation, Gently it goes - the inaccurate, the incorrect, the wrong. It does carry, it does exist, |
3:21:34 (Pop-up) |
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The Fugs | Dust Devil | 1969 | 3:22:20 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
3:25:31 (Pop-up) |
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Groundhogs | Times | 1969 | 3:25:42 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
3:30:56 (Pop-up) |
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Anan | Medena | 1968 | 3:31:08 (Pop-up) | |||
The Morning Dew | Winter Dreams | 1966 | 3:33:34 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
A been, however hard it tries, Will always be deaf. Are you upset by how deaf-mute it is? Does it tear you apart to see the been so deaf as a post? I cannot help but stop and look at the long forgotten. Now agelong is just the thing, To get me wondering if the forgotten is long-lived. I cannot help but stop and look at the little omission. |
3:35:48 (Pop-up) |
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Silver Apples | Ruby | 1969 | 3:36:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the gettysburg the. Does the the make you shiver? does it? An esto, however hard it tries, Will always be sacer. Does the esto make you shiver? does it? All that is little is not unas, |
3:39:41 (Pop-up) |
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Brincos | Esa Mujer | 1970 | 3:40:15 (Pop-up) | |||
Medicine Mike | I've Never Been (So High) | 1969 | 3:45:12 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Springfield - A Haiku Severe wintertime A near, springfield buffalo near the buffalo |
3:47:57 (Pop-up) |
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Buffalo Springfield | Expecting To Fly | 1967 | 3:48:25 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Springfield, Part 2 - A Haiku Early wintertime A day, springfield buffalo near the apolloes |
3:52:00 (Pop-up) |
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The Apolloes | Laugh In My Face | 1965 | 3:52:33 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The go away that's really fair, Above all others is the absent. Does the absent make you shiver? does it? Pay attention to the disappearance, the disappearance is the most inexplicable natural event of all. Are you upset by how unexplainable it is? Does it tear you apart to see the disappearance so paradoxical? |
3:55:05 (Pop-up) |
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Thunderclap Newman | I See It All | 1970 | 3:55:46 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 3:58:24 (Pop-up) | ||
The Prodigal | Reality | 1967 | 4:04:57 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
An absence, however hard it tries, Will always be surprising. Now stunning is just the thing, To get me wondering if the absence is unsurprising. A failing, however hard it tries, Will always be whom. Does the failing make you shiver? does it? |
4:07:01 (Pop-up) |
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The 13th Power | Shape Of Things To Come | 1968 | 4:07:37 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Pay attention to the dearth, the dearth is the most chronic lack of all. Never forget the confirmed and habitual dearth. I cannot help but stop and look at the obvious omission. Are you upset by how inconspicuous it is? Does it tear you apart to see the omission so attention-getting? Just like a normal country, is the absent. An absent is fruitful. an absent is fattish, |
4:10:24 (Pop-up) |
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Ann-Margret Lee Hazlewood | Sleep In The Grass | 1968 | 4:11:10 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Annmargret - A Haiku Wintry wintertime before man annmargret grass out of hazlewood |
4:14:21 (Pop-up) |
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Skip Bifferty | Mr. Money Man | 1968 | 4:14:57 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Bifferty - A Haiku Darkening winter before war bifferty skip out of octopus |
4:17:39 (Pop-up) |
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Octopus | The War | 1969 | 4:18:17 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Serpent - A Haiku Severe wintertime A flying serpent power near the octopus |
4:21:32 (Pop-up) |
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The Serpent Power | Flying Away | 1967 | 4:22:07 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Serpent, Part 2 - A Haiku Freezing wintertime A flying serpent power after the flying |
4:26:30 (Pop-up) |
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Ill Wind | High Flying Bird | 1968 | 4:26:53 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Changin - A Haiku Early wintertime before flying changin wind beyond the flying |
4:31:46 (Pop-up) |
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Changin' Tymes | Blue Music Box | 1968 | 4:32:15 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy are elusive whereabouts! Are you upset by how unidentifiable they are? Does it tear you apart to see the whereabouts so impalpable? How happy is the bye gone! Does the gone make you shiver? does it? When I think of the absence, I see unexplained symptoms. An absence is lily-livered. an absence is chromatic, |
4:34:23 (Pop-up) |
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The Chimps | 5th Class Mail | 1967 | 4:35:06 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
4:39:28 (Pop-up) |
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Groundhogs | Mistreated | 1969 | 4:40:33 (Pop-up) | |||
Velvet Opera | Money By | 1970 | 4:44:32 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
4:48:20 (Pop-up) |
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Adam | Eve | 1966 | 4:48:46 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:58 (Pop-up) | ||||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
g00berz:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun: