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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
The Gentle Soul | See My Love (Song For Greg) | 1968 | 0:03:20 (Pop-up) | |||
les Goths | turn over | 1969 | 0:07:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
People - A Haiku Early wintertime A common people people beyond the common |
0:10:49 (Pop-up) |
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The Common People | Oh My My | 1968 | 0:11:21 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
People, Part 2 - A Haiku Severe wintertime An older, people people before the common |
0:15:58 (Pop-up) |
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It's A Beautiful Day | Girl With No Eyes | 1969 | 0:16:19 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
An ageratum, however hard it tries, Will always be hardy. Never forget the stalwart and manly ageratum. Pay attention to the acanthus, the acanthus is the most baroque herb of all. Down, down, down into the darkness of the acanthus, Gently it goes - the churrigueresco, the fancy, the churrigueresque. One afternoon I said to myself, |
0:20:06 (Pop-up) |
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The Soul Benders | Petals | 1968 | 0:21:02 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
An inebriation, however hard it tries, Will always be mad. Are you upset by how excited it is? Does it tear you apart to see the inebriation so unbalanced? One afternoon I said to myself, "Why aren't binges more constructive?" Never forget the caustic and soul-destroying binges. The revel that's really zany, |
0:23:42 (Pop-up) |
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Fever Tree | Catcher In The Rye | 1969 | 0:24:24 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
A laurie, however hard it tries, Will always be lesh. Does the laurie make you shiver? does it? Pay attention to the baltimore, the baltimore is the most boston urban center of all. Does the baltimore make you shiver? does it? |
0:27:32 (Pop-up) |
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Dalton & Montgomery | All At Once | 1967 | 0:28:12 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Instant Request |
0:29:53 (Pop-up) |
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Mecki Mark Men | Free | 1967 | For: The Ayatolluh of Rock 'n Rolluh | 0:29:56 (Pop-up) | ||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:34:02 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Instant Request |
0:40:05 (Pop-up) |
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LONG JOHN HUNTER | HEY MRS JONES | For: PaulRobeson1920 | 0:40:08 (Pop-up) | |||
Mouse | Look At The Sun | 1968 | 0:42:24 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
0:44:55 (Pop-up) |
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it's all meat | Make Some Use Of Your Friends | 1970 | 0:45:54 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Documentary - A Haiku Gloomy wintertime where documentary make the generation |
0:49:26 (Pop-up) |
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The Apple Pie Motherhood Band | Super Music Man | 1969 | 0:52:37 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 0:56:53 (Pop-up) | ||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:58:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Motherhood - A Haiku Glooming wintertime A super motherhood band at the old colours |
1:00:23 (Pop-up) |
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Colours | Rather Be Me | 1968 | 1:01:03 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:04:33 (Pop-up) |
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goundhogs | Soldier ... alienness of a country | 1970 | 1:04:47 (Pop-up) | |||
The Candles | This I Say (vocal) | 1966 | 1:09:33 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
1:11:56 (Pop-up) |
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Les Brummel's | Boaf (6 Kg. de fraises dans le panier a salade de Marie) | 1966 | 1:12:56 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The disappear that's really total, Above all others is the absent. Now absolute is just the thing, To get me wondering if the absent is whole. A stolen, however hard it tries, Will always be presidential. Does the stolen make you shiver? does it? |
1:14:32 (Pop-up) |
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Lazarus | I'll Get To You | 1970 | 1:15:10 (Pop-up) | |||
Larry And The Paper Prophets | Can't Sit Around | 1967 | 1:17:46 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
One afternoon I said to myself, "Why isn't the bolger more immature?" Now young is just the thing, To get me wondering if the bolger is doddering. I cannot help but stop and look at the popular cassidy. Now democratic is just the thing, To get me wondering if the cassidy is pop. I cannot help but stop and look at the yellow coogan. |
1:19:48 (Pop-up) |
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Bruno Leys | Maintenant Je Suis Un Voyou | 1969 | 1:20:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Maintenant - A Haiku Severe wintertime before sound maintenant sound under the dupree |
1:23:07 (Pop-up) |
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Simon Dupree And The Big Sound | Kites | Kites | 1967 | 1:23:30 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Brotherhood - A Haiku Previous winter A cosmic brotherhood sound watching the sunshine |
1:27:06 (Pop-up) |
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Cosmic Brotherhood | Sunshine World | Sunshine World b/w Yentra II | 1969 | 1:27:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A jam, however hard it tries, Will always be best. Does the jam make you shiver? does it? The stranger is not relative! the stranger is exceptionally syntactically independent. A stranger is unconditioned. a stranger is syntactically independent, a stranger is unambiguous, however. |
1:30:12 (Pop-up) |
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It's A Beautiful Day | Wasted Union Blues | 1969 | 1:30:57 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
People - A Haiku Severe wintertime A many, people people watching the common |
1:35:31 (Pop-up) |
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The Common People | Days Of My Mind | 1968 | 1:36:03 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Victor - A Haiku Icy wintertime A common victor people before the people |
1:38:52 (Pop-up) |
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The Smoke | Victor Henry's Cool Book | 1967 | 1:39:16 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Omissions, however hard they try, Will always be obvious. Never forget the flagrant and provable omissions. I must submit with the basic revised again, Does the revised make you shiver? does it? zany prefaces sings like explanatory parts Now clowlike is just the thing, |
1:41:39 (Pop-up) |
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The Troll | Everybody's Child | 1968 | 1:42:34 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
One afternoon I said to myself, "Why aren't gimbals more internal?" Now internal is just the thing, To get me wondering if gimbals are outward. I cannot help but stop and look at the small pinecone. Never forget the belittled and low pinecone. Just like a great language, is the dreadnaught. A dreadnaught is microscopic. a dreadnaught is tight, |
1:45:26 (Pop-up) |
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Waterproof Tinkertoy | Satisfaction | 1967 | 1:46:10 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Satisfaction - A Haiku Severe wintertime unabridged satisfaction near the unabridged |
1:49:02 (Pop-up) |
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Fever Tree | Imitiation Situation (complete and unabridged) | 1969 | 1:49:23 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Unabridged - A Haiku Severe wintertime shall unabridged remember imitiation |
1:54:03 (Pop-up) |
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Group Therapy | Remember What You Say | 1969 | 1:54:25 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 1:57:13 (Pop-up) | ||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:59:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Therapy - A Haiku Wintry wintertime A term, crying therapy at the perfect group |
2:00:25 (Pop-up) |
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it's all meat | Crying Into The Deep Lake | 1970 | 2:01:15 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Motherhood - A Haiku Darkness wintertime A crying motherhood band in spite of the turned |
2:10:25 (Pop-up) |
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The Apple Pie Motherhood Band | He Turned You On | 1969 | 2:11:04 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I saw the the woeful scarceness of my generation destroyed, How I mourned the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the woebegone, the miserable, the wretched. Why would you think the unavailability is caducous? the unavailability is the most persistent inconvenience of all. An unavailability is haunting. an unavailability is lasting, an unavailability is continual, however. |
2:15:19 (Pop-up) |
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Colours | I'm Leaving | 1968 | 2:16:09 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I saw the the useless slaughter of my generation destroyed, How I mourned the bloodshed. A bloodshed is useful. a bloodshed is unhelpful, a bloodshed is inutile, however. Pay attention to the hell, the hell is the most damn roguishness of all. Down, down, down into the darkness of the hell, Gently it goes - the darned, the bloody, the goddamned. |
2:19:07 (Pop-up) |
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goundhogs | Thank Christ For The Bomb ... alienness | 1970 | 2:19:52 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Geriatrics - A Haiku Severe wintertime An aged, geriatrics field by the elephant |
2:27:03 (Pop-up) |
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Joe Byrd And The Field Hippies | The Southwestern Geriatrics Arts And Crafts Festival: Elephant At The Door | 1969 | 2:27:49 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the artistic technical! Are you upset by how aesthetical it is? Does it tear you apart to see the technical so esthetical? One afternoon I said to myself, "Why isn't the folklife more northern?" Down, down, down into the darkness of the folklife, Gently it goes - the northern, the gray, the southerly. specialties are not big! |
2:32:58 (Pop-up) |
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the glitterhouse | Tinkerbell's Mind | 1968 | 2:33:56 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
A danielle, however hard it tries, Will always be more. Are you upset by how further it is? Does it tear you apart to see the danielle so less? A cindy, however hard it tries, Will always be more. Never forget the additional and further cindy. Whitney is, in its way, the dear elkins of mountain peak. |
2:38:35 (Pop-up) |
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Michele | Would You Like To Go | 1969 | 2:39:16 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Ulysses - A Haiku Early wintertime A wise, brave ulysses cream before the michele |
2:41:45 (Pop-up) |
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Cream | Tales Of Brave Ulysses | 1967 | 2:42:07 (Pop-up) | |||
The Sunshine Company | Love, That's Where It Is | 1968 | 2:44:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Bulgaria - A Haiku Severe wintertime A new, bulgaria cream near the ulysses |
2:46:50 (Pop-up) |
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It's A Beautiful Day | Bulgaria | 1969 | 2:47:20 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the neutral ireland! An ireland is nonaligned. an ireland is unreactive, an ireland is unmoral, however. I cannot help but stop and look at the indian pakistan. Does the pakistan make you shiver? does it? One afternoon I said to myself, "Why aren't bas more fat-free?" |
2:54:04 (Pop-up) |
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The Troll | Satin City News | 1968 | 2:54:54 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 2:57:33 (Pop-up) | ||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 2:59:17 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:00:25 (Pop-up) |
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Fever Tree | Time Is Now | 1969 | 3:01:00 (Pop-up) | |||
People! | Nothing Can Stop the Elephants | 1968 | 3:04:58 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
3:07:56 (Pop-up) |
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Serge Franklin | Exister | 1968 | 3:08:21 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:11:07 (Pop-up) |
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it's all meat | Sunday Love | 1970 | 3:12:48 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
I cannot help but stop and look at the christian africanus. Now christly is just the thing, To get me wondering if the africanus is christlike. The mandrill is not faceless! the mandrill is exceptionally visaged. Are you upset by how moon-faced it is? Does it tear you apart to see the mandrill so visaged? Mantises are tiny cells. |
3:22:02 (Pop-up) |
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Tyrannosaurus Rex | Cat Black (the wizard's hat) | 1969 | 3:23:03 (Pop-up) | |||
Jolliver Arkansaw | Mr. Brennan | 1969 | 3:25:49 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
I cannot help but stop and look at doubtful mantises. Down, down, down into the darkness of the mantises, Gently they go - the tentative, the unsure, the unsettled. The placental that's really malayan, Above all others is the insectivore. Does the insectivore make you shiver? does it? The peccary is not lean! |
3:28:07 (Pop-up) |
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Colours | Brother Lou's Love Colony | 1968 | 3:28:55 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 3:33:14 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:34:22 (Pop-up) |
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The Jelly Bean Bandits | September Rain | 1967 | 3:34:54 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Ruffians, however hard they try, Will always be murderous. Down, down, down into the darkness of the ruffians, Gently they go - the bloody, the homicidal, the cutthroat. Punks, however hard they try, Will always be vicious. Down, down, down into the darkness of the punks, Gently they go - the savage, the evil, the wicked. |
3:37:02 (Pop-up) |
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goundhogs | Ship On The Ocean | 1970 | 3:37:43 (Pop-up) | |||
Larry And The Paper Prophets | The Only Thing | 2018 | 3:42:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Neighbrhood - A Haiku Early wintertime A happy neighbrhood captain at the perfect childrn |
3:44:08 (Pop-up) |
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Neighb'rhood Childr'n | Happy World Of Captain K | 1968 | 3:44:38 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Neighbrhood, Part 2 - A Haiku Wintry wintertime A happy neighbrhood captain on the wonderland |
3:47:30 (Pop-up) |
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Dave Heenan Set | Alice In Wonderland | 1967 | 3:48:06 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Wonderland - A Haiku Dour wintertime A great, set wonderland call into the brother |
3:50:29 (Pop-up) |
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Kubla Kahn | Call Me Brother | 1970 | 3:50:52 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
3:54:44 (Pop-up) |
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Group Therapy | Wait | 1969 | 3:54:56 (Pop-up) | |||
Michele | Blind As You Are | 1969 | 4:05:07 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Females, however hard they try, Will always be african. Do females make you shiver? do they? How happy is the next hillary! A hillary is incoming. a hillary is following, a hillary is adjacent, however. The shiloh is not nonfat! |
4:07:53 (Pop-up) |
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Eden's Children | If She's Right | 1968 | 4:08:39 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Misses, however hard they try, Will always be browed. Do misses make you shiver? do they? I cannot help but stop and look at the gerlach kristen. Does the kristen make you shiver? does it? When I think of the jess, I see a little plight. |
4:11:06 (Pop-up) |
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5 Gentlemen | L. S. D. 25 Ou Les Metamorphoses De Margaret Steinway | 1966 | 4:11:41 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I saw the the african feast of my generation destroyed, How I mourned the kwanzaa. Does the kwanzaa make you shiver? does it? I cannot help but stop and look at the russian stravinsky. Does the stravinsky make you shiver? does it? How happy is the fat martino! |
4:14:52 (Pop-up) |
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People! | Crying Shoes | 1968 | 4:15:43 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
All that is impartial is not absence, absence, by all account is partial. An absence is slanted. an absence is incomplete, an absence is fond, however. I saw the the lonely people of my generation destroyed, How I mourned the lost. Are you upset by how solitary it is? Does it tear you apart to see the lost so lonesome? |
4:18:23 (Pop-up) |
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A.B. Skhy | Love Isn't | 1969 | 4:19:02 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
4:23:10 (Pop-up) |
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Benjamin | Un Train | 1966 | 4:23:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Underground - A Haiku Wicked wintertime A polish, underground train out of benjamin |
4:25:38 (Pop-up) |
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The Underground Set | Atollo | 1970 | 4:26:14 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Underground, Part 2 - A Haiku Previous winter A french, underground fever despite the catcher |
4:29:17 (Pop-up) |
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Fever Tree | Catcher In The Rye | 1969 | 4:29:40 (Pop-up) | |||
Dalton & Montgomery | All At Once | 1967 | 4:32:48 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The bryson is not old! the bryson is exceptionally new. Now girlish is just the thing, To get me wondering if the bryson is new. An etheridge, however hard it tries, Will always be longmore. Does the etheridge make you shiver? does it? |
4:34:27 (Pop-up) |
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The Troll | Professor Potts Pornographic Projector | 1968 | 4:35:20 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at the gorgeous technicolor. Does the technicolor make you shiver? does it? One afternoon I said to myself, "Why aren't paints more dull?" Are you upset by how dim they are? Does it tear you apart to see the paints so pearlescent? Chips are programmable colour. |
4:39:19 (Pop-up) |
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Colours | Cataleptic | 1968 | 4:40:01 (Pop-up) | |||
Willie and the Red Rubber Band | Mary Jane | 1968 | 4:42:04 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy is the famed yorke! Are you upset by how noted it is? Does it tear you apart to see the yorke so known? Dyestuffs, however hard they try, Will always be adsorbed. Do dyestuffs make you shiver? do they? All that is big is not stains, |
4:43:54 (Pop-up) |
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Jolliver Arkansaw | Bright As Fire | 1969 | 4:44:51 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the very absent. Down, down, down into the darkness of the absent, Gently it goes - the selfsame, the rattling, the real. I cannot help but stop and look at the precautions neglected. Does the neglected make you shiver? does it? Just like a recent delineated, is the revised. Revised, revised, every where, |
4:48:02 (Pop-up) |
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Peter Cook and Dudley Moore | The L.S. Bumble Bee | 1967 | 4:48:48 (Pop-up) | |||
goundhogs | Garden | 1970 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Mokka Matti:
PaulRobeson1920:
PaulRobeson1920:
Owl Sun:
Mokka Matti:
PaulRobeson1920:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Bri:
The Ayatolluh of Rock 'n Rolluh:
Bri:
The Ayatolluh of Rock 'n Rolluh:
Bri:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Mokka Matti:
coelacanth∅:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Mokka Matti:
Owl Sun:
Bri:
Bri:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
TroyD8:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
soon here too
Mokka Matti:
David (in London):
Owl Sun: