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A true disrupter within the freeform internet-radio market, If You Lose Your Horse creates a space for smart consumers to experience a game-changing digital audio brand.
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Artist | Track | Album | Label | Approx. start time | ||||||
---|---|---|---|---|---|---|---|---|---|---|
Marvin Gaye | A Funky Space Reincarnation | Here, My Dear | Tamla | 0:00:00 (Pop-up) | ||||||
The Chosen Few | Wandering | The Trojan Albums Collection | Doctor Bird | 0:13:43 (Pop-up) | ||||||
Professional Uhuru Dance Band | Onyame Bekyere | Giants Of Ghanaian Danceband Highlife (1950s-1970s) | Original | 0:16:34 (Pop-up) | ||||||
The Ogyatanaa Show Band | You Monopolise Me | Ghana Special: Modern Highlife, Afro Sounds, Ghanaian Blues 1968 - 1981 | Soundway | 0:19:56 (Pop-up) | ||||||
Master Bob Akwaboa | Hwemibi Nako | Hwemibi Nako | D & B | 0:22:41 (Pop-up) | ||||||
Arp Frique | Paa (ft. Mariseya) | The Seed | Colorful World | 0:29:15 (Pop-up) | ||||||
Zasha | Hayi Ngodlame | Gumba Fire: Bubblegum Soul and Synth Boogie in 1980s South Africa | Soundway | 0:34:28 (Pop-up) | ||||||
AFX | Oberheim Blacet 1B | Orphaned Deejay Selek 2006-08 | Warp | 0:47:20 (Pop-up) | ||||||
Radiohead | 15 Step | In Rainbows | Self-Released | 0:50:41 (Pop-up) | ||||||
NHK yx Koyxen | Meeting | Exit Entrance | DFA | 0:54:39 (Pop-up) | ||||||
Mouse on Mars | Maggots Hell Wigs | Autoditacker | Thrill Jockey | 0:58:28 (Pop-up) | ||||||
Moritz von Oswald Trio | Chapter 6 | Dissent | BMG | 1:04:42 (Pop-up) | ||||||
Rhythm & Sound | Carrier | Rhythm & Sound | Rhythm & Sound | 1:11:06 (Pop-up) | ||||||
The Doors | Riders on the Storm | LA Woman | Elektra | 1:16:43 (Pop-up) | ||||||
Jimmie Tarlton | Ain't It a Sin to Gamble On a Sunday | Steel Guitar Rag | Testament | 1:31:43 (Pop-up) | ||||||
Nels Cline & Elliot Sharp | Dot Dash | Duo Milano | Long Song | 1:34:51 (Pop-up) | ||||||
Kooshin | Hadeynan Heshinayn | Layla | Little Axe | 1:41:12 (Pop-up) | ||||||
Marty Ehrlich | Scroll No. 1 | Fables | Tzadik | 1:47:17 (Pop-up) | ||||||
Masayoshi Fujita | Story of a Forest | Stories | Erased Tapes | 1:52:06 (Pop-up) |
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Listener comments!
Little Danny:
coelacanth∅:
chresti:
Little Danny:
chresti:
TDK60:
Sam Segal:
Sam Segal:
Little Danny:
WR:
Sam, you can't even safely say that was the first time you said 2022 on WFMU, Would have to listen to last few programs of 2021 again to hear if you referenced it as the future. But you can say it was first time to say 2022 on WFMU in 2022. Maybe.
zzz:
Sam Segal:
Sam Segal:
zzz:
doctorjazz:
Sam Segal:
chresti:
Sam Segal:
Ike:
Sam Segal:
chresti:
coelacanth∅:
Sam Segal:
zzz:
doctorjazz:
Do like the tracks...
doctorjazz:
Sam Segal:
Sam Segal:
headcleaner:
doctorjazz:
Sam Segal:
zzz:
Sam Segal:
coelacanth∅:
Sam Segal:
coelacanth∅:
(but i played it, and loved it the 2nd copy)
coelacanth∅:
Sam Segal:
coelacanth∅:
rw:
rw:
coelacanth∅:
...Morrison was a clown, but as a band, all 4 together, they were groundbreaking. bands today have them to Thank as much as they do the beatles or the stooges or v.u.
rw:
coelacanth∅:
WR:
coelacanth∅:
doctorjazz:
When I was back there in seminary school
There was a person there
Who put forth the proposition
That you can petition the Lord with prayer
Petition the lord with prayer
Petition the lord with prayer
coelacanth∅:
rw:
I saw Ray Manzarek in an art museum once. He made the stupid joke where you look at the thermostat and comment on it as if it were a work of art. But I work in the art world and make that kind of stupid joke all the time, so it's cool. It was just a little unsettling (but ultimately reassuring) to realize that a member of the Doors was human just like the rest of us.
doctorjazz:
coelacanth∅:
doctorjazz:
chresti:
doctorjazz:
doctorjazz:
Sam Segal:
doctorjazz:
Sam Segal:
chresti:
WR:
doctorjazz:
doctorjazz:
chresti:
rw:
rw:
coelacanth∅:
i had a 6-pack on a rope going out the window 2 stories so she never saw all the beer coming in. she hated my music (except the beatles) and i couldn't push the levels too much, but when Morrison went into the seminary school bit one time i turned it up full volume! my friends were histerical, and very frightened!
rw:
chresti:
doctorjazz:
rw:
doctorjazz:
chresti:
coelacanth∅:
doctorjazz:
doctorjazz:
chresti:
zzz:
klezmer conservatory band
chresti:
Sam Segal:
doctorjazz:
Credits
Clarinet, Bass Clarinet, Flute, Alto Saxophone, Soprano Saxophone – Marty Ehrlich
Piano, Accordion – Hankus Netsky
Sam Segal:
doctorjazz:
Lovely ending, thanks!
Laters all!
doctorjazz:
doctorjazz:
rw:
coelacanth∅:
coelacanth∅:
Jeff g. via app: