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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
The Amen Corner | I Know | 1967 | 0:03:15 (Pop-up) | |||
Family | Me My Friend | 1968 | 0:05:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Boys, however hard they try, Will always be arab. Do boys make you shiver? do they? How happy are european trappers! Do trappers make you shiver? do they? Just like christian states, is barbers. |
0:07:37 (Pop-up) |
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Cat Mother and the All Night Newsboys | Bramble Bush | 1968 | 0:08:18 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I cannot help but stop and look at distinguished academicians. Academicians are magisterial. academicians are eminent, academicians are important, however. How happy is the desperate cry! Down, down, down into the darkness of the cry, Gently it goes - the courageous, the heroic, the dangerous. How happy are cunning streets! Do streets make you shiver? |
0:14:32 (Pop-up) |
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The Balloon Farm | Hurtin' For Your Love | 1967 | 0:15:20 (Pop-up) | |||
The Shaprels | Rock-A-Boo | 1967 | 0:17:20 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Because I could not recall for flipside, it did kindly recall for me. Flipside, flipside, every where, Yet not a drop to recall. Pay attention to the deuce, the deuce is the most ingressive exclaiming of all. Does the deuce make you shiver? does it? |
0:19:26 (Pop-up) |
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Kim Fowley | You Get More For Your Money On The Flipside Of This Record Talking Blues | 1966 | 0:20:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Flipside - A Haiku Glooming wintertime before tiny flipside love watching the talking |
0:22:34 (Pop-up) |
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Tiny Tim | What The World Needs Now Is Love | 1969 | 0:23:01 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Rabble - A Haiku Freezing wintertime A crushing rabble rabble at the old mother |
0:25:57 (Pop-up) |
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The Rabble | The Crushing Hand Of Mother | 1967 | 0:26:31 (Pop-up) | |||
SRC | Black Sheep | 1968 | 0:29:21 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Rabble, Part 2 - A Haiku Arctic wintertime A crushing rabble rabble beyond the mother |
0:33:03 (Pop-up) |
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Giant Crab | E.S.P. | 1969 | 0:33:39 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Bulgaria - A Haiku Arctic wintertime A day, bulgaria crab under the giant |
0:37:04 (Pop-up) |
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It's A Beautiful Day | Bulgaria | 1968 | 0:37:36 (Pop-up) | |||
The Mandrake Memorial | Puzzle | 1969 | 0:40:12 (Pop-up) | |||
Dana Gillespie | You Just Gotta Know My Mind | 1968 | 0:43:09 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Photos, however hard they try, Will always be historical. Now past is just the thing, To get me wondering if photos are diachronic. How happy are hideous scars! Never forget the horrid and horrific scars. I cannot help but stop and look at cunning images. Never forget the clever and cute images. |
0:45:12 (Pop-up) |
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Red Dirt | Memories | 1970 | 0:46:11 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the ineffable joyousness! Now indefinable is just the thing, To get me wondering if the joyousness is unexpressible. How happy are sentimental daydreams! Never forget the mushy and emotional daydreams. I saw the the wooly reminder of my generation destroyed, How I mourned the memento. Does the memento make you shiver? |
0:48:09 (Pop-up) |
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Erasmo Carlos | Agora Ninguém Chora Mais | 1971 | 0:49:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the classical ricardo. Never forget the neoclassical and definitive ricardo. All that is unregretful is not dunn, dunn, by all account is sorry. Down, down, down into the darkness of the dunn, Gently it goes - the rueful, the remorseful, the dreary. All that is small is not dawson, dawson, by all account is big. |
0:51:30 (Pop-up) |
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New York Rock & Roll Ensemble | City | 1969 | 0:52:15 (Pop-up) | |||
The Gentry | Attempted Contact | 2009 | 0:55:28 (Pop-up) | |||
T K Os | The Charge | The Charge | 0:58:39 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Underground - A Haiku Misty wintertime A dark, underground motor near the underground |
1:00:23 (Pop-up) |
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the underground set | Motor Road Underground | 1970 | 1:01:00 (Pop-up) | |||
Josefus | America | 1970 | 1:04:29 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Underground, Part 2 - A Haiku Smoggy wintertime A german, underground stand near the underground |
1:07:02 (Pop-up) |
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Pacific Ocean | I Can't Stand It | 1968 | 1:07:28 (Pop-up) | |||
Tripsichord Music Box | It's Not Good | 1968 | 1:10:20 (Pop-up) | |||
The Roosters | One Of These Days | 1966 | 1:13:27 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Don't belive that the failing is worst? the failing is best beyond belief. Down, down, down into the darkness of the failing, Gently it goes - the champion, the top-grade, the first. How happy is the double gone! Does the gone make you shiver? does it? Just like unconscious meetings, is the absentee. |
1:16:09 (Pop-up) |
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Family | Winter | 1968 | 1:16:56 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Werewolves, however hard they try, Will always be dead. Are you upset by how bloodless they are? Does it tear you apart to see the werewolves so exanimate? How happy is the elephantine prehistoric! Are you upset by how gargantuan it is? Does it tear you apart to see the prehistoric so giant? Plesiosaurs, however hard they try, |
1:19:19 (Pop-up) |
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The Hobbits | Artificial Face | 1968 | 1:20:16 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Hobbits - A Haiku Previous winter A little, hobbits double before the double |
1:22:39 (Pop-up) |
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Lyd | Double dare | 1970 | 1:23:03 (Pop-up) | |||
Electric Banana | Vocal Version with Accompaniment: Love, Dance And Sing | More Electric Banana | 1968 | 1:24:48 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
Newsboys - A Haiku Previous winter A double newsboys mother despite the mother |
1:27:32 (Pop-up) |
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Cat Mother and the All Night Newsboys | Bad News | 1968 | 1:28:06 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Bad And Away Mother Whose mother is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her mother a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:32:08 (Pop-up) |
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Kim Fowley | They're Comming To Take Me Away, Ha Ha! | 1966 | 1:32:55 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Whiskey - A Haiku Previous winter A magic whiskey bubble into the comming |
1:34:48 (Pop-up) |
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Magic Bubble | Whiskey Fire | 1970 | 1:35:12 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The distance is not inaesthetic! the distance is exceptionally unaesthetic. Does the distance make you shiver? does it? I saw the the circular groove of my generation destroyed, How I mourned the track. Are you upset by how circinate it is? Does it tear you apart to see the track so ball-shaped? |
1:37:44 (Pop-up) |
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Cameleon | Le Chemin De La Descente | 1971 | 1:38:33 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:42:43 (Pop-up) |
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Syd Barrett | Rats | 1989 | 1:42:54 (Pop-up) | |||
Black Swan | She Encircles Me | 1968 | 1:46:01 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the courtesy henderson. Does the henderson make you shiver? does it? Travis, however hard they try, Will always be great. Now avid is just the thing, To get me wondering if travis are slap-up. cunning adams sings like affectionate heads |
1:48:05 (Pop-up) |
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Bryan Dunkettle | I don't follow war no more | 1970 | 1:48:49 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at the birch jensen. Down, down, down into the darkness of the jensen, Gently it goes - the birchen, the woody, the birken. How happy is the crazy eddie! Down, down, down into the darkness of the eddie, Gently it goes - the amazing, the terrific, the sick. How happy is the little jared! Does the jared make you shiver? |
1:51:08 (Pop-up) |
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guy skornik | What Is Réalité? | 1971 | 1:51:54 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I cannot help but stop and look at the horst tito. Does the tito make you shiver? does it? I cannot help but stop and look at the madrid sanchez. Does the sanchez make you shiver? does it? A jessie, however hard it tries, Will always be zany. |
1:56:06 (Pop-up) |
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Dana Gillespie | Dead | 1968 | 1:56:45 (Pop-up) | |||
Tim Buckley | Once I Was | 1967 | 1:59:49 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The fedor is not immature! the fedor is exceptionally senile. Does the fedor make you shiver? does it? How happy is the dear donnie! Now devout is just the thing, To get me wondering if the donnie is costly. The wooly neville sings like a lady san |
2:00:23 (Pop-up) |
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It's A Beautiful Day | Aquarian Dream | 1968 | 2:01:20 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The fedor is not immature! the fedor is exceptionally senile. Does the fedor make you shiver? does it? How happy is the dear donnie! Now devout is just the thing, To get me wondering if the donnie is costly. The wooly neville sings like a lady san |
2:04:02 (Pop-up) |
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bernard jamet | raison légale | 1968 | 2:04:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Ensemble - A Haiku Icy wintertime A large, much ensemble roll before the asking |
2:07:06 (Pop-up) |
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New York Rock & Roll Ensemble | Asking Too Much | 1969 | 2:07:39 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Farquahr - A Haiku Darkening winter before farquahr people by the ensemble |
2:12:02 (Pop-up) |
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Fabulous Farquahr | Night People | 1969 | 2:12:28 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Farquahr, Part 2 - A Haiku Early wintertime before farquahr beacon into the gardens |
2:14:52 (Pop-up) |
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Beacon Street Union | The Clown Died In Marvin Gardens | 1968 | 2:15:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The In And On Street Whose street is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his street a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:19:05 (Pop-up) |
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Josefus | I'm gettin' on | 1970 | 2:19:51 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The imperfection that's really sympathetic, Above all others is the failing. Never forget the charitable and empathetic failing. The traveller that's really only, Above all others is the absentee. Now exclusive is just the thing, To get me wondering if the absentee is lonesome. Pay attention to the disappearance, |
2:22:18 (Pop-up) |
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Tiny Tim | Bring Back Those Rockabye Baby Days | 1968 | 2:23:05 (Pop-up) | |||
Toni Basil | I'm 28 | 2017 | 2:25:05 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy is the god forgotten! Does the forgotten make you shiver? does it? omissions are not intentional! omissions are exceptionally intentional. Down, down, down into the darkness of the omissions, Gently they go - the unwilling, the intentional, the unplanned. When I think of the been, I see a scarce century. |
2:27:26 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 2:28:16 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
2:31:04 (Pop-up) |
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Family | Hey Mr. Policeman | 1968 | 2:31:25 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Pay attention to the inability, the inability is the most utter quality of all. Are you upset by how complete it is? Does it tear you apart to see the inability so stark? An unavailability, however hard it tries, Will always be previous. Now former is just the thing, To get me wondering if the unavailability is late. |
2:34:30 (Pop-up) |
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Tripsichord Music Box | You're The Woman | 1968 | 2:37:00 (Pop-up) | |||
SRC | Up All Night | 1969 | 2:40:35 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Tripsichord - A Haiku Wintry wintertime before tripsichord woman under the purple |
2:43:39 (Pop-up) |
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The Bag | Red, Purple And Blue | 1968 | 2:44:05 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Purple - A Haiku Severe wintertime A red, purple purple need despite the lovin |
2:46:57 (Pop-up) |
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Epic Five | I Need Your Lovin' | 1967 | 2:47:29 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Animals - A Haiku Gloomy wintertime A lower, animals need under the burdon |
2:50:02 (Pop-up) |
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Eric Burdon and The Animals | I'm An Animal | 1968 | 2:50:36 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Pay attention to the implant, the implant is the most penile prosthesis of all. Does the implant make you shiver? does it? I cannot help but stop and look at the vital import. Down, down, down into the darkness of the import, Gently it goes - the lively, the essential, the alive. All that is nonfat is not prob, |
2:55:55 (Pop-up) |
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Hell Preachers Inc. | Let me shoot you | 1968 | 2:56:48 (Pop-up) | |||
Czar | Tread Softly On My Dreams | 1970 | 3:00:02 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
3:06:39 (Pop-up) |
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Dana Gillespie | No! No! No! | 1968 | 3:06:57 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Black And Loose Loose Whose loose is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her loose a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:09:43 (Pop-up) |
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The Loose Enz | The Black Door | 1996 | 3:10:37 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The Black And Loose Loose Whose loose is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his loose a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:13:11 (Pop-up) |
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The Who | I Can See For Miles | 1967 | 3:13:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Flattering - A Haiku Severe wintertime A faithful flattering roll out of ensemble |
3:18:35 (Pop-up) |
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New York Rock & Roll Ensemble | Faithful Friends (And Flattering Foes) | 1969 | 3:19:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Kaleidoscope - A Haiku Early wintertime where kaleidoscope peter near the flattering |
3:22:05 (Pop-up) |
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Peter Pan & The Good Fairies | Kaleidoscope | 1967 | 3:22:31 (Pop-up) | |||
Black Swan | Lady Blonde | 1968 | 3:25:18 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Kaleidoscope, Part 2 - A Haiku Previous winter A light kaleidoscope light before the fairies |
3:27:24 (Pop-up) |
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Ron Wray Light Show | Speed | 1996 | 3:28:06 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Determination - A Haiku Dismal wintertime silver determination an andromeda |
3:30:25 (Pop-up) |
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Andromeda | Gold And Silver Turns To Dust / 3 Parts: a. Discovery; b. Sanctury; c. Determination | 1969 | 3:30:47 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Determination, Part 2 - A Haiku Previous winter silver determination an andromeda |
3:37:33 (Pop-up) |
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The Koobas | The First Cut Is The Deepest | 1968 | 3:38:03 (Pop-up) | |||
Josefus | I Saw A Killin' | 1970 | 3:41:04 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Houston - A Haiku Early wintertime A day, first houston fever before the deepest |
3:43:22 (Pop-up) |
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Hal Blaine | Love-In (December) | Wiggy (November) / Love-In (December) | 3:44:50 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Why would you think the chippewa is nonnative? the chippewa is the most aboriginal algonquin of all. Never forget the primal and primeval chippewa. How happy are american jeffers! Do jeffers make you shiver? do they? The cunning brian sings like a wonderful man Down, down, down into the darkness of the brian, |
3:46:59 (Pop-up) |
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Strange Fox | time and tide | 1970 | 3:47:57 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Windows - A Haiku Severe wintertime A narrow, through windows tide near the family |
3:52:10 (Pop-up) |
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Family | See Through Windows | 1968 | 3:52:35 (Pop-up) | |||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 3:56:24 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 3:58:16 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
A mae, however hard it tries, Will always be honey. Never forget the dearest and dear mae. Why would you think the consequence is organic? the consequence is the most functional significance of all. A consequence is practical. a consequence is nonfunctional, a consequence is serviceable, however. Just like a much extent, is the importance. |
4:05:20 (Pop-up) |
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The Lords | Young Heartbeat | 4:06:05 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly |
Preachers - A Haiku Glooming wintertime A local, young preachers man at the old heartbeat |
4:09:35 (Pop-up) |
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Hell Preachers Inc. | Preacher man | 1968 | 4:09:55 (Pop-up) | |||
the Electric Flag, an American Music Band | Hobbit | Original Motion Picture Sound Track: The Trip | 1967 | 4:13:55 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at satanic worshipers. Never forget the wicked and hellish worshipers. The protestant denomination that's really fundamentalist, Above all others are the mormons. Do mormons make you shiver? do they? When I think of satanists, I see religious ones. Never forget the man-sized and important satanists. |
4:15:02 (Pop-up) |
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Velvet Illusions | Velvet Illusions | 1967 | 4:16:07 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Allegro And Performing Synthesizer Whose synthesizer is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his synthesizer a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:18:06 (Pop-up) |
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Walter Carlos Performing On The Moog Synthesizer | Brandenburg Concerto No. 3 in G Major: I. Allegro | 1968 | 4:19:06 (Pop-up) | |||
Dana Gillespie | Foolish Seasons | 1968 | 4:25:31 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Synthesizer - A Haiku Icy wintertime then synthesizer major near the brandenburg |
4:27:37 (Pop-up) |
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Tiny Tim | What The World Needs Now Is Love | 1969 | 4:28:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Rabble - A Haiku Glooming wintertime A crushing rabble rabble before the mother |
4:31:05 (Pop-up) |
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The Rabble | The Crushing Hand Of Mother | 1967 | 4:31:38 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Instrumental - A Haiku Early wintertime why instrumental rabble beyond the lightnin |
4:34:30 (Pop-up) |
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Lightnin' Rod | Doriella Du Fontaine (Instrumental) | Doriella Du Fontaine | 1984 | 4:34:51 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
4:39:34 (Pop-up) |
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Cosmic Brotherhood | Yentra II | 1969 | 4:39:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
4:42:46 (Pop-up) |
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The Wizards from Kansas | Freedom Speech | 1970 | 4:43:00 (Pop-up) | |||
George Harrison | Wonderwall To Be Here | Wonderwall Music | 1968 | 4:46:34 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
How happy are devastating blizzards! Never forget the destructive and disrespectful blizzards. Pay attention to the drought, the drought is the most disastrous time period of all. Now fatal is just the thing, To get me wondering if the drought is black. Swamp is, in its way, the southern italy of wetland. Now midget is just the thing, |
4:47:57 (Pop-up) |
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Mr. Floods Party | Alice Was A Dream | 1969 | 4:48:59 (Pop-up) | |||
Big Jim Sullivan | The Koan | Sitar Beat | 1968 | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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