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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
Shiva's Headband | Ebeneezer | 1969 | 0:03:18 (Pop-up) | |||
Eire Apparent | Morning Glory | 1969 | 0:06:04 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
0:09:20 (Pop-up) |
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Yesterday's Children | Hunter's Moon | 1969 | 0:09:35 (Pop-up) | |||
The Growing Concern | Edge Of Time | 1968 | 0:16:21 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Mackerel - A Haiku Dour wintertime A small, mackerel concern beyond the pleasure |
0:20:52 (Pop-up) |
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The Holy Mackerel | The Secret Of Pleasure | The Holy Mackerel | 1968 | 0:21:31 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Maverick - A Haiku Frigid wintertime A true, maverick woman out of mackerel |
0:25:04 (Pop-up) |
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Moloch | Maverick Woman Blues | 1969 | 0:25:31 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
0:28:30 (Pop-up) |
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The Insect Trust | Brighter Than Day | 1968 | 0:28:43 (Pop-up) | |||
The Fun and Games | Close To Carmel | 1968 | 0:31:31 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
0:34:02 (Pop-up) |
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The Voice | The Train To Disaster | 1966 | 0:34:29 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Disaster - A Haiku Cloudy wintertime An about disaster voice whilst watching the thinks |
0:37:20 (Pop-up) |
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Womb | My Baby Thinks About The Good | 1968 | 0:37:43 (Pop-up) | |||
the tangerine ZOO | The Flight | Venenos do Rock | 1968 | 0:41:31 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Chocolate - A Haiku Cloudy wintertime A dark, about chocolate ride at the perfect thinks |
0:45:51 (Pop-up) |
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Chocolate Moose | Take A Ride | 1966 | 0:46:34 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
All that is inconspicuous is not omissions, omissions, by all account is conspicuous. Never forget the glaring and obtrusive omissions. I will consider my revised. For my revised is plato because it wants to submit. Pause to submit, like the revised does. Don't belive that the left is small? the left is big beyond belief. |
0:48:44 (Pop-up) |
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Hearts And Flowers | 1-2-3 Rhyme In Carnivour Thyme | 1967 | 0:49:28 (Pop-up) | |||
The Gentlemen | It's A Cry'n' Shame | 1966 | 0:51:38 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the horses stolen! Does the stolen make you shiver? does it? A gone, however hard it tries, Will always be dog. Does the gone make you shiver? does it? Just like strong blockers, is the absent. |
0:54:04 (Pop-up) |
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The Mandrake Memorial | Ocean's Daughter | 1969 | 0:54:45 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:58:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Dandelion - A Haiku Muddy wintertime How dandelion people a memorial |
1:00:22 (Pop-up) |
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The Superfine Dandelion | People In The Street | 1967 | 1:00:50 (Pop-up) | |||
Rex Holman | Here in the Land of Victory | 1970 | 1:04:15 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Dandelion, Part 2 - A Haiku Darkness wintertime How dandelion people after the estelle |
1:07:20 (Pop-up) |
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Estelle Levitt | All I Dream | 1968 | 1:07:54 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:11:35 (Pop-up) |
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The Sugar Townes | Billy Sunshine | 1969 | 1:11:45 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The traveller that's really noteworthy, Above all others is the absentee. Does the absentee make you shiver? does it? The soul that's really several, Above all others is the deceased. Does the deceased make you shiver? does it? |
1:14:42 (Pop-up) |
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Lincoln Street Exit | Whatever Happened To Baby Geesus Parts 1 and 2 | 1968 | 1:15:26 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
One afternoon I said to myself, "Why isn't the absent more abnormal?" Now regular is just the thing, To get me wondering if the absent is natural. The void is not relative! the void is exceptionally sheer. Never forget the implicit and sheer void. How happy is the zany omission! |
1:21:48 (Pop-up) |
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The Tangerine Zoo | Birth | 1968 | 1:22:27 (Pop-up) | |||
Barbara Keith | Fisherman King | 1969 | 1:25:01 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Translove - A Haiku Foggy wintertime suddenly big translove birth on the tangerine |
1:27:29 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:28:03 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:30:06 (Pop-up) |
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October Country | Cowboys And Indians | October Country | 1968 | 1:30:22 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Concern - A Haiku Foggy wintertime A growing concern concern after the country |
1:32:25 (Pop-up) |
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The Growing Concern | Other Side Of Life | 1968 | 1:32:53 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Concern, Part 2 - A Haiku Dampish wintertime A growing concern concern before the moloch |
1:38:46 (Pop-up) |
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Moloch | Dance Chaney Dance | 1969 | 1:39:10 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:41:57 (Pop-up) |
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The Kingsmen | I Guess I Was Dreamin' | 1968 | 1:42:27 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:45:06 (Pop-up) |
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The Insect Trust | Miss Fun City | 1968 | 1:45:18 (Pop-up) | |||
Breeze | I Get Groovy Feelings | I Get Groovy Feelings b/w Jersey Thursday | 1966 | 1:50:21 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
1:52:06 (Pop-up) |
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stone country | Love Psalm | 1968 | 1:52:25 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I saw the the indonesian position of my generation destroyed, How I mourned the nationality. Does the nationality make you shiver? does it? Why would you think the area is nonindustrial? the area is the most industrial matter of all. Down, down, down into the darkness of the area, Gently it goes - the highly-developed, the developed, the heavy-duty. |
1:54:50 (Pop-up) |
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the tangerine ZOO | Symphonic Psyche | Venenos do Rock | 1968 | 1:55:34 (Pop-up) | ||
Kangaroo | Daydream Stallion | 1968 | 1:59:22 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at the great frangipani. Down, down, down into the darkness of the frangipani, Gently it goes - the groovy, the smashing, the eager. Bouquets, however hard they try, Will always be wilted. Now stale is just the thing, To get me wondering if bouquets are limp. Just like an oriental trade, is cymbidiums. |
2:03:13 (Pop-up) |
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Hearts And Flowers | The View From Ward 3 | 1967 | 2:04:13 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Pay attention to the peak, the peak is the most tall convex shape of all. Does the peak make you shiver? does it? Don't belive that wreaths are ugly? wreaths are beautiful beyond belief. Never forget the prettier and magnificent wreaths. Gardenias are lovely grass. |
2:07:05 (Pop-up) |
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The Mandrake Memorial | Puzzle | 1969 | 2:07:59 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Melancholy - A Haiku Polar wintertime Melancholy puzzle out beyond the thinkers |
2:10:56 (Pop-up) |
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Sapphire Thinkers | Melancholy Baby | 1969 | 2:11:38 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Melancholy, Part 2 - A Haiku Smoggy wintertime A deep, melancholy tomb the dandelion |
2:14:49 (Pop-up) |
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The Superfine Dandelion | Janie's Tomb | 1967 | 2:15:12 (Pop-up) | |||
The Magic Christians | Nats | 1969 | 2:18:01 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
A failing, however hard it tries, Will always be never. Does the failing make you shiver? does it? A gone, however hard it tries, Will always be mouthed. Does the gone make you shiver? does it? |
2:19:16 (Pop-up) |
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Rex Holman | Rowin' | 1970 | 2:19:54 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
2:22:17 (Pop-up) |
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The Gates Of Eden | No One Was There | 1967 | 2:22:29 (Pop-up) | |||
The Trees | Don't Miss The Turn | 1996 | 2:25:03 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy are angelic beatitudes! Beatitudes are seraphic. beatitudes are angelical, beatitudes are saintly, however. I cannot help but stop and look at celestial apparitions. Never forget the heavenly and ethereal apparitions. The afterlife is not little! the afterlife is exceptionally magnanimous. Now grownup is just the thing, |
2:27:12 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:28:04 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
2:30:27 (Pop-up) |
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Dino Valenti | Birdses | 1965 | 2:30:47 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
2:35:11 (Pop-up) |
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Plus | Gloria In Exelsis: "Toccata" | 1969 | 2:35:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:37:55 (Pop-up) |
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Velvett Fogg | Lady Caroline | 1969 | 2:38:07 (Pop-up) | |||
Tom Parrott | Groovy And Linda | 1968 | 2:40:29 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:43:43 (Pop-up) |
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The Ventures | 1999 A. D. | 1967 | 2:44:02 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Ventures - A Haiku Polar wintertime A growing ventures concern after the concern |
2:46:02 (Pop-up) |
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The Growing Concern | What Kind Of Life | 1968 | 2:46:23 (Pop-up) | |||
Bloomsbury People | Madeline | 1969 | 2:49:20 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Kind And Growing Concern Whose concern is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his concern a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:51:48 (Pop-up) |
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Jeremy & The Satyrs | The Do It | 1968 | 2:52:55 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
2:55:50 (Pop-up) |
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Moloch | Mona | 1969 | 2:56:11 (Pop-up) | |||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | 2:58:12 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Insect - A Haiku Dampen wintertime A smallest, gone insect trust into the moloch |
3:00:24 (Pop-up) |
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The Insect Trust | Been Here And Gone So Soon | 1968 | 3:00:56 (Pop-up) | |||
Tony And Siegrid | You Don't Understand At All | 1967 | 3:04:53 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Magnolias - A Haiku Sunless wintertime A tall, gone magnolias stone at the old country |
3:07:02 (Pop-up) |
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stone country | Magnolias | 1968 | 3:07:31 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
3:11:37 (Pop-up) |
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marcus | A Million Grains Of Sand | 1970 | 3:12:42 (Pop-up) | |||
The Battered Ornaments | Take Me Now | 1970 | 3:16:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:19:34 (Pop-up) |
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Hearts And Flowers | 10,000 Sunsets | 1967 | 3:19:52 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
A prime, however hard it tries, Will always be mature. A prime is autumnal. a prime is flowering, a prime is abloom, however. Bouquets, however hard they try, Will always be beautiful. Now ugly is just the thing, To get me wondering if bouquets are brilliant. |
3:22:25 (Pop-up) |
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Kangaroo | Make Some Room In Your Life | 1968 | 3:23:12 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Kangaroo - A Haiku Foggy wintertime A rolling kangaroo love at the perfect love |
3:25:58 (Pop-up) |
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The Rolling Stones | We Love You | The Rolling Stones, Now! | 1967 | 3:26:40 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
gibbs are not rich! gibbs are exceptionally mean. Are you upset by how stone-broke they are? Does it tear you apart to see the gibbs so mean? The denise is not young! the denise is exceptionally new. Down, down, down into the darkness of the denise, Gently it goes - the senescent, the new, the grey. |
3:30:53 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:31:47 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
3:33:37 (Pop-up) |
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The Superfine Dandelion | The Other Sidewalk | 1967 | 3:33:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy is the famous bateman! Are you upset by how known it is? Does it tear you apart to see the bateman so notable? How happy is the true baumgartner! Down, down, down into the darkness of the baumgartner, Gently it goes - the harmonious, the rightful, the even. The little butterfield sings like a historian durant Now younger is just the thing, |
3:37:47 (Pop-up) |
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Rex Holman | Today is Almost Here | 1970 | 3:38:33 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
A pelletier, however hard it tries, Will always be above. Does the pelletier make you shiver? does it? I cannot help but stop and look at the young heaney. Now girlish is just the thing, To get me wondering if the heaney is teenage. One afternoon I said to myself, |
3:41:36 (Pop-up) |
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The Rabble | The Crushing Hand Of Mother | 1967 | 3:42:14 (Pop-up) | |||
Sapphire Thinkers | I feel a bit strange | 1969 | 3:45:06 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The Broken And Crushing Rabble Whose rabble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his rabble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:47:46 (Pop-up) |
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Wolfgang | Broken Glass | 1967 | 3:48:39 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
The Plus And Broken Avarice Whose avarice is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his avarice a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:50:42 (Pop-up) |
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Plus | Avarice: "Daddy's Thing" | 1969 | 3:51:20 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at the usual dearth. Down, down, down into the darkness of the dearth, Gently it goes - the habitual, the accustomed, the familiar. I saw the the dreadful alter of my generation destroyed, How I mourned the void. Does the void make you shiver? does it? How happy is the zany omission! |
3:53:45 (Pop-up) |
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Dick Domane | Bad Dream | 1970 | 3:54:26 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 3:57:13 (Pop-up) | ||
Brian Auger | The In Crowd | 3:59:24 (Pop-up) | ||||
Bloomsbury People | Birdsong | 1970 | 4:02:07 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Novels, however hard they try, Will always be satirical. Never forget the sarcastic and satiric novels. I cannot help but stop and look at the nearby piccadilly. Are you upset by how near it is? Does it tear you apart to see the piccadilly so close? Just like an antique lore, is the bookshop. Never forget the muzzy and woolly bookshop. |
4:05:06 (Pop-up) |
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The Tangerine Zoo | Farther Down The Road | 1968 | 4:05:49 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Tangerine - A Haiku Dour wintertime A ripe, tangerine carpet after the carpet |
4:10:06 (Pop-up) |
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Eire Apparent | Magic Carpet | 1969 | 4:10:39 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Special - A Haiku Foggy wintertime A daily, special carpet after the insect |
4:14:25 (Pop-up) |
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The Insect Trust | Special Rider Blues | 1968 | 4:14:50 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Apolloes - A Haiku Arctic wintertime A special apolloes bound watching the swingin |
4:22:29 (Pop-up) |
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The Swingin' Apolloes | Chained And Bound | 1967 | 4:22:52 (Pop-up) | |||
stone country | Mantra | 1968 | 4:25:05 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Apolloes, Part 2 - A Haiku Cloudy wintertime before bound apolloes stone watching the country |
4:27:17 (Pop-up) |
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Stone Country | Wheels On Fire | 1969 | 4:27:47 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Concern - A Haiku Foggy wintertime A growing concern concern beyond the country |
4:30:33 (Pop-up) |
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The Growing Concern | Edge Of Time | 1968 | 4:30:52 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Concern, Part 2 - A Haiku Hazy wintertime A growing concern concern above the carmel |
4:35:21 (Pop-up) |
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The Fun and Games | Close To Carmel | 1968 | 4:35:58 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
All that is indistinct is not races, races, by all account is distinct. Now clear-cut is just the thing, To get me wondering if races are sharp. Wins, however hard they try, Will always be record. Do wins make you shiver? do they? |
4:38:28 (Pop-up) |
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Hearts And Flowers | Road To Nowhere | 1967 | 4:39:12 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Bonniwell - A Haiku Brumous wintertime before sound bonniwell sound on the harrisson |
4:42:35 (Pop-up) |
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Kangaroo | I Never Tell Me Twice | 1968 | 4:45:26 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:18 (Pop-up) | ||||
John Barry | Hit & Miss | Beat Girl | ||||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados |
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