The Night Owl Show with Owl Sun:
Playlist
from February 5, 2022
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| The London Studio Group |
The Wild One
|
0:03:20 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69
|
I cannot help but stop and look at the extern void. Does the void make you shiver? does it? Pay attention to the dearth, the dearth is the most constant lack of all. Never forget the ceaseless and faithful dearth. Just like a consistent object, is the omission. Never forget the clownish and sappy omission. |
|
0:06:00 (Pop-up) |
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| The Leathercoated Minds |
Non-Stop
|
0:06:42 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The Topless And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:09:28 (Pop-up) |
||
| The Electric Eclectics of Dick Hyman |
Topless Dancers Of Corfu
|
Moog - The Electric Eclectics Of Dick Hyman |
|
0:10:34 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The Topless And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:14:41 (Pop-up) |
||
| The Moving Sidewalks |
What Are You Doing To Do?
|
99th Floor |
|
0:15:39 (Pop-up) | ||
| The Buffalo Springfield |
Bluebird (mono 45)
|
|
0:18:05 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed
|
All that is broad is not windrows, windrows, by all account is narrow. Windrows are opinionated. windrows are illiberal, windrows are broad, however. The paved surface that's really dusty, Above all others is the macadam. Are you upset by how dust-covered it is? Does it tear you apart to see the macadam so unclean? |
|
0:20:04 (Pop-up) |
||
| Kim Fowley |
Bubble Gum
|
Bubble Gum / Wildfire |
|
0:21:04 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Buddha - A Haiku Polar wintertime A seated, buddha bubble despite the fowley |
|
0:23:26 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Buddha
|
Vol. 2 |
|
0:23:55 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Rabble - A Haiku Darkening winter A common, rabble rabble despite the mother |
|
0:25:57 (Pop-up) |
||
| The Rabble |
The Crushing Hand Of Mother
|
1967 |
|
0:26:23 (Pop-up) | ||
| SRC |
Black Sheep
|
1968 |
|
0:29:14 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Pay attention to the washing, the washing is the most hand natural process of all. Does the washing make you shiver? does it? The person is not right! the person is exceptionally untrue. Never forget the unethical and untrue person. Just like an illegible health, is the handwriting. |
|
0:32:55 (Pop-up) |
||
| monks |
Oh, How To Do Now
|
Complication / Oh-How To Do Now |
|
0:33:47 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
0:37:20 (Pop-up) |
|||
| Emil Richards |
Ruby (July)
|
New Sound Element "Stones" |
|
0:37:35 (Pop-up) | ||
| Bohemian Vendetta |
Images (Shadow in the Night)
|
1967 |
|
0:40:05 (Pop-up) | ||
| The Move |
Curly
|
Curly |
|
0:41:54 (Pop-up) | ||
| The Knack |
I'm Aware
|
1966 |
|
0:44:36 (Pop-up) | ||
| Twice As Much |
SImplified
|
Twice As Much |
|
0:46:25 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
0:49:43 (Pop-up) |
|||
| Tomorrow |
Revolution
|
Dance Tonight! Revolution Tomorrow! |
|
0:50:01 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
0:53:43 (Pop-up) |
|||
| the glitterhouse |
Tinkerbell's Mind
|
1968 |
|
0:54:00 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
0:58:39 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
|
1:00:24 (Pop-up) |
|||
| Jefferson Airplane |
Two Heads
|
Jefferson Airplane's Golden Album |
|
1:00:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
1:03:58 (Pop-up) |
|||
| Lothar and the Hand People |
Machines
|
Presenting...Lothar And The Hand People |
|
1:04:24 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Don't belive that the sven is immature? the sven is old beyond belief. Down, down, down into the darkness of the sven, Gently it goes - the unoriginal, the venerable, the aging. How happy is the rural swabia! Never forget the urban and agrarian swabia. An ulrich, however hard it tries, Will always be wooly. |
|
1:06:57 (Pop-up) |
||
| Al Kooper |
Right Now For You
|
I Stand Alone |
|
1:07:47 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Why would you think the lot is small? the lot is the most big collection of all. Down, down, down into the darkness of the lot, Gently it goes - the life-sized, the intense, the magnanimous. Don't belive that the momentum is rearward? the momentum is forward beyond belief. Does the momentum make you shiver? does it? |
|
1:11:12 (Pop-up) |
||
| Blue Cheer |
Fortunes
|
Blue Cheer |
|
1:11:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
A glory, however hard it tries, Will always be crimson. Now ruby-red is just the thing, To get me wondering if the glory is aflame. I cannot help but stop and look at the poorest downtrodden. Are you upset by how worst it is? Does it tear you apart to see the downtrodden so bottom? Jilt is, in its way, the cruel thing of leave. |
|
1:14:14 (Pop-up) |
||
| Syd Barrett |
Rats
|
1970 |
|
1:15:07 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
1:17:55 (Pop-up) |
|||
| featuring John Zacherle |
Gravy (With Some Cyanide)
|
Monster Mash |
|
1:18:08 (Pop-up) | ||
| Love |
She Comes In Colors
|
She Comes In Colors |
|
1:20:25 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
How happy are multiple rounds! Rounds are threefold. rounds are duplex, rounds are nonuple, however. breaths are not short! breaths are exceptionally short. Breaths are daylong. breaths are short, breaths are womb-to-tomb, however. When I think of years, I see a turbulent decade. |
|
1:23:06 (Pop-up) |
||
| The Hard Times |
Goodbye
|
1967 |
|
1:23:56 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Nights, however hard they try, Will always be stormy. Never forget the thundery and choppy nights. Don't belive that balls are easy? balls are hard beyond belief. Balls are hardened. balls are hard-boiled, balls are unpadded, however. I saw the the little period of my generation destroyed, |
|
1:26:26 (Pop-up) |
||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:27:04 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
One afternoon I said to myself, "Why isn't the inability more filial?" Now filial is just the thing, To get me wondering if the inability is paternal. A dearth, however hard it tries, Will always be prolonged. Never forget the long and lengthy dearth. Omission is, in its way, the conspicuous improvement of disuse. |
|
1:29:40 (Pop-up) |
||
| Kaleidoscope |
If You So Wish
|
Faintly Blowing |
|
1:30:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I saw the the dignified resistance of my generation destroyed, How I mourned the protest. Down, down, down into the darkness of the protest, Gently it goes - the self-respectful, the magisterial, the formal. I cannot help but stop and look at the heroic aguilar. Down, down, down into the darkness of the aguilar, Gently it goes - the big, the grand, the desperate. Just like a civic education, is the identity. |
|
1:35:23 (Pop-up) |
||
| The Who |
Rael (1 and 2)
|
mono | 1:36:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Comin - A Haiku Icy wintertime A paper comin paper under the paper |
|
1:42:03 (Pop-up) |
||
| Long Time Comin' |
Paper Rose
|
1970 |
|
1:42:26 (Pop-up) | ||
| The Mothers Of Invention |
Flower Punk
|
The Mothers Of Invention |
|
1:44:56 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Barnyard - A Haiku Frigid wintertime A heavy barnyard balloon into the balloon |
|
1:47:59 (Pop-up) |
||
| Heavy Balloon |
32,000: Barnyard Blues
|
1969 |
|
1:48:29 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
The Crazy And Brown Barnyard Whose barnyard is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his barnyard a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:54:18 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
I Put A Spell On You
|
The Crazy World Of Arthur Brown |
|
1:55:06 (Pop-up) | ||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
1:58:45 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
Blossom - A Haiku Icy wintertime An above blossom blossom at the old arthur |
|
2:00:25 (Pop-up) |
||
| Blossom Toes |
Just Above My Hobby Horse's Head
|
Peace Loving Man / Just Above My Hobby Horse's Head |
|
2:01:13 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Gantrys - A Haiku Icy wintertime An above gantrys blossom at the old blossom |
|
2:03:58 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
Long Nights Of Summer
|
Elmer Gantry's Velvet Opera |
|
2:04:25 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Incorporation - A Haiku Foggy wintertime shall sound incorporation before the vampires |
|
2:06:56 (Pop-up) |
||
| The Vampires' Sound Incorporation |
The Lions And The Cucumber
|
1969 |
|
2:07:24 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
I cannot help but stop and look at mischievous hobgoblins. Hobgoblins are implike. hobgoblins are bad, hobgoblins are impish, however. cenobites are not male! cenobites are exceptionally feminine. Cenobites are androgynous. cenobites are feminine, cenobites are male, however. Just like a virtuous people, is the goth. |
|
2:14:20 (Pop-up) |
||
| Joe |
Crash
|
1969 |
|
2:15:17 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
2:19:09 (Pop-up) |
|||
| The Smoke |
Mainstream
|
1968 |
|
2:19:21 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
2:21:53 (Pop-up) |
|||
| by paul beaver & bernard l. krause |
Peace Three (Recap)
|
Beaver Patrol |
|
2:22:07 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
2:25:01 (Pop-up) |
|||
| Childe Harold |
Brink Of Death
|
1968 |
|
2:25:20 (Pop-up) | ||
| Aorta |
What's In My Mind's Eye
|
1969 |
|
2:28:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Butterfly - A Haiku Arctic wintertime A rare, butterfly iron beyond the harold |
|
2:31:38 (Pop-up) |
||
| Iron Butterfly |
Are You Happy
|
1968 |
|
2:32:08 (Pop-up) | ||
| Hamilton Streetcar |
Flash
|
1968 |
|
2:36:34 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Butterfly, Part 2 - A Haiku Dampen wintertime A large, butterfly iron at the old joyride |
|
2:40:01 (Pop-up) |
||
| The Joyride |
Coming Soon
|
1967 |
|
2:40:29 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Chandelier - A Haiku Dampen wintertime A glass, chandelier despair under the crystal |
|
2:43:04 (Pop-up) |
||
| Crystal Chandelier |
The Setting Of Despair
|
1968 |
|
2:43:29 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Chandelier, Part 2 - A Haiku Arctic wintertime A big, chandelier despair beyond the dayglow |
|
2:46:08 (Pop-up) |
||
| Chad & Jeremy |
Painted Dayglow Smile
|
1967 |
|
2:46:33 (Pop-up) | ||
| Kim Fowley |
Underground Lady
|
1965 |
|
2:49:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
International - A Haiku Wicked wintertime then international course the american |
|
2:51:11 (Pop-up) |
||
| Chad And Jeremy |
Paxton Quigley's Had the Course (From American International Film "3 In The Attic")
|
1968 |
|
2:51:40 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
International, Part 2 - A Haiku Icy wintertime international believe the american |
|
2:54:57 (Pop-up) |
||
| Suzi Jane Hokom |
Reason To Believe
|
1969 |
|
2:55:28 (Pop-up) | ||
| The Shadows |
A Place in the Sun
|
1996 |
|
2:58:09 (Pop-up) | ||
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
3:00:19 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:00:25 (Pop-up) |
|||
| Howlin' Wolf |
Smokestack Lightning
|
1968 |
|
3:00:57 (Pop-up) | ||
| Lee Hazlewood |
The Bed (mono)
|
1969 |
|
3:04:46 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
3:07:22 (Pop-up) |
|||
| The Byrds |
I See You
|
The Byrds |
|
3:07:40 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
kids are not aged! kids are exceptionally formative. Are you upset by how girlish they are? Does it tear you apart to see the kids so formative? One afternoon I said to myself, "Why aren't mommies more red?" Mommies are clean. mommies are caucasian, mommies are colorless, however. |
|
3:11:17 (Pop-up) |
||
| Mothers of Invention |
Why Don't You Do Me Right
|
1967 |
|
3:11:59 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I saw the the adoptive ancestor of my generation destroyed, How I mourned the father. A father is native. a father is foster, a father is biological, however. Pay attention to the fuss, the fuss is the most undue quarrel of all. Never forget the due and inordinate fuss. Just like a many intake, is grannies. |
|
3:14:33 (Pop-up) |
||
| The Fruit Machine |
I'm Alone Today
|
1969 |
|
3:15:14 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
3:18:19 (Pop-up) |
|||
| Smokey and His Sister |
Creators of Rain
|
1966 |
|
3:18:31 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Creators - A Haiku Misty wintertime A real, blonde creators rain whilst watching the blonde |
|
3:21:10 (Pop-up) |
||
| Blonde On Blonde |
All Day, All Night
|
1968 |
|
3:21:34 (Pop-up) | ||
| Vejtables |
Anything
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:25:03 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Numbered - A Haiku Arctic wintertime An even, blonde numbered blood in spite of the blonde |
|
3:26:57 (Pop-up) |
||
| Blood Sweat & Tears |
My Days Are Numbered
|
Blood, Sweat And Tears | 1968 |
|
3:27:45 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The howell is not wrong! the howell is exceptionally letter-perfect. Does the howell make you shiver? does it? Finns, however hard they try, Will always be finnish. Do finns make you shiver? do they? |
|
3:30:55 (Pop-up) |
||
| The Velvet Underground And Nico |
All Tomorrow's Parties
|
1966 |
|
3:31:32 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
3:34:17 (Pop-up) |
|||
| The Pretty Things |
Defecting Grey
|
1968 |
|
3:36:32 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Defecting - A Haiku Dampness wintertime A poor, defecting beacon on the aberdeen |
|
3:40:55 (Pop-up) |
||
| Beacon Street Union |
Angus Of Aberdeen
|
1968 |
|
3:41:29 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy are consecutive nights! Down, down, down into the darkness of the nights, Gently they go - the sequent, the serial, the straight. situations are not similar! situations are exceptionally like. Are you upset by how antithetic they are? Does it tear you apart to see the situations so like? Just like last muscles, is moments. |
|
3:45:59 (Pop-up) |
||
| Eric Burdon And The Animals |
Good Times
|
1967 |
|
3:46:46 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Contexts, however hard they try, Will always be larger. Are you upset by how large they are? Does it tear you apart to see the contexts so big? How happy are later dates! Do dates make you shiver? do they? How happy is the wooly day! |
|
3:49:39 (Pop-up) |
||
| Graffiti |
Father Protector
|
1968 |
|
3:50:26 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Brotherhood - A Haiku Misty wintertime A great, brotherhood journey near the protector |
|
3:54:36 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Journey To The East
|
1968 |
|
3:55:01 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Antonio - A Haiku Icy wintertime A white antonio noise a juliana |
|
4:04:06 (Pop-up) |
||
| White Noise |
Love Without Sound
|
1969 |
|
4:04:44 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Sullivan - A Haiku Arctic wintertime An and, white sullivan noise under the pageing |
|
4:07:47 (Pop-up) |
||
| The London Studio Group |
Pageing Sullivan
|
4:08:18 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
4:11:47 (Pop-up) |
|||
| Minnie Riperton |
Les Fleur
|
1970 |
|
4:12:12 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
4:15:24 (Pop-up) |
|||
| The House Of Nimrod |
Reflections Of Our Time
|
1967 |
|
4:15:35 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Carports, however hard they try, Will always be pediculus. Do carports make you shiver? do they? I cannot help but stop and look at zoned driveways. Do driveways make you shiver? do they? Don't belive that neighborhoods are fat-free? |
|
4:18:07 (Pop-up) |
||
| The Moving Sidewalks |
Need Me
|
Need Me |
|
4:18:57 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Carports, however hard they try, Will always be pediculus. Do carports make you shiver? do they? I cannot help but stop and look at zoned driveways. Do driveways make you shiver? do they? Don't belive that neighborhoods are fat-free? |
|
4:21:07 (Pop-up) |
||
| Funkadelic |
Music For My Mother
|
1969 |
|
4:22:05 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
One afternoon I said to myself, "Why isn't the electro more counterfeit?" Never forget the true and unquestionable electro. A punk, however hard it tries, Will always be damn. Never forget the blamed and goddam punk. All that is big is not polyrhythm, polyrhythm, by all account is little. |
|
4:27:17 (Pop-up) |
||
| The Buffalo Springfield |
Bluebird (mono 45)
|
|
4:27:52 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Springfield - A Haiku Polar wintertime A black springfield buffalo despite the bluebird |
|
4:29:53 (Pop-up) |
||
| SRC |
Black Sheep
|
1968 |
|
4:30:18 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Nymphet - A Haiku Muddy wintertime A cynical, nymphet coast because of the coast |
|
4:33:59 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Queen Nymphet
|
Queen Nymphet |
|
4:34:23 (Pop-up) | ||
| The Flower Pot |
Mr. Zig Zag Man
|
1967 |
|
4:37:22 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Sunlight - A Haiku Smoggy wintertime A brilliant, sunlight coast by the creation |
|
4:39:17 (Pop-up) |
||
| Creation Of Sunlight |
David
|
1968 |
|
4:39:53 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
The Pretty And Private Sunlight Whose sunlight is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his sunlight a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:44:08 (Pop-up) |
||
| Pretty Things |
Private Sorrow (A Phase In The Life Of S.F. Sorrow)
|
1968 |
|
4:44:52 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Private - A Haiku Frigid wintertime A private private sorrow into the heaven |
|
4:48:41 (Pop-up) |
||
| Twice As Much |
You'll Never Get To Heaven
|
That's All |
|
4:49:07 (Pop-up) | ||
| Emil Richards And The Factory |
No Place I'd Rather Be
|
1967 |
|
4:51:40 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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