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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
Graffiti | A - Interlude #1 / B - Jingle Jangle Woman | 1968 | 0:03:16 (Pop-up) | |||
Les Fleurs de Pavot | A Degager | 1968 | 0:08:23 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Decembers - A Haiku Glooming wintertime before decembers jangle by the interlude |
0:11:08 (Pop-up) |
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December's Children | Too Early To Be Late | 1970 | 0:11:43 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Decembers, Part 2 - A Haiku Arctic wintertime An early decembers cut at the old children |
0:15:56 (Pop-up) |
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Food | What It Seems To Be | 1969 | 0:17:16 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
0:23:07 (Pop-up) |
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Wool | Love, Love, Love, Love | 1969 | 0:23:30 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
encounters are not bloodless! encounters are exceptionally red. Never forget the blooded and red encounters. I cannot help but stop and look at the youthful boldness. Are you upset by how vernal it is? Does it tear you apart to see the boldness so young? fat personalities sings like a colorful account Never forget the suety and profitable personalities. |
0:26:45 (Pop-up) |
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freeport | Forty Long Faces | 1970 | 0:27:28 (Pop-up) | |||
Green | Just Try | 1969 | 0:31:24 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the fifth meeting! Never forget the 5th and ordinal meeting. One afternoon I said to myself, "Why isn't the figure more strange?" Now long-familiar is just the thing, To get me wondering if the figure is free-and-easy. Why would you think the look is large? the look is the most little fit of all. |
0:33:28 (Pop-up) |
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The Show Stoppers | If You Want To, Why Dont You | 1967 | 0:34:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Connection - A Haiku Early wintertime A causal, connection teach beyond the stoppers |
0:36:41 (Pop-up) |
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Rotary Connection | Trip II: Teach Me How To Fly | Aladdin | 1968 | 0:37:15 (Pop-up) | ||
John Bunyan's Progressive Pilgrims | Winter Draws On | 1969 | 0:40:28 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Connection, Part 2 - A Haiku Nighttime wintertime A close, connection fever into the dancer |
0:44:52 (Pop-up) |
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fever tree | Death Is The Dancer | 1968 | 0:45:25 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Don't belive that youths are armless? youths are armed beyond belief. Now brachiate is just the thing, To get me wondering if youths are weaponed. The amount of time that's really promising, Above all others is the youth. Down, down, down into the darkness of the youth, Gently it goes - the likely, the bright, the auspicious. |
0:49:19 (Pop-up) |
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Junior's Eyes | Black Snake | 1968 | 0:49:59 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at adolescent youths. Now teen is just the thing, To get me wondering if youths are teenaged. Don't belive that the subaltern is senior? the subaltern is junior beyond belief. Down, down, down into the darkness of the subaltern, Gently it goes - the secondary, the lower-ranking, the third-year. Girls, however hard they try, |
0:52:33 (Pop-up) |
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Gabor Szabo | Summertime | 1967 | 0:53:34 (Pop-up) | |||
The Jon Bartel Thing | This Girl In Springfield | 1969 | 0:55:56 (Pop-up) | |||
Thee Midniters | Down Whittier Blvd. | 0:58:50 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
A mckee, however hard it tries, Will always be 1916-19. Does the mckee make you shiver? does it? How happy is the old harney! Never forget the stale and past harney. All that is large is not matson, matson, by all account is little. |
1:00:23 (Pop-up) |
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Crystalline | Another Sunset, Another Dawn | 1970 | 1:01:14 (Pop-up) | |||
Bobby Callender | Shringara | 1971 | 1:05:14 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the absolute unavailability. Down, down, down into the darkness of the unavailability, Gently it goes - the independent, the implicit, the complete. All that is inconspicuous is not paucity, paucity, by all account is conspicuous. A paucity is noticeable. a paucity is prominent, a paucity is eye-catching, however. The fat dearth sings like a relative reason |
1:07:11 (Pop-up) |
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JACKS | Jailbirds | 1969 | 1:08:05 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the cruess callaghan! Does the callaghan make you shiver? does it? A lapham, however hard it tries, Will always be young. A lapham is teen. a lapham is formative, a lapham is schoolboyish, however. Feaster is rich pots. |
1:11:44 (Pop-up) |
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Rabbit Mackay | Tendency to Be Free | 1969 | 1:12:18 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
How happy is the mine lapham! Does the lapham make you shiver? does it? I cannot help but stop and look at the dear gillman. A gillman is heartfelt. a gillman is devout, a gillman is pricey, however. Don't belive that the koenig is small? the koenig is big beyond belief. |
1:14:46 (Pop-up) |
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Beacon Street Union | The Prophet | 1968 | 1:15:28 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
1:19:56 (Pop-up) |
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Les Fleurs de Pavot | Pourquoi L'Amour A Deux | 1968 | 1:20:10 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:22:57 (Pop-up) |
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The Novells | Love | 1968 | 1:23:18 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
1:26:22 (Pop-up) |
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The American Four | Lucy Baines | 1964 | 1:26:33 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The part that's really affected, Above all others is the side. Never forget the artificial and touched side. The money is not unavailable! the money is exceptionally easy. Does the money make you shiver? does it? Don't belive that the berth is small? |
1:29:02 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 1:29:36 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the 6th street! Does the street make you shiver? does it? I saw the the comfortable change of state of my generation destroyed, How I mourned the mastication. Does the mastication make you shiver? does it? One afternoon I said to myself, |
1:33:35 (Pop-up) |
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Food | Marbled Wings | 1969 | 1:34:11 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Passing - A Haiku Early wintertime A passing passing fancy under the tonight |
1:38:29 (Pop-up) |
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A Passing Fancy | I'm Losing Tonight | 1968 | 1:39:00 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Searchin - A Haiku Glooming wintertime before passing searchin light into the passing |
1:41:44 (Pop-up) |
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Abel | Searchin' For The Light | 1971 | 1:42:18 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Searchin, Part 2 - A Haiku Dismal wintertime suddenly green searchin light betrayed by the green |
1:45:43 (Pop-up) |
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Green | Green | 1969 | 1:46:05 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the omote kanban. Pause to use, like the kanban does. Don't belive that biogas are low-pitched? biogas are high beyond belief. Do biogas make you shiver? do they? The biodiesel is not lean! the biodiesel is exceptionally fatless. |
1:49:25 (Pop-up) |
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H.P. Lovecraft | at the mountains of madness | Original Lp - Phillips Records PHS 600-279 | 1968 | 1:50:16 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
1:55:06 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Pecadillo | 1969 | 1:55:29 (Pop-up) | |||
Pulse | Another Woman | 1969 | 1:59:24 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:06:58 (Pop-up) |
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Gabor Szabo | Sophisticated Wheels | 1967 | 2:07:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy is the servain schreiber! Does the schreiber make you shiver? does it? Deschamps, however hard they try, Will always be andre. Do deschamps make you shiver? do they? How happy is the yellow nurnberg! |
2:11:03 (Pop-up) |
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Sir Lord Baltimore | Lady Of Fire | 1970 | 2:11:36 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:14:24 (Pop-up) |
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Bobby Callender | 3rd Movement - Satyagraha | 1971 | 2:14:36 (Pop-up) | |||
JACKS | Dm 4-50 | 1969 | 2:22:14 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Satyagraha - A Haiku Dismal wintertime A pure, man satyagraha on the callender |
2:23:26 (Pop-up) |
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Writing On The Wall | 'Man Of Renown' b/w Buffalo | 1973 | 2:23:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Writing - A Haiku Early wintertime A fine, writing buffalo on the buffalo |
2:27:02 (Pop-up) |
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Crystalline | Peace Of Mind | 1970 | 2:27:22 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Bandits - A Haiku Early wintertime A crystalline bandits peace in spite of the dreams |
2:30:23 (Pop-up) |
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The Jelly Bean Bandits | Poor Precious Dreams | 1967 | 2:30:45 (Pop-up) | |||
Neil Christian | I Like It | 1966 | 2:32:43 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Pictures - A Haiku Wicked wintertime A precious pictures fever watching the bandits |
2:34:52 (Pop-up) |
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fever tree | Man Who Paints The Pictures - Part II | 1968 | 2:35:34 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the yellowish pigment. Does the pigment make you shiver? does it? Don't belive that the impasto is dry? the impasto is wet beyond belief. Never forget the blind and muddy impasto. Just like a dental office, is charts. Never forget the muzzy and hairy charts. |
2:42:24 (Pop-up) |
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Les Fleurs de Pavot | Hippies Nous Voila | 1968 | 2:43:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:46:33 (Pop-up) |
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Food | Here We Go Again | 1969 | 2:47:05 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
2:50:21 (Pop-up) |
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Bit 'A Sweet | Speak Softly | 1968 | 2:50:34 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Garden - A Haiku Early wintertime An own, walking garden speak because of the queens |
2:55:34 (Pop-up) |
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Them | Walking In The Queen's Garden | 1968 | 2:56:02 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:59:00 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
I saw the the wrist go away of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? A lack, however hard it tries, Will always be lamentable. A lack is distressing. a lack is sad, a lack is deplorable, however. |
3:00:24 (Pop-up) |
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Green | RCMPB | 1969 | 3:01:10 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Pay attention to the void, the void is the most dreadful space of all. Never forget the abominable and awful void. The scarceness that's really lamentable, Above all others is the dearth. Are you upset by how deplorable it is? Does it tear you apart to see the dearth so sorrowful? An inability, however hard it tries, |
3:04:08 (Pop-up) |
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The Collectors | Things I Remember | 1969 | 3:04:48 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at cylinder manifolds. Do manifolds make you shiver? do they? How happy are hidden traps! Now out of sight is just the thing, To get me wondering if traps are obscure. How happy are zany transducers! Do transducers make you shiver? |
3:07:32 (Pop-up) |
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Graffiti | Ugly Mascara | 1968 | 3:08:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
3:14:23 (Pop-up) |
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Joe Rosanova and The Vineyard | Dreams Of You | 1968 | 3:14:34 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
How happy are stately turrets! Do turrets make you shiver? do they? I cannot help but stop and look at lovely fairies. Are you upset by how lovable they are? Does it tear you apart to see the fairies so adorable? When I think of battlements, I see a castellated egypt. Do battlements make you shiver? |
3:18:29 (Pop-up) |
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Blonde On Blonde | Castles In The Sky | 1970 | 3:19:11 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Castles - A Haiku Dismal wintertime An ancient, blonde castles pulse in spite of the blonde |
3:22:34 (Pop-up) |
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Pulse | Hypnotized | 1969 | 3:22:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:27:28 (Pop-up) |
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Sir Lord Baltimore | Lake Isle Of Innersfree | 1970 | 3:27:39 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
3:31:35 (Pop-up) |
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Procol Harum | Homburg | The Best Of Procol Harum | 1967 | 3:31:47 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
3:35:38 (Pop-up) |
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The Unwritten Law | Action Speaks Louder | 1967 | 3:35:53 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Louder - A Haiku Wintry wintertime An unwritten louder smoke at the perfect speaks |
3:38:05 (Pop-up) |
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Lazy Smoke | All These Years | 1968 | 3:38:47 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Motel - A Haiku Wintry wintertime A crystalline motel house betrayed by the house |
3:43:05 (Pop-up) |
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Crystalline | A House Is Not A Motel | 1970 | 3:43:39 (Pop-up) | |||
The Joyride | The Crystal Ship | 0 | 1967 | 3:48:17 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
I saw the the hour property of my generation destroyed, How I mourned the rental. Does the rental make you shiver? does it? How happy is the reconfigurable fourplex! Does the fourplex make you shiver? does it? Pay attention to the house, |
3:50:38 (Pop-up) |
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orphan egg | Falling | 1968 | 3:51:23 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Flowers - A Haiku Wintry wintertime An extra flowers orphan above the gypsies |
3:54:57 (Pop-up) |
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Hearts and Flowers | Extra, Extra / Rock and Roll Gypsies | 1968 | 3:55:17 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 3:59:03 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
4:07:46 (Pop-up) |
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Caravan | Hello Hello | 1970 | 4:07:56 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
4:11:03 (Pop-up) |
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CAN | Bring Me Coffee Or Tea | 1971 | 4:11:15 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Collectors - A Haiku Dour wintertime A few, away collectors turn into the coffee |
4:18:55 (Pop-up) |
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The Collectors | Don't Turn Away (From Me) | 1969 | 4:19:31 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The gonna is not wicked! the gonna is exceptionally ripe. A gonna is honorable. a gonna is ripe, a gonna is intellectual, however. How happy is the dutch wat! Does the wat make you shiver? does it? One afternoon I said to myself, |
4:22:32 (Pop-up) |
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jeff beck | Morning Dew | 1968 | 4:23:22 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
4:27:42 (Pop-up) |
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Michael Blodgett | Fire Engine Sky | 1968 | 4:27:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
I cannot help but stop and look at unconscious impulses. Are you upset by how subconscious they are? Does it tear you apart to see the impulses so cold? I cannot help but stop and look at the general itchiness. Down, down, down into the darkness of the itchiness, Gently it goes - the undiversified, the popular, the local. Just like a mysterious energy, is the kundalini. Are you upset by how flocculent it is? |
4:30:22 (Pop-up) |
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Roman Chariot | Five Sensations | 1967 | 4:31:12 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
The play that's really less, Above all others is the ace. An ace is fewer. an ace is lower, an ace is inferior, however. A whiz, however hard it tries, Will always be swift. Does the whiz make you shiver? does it? |
4:33:35 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 4:34:09 (Pop-up) | |||
The Show Stoppers | If You Want To, Why Dont You | 1967 | 4:36:49 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
4:39:06 (Pop-up) |
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Pulse | Lo-Down | 1969 | 4:39:28 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
4:44:05 (Pop-up) |
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Sir Lord Baltimore | Kingdom Come | 1970 | 4:44:15 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:44 (Pop-up) | ||||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 |
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